He slept again, not heavily as before but on the border-land of

consciousness where thoughts break from their moorings, and sail out

into a magic, restless sea of change whose bed lies littered with

forgotten treasures. When the thud of hoofs broke on the stillness a

dream rose up and shielded him, covering the sound with a fantastic

picture, so that he slept on.

The patch of sunshine travelled upwards. It had forsaken the poppies as

it had left the lotus-flower, and rested on the fair head of a woman.

Though Tristram saw her he did not move.

She stood scarcely five paces from him near an opening in the trees.

One hand rested on the bridle of a tired horse, the other was lifted to

her face, the forefinger to her lips, half in reflection, half as though

hushing her own breathing. A pith helmet and the white coat of her

simple riding-habit were fastened carelessly to the pommel of her

saddle.

She stood quite motionless--as still and living as a bird resting among

the flowers. It was that wonderful, restrained lightness in her that

made her seem smaller and more fragile than she was. Her hair, of a

gold paler than the sunlight and parted primly in the middle, waved down

smoothly on a forehead that was high and too domed for beauty. Her face

was small, more round than oval, with small features, exquisitely

imperfect, demure, and resolute. There was something Victorian about

her, and something vitally modern. It was as though a Botticellian

Madonna had thrown off her serene and lovely foolishness and stepped

down into life with the mocking happy humour of a faun at the corners of

her fine lips and the wisdom of the world in her eyes. And added to all

this there was in her expression an odd touch of an impersonal, aloof

pity and tenderness.

She stood there looking down at the man in the grass with her subdued

smile, and he stared back at her. Then presently she spoke:

"How do you do, Major Tristram? My name is Fersen--Sigrid Fersen."

"I know," he answered. His own voice seemed to break a spell, for he

shot up as though she had struck him, his hand flying to the neck of his

graceless, unbuttoned collarless shirt. "I beg your pardon--I'm awfully

sorry--I'd been asleep--and day-dreaming--I thought you were just--not

real----"

"A sort of concrete vision?" she suggested.

"It sounds absurd, of course, but it wasn't an ordinary sleep. In fact,

barring today, I don't know when I slept last. That makes a man

queer----"

"Obviously." Her enigmatic kindly smile was like sunshine on her demure

gravity. "For instance, you said 'I know' when I introduced myself."

The blood welled up under the man's brown skin, and she went on lightly.

"I saw you half an hour ago. The shade tempted me--I was hot and tired.

Fortunately I came quietly. You had just come out of the water and stood

there like a young Beethoven--'this kiss to the whole world----'"

"I felt like that," he stammered. "It just expresses it--only----"

"Of course I went away at once," she said. "I felt you would be

disconcerted if you knew--possibly very shocked. You may be now for all

I know."

He looked down at his right hand, and then, as though it annoyed him,

thrust it into his pocket.

"No," he said, "I'm not."

"I didn't think you would be." She led her horse down to the water,

and, with accustomed fingers, unfastened the bit. "Please sit down

again, Major Tristram."

He obeyed her instantly, and with his big hands clasped about his knees

watched her as she came towards him. The blood was still dark in his

face.

"I'm wondering how you knew me," he said abruptly.

"Gaya described you."

He burst out into a big laugh.

"My word! Did Gaya tell you I usually went about with nothing on or in

these evil-smelling rags?"

"It is enough that I recognized you," she said primly. She added, as an

after-thought: "They didn't tell me you were so beautiful."

"Me--beautiful?"

"As far as your figure goes."

"And my face?"

She looked at him whimsically.

"No, not exactly." She slipped down into the long grass beside him with

an effortless, unconscious grace. "We're rather like each other," she

went on, "both of us--how shall I say?--plain, and both of us quite

lovely in our way. A perfect body is worth more than a perfect nose."

"Yes," he agreed. His voice sounded suddenly thick and tired and he

looked away from her. "You're not alone, are you?" he asked.

"I have been. I've a faithful syce waiting at the bridge-head five

miles up. He wouldn't come any farther. Perhaps----" She studied his

hard-set profile with amused eyes. "Perhaps you're wishing I hadn't

burst in upon you, or perhaps you share Gaya's dismay."

"Was Gaya dismayed?"

"Very. One or two are still. They thought I was an adventuress, partly

on account of the Rajah and partly on account of my profession. And

they were quite right." The laughter died out of her. Her voice

sounded grave and eager. "I am an adventuress. I can't conceive myself

being anything else. To live is to explore an unknown country, with

every day a step forward. Some people shrink from it and cringe at

home, and when they're taken by the scruff of the neck and flung out

they're frightened and helpless. I'm not like that--you're not. Even

my art was an adventure--the greatest. Every bar of music, every step,

every inspiration that came to me, was like a mountain peak scaled and a

new vista into a new country. Do you understand?"

He turned to her, his sunken, red-rimmed eyes warm with a generous,

almost passionate sympathy.

"I can understand your feeling like that--I do too, in my way,

especially out here. Out here nothing lasts. Every day brings

change--the very trees and flowers and fields and forests--I don't know

how it is--one says good-night to them and in the morning it's as though

new friends had taken their place--people whom one had to study and

wonder at--and then----" He turned away from her again and stared down

at his strong hands--"anything can happen--the most wonderful,

impossible things----"

She did not answer him. When she spoke again it was after a long

silence and more lightly.

"I don't believe you're an official at all," she said. "You don't talk

like one. You haven't asked me what business I have here or tell me

that I am a danger to myself and a nuisance to everyone else. Why

haven't you?"

"I forgot," he answered quietly. "For one thing, I knew you were not

afraid, and people who are not afraid have nothing to fear. And besides

that, the infection is over in Heerut. The poor beggars are either

underground or isolated miles away. I did that 'on my own,' and I

expect there'll be lots of trouble about it."

"You've had a bad time."

"Yes," he said simply.

"Mrs. Compton told me. I was immensely interested, and made up my mind

to call on you. The 'lone fight' has always thrilled me. I don't care

whether the fighter is a murderer or a hero so long as he fights against

odds."

He laughed.

"Well, I'm not a criminal or a hero," he said.

"You can't tell. We're all potentially one or the other--or both."

He seemed on the verge of protest, but, looking at her, dropped to

silence. She leant forward, her chin in the palm of her hand, and he

saw that she smiled to herself, her eyes intent on the shadowy water.

"Doesn't Brahma sleep in the heart of that lotus-flower, Major

Tristram?"

"He did once--so they say. And it is the lotus-flower which encloses

our world. When the pink-tipped petals open then it is dawn with us."

He hesitated, and then added with a shy laugh, "Shall I fetch it for

you?"

"No, why spoil it? It is loveliest where it is."

"Yes, I know--but if you had wished it----" He broke off. "Somehow I'm

glad you didn't," he said almost inaudibly.

The quiet rose up between them. It was like a mist, veiling them from

each other with a drowsy peace. When she spoke again her voice sounded

gay but subdued.

"Major Tristram, I'm disappointed--I meant to drop on like a

bombshell--and here you sit next me as though it was the sort of thing

you had done all your life. You don't even bother to talk to me. Do

you think we were married in our last pilgrimage?"

The man turned his head away from her.

"Anything seems possible, here," he answered.

"Even hunger," she suggested gravely.

"Hunger?"

The dreamy unreality which had sunk upon them dissolved, letting through

the light of every-day facts. She laughed at him.

"_I'm_ hungry. I haven't eaten anything since dawn, and I didn't bring

food because Mrs. Compton said you practically lived here. I was

sure--after the first skirmish--that you'd ask me to tea."

He was on his feet now--less with eagerness than with a half-angry

consternation.

"Mrs. Compton misled you----" he began hotly.

"She didn't--she didn't know I was coming. Are you going to let me

starve?"

"I _do_ live here," he went on stammeringly, "but in a native hovel like

the rest of them. I can't take you there."

"Why not?" Her eyes were mocking, her lips pursed into a demure, ironic

challenge. "Don't you want to?"

"It's not that----" His opposition collapsed and he faltered like a

boy. "Only--well, I daresay you know what they call me--Tristram the

Hermit. It's because I've had to live alone so much. No one comes out

here. I've got accustomed to it. I'm like a miser with my loneliness."

"Then I had better go," she said gravely.

"No--not now. I want you to come. You'll understand better----"

He bridled her horse and brought it to her. For a moment they looked at

each other with a steadiness in which there was a vague antagonism.

Then the man stooped, hiding his face, and placed his hands for her to

mount. She scarcely seemed to touch them. He looked up into her small

face, flushed now with an eager colour. "You are lighter than the leaf

on the wind," he said.

She laughed, but her laugh was more meditative than gay.

"And you, Major Tristram, are a poet in the wilderness," she answered.

*CHAPTER VI*

*BROKEN SANCTUARY*

He walked beside her, his hand light on her bridle, and silently they

made their way through the long grass, along the banks of the grey, wide

flowing river, past the temple, and into the empty village streets.

Only once did she speak to him, bending slightly towards him in her

saddle.

"I have been wondering what your name is," she said, "your other name.

I've been trying to fit you with one."

"Tristram," he said.

"Tristram Tristram?"

He nodded, and she repeated the name thoughtfully under her breath.

"That's a curious repetition----"

"Yes, my mother liked it. It's the only thing we've ever quarrelled

about. I tell her she suffered from lack of imagination, and that she

took a mean advantage over my helplessness. What could anybody expect

of a Tristram Tristram?"

"And yet it suits you somehow."

"I'm not flattered," he answered laughing.

The magic sunlight had gone and the low thatched huts were grey and

sordid in the rising tide of shadow. Here and there a golden patch

lingered palely, and the council-tree at the cross-roads blazed in the

full flood from the west.

"This is my home," Tristram said.

The hut from the outside was not different from its fellows, save for

the big windows that had been cut in the mud wall. The rough wooden

doors stood open. Sigrid Fersen slipped out of her saddle and for a

moment he barred her path. "You won't let me go forward to prepare the

way?" he asked.

"No--I want to see what you are like, Major Tristram."

"It's as though I made you a confession," he said unevenly.

"I am woman enough to want to hear it."

He stood aside and she passed through the low doorway. At other times

the contrast to the foetid street outside must have been overwhelming,

but even now the dwelling's cool monastic purity arrested her on the

threshold. A curtained doorway appeared to lead into a second

apartment. There was scarcely any furniture--a chair, a table, a couple

of Persian rugs on the uneven floor, a pile of cushions heaped into a

divan against the wall. Nothing on the walls. Yet the old, exquisitely

shaded rugs were probably priceless, and all the art and mysterious

symbolism of India had gone into the carving of the great chair whose

high back was Brahma the Creator and whose wide arms were pictured with

strange fantasies of the Avatars. As her eyes grew accustomed to the

twilight the woman saw beyond this dignity to details that brought a

sudden laugh to her lips. A yellow ball that looked like a spotted St.

Bernard pup rolled yelping off the cushions, displaying its teeth and a

bandaged paw, and thereby rousing its bedfellow--a common English tabby,

who stretched itself, threw an offhand curse at its disturber, then

advanced arching its back and purring stormily. Sigrid bent down to

stroke him, but he passed on with the crushing disdain of his race and

rubbed himself against Tristram's leg.

"That's Tim," Tristram explained. "He has a wife, but she's probably

out hunting. To tell the truth, she does most of the work. There were

half a dozen kittens, but they died, worse luck. Couldn't stand the

heat."

"Anything else?"

"Wickie isn't here. And Arabella. Laid up, both of them."

"And pray what is Wickie and what is Arabella?" she persisted.

"_I_ call Wickie a dog and Arabella a horse," he answered solemnly, "but

I'm told the matter is open to dispute. Wickie's boarding out with Miss

Boucicault."

"Ah, Anne Boucicault!" She echoed the name with an amused inflection of

her quiet voice. "An odd little person who detests me. And she is so

touchingly conscientious about it. Not in the least spiteful, only very

religious and full of doubts and scruples----" She made a little

gesture which seemed to brush Anne Boucicault into nothingness. "Go on

with your menagerie, Major Tristram. Introduce that terrifying little

growl-box."

He picked up the yellow ball by the scruff of its neck and offered up

his fist to the ineffectual first teeth as a sacrifice.

"A cheetah cub. I found him on the edge of the forest with his paw

broken. He's nearly all right now, and will be able to go home."

"And start his criminal career," she suggested.

He laughed.

"Oh well, that's the risk the world runs every time a new infant is

brought into it," he retorted. But he had become suddenly embarrassed,

almost guilty-looking, and, after one glance at him from quizzical

brows, she changed the subject.

"Am I at liberty to inspect, Major Tristram?"

"You must do whatever you wish." He stood at the entrance to the hut

and watched her as she crossed straightway to the writing-table. His

face, now in shadow, was set in grim resolution. There were two large

photographs on the table, and one of these she picked up and held to the

light.

"A fine old face--your mother, Major Tristram?"

"Yes," he assented briefly.

"She must be very beautiful."

"I think she is," he answered, with a sudden relaxing of his strained

features.

"Not a bit like you."

He feigned a rueful discontent.

"Not a bit. I always tell her that she was jealous, and wouldn't spare

me so much as one good feature."

"Whereat, I hope, she boxes your ears for your ingratitude, you mortal

with the perfect body!" She replaced the picture regretfully. "And

this----"

She broke off. It became very still in the low-roofed room. Even the

cheetah had ceased its infant growlings as though it felt the tension in

the quiet about him. Tristram threw back his head, his chin thrust out,

and did not speak. Suddenly she turned to him. Her lips were parted,

in a wide, eager smile that was like a child's. Impulsively,

ingenuously, she held out her ungloved hand to him, palm downwards.

"Is that your confession, Tristram Tristram!"

For one instant he wavered, the next he was at her side, had taken her

hand and bowed over it and kissed it. Then he stood back, defiant,

trembling, like a man who has committed a world-staggering enormity.

But to her, it seemed, nothing had happened, nothing that she had not

willed and desired. Still smiling, she turned away from him and,

seating herself in the high-backed chair, placed the photograph where

she could see it best. Then she became intent, absorbed. The brief

incident and the man who watched her waveringly seemed to have been

swallowed up in something greater, some passionate feeling. Without a

word he left her and she did not hear him go. It was only when he

returned presently and placed a cup and saucer before her that she

looked up, colouring faintly.

"A poet in the wilderness and now Worcester! Major Tristram, I begin to

think you are a rather strange and wonderful doctor!"

He smiled with frank pleasure in her pleasure.

"I love beautiful things," he said. "I fancy they are to me what wine

is to some men. I'm like my mother in that. She understands. She

saved and saved to buy me that cup. There's a teapot--not to match--I

hate sets--but equally lovely. You shall see it when the water boils."

"And the chair--and these rugs! I know a Park Lane plutocrat who would

sell his greasy soul for them. Was that your mother too?"

"No, the rugs are a gift from Lalloo the money-lender. His baby son had

a bout of something or other, but got over it, and Lalloo wanted to

shower blessings on somebody. He knows the markets for rare things and

I have a shrewd, painful suspicion that he used unholy forces of

financial coercion to get hold of these. Ayeshi carved the chair for

me."

"Is Ayeshi a wood-pecker, or what?" she asked gaily.

He laughed with her.

"No--my aide-de-camp, orderly, servant, friend, all in one. Rather a

wonderful sort of person. Heaven alone knows where he came from. He

was brought to me by the man who 'owned' him, he was suffering from

snakebite, and after the cure he stuck to me. Nobody minded. The people

he lived with were afraid of him."

"Why?" she asked.

"Oh, I don't know--he wasn't of their caste--any one could see that. He

is a Brahmin of the Brahmins, and believes in his gods. There isn't

anything so disconcerting to conventional religionists as genuine

belief." Tristram was on his way to the door of the inner room. He

stopped a moment and looked back at her. "And he can tell the most

wonderful stories," he went on slowly, as though overtaken by some

memory. "One day you must listen to him as I do--by the firelight, with

night overhead."

"I shall come," she answered deliberately. "And I shall see the

snake-bite on his arm and think of the story of the man who saved him."

Tristram had gone. She laughed a little and then fell to her old

brooding contemplation of the picture at her elbow. But when he returned

with the promised teapot and a plate of sandwiches she pushed it

impatiently from her.

"Tell me, Major Tristram, are you glad I've broken into your sanctuary?"

she asked abruptly.

He poured her tea out for her with a hand that shook a little.

"I don't know----"

"That's ungracious, Major Tristram. But you're altogether unexpected.

Even this room-it's not a man's room. Where are your guns, your skins,

your trophies?"

He looked about him, flushing to the roots of his fair, untidy hair.

"I haven't got any--I never had a gun of my own. I've got an Army pistol

somewhere in the kitchen, but it's got rusty and I don't know what would

happen if I fired it." He put the sandwiches near to her and then

stalked across to the doorway and sat down cross-legged on the rug, his

irregular profile cut sharply against the light. "I can't kill things,"

he said doggedly.

"Go on, Major Tristram. I am getting almost excited. A man who can't

kill things!"

He heard the irony in her voice and winced, but did not look at her.

"Oh--I know it's ridiculous--laughable. Compton says I'm a

sentimentalist--a freak. I can't help it."

"Is it a theory--Tolstoyism, Jainism----?"

He shook his head.

"I haven't any theories--it's just instinct--perhaps a kind of

revulsion. My father was the finest shot in the Indian Army. Once when

I was in Scotland I killed a stag. I felt--beastly--like a sort of

cowardly criminal who couldn't be punished and knew it."

"Still go on. Tell me more. I came here to get to know you, Major

Tristram, and I am a spoilt woman. Yes, you are a freak. I want to know

how freaks originate. Tell me--no, not about your father--I have a fancy

he was not freakish--but your mother----"

He stiffened, averting his head, his brows stern.

"My mother is different----" he began proudly.

"You have known me so long," she interrupted, "did you think I meant to

joke at her? Haven't you understood better than that?"

He turned. Twilight had begun to invest them both. In the great carved

chair among the shadows she looked almost luminous, a white spirit

neither of heaven nor earth, aloof and radiant in fairy immortality and

serene with a wisdom high above the man's painful plodding. Seeing her,

he caught his breath; the anger passed from his face, leaving it with a

curious look of bewilderment and pain.

"I'm sorry----" he said unevenly. "Of course I ought to have known.

But I am a heavy, unpresentable fellow--rather ridiculous too--and I

didn't want you to think I was like her." He turned away again, his

eyes intent on the dark strong hands clasped about his knees. "As to my

antecedents, there isn't much to tell. My father was a Captain in the

Indian Army. He was killed out here in Gaya when I was a baby. No one

ever found out how it happened. My mother was in England at the time.

She had nothing but her pension. She starved herself to keep me fit and

give me my chance." He broke off sharply. "I'd rather not talk about

that. It means a responsibility that would be intolerable if I wasn't

so proud of it--it would be awful to fail a woman who had starved for

you."

"I can understand that, Major Tristram."

He seemed to listen a moment as though to an echo of her low voice.

"All my people had been in the Indian Army," he went on. "I knew I

should make a dismal failure of soldiering. It seemed to me--it's my

nearest approach to a theory--that it's a man's business to make life

more tolerable--not to destroy it. So I compromised with the I.M.S.

And here I am."

"A hermit!" She leant forward, with her chin resting in the palm of her

hand. "Is that also part of your law of life, Major Tristram?"

"I have my work," he answered. "It's a huge district, and I've got to

be at it all the time. It is my life. But I'm a queer cuss--I have

other thoughts too--absurd daydreams. I'm alone so much that it's

natural enough--and if I came much among men and women I should be

afraid----"

"--that the vision might become concrete." She waited a moment--"or

fail you."

He shook his head.

"No--not that. But since I have got to be alone always I mustn't want

anything too badly."

She got up suddenly.

"It is getting late," she said. "I promised to be at the bridge-head by

nine. Mr. Radcliffe, who is in the adventure, meets me there and

escorts me back to safety. We should be home by midnight, and tomorrow

Gaya will have a new scandal. Mr. Radcliffe is very young. He will be

so pleased."

"I will come with you as far as the bridge-head," Tristram returned

gravely.

"I had expected nothing less."

For all her change of tone the suspense which had crept in upon them

with the twilight remained unbroken. It lay upon the man like a

quivering hand. As he led her horse through the black streets it

vibrated on the hot obscurity. They came out on to the plain and it was

there also, at his throat, suffocating him.

The full moon hung low on the horizon like a silver lamp. There was

nothing hid from it. It revealed and transfigured fantastically; the

very blades of the high-standing grass were drawn in separate delicate

lines of shadow, but they did not look like grass. The great river

flooded through the darkness--an endless winding army of ghosts whose

murmur was never still.

Sigrid Fersen looked down at the man beside her. As distance brings out

the significance of a rough sketch, so now the grey half-light threw

into relief lines and hollows of his face which she had not seen before.

They were as vigorous and ugly as they had ever been, yet their

silhouette under the helmet rim conveyed to her a new impression--the

thought of something chivalresque and simple, mystic and

single-hearted--a Pure Fool on the Threshold of his Quest. She bent

towards him, stroking her horse's neck with a gentle hand.

"And I too have a theory, Tristram Tristram," she said, as though there

had been no silence between them. "It is this--that there can be no

going back for any of us. We climb from experience to experience, and

grow or shrivel as our experience is a high or low one. There was a man

sleeping by the backwater. He is gone, and in his place you walk beside

me."

"Why should I not be the man by the backwater?" he asked. "He knew you

also."

"Since when?"

"Since two years ago."

"Tell me how he met me--I have forgotten."

"You never knew," he answered. "It was his last night in England. He

had said good-bye to all he cared for, and he felt pretty bad. He knew

what lay ahead of him--lonely, hard years and perhaps no return. So he

did what he had never done before, because money and pleasure had not

come his way--he took himself and his pain into a theatre. And there he

saw you."

"Well--and then?"

"That's all. There was wonderful music, and you explained it to him.

You showed him a new beauty that he had never dreamed of, you unlocked a

door, and he entered a new world. When it was over he got up and left

the theatre. He behaved like a boy--he went and stood by the river

until day broke."

"And the photograph."

"He bought it to take with him."

She smiled to herself, tenderly, ironically.

"It did not occur to him to ask for my autograph--to seek me out."

"No, then you would have been a reality to him--an unattainable reality.

He wanted you as a dream he could live with and conjure up at will."

"As he did by the backwater."

"Yes." He pointed out towards the grey bulk of the temple lying against

the forest. His voice lost its habitual unevenness, and grew full and

clear. "One thing you danced--do you remember?--the ballet in _Robert

le Diable_? The scene was a churchyard--an ugly thing of cardboard and

clumsy carpentering until you came. But out there is a real temple. At

night the moon plays through the great sun-window of the _sikhara_ and

fills the space between the pillars. And I have gone there at

night-time and seen you dance."

"Shall you go again, Tristram Tristram?"

"I don't know--I don't know."

They went on in silence. There was no sound but the song of the water

and the swish of the grass at their feet. Presently she drew rein.

"We are near the bridge; I can hear voices, and I want to say good-bye

to you now. I want to thank you. I have made my experience, and

climbed higher."

He looked up at her with a wistful smile.

"I don't know about that--I don't know what I have done. I do know that

I have grown frightened for you. I've been thinking of infection and

cheetahs on the home road and all the horrors I don't believe in. I

wish I could go with you to Gaya."

"There is nothing to fear, Tristram Tristram. And you will come to Gaya

tomorrow or the next day or next week and I shall play to you Beethoven,

Chopin, Brahms--all the most wonderful music in the world. I shall open

new doors for you and new worlds----"

He shook his head.

"There's cholera out in Bjura."

"Still you will come----" she answered.

Her hand touched his. Then she was gone--a speck of moving light--into

the darkness.

*CHAPTER VII*

*ANNE BOUCICAULT EXPLAINS*

It was Anne Boucicault's birthday--her twenty-second--and Owen Meredith

had proposed her health in lemonade--a beverage which he was assured had

no unlucky superstition attached to it. The rest responded in

champagne. It was not Colonel Boucicault's champagne, though it was on

his verandah that Gaya had gathered to celebrate. Jim Radcliffe, who,

since his midnight ride with Sigrid and the consequent hubbub, had

developed into a very debonair and self-confident young man, had

produced a case-full with the satisfaction and mystery of a popular

conjurer, and Mrs. Boucicault showed neither offence nor appreciation at

this addition to her hospitality. She sat in the shade near the doorway

and scarcely spoke. From time to time her hand rose involuntarily to the

high collar which had been added to her elaborate gown, and rested there

as though it hid something painful. When a remark reached her a fitful

smile quivered about her lips steadied to artificial gaiety. But her

pale eyes were wide and unsmiling, their sight turned inwards on to some

ugly vision, and never lifted from their unseeing watch on the avenue

leading to the high-road. Anne sat on the arm of her chair and held her

hand. She looked very young, and, whilst Meredith spoke, almost

radiant. He had seen the colour creep back into her pale cheeks, and

had become gay and eloquent and a little reckless. For all the

lemonade, and the little chilly mannerisms of his calling, he was a

passionate young man, and the sight of her fragile pleasure roused in

him a fierce pity and tenderness. He betrayed himself, and did not know

it. Afterwards, when he came and touched her long-stemmed glass with

his tumbler, he lingered, looking down at her, his hazel eyes bright

with a new purpose and an old hope suddenly and daringly set free.

"Anne--dear--before I go tonight I have something I want to say to you.

Give me a chance, will you?"

She met his eager gaze for an instant, and then her own eyes faltered

and dropped. She looked startled, a little frightened, like a child

that has been taken unawares, but her colour remained unchanged.

"Of course--we shall be going into the garden. Come with me. I will

show you our new rose-trees."

"Thank you," he answered. He stood back, others crowded to take his

place, and she received their good wishes much as she had received him,

with a shy graciousness that made her appealingly attractive. Only when

Sigrid Fersen held out her glass she stiffened, and grew suddenly much

older. It was as though for an instant they had changed places, and the

girl had become the woman defending herself coldly and bitterly against

the threat of youth.

"And I can wish you nothing better than that you should always have some

one like Mr. Meredith to wish you so much good, with so much fervour,"

Sigrid said lightly. She turned her head towards the man standing behind

Anne Boucicault's chair, and her eyes in the shade of the big garden hat

sparkled with subdued merriment and kindly mockery. "Tell me, is Mr.

Meredith so eloquent in the pulpit?" she asked.

"You should hear him for yourself," Anne replied staidly.

"But then, I never go to church."

"That is a pity." She flushed a little, her mouth small and

tight-looking. "It is especially a pity out here--because of the

natives. But then, of course, you haven't our responsibility."

Meredith frowned slightly, not at Anne's words, but at the expression

which he saw pass over the small face opposite him. It was still

kindly, but the merriment had become ironic. Up to that moment he had

felt nothing very definite towards her, recognizing, with an unclerical

modesty, that he did not understand her. Now he thrilled with an odd

dislike.

"I'm afraid my eloquence won't cure Miss Fersen's backsliding," he said,

hurriedly good-humoured. "And, in the meantime, behold a new arrival,

breathless with congratulations."

The new arrival proved to be Wickie, escaped from the compound, who

bounced up the verandah steps and advanced among the scattered tables

practising the ingratiating squirm with which the Aberdeen masks his

real impertinence. He was received with acclamation, partly for his

master's sake, partly as a tribute to his own irresistible ugliness.

Anne whistled timidly to him, but he ignored her and sniffed at Sigrid's

outstretched hand.

"It's almost as though he knew you," Anne said sharply.

"Well, we know of each other at any rate, don't we, Wickie?"

"How?" The question was rude in its abruptness and Anne's manners were

always very gentle. Sigrid Fersen did not look at her. She bent down

and balanced a generous portion of cake on Wickie's hopeful snout.

"Major Tristram told me about him," she said.

"But Major Tristram has not been in Gaya since you arrived."

"Nevertheless, we have met." She glanced across at Radcliffe who

chuckled with boyish self-consciousness. "I paid Major Tristram a

visit," she added.

"At Heerut?"

"Well, we had tea there--but we met by the river. Major Tristram had

been bathing."

Anne Boucicault sat very straight and still and hard-eyed. Meredith saw

that her hands were clenched so that they were white at the knuckles,

and again he felt the passing of a sudden emotion which was this time a

mingling of inexplicable pain and dread.

"That must have been an unusual--dangerous adventure," Anne uttered from

between stiff lips.

"I had hoped that it might be--it proved to be nothing but a very

agreeable afternoon," was the answer.

The dialogue passed unnoticed. Mrs. Brabazone was telling one of her

only three stories, and trying to sort out the point. Gaya listened and

waited reverently, and Mrs. Brabazone, being possessed of a fine sense

of her own total lack of humour, finished with a round fat laugh which

added a perfecting touch to her rotund figure and creaseless, elderly

face.

"Anyhow, I do amuse you," she said triumphantly. "Nobody amuses you like

I do. I don't believe you could get on without me. One of these days I

shall have that story right, and then you'll see that it was worth

waiting for it. You know, I always mix it up with the one about the

Lancashire woman who----" She stopped, her mouth agape. "What on earth

was that?" she demanded sharply.

"Firing," Mary Compton answered. She raised herself from her

comfortable lounging attitude on the long chair, and leant forward with

a curious expression on her alert face. "What was it, Mr. Radcliffe?"

The boy got up hurriedly, ostensibly to refill his neighbour's empty

glass. His fresh-coloured face, not yet burnt with the Indian sun, had

turned a dull red.

"Oh, I don't know," he said. "Some silly ass over in the barracks. A

rifle gone off by mistake. Or a sentry. The sentries have taken to

firing at their own shadows."

"It may have been at the barracks," Mrs. Compton pursued, "but that

wasn't a rifle, Jim Radcliffe. It was a squad firing, and you know it."

"And how do you know?" Mrs. Brabazone broke in. "Sometimes, Mary, I feel

that you can't be really nice. You do know such dreadfully unwomanly

things."

"I was shut up in Chitral with Archie when the regiment mutinied," Mrs.

Compton retorted coolly. "I learnt to know the meaning of every

sound--even to the snapping of a twig under a naked foot."

Mrs. Brabazone shook herself like a dog throwing off a douche of cold

water.

"My dear, don't! You're trying to insinuate that we are on the verge of

being murdered in our beds, and I know it perfectly well. I tell the

Judge so every night, and he says he's sure I shall die of a broken

heart if I have to go off peacefully. But then----"

Her voice trailed off. For once her headlong garrulity failed to evoke

a response, and the little group of men and women sat silent, avoiding

each other's eyes. It was very still again. A drowsy late afternoon

peace hung over the shady garden at their feet. Yet the sound which had

fallen lingered among them like a long-drawn-out echo.

They lived lightly and gaily, these people of Gaya, most blessed of

Indian stations. Polo and tennis, a drag-hunt here and there, a

constant happy-go-lucky exchange of hospitality, a close fraternity

which allowed for scandal and malice and all uncharitableness, and never

failed at a pinch. And then for an instant a rift--a glimpse down into

the thinly crusted abyss on which they danced--a tightening of the lips,

a laugh, a call for a new tune, a fine carrying-on of their life with

the secret knowledge that their pleasure and their brotherhood was other

and greater than they had thought.

Mary Compton broke the silence. Her voice sounded light and careless.

"I don't think we're going to die just yet, anyhow," she said; "there's

Colonel Boucicault. Perhaps he will condescend to tell us what Mr.

Radcliffe won't." She gave the latter one of those penetrating glances

which made her a rather dreaded little personality, and immediately

afterwards, catching sight of Mrs. Boucicault's face she flushed

crimson. It was, as she afterwards expressed it, as though she had been

caught eavesdropping or prying into a confession not meant for her

reading. For Mrs. Boucicault had sunk together like a faded flower

whose stem had been snapped. The elaborate lace dress and the jewelled

hands in her lap added painfully to her look of broken helplessness. But

it was in her eyes that Mary Compton had seen her self-betrayal. They

were half-closed, and from under the heavy lids they kept watch as a dog

watches who has been beaten past protest, even past subjection into a

terrible patient waiting. She pushed her daughter's hand aside, and

Anne smiled down at her with an attempt at careless ease which had its

own piteousness.

Colonel Boucicault came up the verandah steps, his hand to his helmet

with that exaggerated formality which made the greeting a veiled gibe.

"I trust I don't interrupt," he said. "Anne is celebrating, isn't she?

I heard whispers of something of the sort, but I was not invited. In

fact, I suspect that the entertainment was fixed for the afternoon in

the hopes that my duties might keep me elsewhere."

He accepted the chair which his subaltern had vacated for him. "Thanks,

Radcliffe, always the soul of correctness, and ever to be found where

there is nothing more arduous going than champagne. Well, what are you

all silent for? Mrs. Brabazone, you are positively pale. Has anything

happened?"

Mrs. Brabazone waved one of her podgy hands with a gesture that was

probably an expression of an otherwise inarticulate rage. Boucicault

laughed at her. Whether he had been drinking or not could not be said

for certain. He never betrayed himself. His hands and his voice were

equally steady. His complexion, sallow and unhealthy, added to the

unnatural brightness of his pale eyes, which, like the mouth under the

heavy moustache, expressed a deliberate, insane cruelty.

Anne Boucicault met his roving stare and tried to smile.

"We heard firing," she stammered. "We didn't know what it was. We were

rather frightened."

"Frightened? Of course you were. You're given that way, aren't you,

Anne?" He held out an irritable hand for the glass which Meredith had

filled for him. "Well, you weren't the only one. Five more terrified

wretches I never saw--why, I can't think. A transmigration at this time

of the year must be rather agreeable."

Mary Compton turned her head sharply.

"The five men who mutinied," she exclaimed, "they were shot---just now?"

Though the sunlight was still strong the garden seemed to have suddenly

passed into a chilling shadow.

Colonel Boucicault nodded.

"Yes, before the whole regiment with the exception of this gentleman who

had--what was it--the toothache?" He lifted his glass towards

Radcliffe, whose boyish face had whitened under the taunt. "Allow me to

congratulate you on your taste in champagne, sir. You should be

invaluable on the mess committee at any rate."

Radcliffe's lips twitched but he made no answer, and it was Sigrid

Fersen who spoke. She bent down, stroking Wickie's pointed ears with a

deliberate hand.

"Wasn't the execution a trifle ostentatious, Colonel Boucicault?" she

asked.

He stared back at her, an ugly smile at the corner of his lips.

"It was meant to be ostentatious. I'm afraid I cannot always consider

the delicate female nerves."

"My nerves weren't upset," she returned levelly. "I'm not afraid of

anything."

"Indeed?" He seemed to meditate a moment, as though something either in

her voice or appearance struck him, then jerked his head in Anne's

direction. "My orderly told me there was a messenger for me. Bring him

here."

"Here, father?"

"That was what I said."

Anne slipped from her place, and, motioning Meredith aside, hurried into

the house like some frightened little animal. As she disappeared Mary

Compton started a conversation which was taken up eagerly but without

more than a faltering success. It failed altogether as Anne returned.

"That's Ayeshi," Radcliffe whispered in Sigrid's ear.

She looked up. The young Hindu had salaamed gravely, partly to

Boucicault, partly to the assembled company and now stood upright and

silent. He was barefooted, and the white loose clothes were grey with

dust. Yet there was that in the carriage of his slender body and in the

dark, delicate featured face which was arresting in its dignity. To

Boucicault, possibly, the boy's untroubled ease appeared as insolence.

He frowned at him moodily.

"You are Major Tristram's servant," he asked in English.

"Yes, Sahib."

"Well, he has not taught you manners. But that was hardly to be

expected. You have brought a message?"

"Yes, Sahib."

"Deliver it."

"It is by word of mouth, Sahib."

"Well, then, deliver it, in Heaven's name."

Ayeshi put his hand to his neck, pushing back the short black curls

which escaped from under his turban. He seemed to become suddenly

conscious of the attention centred on him, and his eyes, moving over the

watching faces, encountered Sigrid Fersen. He looked at her intently

and then at the dog at her feet, and she saw that his lips quivered

though not with fear.

"It is that there is cholera at Bjura," he said. "The Dakktar Sahib is

hard pressed, and begs for help."

"He is always doing that. Tell him I have no one to send. Captain

Treves is on furlough, and I should not dream of recalling him. The

Dakktar Sahib must manage as best he can."

Ayeshi held his ground. His mouth had hardened.

"The Dakktar Sahib is ill," he said.

"Well, let the physician heal himself," Boucicault laughed.

"Colonel Sahib--it is urgent----"

Boucicault rose to his feet.

"You can go," he said. Then, as Ayeshi lingered, with a suddenness that

was awful in its expression of released passions, Boucicault lifted his

hand and struck the native full on the mouth. "Now will you go?" he

said softly.

Mrs. Brabazone screamed, but her voice was drowned wholly by a more

full-throated sound. Wickie, barking furiously and bristling with all

the fighting fury of his Scottish forbears, broke from a long restraint

and flung himself at the aggressor. Even his teeth, however, could not

prevail against the leather riding-boots, and Boucicault kicked himself

free. His passion had died down or had become something worse, a cold

still fury.

"What brute is this?" he asked. He looked at Anne, and she tried to

meet his eyes and flinched.

"It's Major Tristram's dog--he gave it to me to take care of--it had a

broken paw--it was shut up in the compound--I hoped you wouldn't mind,

father."

Boucicault made no answer. He took the riding-crop which he had

carried. There was a tight line about his jaw which betrayed the

grinding teeth. He was very deliberate, almost ostentatious in his

purpose. Anne watched him. She held out a hand of protest--then let it

drop. Her pallor had become pitiful. Sigrid Fersen got up. She was so

swift and light in her movement that no one realised what she was doing

till it was done. She crossed the verandah and picked up Wickie in her

arms, narrowly escaping the murderous descent of the riding-crop. Then

she rose and faced him.

"I like Wickie," she said. "From henceforward, Colonel Boucicault, he

is under my protection."

Boucicault drew back. His face was grey looking.

"You have some courage, Mademoiselle," he said almost inaudibly.

She smiled composedly.

"I am not 'Mademoiselle,' and you know it, Colonel Boucicault. Also, as

I said before, I am not afraid. I killed a mad dog once, and since than

I have been afraid of nothing." She turned carelessly. Ayeshi stood

behind her. There was blood on his mouth and on the hand which he had

raised in self-defence. His eyes were full of a sick suffering which

was terrible because it was not of the body. She laid her free hand on

his arm. "You are hurt," she said; "please go to my bungalow. Mrs.

Smithers will look after you--tell her I sent you. You mustn't mind

what has happened----" She looked back mockingly over her shoulder.

"Colonel Boucicault is a little out of temper. He would hit me if he

dared."

There was a silence of sheer stupefaction. Mrs. Compton's temperament,

usually leashed by her passionate care for her husband's career, bolted

with her, and she laughed outright, and Mrs. Brabazone settled herself

back in her chair with a subdued complacency of one who has seen herself

fitly avenged. But Anne Boucicault had risen to her feet. There was a

look on her face more painful than her fear, and almost reckless in its

self-betrayal. For an instant she stood looking at the woman who faced

her father, and then without a word she turned and slipped into the room

behind her. Meredith followed. He did not speak to her. He knew where

she was going, and the knowledge gave him an odd comfort, as though in

her need she had remembered him and turned to him. Like a shadow she

glided along the dim passages. The verandah overlooking the rose-garden

was deserted and the garden itself already full of a cool twilight which

added to its sad air of neglect and death. Roses grew well in Gaya, but

they did not grow well in Anne's garden. She loved them but not

successfully. Meredith stood beside her as she lay huddled together on

the old bench and waited. Though she was so still he felt that she was

crying and the knowledge stirred him to a compassion that was not one of

understanding. In truth he understood as yet very little--the mere

surface of her grief. Presently he sat down beside her and drew her

hand gently and resolutely from her face. It was wet with tears.

"Anne!" he said unsteadily. "Little Anne!" Loyally unselfish and

modest though he was, yet at that moment he accused himself of a tender

insincerity as though his grief and pity were masks covering his own

happiness. The thing for which he had longed and prayed had come to

pass, so swiftly and splendidly that in his warm faith he seemed to

recognize the hand of the God he prayed to. "You mustn't grieve so," he

whispered. "People understand--and we are all your friends. We know

too what this country can do with a man's character--we can make

allowances. And then, dear, no harm was done. Miss Fersen saved the

situation for us all."

She withdrew her hand slowly and looked at him then, in spite of her

girl's tears and the veiling twilight, he wondered at the unyouthfulness

of her expression.

"Yes, I suppose she did. She saved Wickie. She was very brave."

"I thought so too."

"And yet I hate her." She made a quick gesture, silencing his

involuntary protest. "I hate her--not wickedly. There is a hatred

which isn't wicked--the kind of thing we feel for what is harmful and

evil. I've tested myself over and over again. I know--I feel that she

isn't a good woman--she has no faith, no ideals. She has done harm in

Gaya already--she sticks at nothing--and because of that she wins, and

people yield to her and let her poison them. That is why I hate her."

The man beside her was silent for a moment. He had no answer ready. He

had felt nothing for Sigrid Fersen save a masculine admiration for her

cool courage. Anne's passionate dislike, compared to what he hoped was

coming to them both, seemed a little thing and yet it chilled him. The

cold shadows of the neglected garden laid hands upon him, checking and

paralysing the headlong impulse and joyous confidence with which men win

victories. With an effort he tried to free himself.

"You may be right," he said quietly, "I don't know. I'm no judge of

character. But the truth is, I haven't thought about her. I haven't

thought of any but the one woman--of any one but you, Anne." He paused

a moment. He no longer dared to look at her, but leant forward, his

hands tightly interlocked, his eyes fixed on the on-coming tide of

darkness. He did not know that his voice shook. "Anne, I haven't dared

boast to myself--and yet we have been so happy together--we love the

same things and have the same faith; we look at life with the same eyes.

All that is surely something. As to myself--God knows how little I have

to give you--but I won't apologize for the rest--not for my work. That

is the grandest, best thing I have to offer. I know you think so too."

"Yes, Owen." She put her small, unsteady hand on his arm. And for a

second hope blazed up in him, dying down again to grey premonition.

"And you weren't boastful to think I cared--I do--but not like that,

Owen."

Something impersonal within himself marvelled at the banality of

tragedy. People made fun of scenes like this--caricatured them. And he

was sick with pain and weakness.

"Little Anne--you're so young--how should you know?"

"I do know," she answered.

Then he looked at her, driven out of himself by the simplicity and

strength of her confession. She held herself upright and even though

her face was full of shadow he could see the line of her mouth and it

frightened him. He knew now what he had always refused to know.

Ruthlessly, from the secret depths where we bury our hated truths, he

drew out a memory and a fear and recognized them for what they were.

The recognition was the end of the one hope of personal happiness he had

granted himself, and it staggered him. Then the man and the Christian

in him rose triumphant.

"I won't pretend I don't guess," he said quietly and naturally. "I do.

And, Anne, though I was selfish enough to want you myself--still, there

was one thing I did want more. It isn't a phrase--it's honestly true.

I wanted you to be happy. I think you will be--I think you are--so I

haven't the right to grumble, have I?"

He tried to smile at her. Commonplace as his form of renunciation had

been, he was not conscious now of any banality either in himself or her.

He stood on that rarely ascended pinnacle whence men look down on their

daily life and see in its tortuous monotony the weaving of a divine

pattern. He felt for the instant glorified as some men are who stand

before a miracle of nature, or a great picture, or listen to grand

music. It was his vision of the Beautiful--willing sacrifice, happy

renunciation.

But Anne Boucicault got up and stood beside him, very straight, her

hands clenched at her sides.

"I am not happy," she said. "I do not think I ever shall be."

And she left him standing there in the twilight, a very human and tragic

figure, with the grey ash of his vision between his hands.

* * * * *

Such was Anne Boucicault's birthday. Mrs. Compton, driving home from

the scene of celebration, met her husband at the barrack gates and

forced the reins upon him in order that she might give herself over

entirely to invective and lurid description, two pastimes for which she

had an unlimited talent. Archie Compton chuckled at her picture of

Sigrid's dramatic and triumphant intervention, but his chuckle was not

all that she had expected, and she caught herself up.

"What a brute I am!" she exclaimed repentantly. "I had forgotten. You

poor old boy! You must be feeling sick----"

"I am," he returned grimly. "It was damnable." His voice was lowered

for the benefit of the syce balanced on the back seat, but it was no

less vibrant with bitterness. "But that's how it is out here. We--you

and I--men like Tristram--everybody--sweat out our lives, sacrifice

every personal wish we've got, play the game from the Viceroy down to

the new-fledged Tommy as, heaven knows, the game isn't often played on

this earth--for what? Well, we don't talk about that. We just go ahead

with our best. And then some blundering ass--some blackguard, is let

loose among us and the whole thing is in the fire--we might as well

never have been--or played the deuce to our hearts' content----"

She caught a glimpse of his drawn, miserable face.

"You think--things are pretty bad?" she asked, gropingly. "Something

will happen?"

"Sure." His grip tightened on the reins. "Something--God knows

what--but something----"

*CHAPTER VIII*

*THE TWO LISTENERS*

It was typical of Owen Meredith that, as he left the Boucicaults'

compound behind him, he put aside his own grief and turned sternly to

the duty that lay nearest him. That duty concerned Ayeshi. Possibly,

had Ayeshi been moulded in the common clay of his race, Meredith might

have taken his duty with less seriousness, though his blood would still

have burnt at Boucicault's wanton brutality--as it was, a

long-considered purpose now took a definite form.

It chanced that, as Meredith trudged on his way to the Mission, the

Rajah's English dog-cart swerved round a bend of the dusty road, and

came down upon him with the best speed of a rather showy high-stepper.

Rasaldu drove himself, the knowledge of animals being the one talent

that he appeared to have inherited from his cowherd ancestry, and,

recognizing Meredith, he drew up so smartly as almost to jerk his

attendant from off his precarious perch in the rear.

"I have just come down from the dak-bungalow," he explained. "I was to

have taken Mademoiselle Fersen out with my new cob--beauty, eh?--but she

was out. Happened to have seen her?"

Meredith accepted the fat brown hand extended towards him.

"I left her at the Boucicaults'," he said. "But that was some time

back. It was Miss Boucicault's birthday, you know."

"No, I didn't." Rasaldu's face fell like that of an offended child, and

Meredith hastened to add lightly:

"It was a very small affair--only a handful of Miss Boucicault's women

friends and an odd male or two like myself. Miss Fersen was there as a

matter of course. I don't think any affair in Gaya could get along

without her."

The Rajah chuckled, flattered and reassured.

"No, I suppose not. A wonderful woman. Well, I daresay she had to go.

Anything I can do for you, Meredith? Want a new schoolhouse or anything

like that?"

"I want money, Rajah," Meredith returned promptly.

"Thought so. You shall have it. Let me have the list and I'll head it

with as much as you like----"

"Hadn't you better hear what it's for?" Meredith suggested.

Rasaldu shook his head.

"Oh, I don't know; that's hardly my business."

"In this case, I think. It concerns one of your own people, Rajah."

Rasaldu's smile faded. He looked oddly crestfallen.

"A protege of yours, eh?"

"Yes, a very brilliant young man--much above his class. Though I've not

been able to trace his parentage, I imagine he has good blood in his

veins. Anyhow, I want to give him his chance, perhaps eventually send

him to Calcutta University."

"Convert, eh?"

"That may come," was the grave answer.

Rasaldu was silent a moment, busy with the restless animal in the

shafts. A rather supercilious smile flickered at the corners of his

thick lips.

"Well, you shall have all you want," he said finally. "But send him to

London--Paris. Paris is the place. It opens a man's mind--gives him

ideas. We want that sort of stuff out here. Don't fuddle him with

universities. Show him life. And there's nothing like Paris for that.

It was there I met Mademoiselle Fersen, you know. A fine woman, eh?

Fairly taken Gaya by storm, I fancy."

"She certainly does pretty well what she likes," Meredith admitted with

a wry smile.

"I thought so. She was bound to win. At home she fairly walked over

everyone--don't know why exactly. It wasn't only her dancing--I couldn't

quite understand it myself--not enough of it or too much--and it wasn't

her beauty. She isn't in the least beautiful.... There were women in

Paris I knew----" He caught sight of Meredith's face and burst out into

a good-natured laugh. "Well, all that won't interest you. But you shall

have your money. Keep clear of the wheels, my dear fellow--the brute's

got the devil in her--good-bye."

He raised his whip in salutation, and a minute later was a speck in a

rolling cloud of dust.

Owen Meredith trudged on patiently and interwove his thoughts of

Ayeshi's future, and of the slow piling of stone upon stone which was to

make a new temple in India, with the red thread of his own pain.

Meantime the subject of his anxious consideration sat on the top step of

the dak-bungalow and was ministered to by Mrs. Smithers. Mrs. Smithers

had accepted him much as she would have accepted a herd of wild

elephants if they had presented themselves in Sigrid's name. She

brought hot water and bathed the blood from his face, and set food in

lavish quantities at his side, all this--except for a single

exclamation, "lawks a-mercy!"--without surprise or question or the

slightest change in the expression of her grim features. Ayeshi seemed

scarcely aware of her. Nor did he touch the food. He sat with his back

against the wooden pillar of the verandah, his knees drawn up to his

chin and shivered as though in the grip of a violent ague. Mrs.

Smithers tried to cover him with a rug, but he thrust her offering

aside.

"I am not cold," he said.

"You're very ill, young man," Mrs. Smithers retorted.

He turned his half-closed, suffering eyes for a moment to her face.

"It is not my body----" he muttered.

Mrs. Smithers gave it up. Nevertheless, she drew up a chair on the

other side of the steps and sat down with her hands folded in her lap

and kept watch over him as though he had been a criminal given over into

her keeping.

It was thus Sigrid found them half an hour later. The brief Indian

twilight still lingered on the open roadway, but in the happy wilderness

which was the garden of the dak-bungalow it was night, and the figures

of the two watchers were only shadows.

Sigrid stepped out of the white military cloak which covered her light

dress and revealed the presence, under one arm, of a black-snouted,

alert-eared something which in other days, when Aberdeens and their

mongrel offspring were unknown, would have been taken for a baby dragon.

Mrs. Smithers's unexpectant lap received Wickie, helplessly entangled in

the cloak, and Sigrid knelt at Ayeshi's side. He had tried to rise and

salaam, but she forced him back with a resolute hand.

"We've had enough of that sort of thing," she said almost angrily. "How

you must hate us all!"

He gave a long shuddering sigh like that of a child which has exhausted

itself with crying, and then was still.

"Mem-Sahib is very good," he said softly. "But he had the right----"

"He had not," she flashed back fiercely. "What gives him the right?"

"If Mem-Sahib were not a stranger she would know," he answered in his

broken voice.

She struck her knee with her clenched hand in a storm of anger.

"There is no law----" she began.

"There is a custom, Mem-Sahib," he interrupted. "I think many of them

were sorry, but had I turned on him and struck him they would have flung

themselves on me. That is the difference."

"You are as good as he," she protested recklessly. "If you had a chance

you would be more than he is. Major Tristram has told me----"

"There are barriers that Mem-Sahib would be the first to remember," he

persisted.

But the fire of her outraged chivalry burnt fiercer in the wind of his

opposition.

"You're wrong, Ayeshi. I shouldn't. There are no barriers--at least,

none like that. Goodness knows, we're not born equal, but the

inequality that matters isn't of birth or race, but of mind and soul.

And you have a mind and soul above most. There are no barriers for

you."

He bent his head.

"That is what Meredith Sahib has said to me. We are all brothers--that

is the message of his God to us. Somehow, I do not think that Meredith

Sahib is wise to bring the message--nor you, Mem-Sahib--and yet we who

are athirst in the desert----"

He seemed to meditate and to have forgotten her. He rose stiffly and

painfully to his feet.

"I go to seek Tristram Sahib," he muttered.

She also had risen with an effortless slowness which made even of the

simple movement a kind of wonder.

"Tristram Sahib? Is Tristram Sahib here?"

He pointed vaguely out into the darkness.

"There--in an hour I am to meet him with the Colonel Sahib's answer. He

would not come himself, for he is hard pressed, and if he met the

Colonel Sahib----"

"There would be an end to his theories," she interposed with a little

laugh.

"And to you also he sent a message, Mem-Sahib."

She turned to him. Mrs. Smithers, to whom the darkness was in the

nature of an impropriety, had lit the high lamp in the room behind them,

and the dim gold which flooded Sigrid Fersen's face seemed more the dawn

of an expression than a reflected light.

"Give it me!" she said.

His back was to the light. He looked at her for a moment, his face a

blank, featureless shadow.

"It is here, Mem-Sahib." From his tunic he drew out a little bundle

wrapped in a thick silk cummerbund, and gave it tenderly into her hands.

"It was that which made me most afraid," he added.

"That!" she said, scarcely above her breath. She held the fragile china

cup in both hands, her head bent. "I can't accept it," she said

hurriedly. "You must tell him so, Ayeshi. It was his mother's gift--he

valued it--he loves beautiful things--I couldn't take it----"

"Mem-Sahib"--the young Hindu's voice sounded rough and uneven--"the

Dakktar Sahib goes to Bjura tonight. There is much terrible sickness in

Bjura, and the Dakktar Sahib goes weary and single-handed. The cup was

precious to him--most precious--and that was why he sent it to the

Mem-Sahib who loves the beautiful as he does. He believed that his

mother would have wished it." He waited and then asked: "What message

shall I take to the Dakktar Sahib?"

"Wait--you must give me time to think, Ayeshi--or, no, why should I

think?" Her laugh sounded low and unsteady. "Come, you must sit there

in the shadow again. It is not yet time for Tristram Sahib. Wait--I

will give him my message--sit there----"

She was gone noiselessly. Mrs. Smithers, who hovered gloomily about the

drawing-room in search of the absconded Wickie, saw her go to the piano

and throw it open. For many minutes she sat before it motionless,

seeming to listen, then her left hand touched the keys, and almost

inaudibly, like the stir of a newly awakened wind, there sounded the

first notes of the Andante Appassionata.

Mrs. Smithers no longer fidgeted. She stood in the shadow of the

curtained window, her old, hard-set face to the darkness. Only her

mouth had lost something of its grim severity, and had become tender.

She did not see Ayeshi, though barely the breadth of the verandah

separated them. She looked past him as sightlessly as he looked past

her. Evidently he had turned to go. One foot rested on the lower step

and his body was thrown back against the balustrade as though he had

been arrested in the very act of flight. The dim light on his face

revealed its look of wonder--almost panic-stricken wonder.

Mrs. Smithers continued to disregard him. But presently she turned and

went across to the piano. Whatever momentary weakness had overcome her

had gone and she was again her ruthless, uncompromising self.

"Sigrid--there's some one out there in the compound--under the trees--a

man. Who is he?"

"Major Tristram--the Dakktar Sahib--a very poor and gallant

gentleman--who is perhaps going out to die and now trembles on the brink

of Paradise." She broke off and passed joyously into the next phrase

and through its glowing crescendo her voice sounded with a light

distinctness. "I can play too, Smithy! And dance. I could dance to

this and Beethoven would say I knew more of his soul than half the fools

who gape in stuffy concert-halls. Think, Smithy, that man out there has

never heard such music--only Meyerbeer's pompous little ballet--and

after that he went and stood by the river until the daybreak--because of

me----"

Mrs. Smithers shook her head sternly.

"You mustn't, Sigrid--you mustn't. It's not fair--you've always been

fair. You know nothing can't come of it. You know yourself. You can't

change your course----"

"I do know. But sometimes the wind shall blow me whither it listeth.

Haven't I the right to that much?"

"Not at some one else's cost, Sigrid."

There was no answer. Sigrid Fersen lifted her right hand and touched

her lips with her forefinger. It was as though she called the very

garden without to a deeper stillness. Her left hand passed swiftly from

chord to chord, from major to a wistful minor, resting at last on one

deep lingering note of suspense.

"Hush, Smithy! Don't talk! What does anything matter? Now listen! Do

you remember--the D minor valse--do you remember that last night--the

grand-dukes and the princesses, what were they all?--was there anything

but God and Chopin and I----"

Her fair small head was thrown back, her eyes were bright, but not now

with gaiety. Her mouth was slightly open, and she was breathing deeply

and quickly with the glory of divine movement.

Mrs. Smithers turned away again and went back to the window. She was

crying, her mouth stiff as though it could not yield, even to grief.

The man under the trees had taken a step forward and now stood still

again. Between them Ayeshi lay huddled together on the top step of the

verandah, his face hidden in his arms.

*CHAPTER IX*

*LALLOO, THE MONEY-LENDER*

It had come to be an accepted fact in Gaya that the old bungalow lying

on the outskirts was haunted and therefore undesirable. Not that Gaya

feared ghosts or anything else in heaven or earth. The average

Anglo-Indian's nerve, strained by the subtle but immediate juxtaposition

of frivolity and danger which shade so imperceptibly into each other,

that the border-line can be crossed unconsciously and in an instant,

cannot indulge in emotionalism or fancies. He has to close his mind

both to the fascination and the veiled menace of Indian life, or be

lost. It is for that reason that he is always the last to admit the

fascination, except in regard to the social conditions, or the danger,

beyond the obvious ones of ill health and consequent retirement on a

beggarly half-pay.

So Gaya's inhabitants locked up fear, and hid the key where it could not

be found even by the most unbaked, fluttered newcomer, and the old

bungalow with its ugly secret left them unmoved. But they never denied

the existence of the blight which rested on the gloomy, tumbled-down

building, and they avoided the place as unpleasant and depressing, and

took care that innocent newly appointed officers and their wives, for

whom so large and spacious a dwelling seemed eminently suited, should

house elsewhere. It was owing to this circumstance that James Barclay

had been able to obtain possession and a consequent but dubious foothold

on the outskirts of Gaya's sternly fortified social life. The bungalow

had been built in the dim ages before the Mutiny, and had been patched

and patched till little was left of the original. James Barclay

promptly renovated it from end to end, and added various bizarre

additions of his own which, however, did not alter the place's

fundamental characteristic of mouldering gloom and depression.

In the room in which he sat talking to Lalloo, the money-lender,

everything of native origin had been rigorously excluded. The chairs

were covered with English chintzes, the curtains were futurist in design

and colour; there were copies of European masterpieces in heavy gilded

frames on the walls, and a new art bronze lamp suspended from the hand

of a marble Venus cast a bright, garish reflection on the upturned,

contemplative face of its owner.

It was curious, therefore, that, as little as he had been able to

eradicate the gloom, as little had he been able to oust the indigenous

element. The objects might be Western, but the atmosphere remained

obstinately Oriental. Perhaps it was the irrepressible outbursts of

colour-love betrayed by the chintzes, or perhaps Lalloo supplied the

cause of this phenomena. He sat cross-legged on the carpet and stroked

his grizzled beard with a dark hand, that seemed all the darker for the

scrupulous whiteness of his _puggri_ and loose tunic. Compared with

him, Barclay looked almost blond, almost English. Yet Lalloo also

accentuated what was un-English in him. There were lines about the old

usurer's mouth and nostrils which were already dimly suggested in

Barclay's face. There was a gulf between them, but there was also a

bridge across.

"There is Seetul, who says he cannot pay," Lalloo detailed monotonously,

and as though he were reading from an account-book. "He has owed us ten

rupees these last six months, and still he says he cannot pay. But he

has had many fine stuffs in his loom--and his daughter's hands have been

busy with rich embroideries on which the Sahibs' wives have cast longing

eyes. It would be well to claim your due, Meester Barclay, before it is

too late."

Barclay nodded absently.

"Good. I can leave that to you, Lalloo," he said.

"It is well. Then Heera Singh--we lent him five rupees a year ago when

the harvest failed. Twenty-five rupees is what I claimed from him two

days ago, and he has nothing--that is to say, he has some fine cattle

and this year the rabi has done well. Your claim would be a just one,

Meester Barclay."

"You'd better make it quick, then, before the beggar sells out.

Afterwards he'll come whining with some infernal lie. He's had rope

enough."

"It is well." The old man continued to stroke his beard for a moment in

silence, watching the face under the light with a blank intentness which

revealed nothing. "Nehal Pal has paid in full," he resumed at length.

"His daughter was given in marriage to Meer Ali a week since. Meer Ali

is a very old man, and there was some difficulty, for in these

degenerate days the tongues of the women wag to some purpose--but the

marriage contract was very favourable to Nehal Pal. And he has paid in

full." Lalloo patted his waistband and drew out a small jangling bag,

which he set with an almost religious gravity at his patron's feet.

"These and the other moneys of which I have already rendered account are

now before you, Meester Barclay."

Barclay picked up the bag and weighed it negligently in his lean, brown

hand.

"You've got an amazing head for figures, Lalloo," he commended. "And

you're some business man, as our American friends would say. We shall

want both qualities badly in the future. I want money--as much as I can

get. I mean to rope in all the industries of every village within three

hundred miles and make them paying concerns. At present, they're just

in a state of straggling, unprofitable hugger-mugger, out of which

nobody gets anything."

"I have done my best," Lalloo insinuated deprecatingly.

Barclay tossed the bag on to the polished oak table beside him.

"One man's best isn't enough. Nothing's of any good without

organization, and to organize one must have the power to make others do

what they're told. So far we've got most of the grain-dealers into the

net, and by the next harvest they'll have to sell me their grain at my

own price. But that's a drop in the ocean. The weaving--that's the

thing. That's what's going to count. There are three hundred thousand

weavers round and about Gaya, swamped by rotten fakes from Manchester.

I'm going to change all that. It's Manchester that's going to be

swamped. One of these days, I shall be a power in Gaya, Lalloo."

He said it with a mixture of arrogance, complacency, and appeal which

elicited no more than an enigmatic "It may well be, Meester Barclay,"

from the expressionless Hindu Kara cross-legged on the carpet.

Barclay got up and stood with his hands thrust into the pockets of his

riding-breeches, his eyes roving from one to another of the expensive

atrocities with which the room was crowded.

"I've begun here," he went on, in the same tone. "I daresay they would

have fought me tooth and nail for possession of the place if they'd had

the power. But they hadn't. Even in Gaya money spells the last word,

and I had money. There isn't another bungalow like this in Gaya."

"That also is true," Lalloo assented. He turned his head for a moment,

fixing an intent look on the curtained doorway as though it reminded him

of something. "I know the place well. It was here in this room many

years ago that I found the body of the great Tristram Sahib. He had been

murdered. There was blood on the floor--almost where Meester Barclay

stands now. The carpet hides the stain. We tried to wash it out, but

the blood had soaked into the wood." He made a little regretful

gesture. "It had flowed freely, and we came many hours too late," he

finished. He gave his account as casually, tonelessly as he had recited

his accounts, not noting the uneasy start of the man in front of him,

but seeming to fall into a mood of profound retrospection. Barclay came

nearer to the light again.

"Murdered?" he echoed. "In this room--by whom?"

The sharp brown eyes lifted for a moment.

"That is not known. One could tell, perhaps, but he has been long

silent. The young and foolish swear he has not spoken for a hundred

years, but that is vulgar superstition. I remember Vahana the Holy Man

when he was young and handsome and loved a beautiful wife." He jerked

his head significantly. "It was her body I found out in the garden well

yonder," he added.

"Murdered, too----?"

Lalloo smiled subtly.

"Tristram Sahib was handsome and brave and lonely. It was said that he

had a way with women--and he was Sahib. No doubt she came willingly.

In those days, Gaya was not as now. She lived with him for a year

before the--accident. There was a child, but that was never found."

"And Vahana?"

The smile, unchanged, gained in significance.

"He was on a great pilgrimage to Holy Benares, Meester Barclay." The

old usurer put his hand to the neck of his tunic and pulled up something

which hung there by a cord. The thing glittered yellow in the light.

"See, this is what I found on her body-0an old bracelet--strange and

wonderful in design, Meester Barclay. I wear it, for there is a saying

that a murdered woman's jewels shield a man from the evil eye, and I,

Lalloo, who believe in nothing, am cautious. There was a fellow to it,

but that I gave to Vahana in remembrance of the wife he had loved. He

thanked me and went his way--some say to Kailasa, but there is no

knowing, for since that day no man has heard him speak."

Barclay, who had bent down for a moment, let the bracelet slip from his

fingers. He turned away and went and stood near the spot which Lalloo

had indicated, frowning down at it as though the stain were still

visible or bore for him some deeper significance.

"And so, because of a sordid tragedy, many years old, the place is

boycotted by all save outsiders--such as I am. Is that the delicate

point of your story, Lalloo?" he asked.

"They say a spirit dwells in this room," Lalloo answered indirectly,

"--an evil spirit," he added.

"Or a living one. Ghosts, if there are any, are men's deeds which live

after them. But there are no ghosts." He shrugged his shoulders and

laughed. "Look about you, Lalloo. A ghost couldn't haunt this room

now. He'd lose his bearings. It's changed since those days, eh?"

Lalloo looked at the marble Venus with her lamp.

"It is indeed wonderful," he assented.

Barclay swung on his heel and came back. He was suddenly neither

arrogant nor pleading, but utterly and rather terribly sincere.

"You don't think it wonderful," he said, softly and bitterly. "What you

think, God knows, but at least it's not admiration for me that you're

hiding behind your damned impassivity. I'm your partner--a very rich

partner. I'm Meester Barclay, that's all. But the youngest

whipper-snapper with a pink and white face and a pair of epaulettes is

Sahib." He stopped, trying to master himself physically. The lean

brown hands were clenched at his side in the effort. "Why am I not

Sahib?" he asked.

Lalloo spread out his hands.

"I speak to you in English. Is not 'Meester Barclay' the English way?"

he asked with deference.

Barclay laughed. The muscles of his handsome features still quivered

with the gust of nervous passion which had swept over him, but there was

a certain satisfaction in his laughter.

"Well, you have always a soft answer--and I understood. I am simply not

Sahib. They--your masters--have not recognized me, so you do not

recognize me. But all that is going to change, and when you see me

cheek by jowl with the best of them you will salaam and ask the bidding

of Barclay Sahib." He paced restlessly backwards and forwards in his

excitement, the mincing quality of his accent asserting itself. "You

know the law, Lalloo. A man is what his father was. My father was

English--I have got good English blood in my veins. I've always known

it--it would be damned awkward for some of them if I proved it. But, at

any rate, they've got to have me. I'm forging a gold key to their

strongest locks, and if that won't do, then----" He broke off again,

changing his tone to one of trenchant decision.

"I've got to have money--money enough to swamp them. I've got to have

those weavers. Once get a hold on the throat of the industries and the

rest's easy. Start at Heerut, Lalloo. They've had an epidemic, and

will be ready to sell their souls. You can give them easy terms--"

Lalloo got up leisurely.

"At Heerut--no, Meester Barclay," he said. "Not there."

"And why not?"

"The Dakktar Sahib lives in Heerut. He is a strange man. He has no

love for my calling."

"Well, are you afraid of him?"

"No; he drove a devil out of my son," Lalloo explained, without

particular emotion.

Barclay laughed irritably.

"That means fear, right enough. You think if he can drive out devils,

he can also inflict them. I know your ways of argument. Well, in the

name of the devil he exorcised, who is the fellow?"

"Tristram Sahib."

"Tristram----?"

"The son," Lalloo explained, his eyes on the spot near the curtain.

James Barclay turned on his heel and went over to the window. For a

full minute he stood there motionless and silent, seemingly intent on

the sound of English voices which drifted towards him over the darkness

of the compound. When he spoke again it was with a drawling heaviness.

"Tristram----the son? That's a curious coincidence. Still, I see your

point, Lalloo. You could not very well oppose him. Leave Heerut to me.

I shall manage. You can go now."

The old usurer lingered. He was watching the tall, stooping figure by

the window, his head a little on one side, as though he, too, listened,

but apparently to other sounds. Presently he slid noiselessly to the

door and drew back the curtain.

A woman entered.

Lalloo greeted her with silent deference. He lifted his hand half-way

to his forehead, looking in Barclay's direction, and the gesture was

nicely expressive of a courteous equality. Then he was gone.

Barclay continued to stand by the window. He had noticed neither

Lalloo's departure nor the woman's entry. Evidently the English party

outside on the road had just returned from some entertainment. He could

hear a fragment of a laughing reference to champagne, then an

indistinguishable murmur pitched in a graver key, and a woman's

exclamation of contemptuous disgust. Some one called good-night, a whip

cracked, and a light-wheeled vehicle rolled on its way down-hill towards

the dak-bungalow.

Barclay drew in his breath between his teeth like some one who has

received a hurt, but he did not move. The woman came nearer to him.

Her movements were quiet and graceful, and curiously typical of the

whole of her. Everything about her was harmonious in a supple, boneless

way. The big straw hat, made garishly ornate with artificial poppies,

flopped over the dark little face and its untidy, beautiful frame of

straight, jet-black hair. The light sprig dress revealed the yielding

lines of her body, and was in itself pretty and badly made and

carelessly put on. She had all the charm, all the lithesome fascination

of a young animal, but there were also lines in her face, in her figure,

which gave warning of a less lovely maturity.

As she came softly forward she clasped her hands, half in excitement,

half in a childish appeal, and they were long-fingered, olive-tinted,

and gaudy with bright rings.

"Jim!" she whispered. "Jim!"

He started. The moody dejection passed. He swung round, his features

blank with the very violence of contending emotions. For a moment he

stared at her, whilst the breathless joy in her eyes faded into hesitant

questioning, then into fear. "Oh, Jim," she repeated helplessly.

"Jim!"

He strode up to her, catching her roughly by the wrist, shaking her less

with anger than in a kind of panic.

"Why have you come?" he stammered. "How did you get here?"

She cowered like a dog before threatening punishment, and her eyes,

lifted to his face, were dog-like in their steadfast, wistful appeal.

"By train to Bhara and then I drove--for two days, Jim. But no one knew

me. I didn't ask any questions--I didn't tell any one. Not a soul. I

just found my way here. I had your letters and they described things so

wonderfully, I felt I was coming home. Jim, how beautiful it all is!

Much more beautiful than I ever dreamed!"

Partly she was trying to propitiate him, but partly the exclamation was

sincere. Her brown eyes were wide and bright as they passed over the

room's treasures, resting at last on the culminating vulgarity of the

Venus. Barclay followed her gaze, then, without a word, he released her,

and going over to the lamp, turned down the wick. It sputtered feebly,

throwing up decreasing flashes of light on to the white, stupid

loveliness of the goddess, and then died out. Through the darkness,

Barclay's voice sounded thick with anger.

"Anybody might have seen us from the road," he said. "You must be mad,

Marie, or bent on doing for my chances. Don't you know what I told

you--or did you just choose to forget? Good God, don't whimper! You're

like a child. You smash something and then you cry as though you were

the injured party----"

"I was so awfully lonely----" she broke in, piteously.

He was silent. She could not read his expression, but the quiet

following on his first violence suggested a furious effort to regain

self-control. She waited, not moving or speaking, and presently he took

up her plea, scrutinizing it with the level coldness of suppressed

anger.

"Lonely, you say? Hadn't you friends enough? You used to make me sick

with your boasts about them. There were the Mazzinis and the Aostas--in

our Calcutta days they lived with us, fed on us, borrowed from us.

What's become of them? You had money enough to buy the lot. Lonely!"

He exploded on the word, falling on it with a raging bitterness, then

choked himself back to his pose of judicial deliberation. "It did not

at all occur to you that I might be lonely, I suppose. It did not occur

to you that whilst you were lolling comfortably in your rut, I was

cutting new roads for us both through a granite opposition with not a

soul to help me. You imagined me in a whirl of conviviality, no

doubt--feted, courted, the catch of Gaya----" He laughed out. "You

fool!" he flung at her, in a paroxysm of exasperation.

She gasped, as though he had struck her across the face, but she was no

longer crying. Her voice sounded flat and tired like a child's.

"I was lonely," she reiterated patiently. "I had the Mazzinis and the

Aostas. I saw them every day, and they were very kind. But they were

not you, Jim. I wanted you all the time, night and day, worse and

worse. I thought I should have died, wanting you. And I did imagine

things. I couldn't help it. I thought how brilliant and handsome you

were, and I knew you'd win through and climb--ever so high--and I should

be left behind. I couldn't bear it, Jim, dear. I had to come."

Barclay did not answer, but now his silence was no longer the tense,

savage thing it had been. She could see his tall, slight figure dimly

outlined against the paler darkness of the garden. Presently he turned

and drew up, the Chesterfield to the shadow's edge.

"Come here!" he said authoritatively.

She came, groping blindly towards him and knelt down at his knees. She

put her hands up, touching his face his shoulders, his whole body.

"Oh, Jim!" she whispered huskily. "Just to feel you again--just to know

you're there--near me. It's like slaking an awful thirst--you don't

know what it's been----"

"Hush!" he whispered back. She had flung aside her hat, and he bent and

kissed her hair. A curious fragrance rose to meet him--Eastern,

sensuous, intoxicating. He flung his arms round, dragging her close to

him, kissing her eyes, her lips with a ruthless desire.

"And haven't I thirsted--haven't I wanted you? Do you think I haven't

been lonely--among these strangers who turn their backs on me, shrink

from me as though I were a leper? Hush, don't cry! I'm not angry now.

I'm glad. We shall have these few hours together. Tomorrow----"

"Tomorrow?" she interrupted fearfully.

"Tomorrow you must go back." He laid his hand on her lips, stifling her

involuntary cry of pain. His own voice grew clearer and less

passionate. "You must. We can't let ourselves be carried away by our

feelings like this. It would be ridiculous to sell the whole future for

the present."

"We were happy before," she whispered. "What more can one be than

happy?"

He made a little impatient movement.

"You were happy. But I--couldn't you see for yourself--I didn't belong

there--not among your set or the set I'd been brought up in--poor, mean,

petty folk, squabbling and wrangling over the degrees of their

insignificance. Who was your father?--a rotten little clerk, sweating in

a Government office, too poor to get an English wife. But my

father----" He broke off, and then went on rapidly. "I'm different,

Marie. I've got good blood in my veins--good English blood. It's

restless in me. It won't let me rot like the others. I've got to get

on. I've got to win through--back to my own people. Don't you

understand?"

"Yes," she said dully, "and I am afraid."

He went on, with gathering determination:

"So you must go back and wait. I shall pull through, but you couldn't,

and I couldn't help you. You'd drag me back. You must have patience

and faith. When I've made my position safe here----"

"You will not want me," she interrupted gently. "You'll have climbed

too high for me, Jim. That's why I am afraid."

He laughed a little. His hand brushed the tears from her hot cheeks,

and passed on caressingly down her arm to her wrist and lingered there.

"You're tired and fanciful, Marie. Some one's been putting ideas into

your head. You've got to trust me and help me----"

"Jim--what are you doing?" she whispered.

"The bracelet--the one I gave you--you're still wearing it----?"

"Always. Night and day. It's been like a bit of you----"

"I want it back----"