“Shall we trust fortune and spin the coin? Heads, the throned woman, I

shall presently worship you, an earthly divinity. Tails, a barren wreath

and the denomination of a money value, meaning I take my fortunes away,

and you,” pointing in turn to the sleeper and the jewels, “put up with

yours as you can.”

She seemed to shiver as he pointed. “No,” she said, “I couldn't do that.

A woman never likes to spin a coin seriously.”

“Will you go, then?”

The sleeper grunted and turned over. She turned pale, put her hand to

her throat, said hurriedly, “Wait here,” and left the room, lifting and

drawing her skirt aside as she passed the sleeper.

She opened the door at last and came again, wrapped in a fur mantle,

carrying a travelling case, and stood looking down at the sleeper as if

with some struggle of the soul, some reluctant surrender.

They went out, shutting the door behind them.

The snow was falling still on Tenth Street, out of the crowding

night. He held her hand on his arm close to him. She glided beside him

noiselessly.

The express office was at the corner, a little dingy, gas-lit room.

“Carriage? Get it in a minute,” said the sleepy clerk. “It's just round

the corner.”

They stood together by a window, half opaque with dust. Her face was

turned away, and he watched the slant of her white cheek.

“You will have so much to tell me,” he whispered at last.

“I am really very grateful. You helped me to resolve.”

“Your carriage, sir.”

The electric light sputtered over them standing on the curb.

“But,” she said, smiling up at him, “I have nothing to tell you. There

is nothing more. It ends here. Forgive me. It is my plot and it wouldn't

work out your way. There are too many conflicting lines of wisdom in

your way. My life lately has been what you would call, perhaps, a study

in realism, and you want me to be, perhaps, a symbolic romance. I am

sure you would express it very cleverly. But I think one lives by

taking resolutions rather than by spinning coins, which promise either

a throned woman, or a wreath and the denomination of a money value. One

turns up so much that is none of these things. Men don't treat women

that way. I married to be rich, and was very wretched, and perhaps your

fame, when it comes, will be as sad to you. Perhaps the trouble lies in

what you called 'the third disposal.' But I did not like being a study

in realism. I should not mind being something symbolic, if I might prove

my gratitude”--she took her hand from his arm, put one foot on the step

and laughed, a pleasant little ripple of sound--“by becoming literary

material.” The door shut to, and the carriage moved away into the storm

with a muffled roll of wheels.

Noel stared after it blankly, and then looked around him. It was half

a block now to Mrs. Tibbett. He walked on mechanically, and mounted the

steps by habit. The outer door was not locked. A touch of compunction

had visited Mrs. Tibbett.

He crept into his bed, and lay noting the growing warmth and sense of

sleep, and wondering whether that arched doorway was the third of the

three or the second. Strictly speaking he seemed to have gone in at the

middle one and come out at the third, or was it not the first rather

than the middle entrance that he had sheltered in? The three arched

entrances capered and contorted before him in the dark, piled themselves

into the portal of a Moorish palace, twisted themselves in a kind of

mystical trinity and seal of Solomon, floated apart and became thin,

filmy, crescent moons over a frozen sea. He sat up in bed and smote the

coverlet.

“I don't know her name! She never told me!” He clutched his hair, and

then released it cautiously. “It's Musidora! I forgot that sonnet!”

'Twas Musidora, whom the mystic nine

Gave to my soul to be forever mine,

And, as through shadows manifold of Dis,

Showed in her eyes, through dusky distances

And clouds, the moving lights about their shrine;

Now ever on my soul her touch shall be

As on the cheek are touches of the snow,

Incessant, cool, and gone; so guiding me

From sorrow's house and triple portico.

And prone recumbrance of brute tyranny,

In a strict path shall teach my feet to go.

The clock in the invisible steeple struck three.

Tioba, and Other Tales · 第 8 / 8 段