DISREGARD OF THE SABBATH.

There is in this city so much to be met with of a demoralizing

tendency, and the tone of moral sense is so clearly out-spoken,

that a person is not aware of what surrounds him, until he pauses

and contemplates the scene in which he is moving, and the complete

prostration of any thing like a controlling influence of public

opinion. And it is a truth recognized in every civilized country, that

good order and even common decency cannot be promoted or maintained,

unless it is by the concentrated force of the opinion of good men

against the overt acts of the vicious. And when we see, as we do in

this city, the _best men_, public officers, the mayor and common

council, giving countenance and sanction to outrages and desecrations,

it is evident that the most wholesome regulations cannot sustain a

healthy tone of moral feeling. And there is also a total disregard of

an institution, that all good men revere and respect, as of divine

origin; and if not as such, hold it to be, in its observance, the

great conservator of the best interests of society, and that no people

or community can preserve its character for morality and good order,

without a due observance in christian form of its requirements. But

here the civil authorities, together with all _good_ men, by official

acts and personal example, desecrate this day to every purpose that the

baser passions may demand. And these official acts are, in granting

licenses for horse racing, bull fighting, theatres and exhibitions of

all kinds, and even brothel balls, on the Sabbath. As evidence of the

countenance given to these things, and of the state of public feeling,

the following notices will give some evidence how the Sabbath is

regarded by the mayor and common council, and the _good people_ of New

Orleans. These announcements are made in the city papers, and also in

large attractive bills, put up in every part of the city.

“Washington Society Balls.

“At a meeting of the subscribers, the following gentlemen were

elected managers:

A. D. Crossman, _Mayor of the city_,

Joshua Baldwin, _Recorder_,

I. E. Caldwell,

W. P. Converse,

A. B. Bien,

H. G. Stetson,

J. B. Byrn,

Maj. Gen. J. L. Lewis,

Col. J. B. Walton,

Capt. Jordy,

E. A. Tyler,

J. W. Behan,

Dr. Luzenberg,

Wm. Emerson,

Wm. Freret,

J. Stroud,

J. L. Poulk,

W. F. Flowers,

W. J. Earthman,

A. H. Way,

N. C. Judson,

J. S. Wallis,

R. C. Faulkner,

H. S. Hatch.

“At the same time, it was Resolved, that the series should consist of

ten Balls, which will be all MASKED.

“The managers will meet every SUNDAY! during the season, at 1

o’clock. Office hours, from 9 in the morning until 9 in the evening.”

Now here are the Mayor and Recorder, and twenty-two of the best

citizens of a civilized and _christian_ city of over one hundred

thousand inhabitants, meeting every Sabbath to make arrangements for a

MASKED BALL! and in view of such examples from such men, what else but

a perfect Sodom could be expected of New Orleans?

“Grand Balloon Ascension.

“The seventh ascension of Madame Emma V., of Bordeaux, will take

place on SUNDAY next, between the hours of 1 and 2 o’clock, from

the corner of St. Charles and Poydras streets. Madame E. V. returns

her thanks to the public for the patronage bestowed upon her last

SUNDAY, having proved to the citizens of New Orleans that nothing has

been exaggerated in her previous advertisement. A special stand is

reserved for the Ladies!”

This is done by permit of license from the Mayor.

“Pontchartrain Ball Room.

“The proprietors of this well known establishment respectfully inform

their friends and the public generally, that it will be opened on

SUNDAY next for the season, and that nothing on their part has been

left undone to render this house one of the most _agreeable_ in all

respects. The DRESS AND MASKED BALLS will be given in the following

order.

“For White persons--SUNDAYS, Tuesdays, Thursdays and Fridays.

“For Quadroons--Mondays, Wednesdays and Saturdays.

“The Orchestra is without doubt, the best in the city. The BAR is

furnished with the choicest LIQUORS, and the tables supplied with

every delicacy that the market affords.”

Now with such attractions, who could refuse to attend such a place even

on the _Sabbath_!! provided that _license_ is given by the authorities.

And yet the _attractions_ and _entertainment_ are not _all_ advertised

in the bill.

But the matter of astonishment in these things is, that in this

enlightened age, and in a civilized community, and in this country too,

public officers in a city could be found, who would, under the sanction

and seal of their office, grant a license for a regular _brothel_ Ball

Room. The assemblage of prostitutes and lewd women at these rooms, is

without exception, taking all the circumstances into account under

which they meet, the most wanton, debasing and licentious exhibition

of human passion ever witnessed. There are three of these Ball Rooms

licensed in the city, open every night and filled to overflowing. The

prostitutes all appear with MASKS on their faces, and so well concealed

that it is impossible to recognize them. The excessive drinking and

carousing practiced at these places, enables the girls to induce men

under such circumstances to accompany them home.

Women are admitted free of charge, and men pay one dollar for

admission. The Bar and the eating tables are the principal sources of

revenue, and that is immense. It is at these places where many rich

scenes are exhibited in the detection by some confiding and much abused

mistress, who has long been haunted by the green-eyed monster with

visions of unfaithfulness on the part of her paramour. She becomes

confirmed in the belief, that he is playing “fond dalliance” with

some beautiful Quadroon, or some other bright-eyed “Donna,” and to be

sure of a capture under circumstances that will allow of no escape,

she goes in MASK to the Ball Room, and there she beholds all that

her imagination has conceived of inconstancy, of treachery, of false

hearts and _love_ unrequited. And here she watches, with more than

argus eyes, and follows their every step, and listens until she hears

the outpourings of the soft words of honeyed love, and then, with more

than a tiger’s rage, she rushes upon the unsuspecting girl with whom

“_her man_” is so devotedly playing the agreeable, and with the jerk

of a whirlwind, the mask is torn from her face, her dress flies in

shreds, and what is left of the poor torn and tattered creature, is

a miraculous escape from annihilation. After thus accomplishing all

that she desires in making this public demonstration of their long

continued intimacy, she leaves the room in triumph, and returns to her

house and settles the affair with “_her man_,” by a course of “curtain

lectures,” usually being satisfied in settling the play as an even

game. And there too, in mask, will many a confiding and devoted wife

look for her husband, and witness the realities of all the forebodings

of her imagination, through long nights of lone watching. She has

found him here, and follows his footsteps while, arm in arm, he joins

in the whirl of the giddy dance, with the wild and polluted being who

is holding her loved and cherished one by charms as fatal and deadly

as the serpent’s steady gaze. It will be seen by the announcement in

the bill that three nights in the week balls are given to Quadroons,

or mulattoes; and on these evenings the attendance of men is nearly

double that of the white balls. And this affords a confirmation of the

truth of the old saying, “there is no accounting for tastes;” and also

of the truth of what is asserted of the _gentlemen_ of the South that

they will seek for companions among the yellow and even black women,

and discard the white ladies. Notwithstanding these things, Southern

men regard the act of eating at the table with a colored person as a

disgrace, and an outrage and an insult too great to be submitted to.

And yet they will have colored girls and colored men for their bed

companions, for body servants, for cooks; and in fact, every thing they

eat, drink or wear, they will see pass through their hands without the

least shudder or repugnance, or sickness of stomach.

The following notice presents still further the tone of _moral sense_

of the authorities and the people of this city. It was displayed in

large bills for twelve successive Sundays in the winter of 1847-8.

“Bull Fight.

“_On_ SUNDAY, _Dec. 12, on Washington Square, Third Municipality._”

“The proprietor respectfully begs to inform the public, that a

splendid BULL FIGHT will take place as above. Four of the finest and

largest Attakapas Bulls will be brought into the ring, two of which

will be slain by the Matadores, and the other two teased by the

Banderilleros and Capeadores.

“The company is composed of the following persons: Gregorio

Camerenas, chief, and first swordman; Juan Gonzales, Lancer;

Mondragon, Camerena and Jacome, Banderilleros, or arrowmen and M.

Rocha, P. Gomes and A. Blancas, Capeadores or teasers. Performance to

commence at 4 o’clock P. M. Admittance one dollar.”

This announcement gives the reader a programme of the interesting

performance of bull fighting. Yet sports of this kind are very little

understood in this country, and are not what it is generally supposed

they are. The idea of them has arisen from the expression used when

speaking of such scenes as _bull fights_, giving the same understanding

as those of kindred performances, as “cock fights,” or “dog fights,”

which every one knows to be contests between two animals, usually

trained for the purpose, and the same impression prevails almost,

universally in regard to “_bull fights_;” supposed to be a contest

between two fierce bulls. But such is not this SPORT! and that the

public may not be misled, and to correct a general false impression,

such sports should be announced as “bull murdering.”

The arrangements for such displays are in a circular inclosure, about

six rods in diameter, with a very strong fence. Around this circle are

seats in amphitheatre form, capable of holding five or six thousand

persons. Into this ring a single bull is admitted. At the same time

in the ring are usually eight men, trained to the _civilized_ and

_christian_ sport of bull-_murdering_. Those who performed in New

Orleans were native Mexicans, and came from Matamoras for the express

gratification of the _Mayor_, _Common Council_, and _good_ people of

the city. When they appear in the ring, they are dressed in fantastic

style, and each one wearing a small crimson cloak. And this is his main

protection, and used mostly, in “teasing” the bull; for when in the

fierceness of his rage he fixes his eye upon his victim, and plunges at

him with tremendous velocity, and death seems almost inevitable, the

man adroitly slips the cloak from his shoulders and steps one side,

and holds it precisely where he stood, and on this point the blow of

the animal is sure to strike.--Hence the cloak receives the full force

of the goad of the bull’s horns. It is evident from the actions of the

animal, that the bright and dazzling color of the cloak charms his

eye so that he is unable to turn his attention from it; for he will

often strike the cloak down, and turn round and examine it with great

minuteness in search of the man, and seems astonished that he has not

caught him. When the bull is cut loose and passes into the ring, a man

sits over the gate-way and drives into his back a barbed dart. It is

prepared and put in a stick about eighteen inches long, and when driven

into the animal it remains there to tear and lacerate the flesh, for

the purpose of exciting his rage and making him more furious. And this

it does, for when the dart strikes him, with a roar of vengeance, he

rushes in with tremendous fury, and often clears the ring in a moment

of every man in it. There appear to be paroxysms of terrible rage

in the expression of the eyes of the animal, that strikes a fearful

awe in the men; and they will throw themselves out of the ring in an

instant, although the bull is standing perfectly still. The performers

with the cloaks are Capeadores, or “teasers.” After this part of the

“_sport_” has continued for a sufficient time, four other performers

come in, each having four bearded darts, the body of which is a stick

about six inches long, and beautifully trimmed with colored tissue

paper representing rosettes. There are the Banderillas or arrow-men.

The great feat and climax in this part of the “_fight_” is to fasten,

by a stroke with the hand, one of these rosettes in the curl between

the eyes of the bull, and escape the goad of his horns. To do this,

is a triumph that is greeted with stamping and rounds of applause,

which convinces the daring one that the audience is fully alive to the

great feat that he has performed in decorating a bull’s face with a

_beautiful rosette_! There are but few performers who have the courage

to attempt this act, as a failure is always treated with hisses and

cries of “turn him out”--“turn him out.”

The next great expert act with the darts is to fasten one in the centre

between the horns, on the neck, and escape unhurt. This act also is

greeted with rounds and shouts of applause, all of which excites the

audience and arouses the fury of the bull. The darts being disposed

of, and most of them sticking in the head and neck of the animal, the

same men take each three bearded rockets, prepared on sticks about

eighteen inches long, and so constructed that when they are driven into

the bull they will ignite, and after burning and hissing for a time,

will explode with as much force and noise as a heavily charged musket.

These are alternately driven into the head and sides of the bull, and

while they are burning, hissing, and tearing his flesh, a more wild and

terrific scene can scarcely be imagined. He roars, plunges and lashes

his sides, with the most intense writhings of maddening pain and fury

that can be conceived. After the rockets are exhausted, the chief or

swordsman comes in, with a straight sword two feet and a half long, for

the purpose of ending the contest by taking the life of the bull. To

perform this act, and strike the animal through the heart at the first

blow, is the climax of all feats in the whole round of bull-fighting.

The swordsman is obliged to do it according to prescribed rules in the

science of the sport. He must strike his blow in a particular spot, and

when it is done, must stand on the left side and drive the sword in

just forward of the point of the right shoulder through the heart of

his victim. And while this attempt is being made, and the swordsman is

following the infuriate animal, it in turn rushes furiously after him,

and seems fully conscious that the time has come for the exhibition

of that part of the “sport,” as announced in the bill to be performed

by the chief. During this struggle the audience becomes wrought up

to the highest tone of excitement. The swordsman while seeking for

an opportunity to strike the fatal blow, if successful in the first

attempt, is greeted with shouts and rounds of the most frantic applause

ever witnessed, and at the same time showers of money are poured in

upon him from almost every hand in the audience, and often amounting to

several hundred dollars. He is allowed to strike three times, and if he

fails in giving a deadly thrust, the other extreme of disapprobation

is meted out upon him in long continued hisses and cries of “take

him out,” “take him out,” and thus the audience will _magnanimously_

interfere and save the life of the unconquered bull, who has at least

for an hour defied the power of eight men to destroy him; and yet here

he is, foaming and lashing his sides, and writhing under the most

intense agony, full of ghastly and bleeding wounds, and the tearing

of dozens of darts and rockets that goad him at every step; while

thousands of human beings are looking on with an intensity of feeling

and exultation of pleasure, that is impossible to be expressed by

language. Under these circumstances and cries of “take him out,” a man

comes in on horse-back with a lasso, and catches the bull by the horns

and drags him out. Another bull is then let in, and the same round

of teasing and goading with darts and rockets is gone through with,

and then he is dragged out with the lasso. The darts and goads are cut

out, and the next _Sabbath_ he is let in again, and goes through the

same “fight,” with the addition of its being his turn to be killed.

Thus as the bill announces, four bulls are let into the ring for the

“sport” of one _Sabbath_, and two are teased, and two are slain. In

witnessing scenes of this kind, there is exhibited throughout the

whole assemblage, a blood thirsty and savage desperation, and withal,

a strong desire that the bull may succeed in goading tearing out the

very vitals of some one of the inhuman monsters against whom he is

contending. It would seem that the “sports” could not be _agreeable_,

and meet the expectations and desires of the audience, unless a scene

of that kind could be exhibited; for when the bull makes a deadly and

determined plunge, and his victim barely escapes as by a miracle, as

will often occur, the spectators appear disappointed in not seeing the

man gored through and through, and crushed into a mangled and bleeding

corpse. And to see this done, it appears that every one would go away

perfectly satisfied in having witnessed all that could be done in

the “sport” of “bull-murdering.” Take it all in all, a more brutal

and fiendish exhibition of cruelty cannot be conceived, and yet, on

the _Sabbath_ day, in this civilized land, will the good men of New

Orleans legalize and sanction this horrid practice. But in this, no

one will be disappointed, for it is in perfect harmony and character

with other scenes in the great drama of human life in this city. The

same kindred and brutal exhibitions are allowed, and usually come

off on the _Sabbath_, in cock fighting and dog fights, with animals

trained expressly for such “sports,” and they are often made up by

bets of large sums. There are many who make these “sports” a matter

of permanent business, and to which their whole time is devoted as

a science. A fight of this kind was made up in the winter of 1837,

in which a “ruling passion strong in death” was exhibited to an

extent almost incredible. A _gentleman_ who was in the last stages of

consumption, had arranged a cock fight to come off in about six weeks,

when the animals would be properly trained. The bet was $3,000 a side.

It was evident, however, that he would not survive the time, either to

witness his triumph or defeat, for he could scarcely be expected to

live from one hour to another. Yet the excitement and struggle, and

determination on his part was so great, to live until the day of the

fight, that he was assured by his Physician for three weeks before the

time, that were it not for his determination and anxiety, he would

not live an hour. The day came, and the fight was made, and he was

victorious. He immediately passed from the cock pit to his carriage,

and on reaching the side walk, he sunk down and was a corpse in a

moment.

New Orleans as it is · 第 40 / 57 题