CHAPTER 2

Earnestly as Maria endeavoured to soothe, by reading, the anguish of

her wounded mind, her thoughts would often wander from the subject she

was led to discuss, and tears of maternal tenderness obscured the

reasoning page. She descanted on “the ills which flesh is heir to,”

with bitterness, when the recollection of her babe was revived by a

tale of fictitious woe, that bore any resemblance to her own; and her

imagination was continually employed, to conjure up and embody the

various phantoms of misery, which folly and vice had let loose on the

world. The loss of her babe was the tender string; against other cruel

remembrances she laboured to steel her bosom; and even a ray of hope,

in the midst of her gloomy reveries, would sometimes gleam on the dark

horizon of futurity, while persuading herself that she ought to cease

to hope, since happiness was no where to be found.—But of her child,

debilitated by the grief with which its mother had been assailed before

it saw the light, she could not think without an impatient struggle.

“I, alone, by my active tenderness, could have saved,” she would

exclaim, “from an early blight, this sweet blossom; and, cherishing it,

I should have had something still to love.”

In proportion as other expectations were torn from her, this tender one

had been fondly clung to, and knit into her heart.

The books she had obtained, were soon devoured, by one who had no other

resource to escape from sorrow, and the feverish dreams of ideal

wretchedness or felicity, which equally weaken the intoxicated

sensibility. Writing was then the only alternative, and she wrote some

rhapsodies descriptive of the state of her mind; but the events of her

past life pressing on her, she resolved circumstantially to relate

them, with the sentiments that experience, and more matured reason,

would naturally suggest. They might perhaps instruct her daughter, and

shield her from the misery, the tyranny, her mother knew not how to

avoid.

This thought gave life to her diction, her soul flowed into it, and she

soon found the task of recollecting almost obliterated impressions very

interesting. She lived again in the revived emotions of youth, and

forgot her present in the retrospect of sorrows that had assumed an

unalterable character.

Though this employment lightened the weight of time, yet, never losing

sight of her main object, Maria did not allow any opportunity to slip

of winning on the affections of Jemima; for she discovered in her a

strength of mind, that excited her esteem, clouded as it was by the

misanthropy of despair.

An insulated being, from the misfortune of her birth, she despised and

preyed on the society by which she had been oppressed, and loved not

her fellow-creatures, because she had never been beloved. No mother had

ever fondled her, no father or brother had protected her from outrage;

and the man who had plunged her into infamy, and deserted her when she

stood in greatest need of support, deigned not to smooth with kindness

the road to ruin. Thus degraded, was she let loose on the world; and

virtue, never nurtured by affection, assumed the stern aspect of

selfish independence.

This general view of her life, Maria gathered from her exclamations and

dry remarks. Jemima indeed displayed a strange mixture of interest and

suspicion; for she would listen to her with earnestness, and then

suddenly interrupt the conversation, as if afraid of resigning, by

giving way to her sympathy, her dear-bought knowledge of the world.

Maria alluded to the possibility of an escape, and mentioned a

compensation, or reward; but the style in which she was repulsed made

her cautious, and determine not to renew the subject, till she knew

more of the character she had to work on. Jemima’s countenance, and

dark hints, seemed to say, “You are an extraordinary woman; but let me

consider, this may only be one of your lucid intervals.” Nay, the very

energy of Maria’s character, made her suspect that the extraordinary

animation she perceived might be the effect of madness. “Should her

husband then substantiate his charge, and get possession of her estate,

from whence would come the promised annuity, or more desired

protection? Besides, might not a woman, anxious to escape, conceal some

of the circumstances which made against her? Was truth to be expected

from one who had been entrapped, kidnapped, in the most fraudulent

manner?”

In this train Jemima continued to argue, the moment after compassion

and respect seemed to make her swerve; and she still resolved not to be

wrought on to do more than soften the rigour of confinement, till she

could advance on surer ground.

Maria was not permitted to walk in the garden; but sometimes, from her

window, she turned her eyes from the gloomy walls, in which she pined

life away, on the poor wretches who strayed along the walks, and

contemplated the most terrific of ruins—that of a human soul. What is

the view of the fallen column, the mouldering arch, of the most

exquisite workmanship, when compared with this living memento of the

fragility, the instability, of reason, and the wild luxuriancy of

noxious passions? Enthusiasm turned adrift, like some rich stream

overflowing its banks, rushes forward with destructive velocity,

inspiring a sublime concentration of thought. Thus thought Maria—These

are the ravages over which humanity must ever mournfully ponder, with a

degree of anguish not excited by crumbling marble, or cankering brass,

unfaithful to the trust of monumental fame. It is not over the decaying

productions of the mind, embodied with the happiest art, we grieve most

bitterly. The view of what has been done by man, produces a melancholy,

yet aggrandizing, sense of what remains to be achieved by human

intellect; but a mental convulsion, which, like the devastation of an

earthquake, throws all the elements of thought and imagination into

confusion, makes contemplation giddy, and we fearfully ask on what

ground we ourselves stand.

Melancholy and imbecility marked the features of the wretches allowed

to breathe at large; for the frantic, those who in a strong imagination

had lost a sense of woe, were closely confined. The playful tricks and

mischievous devices of their disturbed fancy, that suddenly broke out,

could not be guarded against, when they were permitted to enjoy any

portion of freedom; for, so active was their imagination, that every

new object which accidentally struck their senses, awoke to phrenzy

their restless passions; as Maria learned from the burden of their

incessant ravings.

Sometimes, with a strict injunction of silence, Jemima would allow

Maria, at the close of evening, to stray along the narrow avenues that

separated the dungeon-like apartments, leaning on her arm. What a

change of scene! Maria wished to pass the threshold of her prison, yet,

when by chance she met the eye of rage glaring on her, yet unfaithful

to its office, she shrunk back with more horror and affright, than if

she had stumbled over a mangled corpse. Her busy fancy pictured the

misery of a fond heart, watching over a friend thus estranged, absent,

though present—over a poor wretch lost to reason and the social joys of

existence; and losing all consciousness of misery in its excess. What a

task, to watch the light of reason quivering in the eye, or with

agonizing expectation to catch the beam of recollection; tantalized by

hope, only to feel despair more keenly, at finding a much loved face or

voice, suddenly remembered, or pathetically implored, only to be

immediately forgotten, or viewed with indifference or abhorrence!

The heart-rending sigh of melancholy sunk into her soul; and when she

retired to rest, the petrified figures she had encountered, the only

human forms she was doomed to observe, haunting her dreams with tales

of mysterious wrongs, made her wish to sleep to dream no more.

Day after day rolled away, and tedious as the present moment appeared,

they passed in such an unvaried tenor, Maria was surprised to find that

she had already been six weeks buried alive, and yet had such faint

hopes of effecting her enlargement. She was, earnestly as she had

sought for employment, now angry with herself for having been amused by

writing her narrative; and grieved to think that she had for an instant

thought of any thing, but contriving to escape.

Jemima had evidently pleasure in her society: still, though she often

left her with a glow of kindness, she returned with the same chilling

air; and, when her heart appeared for a moment to open, some suggestion

of reason forcibly closed it, before she could give utterance to the

confidence Maria’s conversation inspired.

Discouraged by these changes, Maria relapsed into despondency, when she

was cheered by the alacrity with which Jemima brought her a fresh

parcel of books; assuring her, that she had taken some pains to obtain

them from one of the keepers, who attended a gentleman confined in the

opposite corner of the gallery.

Maria took up the books with emotion. “They come,” said she, “perhaps,

from a wretch condemned, like me, to reason on the nature of madness,

by having wrecked minds continually under his eye; and almost to wish

himself—as I do—mad, to escape from the contemplation of it.” Her heart

throbbed with sympathetic alarm; and she turned over the leaves with

awe, as if they had become sacred from passing through the hands of an

unfortunate being, oppressed by a similar fate.

Dryden’s Fables, Milton’s Paradise Lost, with several modern

productions, composed the collection. It was a mine of treasure. Some

marginal notes, in Dryden’s Fables, caught her attention: they were

written with force and taste; and, in one of the modern pamphlets,

there was a fragment left, containing various observations on the

present state of society and government, with a comparative view of the

politics of Europe and America. These remarks were written with a

degree of generous warmth, when alluding to the enslaved state of the

labouring majority, perfectly in unison with Maria’s mode of thinking.

She read them over and over again; and fancy, treacherous fancy, began

to sketch a character, congenial with her own, from these shadowy

outlines.—“Was he mad?” She reperused the marginal notes, and they

seemed the production of an animated, but not of a disturbed

imagination. Confined to this speculation, every time she re-read them,

some fresh refinement of sentiment, or acuteness of thought impressed

her, which she was astonished at herself for not having before

observed.

What a creative power has an affectionate heart! There are beings who

cannot live without loving, as poets love; and who feel the electric

spark of genius, wherever it awakens sentiment or grace. Maria had

often thought, when disciplining her wayward heart, “that to charm, was

to be virtuous.” “They who make me wish to appear the most amiable and

good in their eyes, must possess in a degree,” she would exclaim, “the

graces and virtues they call into action.”

She took up a book on the powers of the human mind; but, her attention

strayed from cold arguments on the nature of what she felt, while she

was feeling, and she snapt the chain of the theory to read Dryden’s

Guiscard and Sigismunda.

Maria, in the course of the ensuing day, returned some of the books,

with the hope of getting others—and more marginal notes. Thus shut out

from human intercourse, and compelled to view nothing but the prison of

vexed spirits, to meet a wretch in the same situation, was more surely

to find a friend, than to imagine a countryman one, in a strange land,

where the human voice conveys no information to the eager ear.

“Did you ever see the unfortunate being to whom these books belong?”

asked Maria, when Jemima brought her slipper. “Yes. He sometimes walks

out, between five and six, before the family is stirring, in the

morning, with two keepers; but even then his hands are confined.”

“What! is he so unruly?” enquired Maria, with an accent of

disappointment.

“No, not that I perceive,” replied Jemima; “but he has an untamed look,

a vehemence of eye, that excites apprehension. Were his hands free, he

looks as if he could soon manage both his guards: yet he appears

tranquil.”

“If he be so strong, he must be young,” observed Maria.

“Three or four and thirty, I suppose; but there is no judging of a

person in his situation.”

“Are you sure that he is mad?” interrupted Maria with eagerness. Jemima

quitted the room, without replying.

“No, no, he certainly is not!” exclaimed Maria, answering herself; “the

man who could write those observations was not disordered in his

intellects.”

She sat musing, gazing at the moon, and watching its motion as it

seemed to glide under the clouds. Then, preparing for bed, she thought,

“Of what use could I be to him, or he to me, if it be true that he is

unjustly confined?—Could he aid me to escape, who is himself more

closely watched?—Still I should like to see him.” She went to bed,

dreamed of her child, yet woke exactly at half after five o’clock, and

starting up, only wrapped a gown around her, and ran to the window. The

morning was chill, it was the latter end of September; yet she did not

retire to warm herself and think in bed, till the sound of the

servants, moving about the house, convinced her that the unknown would

not walk in the garden that morning. She was ashamed at feeling

disappointed; and began to reflect, as an excuse to herself, on the

little objects which attract attention when there is nothing to divert

the mind; and how difficult it was for women to avoid growing romantic,

who have no active duties or pursuits.

At breakfast, Jemima enquired whether she understood French? for,

unless she did, the stranger’s stock of books was exhausted. Maria

replied in the affirmative; but forbore to ask any more questions

respecting the person to whom they belonged. And Jemima gave her a new

subject for contemplation, by describing the person of a lovely maniac,

just brought into an adjoining chamber. She was singing the pathetic

ballad of old Rob[3] with the most heart-melting falls and pauses.

Jemima had half-opened the door, when she distinguished her voice, and

Maria stood close to it, scarcely daring to respire, lest a modulation

should escape her, so exquisitely sweet, so passionately wild. She

began with sympathy to pourtray to herself another victim, when the

lovely warbler flew, as it were, from the spray, and a torrent of

unconnected exclamations and questions burst from her, interrupted by

fits of laughter, so horrid, that Maria shut the door, and, turning her

eyes up to heaven, exclaimed—“Gracious God!”

[3] A blank space about ten characters in length occurs here in the

original edition [Publisher’s note].

Several minutes elapsed before Maria could enquire respecting the

rumour of the house (for this poor wretch was obviously not confined

without a cause); and then Jemima could only tell her, that it was

said, “she had been married, against her inclination, to a rich old

man, extremely jealous (no wonder, for she was a charming creature);

and that, in consequence of his treatment, or something which hung on

her mind, she had, during her first lying-in, lost her senses.”

What a subject of meditation—even to the very confines of madness.

“Woman, fragile flower! why were you suffered to adorn a world exposed

to the inroad of such stormy elements?” thought Maria, while the poor

maniac’s strain was still breathing on her ear, and sinking into her

very soul.

Towards the evening, Jemima brought her Rousseau’s Heloise; and she sat

reading with eyes and heart, till the return of her guard to extinguish

the light. One instance of her kindness was, the permitting Maria to

have one, till her own hour of retiring to rest. She had read this work

long since; but now it seemed to open a new world to her—the only one

worth inhabiting. Sleep was not to be wooed; yet, far from being

fatigued by the restless rotation of thought, she rose and opened her

window, just as the thin watery clouds of twilight made the long silent

shadows visible. The air swept across her face with a voluptuous

freshness that thrilled to her heart, awakening indefinable emotions;

and the sound of a waving branch, or the twittering of a startled bird,

alone broke the stillness of reposing nature. Absorbed by the sublime

sensibility which renders the consciousness of existence felicity,

Maria was happy, till an autumnal scent, wafted by the breeze of morn

from the fallen leaves of the adjacent wood, made her recollect that

the season had changed since her confinement; yet life afforded no

variety to solace an afflicted heart. She returned dispirited to her

couch, and thought of her child till the broad glare of day again

invited her to the window. She looked not for the unknown, still how

great was her vexation at perceiving the back of a man, certainly he,

with his two attendants, as he turned into a side-path which led to the

house! A confused recollection of having seen somebody who resembled

him, immediately occurred, to puzzle and torment her with endless

conjectures. Five minutes sooner, and she should have seen his face,

and been out of suspense—was ever any thing so unlucky! His steady,

bold step, and the whole air of his person, bursting as it were from a

cloud, pleased her, and gave an outline to the imagination to sketch

the individual form she wished to recognize.

Feeling the disappointment more severely than she was willing to

believe, she flew to Rousseau, as her only refuge from the idea of him,

who might prove a friend, could she but find a way to interest him in

her fate; still the personification of Saint Preux, or of an ideal

lover far superior, was after this imperfect model, of which merely a

glance had been caught, even to the minutiae of the coat and hat of the

stranger. But if she lent St. Preux, or the demi-god of her fancy, his

form, she richly repaid him by the donation of all St. Preux’s

sentiments and feelings, culled to gratify her own, to which he seemed

to have an undoubted right, when she read on the margin of an

impassioned letter, written in the well-known hand—“Rousseau alone, the

true Prometheus of sentiment, possessed the fire of genius necessary to

pourtray the passion, the truth of which goes so directly to the

heart.”

Maria was again true to the hour, yet had finished Rousseau, and begun

to transcribe some selected passages; unable to quit either the author

or the window, before she had a glimpse of the countenance she daily

longed to see; and, when seen, it conveyed no distinct idea to her mind

where she had seen it before. He must have been a transient

acquaintance; but to discover an acquaintance was fortunate, could she

contrive to attract his attention, and excite his sympathy.

Every glance afforded colouring for the picture she was delineating on

her heart; and once, when the window was half open, the sound of his

voice reached her. Conviction flashed on her; she had certainly, in a

moment of distress, heard the same accents. They were manly, and

characteristic of a noble mind; nay, even sweet—or sweet they seemed to

her attentive ear.

She started back, trembling, alarmed at the emotion a strange

coincidence of circumstances inspired, and wondering why she thought so

much of a stranger, obliged as she had been by his timely interference;

[for she recollected, by degrees all the circumstances of their former

meeting.] She found however that she could think of nothing else; or,

if she thought of her daughter, it was to wish that she had a father

whom her mother could respect and love.

Maria; Or, The Wrongs of Woman · 第 2 / 17 章