THE TWO JAKES.

Every plantation has its "bad fellow"--often more than one, but always

one who holds pre-eminence in evil. "Yellow Jake" was the fiend of

ours.

He was a young mulatto, in person not ill-looking, but of sullen habit

and morose disposition. On occasions he had shewn himself capable of

fierce resentment and cruelty.

Instances of such character are more common among mulattoes than

negroes. Pride of colour on the part of the yellow man--confidence in a

higher organism, both intellectual and physical, and consequently a

keener sense of the injustice of his degraded position, explain this

psychological difference.

As for the pure negro, he rarely enacts the unfeeling savage. In the

drama of human life, he is the victim, not the villain. No matter where

lies the scene--in his own land, or elsewhere--he has been used to play

the _role_ of the sufferer; yet his soul is still free from resentment

or ferocity. In all the world, there is no kinder heart than that which

beats within the bosom of the African black.

Yellow Jake was wicked without provocation. Cruelty was innate in his

disposition--no doubt inherited. He was a Spanish mulatto; that is,

paternally of Spanish blood--maternally, negro. His father had sold him

to mine!

A slave-mother, a slave-son. The father's freedom affects not the

offspring. Among the black and red races of America, the child fellows

the fortunes of the mother. Only she of Caucasian race can be the

mother of white men.

There was another "Jacob" upon the plantation--hence the distinctive

sobriquet of "Yellow Jake." This other was "Black Jake;" and only in

age and size was there any similarity between the two. In disposition

they differed even more than in complexion. If Yellow Jake had the

brighter skin, Black Jake had the lighter heart. Their countenances

exhibited a complete contrast--the contrast between a sullen frown and a

cheerful smile. The white teeth of the latter were ever set in smiles:

the former smiled only when under the influence of some malicious

prompting.

Black Jake was a Virginian. He was one of those belonging to the old

plantation--had "moved" along with his master; and felt those ties of

attachment which in many cases exist strongly between master and slave.

He regarded himself as one of our family, and gloried in bearing our

name. Like all negroes born in the "Old Dominion," he was proud of his

nativity. In caste, a "Vaginny nigger" takes precedence of all others.

Apart from his complexion, Black Jake was not ill-looking. His features

were as good as those of the mulatto. He had neither the thick lips,

flat nose, nor retreating forehead of his race--for these

characteristics are not universal. I have known negroes of pure African

blood with features perfectly regular, and such a one was Black Jake.

In form, he might have passed for the Ethiopian Apollo.

There was one who thought him handsome--handsomer than his yellow

namesake. This was the quadroon Viola, the belle of the plantation.

For Viola's hand, the two Jakes had long time been rival suitors. Both

had assiduously courted her smiles--somewhat capricious they were, for

Viola was not without coquetry--but she had at length exhibited a marked

preference for the black. I need not add that there was jealousy

between the negro and mulatto--on the part of the latter, rank hatred of

his rival--which Viola's preference had kindled into fierce resentment.

More than once had the two measured their strength, and on each occasion

had the black been victorious. Perhaps to this cause, more than to his

personal appearance, was he indebted for the smiles of Viola.

Throughout all the world, throughout all time, beauty has bowed down

before courage and strength.

Yellow Jake was our woodman; Black Jake, the curator of the horses, the

driver of "white massa's" barouche.

The story of the two Jakes--their loves and their jealousies--is but a

common affair in the _petite politique_ of plantation-life. I have

singled it out, not from any separate interest it may possess, but as

leading to a series of events that exercised an important influence on

my own subsequent history.

The first of these events was as follows; Yellow Jake, burning with

jealousy at the success of his rival, had grown spiteful with Viola.

Meeting her by some chance in the woods, and far from the house, he had

offered her a dire insult. Resentment had rendered him reckless. The

opportune arrival of my sister had prevented him from using violence,

but the intent could not be overlooked; and chiefly through my sister's

influence, the mulatto was brought to punishment.

It was the first time that Yellow Jake had received chastisement, though

not the first time he had deserved it. My father had been indulgent

with him; too indulgent, all said. He had often pardoned him when

guilty of faults--of crimes. My father was of an easy temper, and had

an exceeding dislike to proceed to the extremity of the lash; but in

this case my sister had urged, with some spirit, the necessity of the

punishment. Viola was her maid; and the wicked conduct of the mulatto

could not be overlooked.

The castigation did not cure him of his propensity to evil. An event

occurred shortly after, that proved he was vindictive. My sister's

pretty fawn was found dead by the shore of the lake. It could not have

died from any natural cause--for it was seen alive, and skipping over

the lawn but the hour before. No alligator could have done it, nor yet

a wolf. There was neither scratch nor tear upon it; no signs of blood!

It must have been strangled.

It _was_ strangled, as proved in the sequel. Yellow Jake had done it,

and Black Jake had seen him. From the orange grove, where the latter

chanced to be at work, he had been witness of the tragic scene; and his

testimony procured a second flogging for the mulatto.

A third event followed close upon the heels of this--a quarrel between

negro and mulatto, that came to blows. It had been sought by the latter

to revenge himself, at once upon his rival in love, and the witness of

his late crime.

The conflict did not end in mere blows. Yellow Jake, with an instinct

derived from his Spanish paternity, drew his knife, and inflicted a

severe wound upon his unarmed antagonist.

This time his punishment was more severe. I was myself enraged, for

Black Jake was my "body guard" and favourite. Though his skin was

black, and his intellect but little cultivated, his cheerful disposition

rendered him a pleasant companion; he was, in fact, the chosen associate

of my boyish days--my comrade upon the water, and in the woods.

Justice required satisfaction, and Yellow Jake caught it in earnest.

The punishment proved of no avail. He was incorrigible. The demon

spirit was too strong within him: it was part of his nature.

Osceola the Seminole; or, The Red Fawn of the Flower Land · 第 8 / 220 题