CHAPTER XXV.

THE RIALTO.

“Amongst the hills,

Seest thou not where the villa stands? The moonbeam

Strikes on the granite column, and mountains

Rise sheltering round it.”

LADY FLORA HASTINGS.

The sun was setting on the evening of the third day from their departure

from New York, as Mr. and Mrs. Withers stood upon the deck of the

steamboat Venture, and watched the approach of a village on the eastern

bank of the Hudson. It was a village of considerable importance as to

size, and of great beauty of locality. Nearly all the houses were

painted white, and nestled in and out among the trees and hills. Many of

their windows faced the river, and flashed back the golden fire of the

setting sun. While Hagar watched the distant, but fast approaching

village, Raymond called her attention to a mansion-house on the same

side of the river, and which being some quarter of a mile below the

village, was now quite opposite to them. Hagar turned and gazed with all

a rustic’s admiration, at the splendid mansion. Let me describe it as

she then saw it. It stood half way up a forest-covered hill, which

formed a background to the oblong square front of white freestone, with

its eight upper windows and four lower windows separated by the handsome

marble portico, and blazing in the sunbeams, presented to the view.

“That is an elegant villa!” exclaimed Hagar.

“And it is beautiful on a nearer view,” replied her husband.

“I wonder whose it is?”

“It is called ‘The Rialto,’ and belongs to a gentleman who is now

travelling.”

“Then it is unoccupied.”

“It has been shut up a long time, and left in the care of a porter who

lives at the gate, _but_ at the time I was last in this neighborhood,

which, Hagar, was when I was returning, recalled by you, the house was

undergoing repairs, cleaning, painting, &c., preparing for the reception

of the owner, who was about to be married and bring home his young

bride. I suppose by this time the coverings are all removed from the

furniture, pictures, &c., that everything is in perfect readiness for

the reception of the master.”

While he spoke the sun sank below the horizon, and the blaze faded from

the long windows of the villa just as the boat shot past. In ten more

minutes she had reached the village of W——.

Mr. Withers conducted his wife to the nearest hotel, and leaving her

there, returned to attend to his baggage.

Hagar sought a bed-chamber with a view of arranging her dress and

smoothing her hair, that had been ruffled by the river breeze.

What were Hagar’s feelings now that she was launched alone with her

husband, out into a strange new scene? With one who was to be her

constant companion for perhaps fifty or sixty years—for Hagar was but

eighteen, and Raymond twenty-eight. High spirited, but forgiving, her

fiery anger had expended itself long since, and her pride was quiet, as

nothing new occurred to alarm it. But another feeling was alarmed and

aroused—her latent and deep-seated jealousy—in a silent but deadly fear

of losing value in his estimation by comparison with the beautiful and

gentle Rosalia, she had lost something of her proud self-confidence.

Besides, severed from the home and friends of her childhood, from all

early habits and associations; in a new and untried scene, a stranger

and alone with him, she felt her dependence upon him—all this, and the

deep, strong, and exclusive love she bore him, conspired with _another_

circumstance to soften the fierceness of her spirit, and tame the

wildness of her manners. Hagar arranged her travelling dress, and

smoothed her glossy ringlets, and sat down by the window to watch the

coming of Raymond. Could you have seen her then you would have loved her

for the new and strange tenderness shining softly in her eyes, and

blushing faintly through her cheeks and lips as she leaned her face upon

her hand, while her elbow rested on the window-sill. At last the quick

light step of Raymond was heard upon the stairs, and he entered, saying—

“Come, love! are you ready?”

She arose and tied her bonnet.

“Yes, and impatient to see our little home, dear Raymond—for a sweet

_little_ home I suppose it will be, to accord with your salary.”

He smiled and drew her arm in his, led her down stairs, and through the

principal entrance to where a carriage stood before the door. A coachman

sat upon the box; a footman in livery stood holding the door open;

Raymond handed her in, followed her, and took a seat by her side. The

footman put up the steps, closed the door, and sprang up behind. The

carriage was driven off. It rolled through the village, and leaving its

lights behind, entered a broad but dark forest road.

“Where are we going?” inquired Hagar.

“_Home_, my love!”

“I thought that we were to reside in the village?”

“Did you?”

“Why, yes, certainly I did.”

He drew her head down upon his bosom, and smoothing back her hair,

kissed her forehead and then her lips; he seemed more inclined to caress

than to converse, so she asked him no more questions then. He seemed to

love her so tenderly and truly now, that she no longer defied him. And

she was sinking into a sort of luxurious repose—which, we hope, may

last. The carriage had been winding up a wooded hill, where the branches

of the tall trees met overhead, so that Hagar, looking out, could

scarcely see the stars glimmer through the foliage; at last it emerged

from the woods and stopped; the steps were let down, the door opened.

Raymond sprang out and held his hand to assist Hagar; then conducted her

through a wide gate. It was dark, and she could see only trees, with

glimpses of sward between them; and off to her left flitting in and out

glimpses of a white house, whose size and shape it was impossible to

detect. Their path formed a half circle and ascended; presently emerging

from it, they stood before a large and elegant mansion, whose appearance

corresponded with that of the villa she had so much admired on her way

up the river. He led her up the broad marble stairs that led to the

front door—opened the door, from which a flood of light poured, letting

go her hand, stepped in before her, turned, opened his arms, and said,

in a voice of deep emotion,

“Come, dear Hagar! Let me welcome you to your long, future home—welcome!

welcome! dear wife, to arms, and bosom, and home.”

Hagar threw herself into his embrace, and then he led her through a door

opening from the left into a superb drawing-room, furnished in the old,

gorgeous style, with a rich Turkey carpet “that stole all noises from

the feet,” with crimson velvet, gold fringed curtains hanging from the

windows, and opposite from the lofty arch that divided the front from

the back room; with heavy chairs and sofas, whose crimson coverings

harmonized with the curtains; with crystal mirrors reaching from ceiling

to floor; with rare paintings from the old masters; with costly and

curious lamps, whose light glowing through the stained glass shades upon

the crimson appointments of the room, diffused a rich, subdued

refulgence through the scene. Raymond led Hagar to one of the deep

arm-chairs, and seating her, pulled the bell-rope. The door opened, and

the footman who had attended them, stood a step within the room.

“Request Mrs. Collins to come to us.”

The man bowed and withdrew. Soon the door again opened, and a small,

elderly woman, in a black silk dress and a neat cap, made her

appearance.

“My dear Hagar, this is our housekeeper—the excellent Mrs. Collins—she

will show you your dressing-room; you will find your trunks all there,

or near at hand, and will have ample time to change your travelling

dress before supper, and we have still a long evening before us.

To-morrow I will take you over the house,” said he, in a low voice, as

Mrs. Collins approached them—then, “Be so good as to show Mrs. Withers

to her rooms, Mrs. Collins,” he said aloud, and the nice little woman

smiled, withdrew, reappeared with a lamp, and conducted our Hagar,

silently wondering, through the passage and up the broad staircase to a

front room immediately over the drawing-room. It was a large, light,

airy room, with two tall front windows curtained with white dimity,

between which stood a dressing-table with a tall, swinging mirror. At

the opposite end of the room was a mahogany door leading into her

bed-chamber, and on each side of the door stood two large, tall mahogany

wardrobes; the coverings of the lounge, easy chair, &c., were white, and

the walls were covered with paper of a white ground, over which ran a

vine of green leaves, with here and there a small, scarlet flower. The

carpet on the floor was of the same cheerful pattern; the room had an

inexpressibly clean, pure, and fragrant character. Placing her keys in

the hands of Mrs. Collins, Hagar requested her to unpack, and arrange

her wardrobe, and then proceeded to make her toilet. And Hagar resolving

to look her best, to do honor to the first evening passed with her

husband in their own home, arranged her beautiful ringlets in their most

becoming fall, arrayed herself in rich amber-colored satin, and clasped

topaz bracelets on her arms—rubies and topazes were the only jewels

Hagar owned—the only ones in fact that her Egypt complexion would bear.

Her present dress and ornaments harmonized beautifully with her dark

complexion, while her jetty brows, black eyes and eye-lashes, and long,

black, glittering ringlets, relieved the amber-hued complexion and dress

from sameness. She descended to the drawing-room, at the door of which

Raymond received her, led her smiling to the sofa, and took a seat

beside her, just as the crimson curtains were drawn each side from the

centre of the arch, exposing a small, but elegant supper-table, with

covers for two. Raymond arose, and offering his arm again with a smile,

said—

“You see I have to do all the honors of reception and introduction, dear

Hagar;” and passing to the other room, placed her at the head of the

table, before a glittering tea service of elegantly-chased silver, and

of Sevres porcelain. “I see that you are wondering, Hagar, to find me in

possession of a comfortable home; suspend your curiosity, dearest, until

after supper, when I will make the very simple explanation.”

And after supper, when they were seated together in the drawing-room, he

said—

“I am not wealthy, which is the second mistake which you have made about

me; neither am I poor, as you supposed when you married me, dear girl.

This house, just as it is, was the country-seat of my grandfather,

General Raymond, who, holding a high office under the Government, was in

the receipt of an ample income that enabled him to keep up this style of

living. This income of course died with him. This house, with its

grounds of about twenty-five acres, and a small amount of bank stock,

was left to me. That money was withdrawn and profitably invested, and

its proceeds bring me an annual amount equal to the salary I receive for

conducting the Newton School. It is true that it will take every cent of

my salary to support this style. And if you ask me, Hagar, why I, a

young professor, choose to live in a princely house, with a complete

establishment of servants, I tell you that it is not from

ostentation—you know me to be too really proud for that—but from a

constitutional love and necessity of luxury. I told you before that my

senses were keen and delicate—I had almost said intellectual—not strong,

or gross. Forms and colors must be agreeably contrasted, or harmoniously

blended and grouped for my eye; sounds must be music, or those that are

not must come subdued through the hushings of soft carpets and velvet

curtains; all scents, but the scent of fresh and growing flowers, must

be kept far from the rooms I occupy; my table must be supplied with food

delicate and nutritious; and lastly, nothing but soft or elastic

substances must come in contact with my touch—at least in my home.”

“But how, with your delicate tastes, can you bear your school-room?”

asked Hagar.

“My school-room, lecture rooms, hall, &c., among which I pass just five

hours a day, are each large, airy, clean, and _bare_; that is, bare of

every article of furniture not strictly necessary; so that if there is

nothing to _delight_, there is nothing to _offend_—for the rest, you

know that teaching is my vocation, my passion. I give myself fully up to

it during the hours of instruction, and when they are over, I return

with revived relish for the luxuries of home—enjoyments that would pall

upon the taste if they were not relieved by their absence during the

hours of intellectual labor, which goes on in another place, and which

is itself another keen enjoyment of a different and higher order; as it

is, each relieves and enhances the other.”

“But why,” asked Hagar, “keep so many and such expensive servants, to

wait on two young people who are not rich?”

“For many reasons, Hagar; for one thing it requires all of them, each in

his or her appropriate place, to keep the house in the perfect order we

wish, and in the second, I like to receive the services and

veneration—not of Colonel A, B, and C, or Judge D, E, or F, but of

people who live with me—by the way, remember that, love.”

“But then,” persisted Hagar, “why keep Mrs. Collins, whose salary must

be large?”

“To oversee the others, and keep everything upon velvet, of course.”

“I could do that, dear Raymond.”

“But you shall not, dear Hagar. You are the lady of the mansion; but

forget the house. I could not bear to see your brow corrugated by the

thousand and one cares of housekeeping, or to have you come near me with

the odor of pantries or stove-rooms hanging about you, for I should be

sure to detect it through any disguise of perfume; and that is the great

reason why I keep Mrs. Collins. You have nothing to do with the house,

love. Cultivate your beauty, Hagar; refine it; you have nothing else to

do, except to take lessons on the harp, which lessons and practice will

help to fill up the hours of my _absence_, Hagar; for indeed, love, I

think it would give me a brain fever to hear your unpractised fingers

strumming discord in my ears.”

“Will you permit me to inquire,” asked Hagar, “why, with your sensitive,

delicate, and luxurious tastes, you could fancy”—

“Such a wild, dark little savage as yourself?”

“Yes.”

He raised her from the sofa, and turning around, faced the full length

mirror that occupied the space between the two windows behind it.

“Look at your reflection, Hagar,” her eyes and _color_ raised at the

same moment. “You are a little dark, sparkling creature, your effect is

exhilarating. A languishing beauty in these languishing rooms would have

been softness to flatness. Are not the perfumes more piquant when

conveyed through the medium of spirits of wine? You are just _l’esprit_

that gives life to all this soft luxury; and look again, Hagar—survey

yourself—see, this amber dress and amber complexion suit well together;

and this is harmony. Suppose your hair was of the same hue, then the

_tout ensemble_ would be dull, flat, wearisome. But your ringlets fall

black and glittering upon the amber-hued neck and bosom, and this is

contrast. Thus contrast and harmony form the perfection of your toilet.”

“I am sure I never thought of that,” said Hagar, “when wishing to do

honor to your fine house I put on a fine dress: but now I suppose—though

I do not care to have my mind skewered down to such trifles—I must think

a little more of it, as I suspect that in this grand house you receive

grand company sometimes.”

“_Never_, Hagar; how do you suppose I could afford it? for if I received

grand company I should be invited to grand dinners, and have to give

them in return, and that would disturb the luxurious repose of our house

and life—no, Hagar, I am too self-indulgent to be ostentatious, or even

hospitable. I like everything upon velvet, all downy, reposing, silent,

or breathing low music”—

“Except me.”

“Not _always_ excepting you—I like your spirit tempered a

little—thus—look again into the mirror, Hagar; I said your glittering

blue-black ringlets, smoothed and gemmed as they are, form an agreeable

contrast to the harmony of your dress; but now suppose that black hair

hung in the wild elf locks of the little savage of the heath, as I first

knew her—would that be agreeable any way?—no—well! govern—as it were,

smoothe and gem your piquancy; in a word, use your wildness as you do

your hair,” and they turned and reseated themselves.

The next morning, after breakfast, Raymond took her all over the house;

there were two floors besides the basement and attic—on each floor four

large rooms handsomely furnished. Through the middle of each floor ran a

hall, from front to back, dividing the rooms in pairs; on the lower

floor on the left hand side of the hall were the drawing-room and

dining-room we have seen them use on the first evening of their arrival;

on the right hand side was a large saloon, once used for balls, but now

closed as useless. He took her through the grounds, all handsomely laid

out; a vineyard on the right, a kitchen garden in the middle, and an

orchard on the left, occupying the ground behind the house, and further

behind ascended the wooded hills. A smooth lawn descending the hill

towards the river, was dotted here and there with trees, which were now

dropping their leaves. The orchard was laden with the finest

fruit—apples, peaches, pears, &c., under the highest cultivation; the

vineyard rich in clustering grapes, brought to the nearest possible

state of perfection. This was Wednesday; on the following Monday Raymond

resumed his professional labors, and Hagar wandered up and down the fine

house, with every part of which she was now quite familiar, very weary

and lonesome. She felt confined, restrained, and oppressed by her new

state. True, she was still in the country, but not on her wild heath,

with her horse and dogs. _This_ country was thickly settled, well

cultivated, and closely studded with gentlemen’s seats.

The deserted wife · 第 25 / 45 章