We do not lack for solo artists of merit and skill, but in choral music

we have not done all we could. In Ireland a modern school of composers

is doing work of which we know little here. The mending of this should

be a first step in the Irish musical renaissance. If we find poets to

write the books and lyrics, and musicians to compose the vibrant

measures to fit them, we must have singers to interpret them and

instrumentalists to give them the breadth and depth of the full artistic

inspiration. Let the little band of sixty or seventy (little as choral

renderings go in these days) who came together from the Catholic

Oratorio Society for the Irish Concert be the melodious forerunners of

Irish choral societies that may gather thousands at a time in one burst

of song. At the Irish Concert the chorus sang admirably. May every

member thereof be blessed for her or his participation, and their

example give heart to a new musical impulse among our people.

The great house was filled to its capacity with a representative Irish

gathering and presented a fine picture of comely women and handsome men.

The Hudson-Fulton Celebration Commission had given the concert official

place in its programme; the visiting guests of the Commission were

invited. Governor Hughes of the State of New York, who boasts of Irish

blood, and our one-time mayor and one-time president of Columbia

College, Seth Low, as chairman of the Commission’s reception committee,

occupied with the governor’s staff the central box on the grand tier. It

was a “warm house,” then, that greeted the entry of the orchestra and

the chorus on the broad stage, and listened raptly to what proved a fine

concert of Irish music, deserving all the applause it received. And this

was the programme:—

1. Overture—“Maritana,” _W. V. Wallace_

=Orchestra.=

2. Song—(a) “Ban-Chnoic Eireann, O” _Mac Conmara_

Lyric—(b) “The Penal Days” _Davis_

=Mrs. Helen O’Donnell.=

3. Chorus—(a) “The Minstrel Boy” _Moore_

(b) “Oft in the Stilly Night” _Balfe_

=Catholic Oratorio Society.=

4. Song (Irish)—“Thuit ar an m-bu-adharg” _MacHale_

Lyric (b)—“Sweet Harp of the Days That Are Gone,” _words by Samuel

Lover; music by his grandson, Victor Herbert_.

=Mr. William Ludwig.=

5. Irish Symphony—(a) “Andante Con Moto” (two movements)

(b) “Allegretto Motto Vivace” _V. Villiers

Stanford_

=Orchestra.=

6. Irish Rhapsody—“Erin, Oh, Erin” _composed by Victor Herbert and

dedicated to the Gaelic Society_

=Orchestra.=

7. Song—“An Irish Noel” _Augusta Holmes_

=Madame Selma Kronold.=

8. Chorus—(a) “Hath Sorrow Thy Young Days” _Balfe_

(b) “The Fenian War Song” _Sir. R. P.

Stewart_

=Catholic Oratorio Society.=

9. Song—(a) “Irish Reaper’s Harvest Hymn” _Keegan_

(b) “Old Ireland Shall Be Free” (_words by J. J. Rooney, old air

arranged by Victor Herbert_)

=Mr. William Ludwig.=

10. American Fantasy _Victor Herbert_

=Orchestra.=

11. Anthem—“The Star Spangled Banner”

=Orchestra and Chorus.=

Singers and players performed delightfully. Mrs. O’Donnell, Madame

Kronold and William Ludwig—that famous veteran of the German opera and

great interpreter of Irish ballads—all won new laurels. Mr. Ludwig’s

rendition of the spirited song by John J. Rooney, author of so many fine

lyrics and ballads, was particularly impressive. But it was the work of

Victor Herbert’s orchestra that lifted the occasion to its real height.

The performance of Villiers Stanford’s Irish symphony and Herbert’s own

Irish rhapsody was as true and fine as could be conceived, and in every

way worthy of the brilliant compositions themselves. The chorus gave the

Balfe lyric and “Oft in the Stilly Night” with fine shading and their

singing of “The Fenian War Song” won an encore that would not be denied.

As a whole the concert gave an impression profoundly gratifying to all

connected with it. I have said that it was conceived in the first place

by Jeremiah Lawlor. It is right to add that Major E. T. McCrystal,

chairman of the Concert committee, worked hard with Mr. Lawlor for the

result achieved. To Mr. Lawlor, Seth Low wrote after the concert that he

found it “most enjoyable,” and added:—

“The music itself was interesting, and it was rendered in a way worthy

of all admiration. I think that those who have labored so hard for so

many years to awaken interest in Gaelic culture have not only done a

service for the members of the Irish race in this country, but, as

illustrated by this really beautiful concert, they have rendered a

valuable service to the whole country.”

It is a pleasure to bear out Mr. Low, and to formulate the hope that the

Irish Concert of that Sunday evening may be parent of great effort among

our people to justify to themselves and the world their boasted love of

the art that made Ireland famous a thousand years ago.

THE HISTORICAL PARADE.

On Tuesday, September 28, the weather in the morning held little promise

of procession weather. It had rained, and in some degree dampened ardor,

but the meteoric luck of the celebration was to prevail and by noon the

skies were opening, and just the right condition overhead and underfoot

assured. The line of the three great processions, of which this was to

be the first, had been well chosen. Assembling north of Central Park the

parade was to pass down the broad avenue of Central Park West, a

straight line of two miles and a half, turning east at 59th street for a

short half mile to Fifth avenue, then down the avenue a straight line

for another two miles and a half to the point of dispersal. For three

miles the parade was to pass between a succession of stands for

spectators, with stands at every available point on Fifth avenue and the

grand stand in the Court of Honor at 42d street, as we have noted

before.

It was a fine and suggestive parade. The fifty great floats provided

with so much care did not, perhaps, come up in all things to

expectations. Cold daylight plays havoc with such expressions of

historic symbolism. It shows the gilding, the high colors, the

make-believe material too unsparingly. It betrays the utter modernity of

the costumed posturers standing for legendary and historic figures.

Perhaps this was not the view of the cheering thousands as the floats

passed by. Art-knowledge makes one hypercritical and art-smattering

makes one expect too much. Let us take it as it seemed to the

multitude—the heroism of history on wheels.

But the parade, on its really inspiring side, was its men. As phalanx

after phalanx passed by at a marching step one felt the greatness of the

land that had beckoned to the peoples of the world with such commanding

gesture that they had sent hither the flower of their manhood to share

the great heritage of democracy on a continent of unbounded opportunity.

There they were, the Irish, the Italian, the Teuton, the Magyar, the

French, the Scotch, the Dutch, the English, the Czech, the Pole, the

Slav, the Greek, the Syrian, the Dane, the Swede; and the man of the

great conglomerate, the man of the evolving type—the American.

After the line of splendid-looking mounted police, trim-built and firmly

seated with many a Celtic face among them, marched on foot Hermann

Ridder and the Mayor—two contrasting figures—Ridder, tall and erect, the

Mayor short and dapper. Together they stepped the length of the way,

both beaming with fair satisfaction, the populace cheering and the band

playing.

Then came a line of green, Irish flags with crownless harps of gold.

The Irish had the right of the line—the Friendly Sons of St. Patrick

(with whom the American-Irish Historical Society marched) were at the

head of the parade, William Temple Emmet leading. Following came the

Ancient Order of Hibernians with many Irish banners and led by Thomas

Kelly. They wore wide-brimmed felt hats of military trim, and carried

themselves admirably. Band after band and phalanx after phalanx of this

nationality or that came on, some like the Hungarians in marvels of

hussar costume, others in military coats, the breasts covered with

multitudes of medals, won maybe at schutzenfest or turnverein, but

probably not in war.

The Clan-na-Gael made a gallant showing, and the Irish Athletic

societies, headed by the redoubtable P. J. Conway, turned out in force,

marching with a free swing that caught the onlookers immensely. A

feature was the Tammany column—a thousand or more tall-hatted and

frock-coated stalwart, presentable men, with Charles F. Murphy at their

head. They paraded, be it understood, as representing the charitable and

benevolent and not the political side of the long-lived organization.

They were popular with the crowds.

Notable was the passage of the Clermont float. It was well known to all

that Martin Sheridan and John Flannagan were to be there, and where

there was any doubt among the onlookers as to which was which, were not

the policemen along the route ready to tell them? “That’s Martin

Sheridan, the man in the bell-topper,” alluding to the remarkable

headgear under which the great athlete stood for the great inventor. So

the cheers billowed for the Clermont all the way, a cheer for Robert

Fulton and “a tiger, boys, for Martin!”

THE POLICE AND THEIR TASK.

And as to those great-bodied policemen who held the swarming, sometimes

obstreperous, but generally patient crowds in check, how finely they did

it all. I would hesitate to say whether their faces or their accents

indicated sixty or seventy per cent. of live Celtic blood in them, but

it was not less than the lower figure, and may have been more than the

greater. They won golden opinions on every side and from all classes

that day, and for the many long, arduous days until the celebration was

over. It was not merely to hold the line—a task calling for firmness,

tact, strength and continuous good nature, but handling with skill the

enormous crowds that filled the avenues when the processions had gone

by, and all were rushing for their homes, filling to overflowing every

car-line, every elevated roadway, and particularly cramming to

congestion in the subway. In addition they had at all times to be

“guide, philosopher and friend” to the full million of visitors new to

metropolitan ways and pavements. And that was a task in itself.

THE MILITARY PARADE.

For Thursday, September 30, came another splendid day when the military

parade made New York tingle with marching tunes and the rhythmic tramp

of men. Here was something that always quickens the popular pulse. We

had seen many like it in this big, thrilling town, but none that

surpassed it. The primal impulse coming from the thought: “Here are our

defenders; here our men who face death for Fatherland,” has to answer,

no doubt, for the cheers that greet the men at arms as they swing

marching by. When kingcraft added pomp, glitter and jingle to it and

tamed the trumpet to sing a siren song, and patriotism fluttered flags

above it rich in color and hung on gold-tipped spears, the magic was

complete. Yet this pageant showed us more in one way and less in

another. More, in the fact that it showed us thousands of soldiers and

armed man o’ warsmen from many alien ships and lands—some time or other

our possible enemies, our possible allies—but all keeping step with our

own brave men in the name of a pictorial friendship and in the hope of

an unbroken peace; above all paying this passing tribute to our city and

our country. Less, in that it showed us the stripping off of the gauds

and finery of war, bringing more directly home to us that war today will

none of these, but must keep the human material of battle in ready

fighting trim. Glory was marching in khaki and scorned all gold galloon.

Over the same path as the civic procession of Tuesday came Military

Glory in its ranked and regimented thousands, giving something of the

thought that if called on to take to the trenches or march to the attack

by the time it reached Washington’s arch, the men would be ready. Thus

it gave two distinct sensations to the hundreds of thousands who watched

it, outside the particular thrills that came when some well-remembered

or much-admired division of the troopers came tramping grimly by.

Our Irish citizens enjoyed it immensely, for they knew when the

“regulars” were passing that it was dotted all over with Irish faces;

that it was the army that Andrew Jackson gloried in; that Phil Sheridan,

Kearney, Meagher and a hundred other brilliant men of Irish blood and

strain had led on fields of death. Was not their own 69th there swinging

along as it had swung at any time in fifty years that the country

called? It was, and gallantly held its own for drill and trim and

soldier bearing. Did they not warm to the thought that the Irish

volunteers were marching, men soldiering for the very love of it, and

cherishing an olden hope that sometime, somewhere they might be allowed

to charge a battery or storm a height for Ireland—Ireland far away, but

Ireland ever near to their hearts. And this thought gave friendliness to

their hail of the French marines and the French sailors, for the French

had been Ireland’s friend as well as America’s in the old troubled

times, and many a one lilted under his breath “Oh, the French are on the

sea, says the Shan van Vocht” when the Gallic tri-color went dancing

past. These thoughts made it seem tolerable that the English were in the

line and went so far as to let them give the Germans a cheer or two, and

extending various degrees of approval to Italians, Brazilians and

Argentines. But the West Point cadets! There, the innate love of the

fighting man by the fighting race found intimate appeal. Many the Irish

captain, great in the battlefield, had learned the grim trade in that

battalion, and now to see how fine and supple yet tense they seemed, how

superbly they marched, how arrowlike their alignment, how wonderfully

they wheeled or countermarched, and the bands playing through it all. It

was a glorious day for all who took part and all who looked on.

THE NAVAL PARADE.

Another day on the water came with Friday, October 1, and the weather

again was all that could be wished. Early the excursion steamers took on

their loads, for the route was long of the Naval Parade. Shorn of the

hundreds of tugboats and small craft that had swarmed the water on the

Saturday before, it was a powerful and select squadron that turned its

prows upstream to escort the Half Moon and the Clermont as far as

Newburg, fifty-five miles above New York. The torpedo boats and a couple

of the new sub-marines formed the governmental escorting party—the very

old and the very new thus touching sides—and then came over one hundred

powerful craft in line, decked in vari-colored bunting and with bands

playing. It was a splendid sight, as passing the war ships they swept on

beyond Manhattan island up the broad, deep stream. Commander Peary on

his stout ship, Roosevelt, freshly arrived that morning from the North

and his conquest of the Pole, received the tribute of the thousands in

the procession. The dark rocky masses of the Palisades, now glowing here

and there with autumn foliage, towered on the left, and on the right lay

the river towns set amid fields and woods.

Many a flag of Ireland fluttered from the upper works of the great swift

steamer “Asbury Park” on which had gathered some nine hundred of the

Friendly Sons of St. Patrick and the American-Irish Historical Society

with their families and friends. Every provision for their comfort had

been made, and the occasion rapidly became one of delightful enjoyment

under the stimulation of the grand and historic scenery of the noble

river, and the glow of friendly courtesy wherever the Irish race

foregathers. The pace could not be very fast, for the greatest of the

steamers was bound by the speed of the slowest, and these latter were

the Half-Moon and the Clermont. All the more could the time of

observation of the many points of interest along the river be extended.

Dobb’s Ferry, where Washington had headquarters for so long, while his

little army watched the English forces then holding New York against the

patriots. Sleepy Hollow, Washington Irving’s home and the scene of his

romance of The Headless Horseman, were pointed out. Tarrytown, where

Major André, the British spy, was arrested, and Tappan, where he was

executed, were noted as the line of steamers ploughed through the Tappan

Zee where the Hudson broadens almost to a lake, and is four miles wide

and twelve miles long, then past the great prison of Sing Sing on the

East bank. Presently, the line was passing Stony Point, the promontory

of the Hudson near the entrance to the Highlands. And the gallant story

was retold of how the Revolutionary soldiers posted in the rude fortress

there had succumbed to an attack by the British; how the loss of the

fort rankled in the patriots’ breasts, and how, at the dead of night, in

mid-July of 1779, mad Anthony Wayne with a devoted band delivered so

sudden and overwhelming an assault that the British garrison was slain

or captured, and the stars and stripes were sent aloft never since to

give way to an alien flag. On then through the Highlands of the Hudson

where the mountains slope down to the river on either side. Old river

men aboard pointed out Fishkill Mountain, Storm King, Crow’s Nest,

Donderberg, Anthony’s Nose, names written in the history of the country

and the literature of the river. At West Point was seen perched on the

cliffs the quarters of the military academy of the United States, whence

so many great soldiers had been graduated and rich in the memory of

Ireland’s celebrated sons as well. Across the river was pointed out the

road, still winding down to the stream, by which the traitor, Benedict

Arnold, fled, taking boat to the English brig of war, when he surely

knew that his treason had been discovered in the capture of Major André.

Swinging carefully then around the West Point bend in the river, that

scene of rare beauty—the straight stretch of ten miles up to Newburg

bay—broke upon the view.

[Illustration:

WILLIAM TEMPLE EMMET, ESQ.,

Member of the Society, and President of the Society of the Friendly

Sons

of St. Patrick in the City of New York.

]

MEETING OF THE AMERICAN IRISH HISTORICAL SOCIETY.

Under the inspiration of these stirring memories, the stimulus of the

celebration and the desire of all concerned, a brief but memorable

meeting of the American-Irish Historical Society was held on the forward

covered deck of the “Asbury Park.” The Vice President of the New York

Chapter discussed the events of the day and the week, and the Irish

share therein, extending welcome to the members who had come from other

states at the Chapter’s call to meet their brethren in this festal trip,

and called on President-General, Dr. Francis J. Quinlan, to address the

company. The members warmed to the President’s appeal, for he has the

happy gifts of enthusiasm and Celtic eloquence. He spoke for the spread

of the society and its usefulness in gathering for future generations

the story of the Irish race in America, and laying a foundation for a

greater communion among its men and women of today. He was followed by

Thomas Zanslaur Lee, Secretary General of the Society, who succinctly

told of the recent remarkable gains in membership, and gave practical

hints for a still greater accession to the Society’s ranks. William

Temple Emmet, President of the Friendly Sons of St. Patrick, made a

short speech of sympathy with the aims of the Society, and the

proceedings terminated in an interchange of salutations shared by all

present.

In Newburg bay the steamers of the fleet were gathering now, hovering

and slowly circling about the Half-Moon and the Clermont and their

escorts. The ancient town rising on the west bank of the river showed a

gala front of flags, while thousands crowded the heights to view the

scene upon the bay. The steamer Providence, bearing the officials of the

day, had drawn up to the landing, and while they took part in a

procession and made speeches appropriate to the occasion, those on the

rest of the fleet dined and made merry. Never before, perhaps, had the

waters thereabout furnished such a scene as that of the flag-decked

fleet going to and fro under the blue sky, framed in the red and gold of

autumn on the hills and breaking with screw and paddle the silver of the

wide and placid stream. Would that Washington, whose fearless eyes had

often gazed in the weary days of the long-drawn war, out over the river

there, had caught that vision of young and strong America afloat and

rejoicing a century after his passing away! His, however, were the eyes

that saw across the mountains, and in the darkest day beheld the sun

upon the hills beyond, and it is not for us to say what he did not see.

From Albany far up the Hudson had come the officials to take charge of

the Half-Moon and the Clermont, and the pleasant task of the fleet from

New York was done. Down the river, then, the prows were turned, and the

homeward journey was begun. Many were the visits made and returned on

board the “Asbury Park” as she headed south. The evening was deepening

as she came by the city now breaking into light, a beautiful spectacle.

So ended a day long to live in memory. As the excursionists stepped

ashore to each one was handed a souvenir copy of Mr. Tuite’s “Robert

Fulton and His Achievement,” which is reproduced in the volume farther

on.

By the indefatigable secretary of the New York Chapter, Alfred J.

Talley, I am furnished with the following list of the members of the

Society who with their families and friends were on board:—

Albeus T. Adams, M. E. Bannon, Michael Blake, John J. Boyle, Henry J.

Breen, William J. Broderick, Francis X. Butler, Edward R. Carroll, F.

J. Cavanaugh, J. I. C. Clarke, Andrew J. Connick, Patrick J. Conway,

Hugh M. Cox, E. J. Curry, Robert E. Danvers, Thomas F. Donnelly,

Richard J. Donovan, Willis B. Dowd, John F. Doyle, M. J. Drummond,

John J. Falahee, Joseph P. Fallon, Edward D. Farrell, Frank S. Gannon,

Charles V. Halley, John H. Halloran, John Hannon, David Healy, John J.

Hickey, Michael J. Jennings, Alfred J. Johnson, James G. Johnson,

Michael J. Joyce, Phillip J. Magrath, P. J. Kelly, T. P. Kelly, Daniel

Kennedy, T. Zanslaur Lee, Charles Leslie, Warren Leslie, Thomas S.

Lonergan, Richard J. Lyons, D. H. McBride, Robert E. McDonnell, D. J.

McGinnis, James J. McGuire, Edward J. McGuire, John C. McGuire, James

A. McKenna, Stephen McPartland, Stephen J. McPartland, J. D. Morton,

John Morgan, Bartholomew Moynahan, Michael J. Mulqueen, John E.

Murphy, Thomas F. Noonan, John E. O’Brien, John O’Connell, John G.

O’Keefe, D. P. O’Neil, James O’Shea, John O’Sullivan, Sylvester J.

O’Sullivan, James W. Power, Francis J. Quinlan, Clarence W. Ramsey,

James F. Reilly, James Rorke, Joseph Rowan, James T. Ryan, John J.

Ryan, William Ryan, Dennis A. Spellissy, Thomas N. Mulry, Alfred J.

Talley, Edward M. Tierney, Frank L. Tooley, William Tully, Watson

Vredenburgh, Jr., Henry Wright, A. J. MacGuire, Harry L. Joyce, Thomas

A. Emmet, William M. Byrne, William E. Hill, James A. McKenna, William

J. Farrell, James Martin, Daniel M. Brady, John Fitzgibbon, Timothy

Murray, William T. Emmet.

The guarantors of the contract were:

On behalf of the American Irish Historical Society: J. I. C. Clarke,

Edward J. McGuire, T. Vincent Butler, William Michael Byrne, P. J.

Magrath, Harry L. Joyce, John O’Sullivan, Francis J. Quinlan, M. D.,

Alfred J. Talley.

On behalf of the Friendly Sons of St. Patrick: William Temple Emmet,

Thomas T. Fitzsimons, Morgan J. O’Brien, Edward B. McCall, Warren

Leslie, John D. Crimmins, John G. O’Keefe, Edward R. Carroll.

THE CARNIVAL PARADE.

For finish to the week of celebration came on the evening of Saturday,

October 2, the Carnival Parade, over the same route as those of Tuesday

and Thursday. It was a brilliant spectacle of lighted floats and

costumed paraders that passed down the avenues with their strings of

electric lights on either side. One cannot describe it all except in

general terms. It defies words, as a flight of rockets defies them, but

the Germans, Austrians and Swiss, who mostly furnished the human side of

the spectacle, did nobly.

It was a week to remember, and, as has been indicated, Ireland’s sons

had a handsome share in it.

“MANHATTAN.”

An Ode for the Hudson-Fulton Celebration, September, 1909.

BY JOSEPH I. C. CLARKE.

The journal of the American-Irish Historical Society, Vol. IX, 1910 · 第 11 / 53 段