XII

_S. HILDA_

Hilda was born in 614. She was the daughter of Hereric, nephew of Edwin,

king of Northumbria.

Her childhood was darkened by the civil wars that rent Northumbria, at

this time divided into two kingdoms, each engaged in fighting the other

for supremacy.

In 627, when aged thirteen, she received baptism, along with her uncle

Edwin, at the hands of S. Paulinus. She lived thirty-three years in her

family, “very nobly,” says Bede, and then resolved to dedicate the rest

of her life to God. Her intention was to go to Chelles, in France, for

her training; and, for this purpose, she went into East Anglia to its

queen, her sister.

She spent a year in preparation for her final exile; but her purpose was

frustrated by a summons from S. Aidan, the Apostle of Northumbria, to

return to her own country and settle there. She obeyed at once, and was

placed by Aidan as superior over a few sisters in a small monastic

settlement on the north bank of the Wear. But she was there for a year

only, when she was called to replace S. Heiu, the first Abbess of

Hartlepool. This was in 649.

At Hartlepool, the Saint’s care was to introduce order and discipline,

which had, apparently, been relaxed under Heiu. Hither came her mother,

who passed the rest of her days under the rule and care of her daughter,

and there she died and was buried.

In some excavations carried on at Hartlepool on the site of the old

abbey, between 1833 and 1843, among a number of Anglo-Saxon tombs that

were discovered, some bore the names of Berchtgitha, Hildigitha, and

other members of the sisterhood.[5]

So great was Hilda’s reputation for spiritual wisdom, that when King

Oswy, in fulfilment of his vow, consecrated his daughter, Elfleda, to

Almighty God, as a thank-offering for his victory over Penda, King of

the Mercians, it was to S. Hilda’s care that he committed her.

Whether now or later is uncertain, but she had a second convent at

Hackness, where some very remarkable relics of the ecclesiastical

foundations of Hilda still remain.

In 658, the peace and security of Northumbria had been secured by the

final victory gained by Oswy over the Mercians, at Winwaed. Hilda at

once took advantage of the king’s vow to give a certain number of farms

to God, to secure Streaneshalch, now Whitby, for the establishment of a

new and larger monastery.

M. de Montalembert, the historian of Western Monachism, says that: “Of

all sites chosen by monastic architects, after that of Monte Cassino, I

know none grander and more picturesque than that of Whitby. Nothing now

remains of the Saxon monastery, but more than half the Abbey-church,

restored by the Percies in the time of the Normans, still stands, and

enables the marvelling spectator to form for himself an idea of the

solemn grandeur of the great edifice.... The beautiful colour of the

stone, half-eaten away by the sea-winds, adds to the charm of these

ruins. A more picturesque effect could not be imagined than that of the

distant horizon of azure sea, viewed through the gaunt, hollow eyes of

the ruinous arches.”

Here, for thirty years, the great Hilda ruled. She must have been a

woman of commanding character, and of no mean mental power, for she

exercised a really marvellous influence over bishops, kings and nobles.

They came to consult her, and received her advice with respect. “All who

knew her,” says Bede, “called her Mother, on account of her singular

piety and grace. She was not merely an example of good life to those who

lived in her monastery, but she afforded occasion of amendment and

salvation to many who lived at a distance, to whom was carried the fame

of her industry and virtue.”

The story went that before her birth her mother had dreamt that she had

in her lap a jewel that sent forth streams of light; and it was proudly

thought that this meant that she would nurse Hilda, precious as a gem,

and diffusing the light of divine truth through dark Northumbria.

Under Hilda’s charge at Whitby was the little Elfleda, daughter of Oswy,

who was to succeed her in the abbacy.

The monastery was a curious institution. It was double. There was a

community of women and another of men. There was, however, but one

church in which they met for prayer. If we may judge by the Celtic

monasteries elsewhere, a wall separated the monks from the nuns, so that

they could hear but not see each other.

The monastery for men under Hilda became a nursery for bishops. Thence

issued Bosa, who became Bishop of York,—Hedda, Bishop of Dorchester, but

afterwards translated to Winchester; Oftfor, Bishop of Worcester, and

John of Hexham,—all saints; also Wilfrid II., afterwards of York.

How these double monasteries were managed one would have been glad to

learn, but very few details concerning them remain.

At Whitby, where she had to govern both men and women, her powers of

organisation and control were conspicuous. But she had others under her

beside monks and nuns: she ruled a large number of serfs with their

families, attached to the soil and tilling it.

Amongst these was an old cowherd, named Caedmon. He was, as a serf, very

ignorant and uneducated, but he had rare natural gifts, long

unsuspected. He attended the carouses so dear to the beer-drinking

Saxons and Angles, but he was unable to take his part, whenever the harp

was handed to him and it was his turn to sing a ballad. On such

occasions, mortified, he had been wont to rise from his place, and

retire to his own reed-thatched cottage, where he slept beside the cows

in their stall.

But one evening, when he had done this, as he was lying among the straw,

and the oxen were beside him chewing the cud, and the air was sweet with

their breath, he fancied, half-asleep and half-awake, that he heard a

voice say: “Sing me something.”

Then he replied: “How can I sing? I have left the feast because I am so

ignorant that I cannot.”

“Sing, nevertheless,” he thought the vision said.

“But—what can I sing about?”

“Sing the story of the World’s Birth.”

Then, somehow, an inspiration came on him, and in the night, among the

cows, out of the straw, he raised his voice, and began to throw into

rude verse the story of Creation. It was very rugged, but very fresh,

and it welled up from his heart; in the morning he thought over the

lines he had composed, and during the day talked of his newly-acquired

powers.

The Abbess Hilda heard of it, and she sent for him, and he recited his

poem before her.

Whether at the time he twanged the harp we do not know; probably he drew

his fingers across the strings as he finished each line, so as to give

time for him to form or remember the next.

Now, in this poetry there was no rhyme, as we understand it. The musical

effect was produced by alliteration—that is to say, by the repetition of

some ringing consonant or broad diphthong, usually at the _beginning_ of

a word. If we understood Anglo-Saxon music, we should understand the

charm to the ear of this alliteration.

Hilda at once recognised the genius of the old cow-herd; she took him

into her household, and bade him devote himself to the cultivation of

his talent. Thus it is due to her that Anglo-Saxon poetry took its

rise—or, at all events, was recognised as literature deserving of being

preserved. Caedmon’s poems are the earliest specimens we have.

But Hilda, with real genius, saw at once in the faculty of the old

peasant a great means of conveying to the rude people the story of

Scripture and the lessons of the Gospel. They were quite incapable of

reading. Priests were few, and widely scattered. The people loved

ballads; they would hearken for hours, sitting over the fire, to a

singer who twanged the strings and then sang a stave or a line. They

loved a long story. It could not be too long for them, having no books,

nothing wherewith to relieve the tedium of the long winter evenings.

Now, thought Hilda, if we can run the Bible stories into ballad form,

these will be sung in every cottage and farm wherever a gleeman can go

certain of welcome; they will be eagerly listened to. So she gave to

Caedmon clergy who translated the Scripture narrative from Latin into

homespun Saxon. He listened, took his harp, the fire came into his grey

eyes, and he sang it all in verse. Ninety-nine out of a hundred other

women would have said, “This is very interesting, but the man must be

snubbed; he is only a keeper of cows, and he must be taught not to

presume.” Hilda, however, was above such pettiness: seeing a divine gift

of song, though granted to quite a common poor man, she at once

endeavoured to ripen it, and to turn it to a practical, good end. How to

seize an occasion, an opportunity, and make use of it, is not given to

all.

Another instance of Hilda’s clear mind and sound sense was in the

settlement of the vexed question of Easter.

About that I shall have more to say when we come to the story of S.

Elfleda.

The British-Irish Church did not observe Easter on the same day as the

Roman Church; and as the Mercians and Northumbrians had received their

Christianity from Iona, the metropolis of the Scottish Church, they kept

the festival at one time, when the men of Kent and Wessex kept it at

another. This produced discord at the very season when minds should be

awed and calm; and it was a constant source of bickering and religious

quarrels. The situation was intolerable, and, probably at the

instigation of Hilda, a parliament was convoked at Whitby in 664 to

settle the difficulty. This was the _Witenagemot_, composed of the

principal nobles and ecclesiastics of the country, and presided over by

the king.

Hilda was now fifty years old, and one would have supposed at that age

would have adhered with the utmost tenacity to the rule in which she had

been brought up, and which had been observed by her Father-in-God, S.

Aidan, and by S. Cuthbert, whom she revered as a saint and a prophet

inspired by the Divine Spirit. But she was a woman too sensible and too

forbearing to force her own likings on the Church, against what her

judgment told her was right. Pope Honorius had written in 634 to the

Irish, exhorting them “not to think their small number, lodged at the

utmost fringe of the world, wiser than all the ancient and modern

Churches throughout the earth.” Even in Iona great searchings of heart

had begun. S. Cummian had written to the abbot there, explaining how the

error arose whereby the two Churches were separated, and he entreated

the Celtic clergy to give way. “What,” he asked, “can be worse thought

concerning the Church, our mother, than that we should say, Rome errs,

Jerusalem errs, Alexandria errs, Antioch errs, the whole world errs; the

Scots and Britons alone know what is right.”

Hilda’s leanings were entirely to the Scottish side, but Oswy strongly

adopted the other, and the nobles and freemen, not caring much one way

or the other, held up their hands to express their willingness to

observe Easter at such time as pleased the king.

Hilda seems at once to have submitted, and to have introduced the

observance of the Roman computation at Whitby, but the northern bishops

withdrew, unconvinced and discouraged. Hilda was almost certainly alive

when Caedmon died, but she was not long in following him. For the last

seven years of her life she suffered greatly; then, says Bede, “the

distemper turning inwards, she approached her last day, and about

cock-crow, having received the Holy Communion, to further her on her

journey, and having called together the servants of Christ that were in

the same monastery, she admonished them to preserve evangelical peace

among themselves and with all others; and as she was speaking she saw

Death approaching, and—passed from death to life.” She died in 680.

[Illustration: S. ELFLEDA.]

Virgin Saints and Martyrs · 第 11 / 21 题