ACT II

_Stephen Verity's dining-room the same evening. The room has doors right

and left. Window with drawn blind, r. Large table centre with chairs.

Fireplace left. Solid-looking sideboard back centre. The furniture is

solid, old-fashioned, and the atmosphere of the room is one of heavy

comfort without ostentation. The room is a small one. No books anywhere.

In an armchair before the fire is Stephen Verity. Walter Montgomery

faces him in a highbacked chair. Stephen is smoking a large, well

coloured briar._

[Illustration: 0092]

Stephen (_removing the pipe_). So you think you're good enough to marry

my daughter, do you? Walter. I ventured to think so.

Ste. Why?

Walter. Because I love her, Mr. Verity.

Ste. That the only reason?

Walter. No.

Ste. What are the others?

Walter. She loves me.

Ste. Did she tell you so?

Walter. Yes.

Ste. Um! (_Slight pause; he smokes reflectively._)

That all?

Walter (_rather startled_). All what?

Ste. All your reasons.

Walter. Yes, I think so.

Ste. They're too few.

Walter. But----

Ste. I'll ask _you_ something.

Walter. Yes?

Ste. What do you want to get married for?

Walter. I'm in love.

Ste. That's no reason. You curates, you're all alike--must be with

marrying other folk so much. Infectious, I reckon. Church ought to be

scheduled along with the other dangerous trades.

Walter. You're laughing at me.

Ste. No, I'm not. Marriage isn't a laughing matter, I know.

Walter. Won't you give me your answer, Mr. Verity?

Ste. Yes. (_He rises, knocks at his pipe in the grate, puts it on the

mantelpiece and goes himself to the door left. His deliberate movements

cause Walter an agony, of which Stephen is quite aware. Stephen opens

the door and calls._) Lucy!

Lucy (_off l._). Yes.

Ste. Come in here. (_He leaves the door open and goes below door. Enter

Lucy Verity. She is twenty-one, pretty, dressed in a skirt and blouse,

pointing to a very modest dress allowance. Her hair is plainly dressed.

Obviously her father is her master, but she is not without indications

of a will of her own. Walter rises as she enters._) Here's a friend of

yours. Tells me he wants to marry you.

(_Lucy crosses r. of table._)

Lucy (_anxiously_). Yes, father.

Ste. It's true, then? (_Motions her to sit._)

Lucy. Yes. (_Sits r. of table._)

Ste. Well, listen to me. He's a curate. Curates always marry young

and have enormous families on no income. (_Walter makes an attempt to

protest; Stephen proceeds unmoved._) I advise you not to marry him.

If he wants a wife, he'll not go begging one for long. There's always

crowds of silly girls ready to help a chap to button his collar behind.

Walter. Mr. Verity, this isn't a joke to us.

Ste. I don't know that losing Lucy 'ud be a joke to me.

Walter. I can very well believe that. But it's a thing that's bound to

come to you sooner or later.

Ste. You're making a mistake. It isn't bound to come at all. My

daughter's no need to find a man to keep her. She's a head on her

shoulders and sense enough to know when she's well off. Who's going to

look after my house if Lucy marries? Tell me that, young man.

Walter. I really haven't thought about it, Mr. Verity.

Ste. And I'm not going to.

Walter. There'd be plenty of time to consider that. We're not proposing

to get married to-morrow.

Ste. 'Um. Very good of you. Want a long engagement, eh?

Walter. Moderately.

Ste. And hope I'll be dead and out of your way first? (_Sitting behind

table c._)

Lucy. Father!

Ste. You hold your tongue. I'll get you to talk in a minute. (_To

Walter._) What do you want to wait for?

Walter. I'm hoping to get a living before long.

Ste. So you _have_ proposed on nothing a year. I thought as much.

Walter (_with excessive dignity_). I'm not without money, sir. I could

afford to marry at once.

Ste. Could you now? And what might you call being not without money?

Walter. I've £150 a year.

Ste. You plutocrat! Lucy, do you hear that? He's £150 a year. Nice sort

of marrying income, that is. Oh, but perhaps I'm wronging you. What's

your father going to do for you when you marry?

Walter. I don't know. I haven't asked him.

Ste. Well, give a guess at it.

Walter. Nothing, probably. He gave me an expensive education.

Ste. Then he made a bad investment if it's only worth £150 a year to you

to-day. I had no education and I'm worth--well, never mind. Lucy, tell

him what I've been telling you to-night.

Lucy. What you told me?

Ste. Don't repeat my words like a fool. Go on. You've got your chance of

talking now.

Lucy. But----

Ste. So like a woman to be backward at tongue-wagging, isn't it?

Lucy (_as if repeating a lesson_). You told me that mother left me money

which you've, increased by investment till it's now capable of yielding

£1,000 a year, and since my twenty-first birthday a week ago the money

lies to my credit at the bank.

Ste. That's right. Now, my gallant £3 a weeker, what have you got to say

to that?

Walter. Of course I didn't know.

Ste. No. I'll gamble you didn't. You fancied I lived in a small house

because I couldn't afford a big 'un. That's a regular Polygon notion.

You're used to their way of living up to your income and as much beyond

as you've pluck for. When a man's worked as hard as I have he don't

spend as fast as he earns. He sticks to what he's got.

Walter. I knew you were a successful man, sir.

Ste. I've made my way. I began low and I'm no class now, bar what they

think of me at the bank--and that's a fat lot more than they think of

any fine Polygon gentlemen. Would you like to know where Lucy's bit

comes from?

Walter. Really, I'm----

Ste. Her grandfather kept the _Black Bull_. That's where it was made,

except what I've added to it. Stinks of beer, that money does. Pubs were

a good thing in his time for a landlord that kept off the drink.

Walter. I've no doubt it was honestly made.

Ste. Aye, ye _would_ think that now you fancy your chance of fingering

it. It was made in the way of business same as my own was, and that

means the best man won and he hadn't time to stand still and think about

honesty. Too busy downing the other fellow for that. And now you've got

it. That's me, sir, builder and contractor, and married a publican's

daughter. Feeling as keen set on Lucy as you were?

Walter. I don't believe very much in artificial class distinctions, Mr.

Verity.

Ste. Don't you? Not in your business hours, you mean. Not so long as you

remember you're a parson.

Lucy. Father! (_Rises._)

Ste. Well, what's the matter with you? Do you want to marry him?

Lucy. Yes.

Ste. You're a fool. You've £1,000 a year. You're an heiress. He's a

pauper..

Walter. I'm not a pauper, but I quite agree.

From the worldly point of view----

Ste. It's the only view I care-about. (_To Lucy._) With your money you

can look high.

Lucy. Thanks, father. When I want to buy a husband, I'll let you know.

I'm thinking of marrying one at present.

Ste. (_immensely surprised_). Hullo! Showing spirit, are you? (_Rises._)

Lucy. It's the first time, if I am.

Ste. And it had better be the last, if you don't want to quarrel.

I'm not one of these weak-kneed modern fathers that let themselves

be browbeaten by their own children. Perhaps you think you'll get him

whether I consent or not?

Lucy. I hope you will consent. (_Pause._),

Ste. I'm not fond of curates, Lucy. It's a soft job, and a real man

looks for a fighting chance in life.

Walter. I get plenty of fighting to do, Mr. Verity.

Ste. Who do you fight with?

Walter. Evil, in every shape and form.

Ste. 'Um, the devil's game for a few rounds yet.

Walter. He's an old hand, and if we haven't knocked him out we're

weakening his defence.

Ste. Well, I'll give you a chance of showing it.

Walter. In a good cause, I hope.

Ste. The cause is all right. You're a parson. Got the good of the poor

at heart and all that sort of thing?

Walter. I hope so.

Ste. Yes. (_Briskly._) Well now, about Lucy.

Walter. Is that the fight?

Ste. I'm coming to the fight. You say you love her.

Walter. I do. (_Stephen is between them._)

Ste. (_to Lucy_). You love him?

Lucy. Yes. (_Lucy r., Stephen c., Walter l._)

Ste. (_holding up his hands evenly_). Quits so far. Income on the male

side £150 a year. (_Surveys his right hand._) Income on the female

side £1,000. (_Depressing his left hand as if weighing the incomes in

scales._) Hullo! wo! something wrong there. Doesn't balance.

Walter (_bitterly_). Do you think I don't know it?

Ste. (_dropping his hands_). Yes. You've hooked your fish, my boy. But

you're a long way off landing her yet.

Walter. Tell me what you want me to do.

Ste. (_curtly_). Earn her.

Walter. Yes, but how? (_Steps forward._)

Ste. By fighting. By doing something for the good of the town. There's

this proposal to buy up the Polygon.

Walter (_eagerly_). Yes?

Ste. Well, now you know what you've to do. You know what Polygon people

are and you know what the town needs.

Walter. The town needs space and decent houses.

Ste. That's what you've to rub into your Polygon set, and you'll not

find 'em seeing it so easy.

Walter. You can't blame them if they don't exactly welcome the idea of

turning out and making fresh homes in their old age. It's only natural.

Ste. Oh, I'm not afraid of them. They'll not stop us. All you've to

do is to make them see they're an obstacle to progress in this town.

They're bound to see justice if they are narrow and selfish and too

puffed up with pride to know the townspeople and----

Walter. And they're my father and my friends, Mr. Verity.

Ste. Yes, I knew you only disbelieved in class distinctions during

business hours. Scratch the curate and find the hypocrite.

Walter (_keeping his temper smilingly_). As bad as all that?

Ste. The moment I attack your class you're up in arms to defend 'em.

Walter. No. They take up too much room in the Polygon. I never said they

didn't. But they'll not want to go. And surely the whole thing depends

on Sir Charles' readiness to sell.

Ste. Yes, but a willing Polygon will make a lot of difference, and if

you want Lucy as bad as you say, here's your way to help yourself to

her.

Walter. I don't see what Lucy has to do with it.

Ste. Don't you?

Walter. Well, do you? The town proposes to buy the Polygon for the

people. It's an excellent project and my plain duty is to further it. I

shan't fail in my duty merely because of the unpleasant unheaval in the

lives of a few people who happen to be dear to me.

Ste. Oh! Well, I don't want words, I want deeds. Succeed and I'll think

about calling you son-in-law--if Lucy doesn't change her mind meantime.

Walter. I can't see why you insist on making a kind of bribe of Lucy

when there's only one course open to me in any case.

Ste. (_grimly_). I'm making sure of things.

Lucy. Father, you don't doubt----

Ste. I always doubt an untried man. I doubt if he'll have the pluck to

face old Vining in the Polygon--I doubt lots of things. Put it that I'm

giving him some Dutch courage to stiffen his back.

Walter (_desperately_). I don't want Dutch courage. Is there any way of

convincing you that I mean what I say?

Ste. There's going and doing it.

Walter. Very well, I will. (_Moving as if to go._) Ste. (_stopping

him_). Remember, you're not engaged to Lucy yet.

Walter. I understand. (_Crosses r._)

Ste. That'll do, then. You know what you've to do. Good-night.

Walter. Yes. Good-night, Mr. Verity.

(_Lucy moves towards right door._)

Ste. (_to Lucy_). You stay where you are. Say good-night to him while

I've got my eye on you. He can find the front door without your help.

(_Lucy and Walter shake hands, R._)

Walter. Good-night.

(_Exit Walter, r. A slight pause. Stephen eyes Lucy from head to foot

before speaking. Lucy crosses and sits l. of table._)

Ste. (_before fire, judicially_). It strikes me pretty forcibly I've

brought a fool into the world. (_Sharply._) How long's this been going

on behind my back?

Lucy (_with an air of standing up to him_). Nothing's gone on behind

your back. I told Walter at once he must speak to you.

Ste. Umph! If you'd told me you wanted help to send him about his

business there'd have been some sense in it. But you backed him up.

You showed, fight. You're getting proud, my girl.

Lucy. I've grown up, father.

Ste. Grown up, have you? All right. If you fancy you're too old to come

to me for advice you can do without.

Lucy. You know I want your advice.

Ste. So as you can do opposite, eh?

Lucy. Oh, that's unjust, father. I never disobeyed you in my life.

Ste, And you'd better not begin now, or you and I will fall out. Ha!

So you're grown up, are you? Yes, you've been a legal woman for a week.

Only I've been a legal man for thirty years and you'll allow I know the

world better than you.

Lucy. Of course.

Ste. Oh, you do agree to that, do you?

Lucy. Certainly.

Ste. Well, I tell you you'll be throwing yourself away on young

Montgomery..(_Persuasively._) He's not up to your weight, Lucy. Polygon

type, he is. You know, shove all your goods in the shop window. Live in

a big house for swank and get it dirt cheap because the neighbourhood's

gone down. They're not solid.. Lucy, you and I together could buy up the

whole, crowd of swells to-morrow..

Lucy. I fell in love with Walter before I knew I'd a penny piece in the

world. I don't think my money must make any difference.

Ste. Don't be silly. Money makes all differences. We're all born

without pockets. It's pockets or no pockets that makes us rich or poor.

Yesterday you didn't knew you'd a pocket and the Polygon looked big and

young Montgomery, he looked big. I don't blame you. It looked a good

thing.

Lucy. It looks the same to-day as it did yesterday.

Ste. Women are fools over money. I did think _you'd_ more sense.

(_Dogmatically._) Money should, marry money. (_With rising irritation._)

It's all my eye to talk of throwing away your money on a penniless

curate.

Lucy (_rises_). I'm sorry to disagree. Obedience has its limits. I hope

we shan't quarrel, father, but I'm a free woman now and I warn you--oh,

I'm sorry.

Ste. Sorry, are you? I'm a hard man, Lucy. I'm a masterful man. I know

that. But I'm a soft-hearted fool where you're concerned, or I'd let you

marry the curate and suffer the consequences. But I've got ambitions

for you if you've none for yourself. (_R.d._) When you marry there's two

things for it--money or birth--and you'll not find either in Polygon.

They're a bad imitation of the real thing--about as near as the shoddy

Bamford makes it to honest broadcloth. Not one of them with a handle to

his name. (_Crosses to Lucy._) If you must get married, I'll find you a

husband. Leave it to me. And don't be in such a hurry to leave your old

dad if you are a free woman.

Lucy (_quietly_). I'm marrying Walter Montgomery, father; but we're not

in any hurry.

Ste. Going to be obstinate, are you? All right, We'll see who'll win.

Lucy. You've already given a conditional consent.

Ste. Don't you worry about that. He may help to keep the Polygon set

quiet till I've put the business through.

(_Puts ink on table from sideboard._)

Lucy. You'd use him and then throw him over afterwards. Father, you

don't mean that!

Ste. What do you know about business? I'd use the devil himself if I

thought he'd smooth my way to a bit of money.

Lucy. But this isn't money, is it? It's for the town.

Ste. Oh, yes, of course, it's the town.

Lucy. Then you'd----

(_Janet, the maid, opens the door right to Stephen's obvious relief._)

Janet. Mr. Bamford, Mr. Alcorn.

Ste. Ah, that's what I'm waiting for. Don't go beyond call, Lucy. I'll

be wanting you soon.

(_Exit Lucy l._)

(_Enter r. Bamford and Alcorn._)

(_Samuel Bamford is a wealthy shoddy manufacturer. He is a bachelor of

forty, a bon viveur and a sportsman. His shrewd ruddy face shows above a

white four-in-hand scarf, controlled by a horseshoe gold pin. He is well

covered with flesh, but not yet as gross as he probably will be in a few

years. His clothes are slightly sportsmanlike in cut and he wears spats.

A noticeably heavy gold chain crosses his stomach. Nathaniel Alcorn is

tall, spare and dark. His face is yellowish, with a drooping moustache.

He wears a frock coat, and his prosperity, though evident, is less

ostentatious than Bamford's._)

Ste. Good-evening, gentlemen. (_To Janet._) Send Mr. Smithson up when he

comes. No one else. Janet. Yes, sir. (_Exit Janet._)

Alcorn (_briskly_). Evening, Verity.

(_Bamford nods bluffly at Stephen._)

Ste. Sit down. Any news?

(_Stephen sits c. above table, Bamford r. and Alcorn l. of table._)

Alcorn (_producing letter from his pocket_). Yes, my brother's sent this

on. (_Hands letter to Stephen._) From Sir Charles' agent. He's abroad,

Sir Charles.

Bamford. Yes, confound him. How dare he be abroad when we want him?

(_Stephen reads the letter._)

Ste. (_looking up_). Dodging duns. (_To Bamford._) You've seen this?

Bamford (_gloomily_). Yes.

Alcorn (_equally gloomily_). It's not encouraging.

Ste. (_returning the letter to Alcorn_). What isn't encouraging?

Alcorn. Why, this. (_Reading the letter._) "Speaking for myself alone, I

consider it extremely improbable that Sir Charles will consent to a sale

of the Polygon to your company." (_Leaves letter on the table._)

Ste. There's nothing to be afraid of there.

Alcorn. I don't know so much about that. These land owning fellows know

they're no good at business. They leave it to their agents, and if the

agent writes like that, you can take it he knows.

Ste. He knows all right. Sir Charles isn't a business man, but his

agent is. If there's a chance of selling, that agent wants a top price;

naturally he writes that way to bluff us into raising our offer.

Bamford. You've a head on your shoulders, Verity.

Ste. (_to Bamford_). It all depends on what you told us. If your

information's correct, they'll be only too glad to sell.

Alcorn. Yes. It's you that told us Sir Charles is in low water.

Bamford. He's dropped a pot of money lately. It's a well known fact.

I know one bookie that's taken ten thousand off him in the season, and

he's not the only one.

Alcorn (_sanctimoniously_). Deplorable wastrel.

Ste. Eh? Oh, aye! (_Ironically._) Lamentable prodigality. Shocking

extravagance, isn't it, Alcorn?

But it suits our book. The faster he goes the pace the better for us, so

you might as well be decently grateful instead of getting mealy mouthed

over it.

Bamford. Me and Alcorn were arguing coming along here what's to be done

with the land.

Alcorn. Aye, but as I told him, the first thing is to get possession of

the land.

Ste. Now, don't you worry about that, Alcorn. The land's as good as ours

at our own price. Sir Charles 'ull jump at it.

Bamford. Well, I'm for building on it.

Alcorn. And I'm not so sure.

Bamford. Of course you're on my side, Verity?

Ste. Your side?

Bamford. For building.

Ste. No.

Bamford. What, and you a builder!

Ste. I've finished building now. I'm getting old. I've made my money.

Alcorn. I'm out for making an open space of it.

Bamford. You're a blooming philanthropist.

Ste. No, he's not. It's a pity you missed our last meeting. You don't

grasp the idea yet. We buy the land from Sir Charles.

Bamford. Yes.

Ste. Then we create a demand in the town for a recreation ground.

Alcorn. And you back it up in the Council.

Ste. And Alcorn as borough surveyor approves officially.

Alcorn. We force the town to buy from us.

Ste. And get a quick return of our capital with a clinking profit.

Bamford (_obstinately_), Well, I thought it was houses. Houses are safe,

and you'd easier raise a cry for houses than playing fields.

Ste. Depends how you go about it. Work it proper and you could get them

yelling like kids for a municipal service of flying machines.

(_Enter Smithson, r._)

Smithson. Good evening, gentlemen all.

(_Stephen grunts and rises._)

Alcorn. } Good evening

Bamford. } Good evening

(_Stephen gives Smithson his chair, and takes the vacant one r. c. of

table._)

Smiths. Sorry I'm late, but I've been employing my time well. Sowing the

seed.

Ste. Been getting at the voters?

(_Smithson sits between Alcorn and Stephen._) Smiths. Yes, one or two.

Ste. You've been wasting time. I've collared a man who'll bring in

voters by the score.

Alcorn. Who might that be, Mr. Verity?

Ste. Young Montgomery. The parson lad. For all their talk, the Church

still has a big hold on the poorer classes. It'll pay to have that boy

on our side. He'll talk to them in the Polygon, too. Bamford. Aye. Good

man, that, Verity.

Ste. (_to Smithson_). There's a letter you'd better read.

(_Smithson reads it._)

Bamford (_sullenly; emerging from a silent sulk_). I thought it was

houses.

Ste. Well, it isn't. It 'ud take too much capital to cover the Polygon

with houses.

Bamford. It was houses. You've altered it. I ought to have been told. No

one told me.

Smiths (_looking up from the letter_). He'll come round.

Ste. Yes.

Bamford (_taking it personally; indignantly_). Who'll come round? I

won't come round. Houses it was and houses it's going to be.

Ste. (_moving Smithson to give Alcorn the letter. Alcorn pockets it.

Dryly._) We spoke of Sir Charles.

Bamford. Oh!

Smiths, (_tentatively_). I fancy, myself, houses would be a safer

battle-cry with the people, Mr. Verity.

Ste. Damn the people. Who cares for the people?

Alcorn (_rising_). I really must protest. Such language! (_He seems

genuinely shocked._)

Ste. (_impatiently_). It's so silly to talk as if the people mattered.

Government by the people! Any fool can lead 'em where he wants.

Alcorn (_sitting_). We must consider their feelings a bit. Think of the

rates.

Ste. Oh, we'll consider their feelings all right. We must make 'em feel

what we want 'em to feel.. Then they'll vote for what we want and

kid themselves we do it for their sake. That's how to consider their

feelings. When I was a lad there was a trout stream ran through

Carrington. It's a sewer now, but there were trout in it then and I've

caught 'em by tickling their bellies. That's the way to catch voters,

Mr. Alcorn. Tickle 'em.

Alcorn. Yes, but the trout died. The voter lives to vote next time.

Ste. Go on tickling. I'm an old hand and I've never known it fail.

Bamford. You're not attending to me. I say houses. Smithson says houses.

Smiths, (_in alarm_). Oh, no, I don't. Indeed I don't. I only say houses

'ull bring votes quicker than playing fields.

Alcorn. I suppose you couldn't shout houses and make it the other thing

afterwards?

Smiths. I'm surprised at you, Mr. Alcorn. (_Very righteously._) I stand

for purity in municipal life.

Bamford. Yes. Always be honest with your electors.

Ste. Alcorn's got none. He's a permanent official with a certain job, or

he'd know better.

Bamford. If I provide a quarter of the capital, I've a right----

Ste. You've every right, Mr. Bamford, and we shall do nothing without

your approval.

Bamford. Then I approve houses. As a ratepayer--

Ste. (_definitely_). Only, if it's houses, I can't go on.

(_Consternation._)

Smiths. (_frightened_). We can't do without your influence.

Bamford (_grudgingly_). No, we can't do without Verity.

Ste. Our share of what 'ull go on the rates is a flea bite. Our profit

'ull cover it a hundred times. I don't deny the town needs houses, needs

'em badly, only I haven't the capital for houses. My money's tied up and

I'm not touching it. The money I'm putting into this isn't my own.

(_Alcorn writes on a scrap of paper and passes it to Smithson, who

reads, nods, and passes it to Stephen._)

Bamford. Who's is it, if it's a fair question? Ste. My daughter's. I'll

want it back quick. Alcorn. Your daughter's got money, then? Bamford

(_very interested_). Your daughter's? Nice looking girl, your daughter.

(_Slight pause._)

Well, I'm using my own money and----(_Irritably._)

What's that you're passing round? Another secret from me?

Ste. (_blandly_). No. (_Passing him the paper._) Bamford (_reading_).

"Make Bamford Mayor next year." (_He looks up at each in turn._) Um.

Well. Bamford's willing.

Alcorn. I think it's very suitable.

Ste. Yes. We'll call it a recreation ground, eh, Mr. Mayor-Elect?

Bamford. I'm not a favourite with the psalmsinging set, you know.

Alcorn. I've got them in my pocket. They'll be squared all right.

Ste. If I say mayor, you'll be mayor. You make a bit on the mayoral

allowance, you know. Needn't spend above half of it.

Bamford. All right. No need to say more. It's a recreation ground and

damn the expense. (_The tension passes._)

Ste. Right. Got those papers with you, Alcorn? Alcorn. Yes. (_Fussily

producing and smoothing the typewritten articles of association._)

Ste. Your signature's wanted, Bamford. Bamford (_examining the paper_).

Land Development Syndicate, Ltd. Sounds well, anyhow. Hullo! What's

this? Registered Offices, London Wall, E.C.

Alcorn. My brother's office in London. Bamford. Why?

Ste. Wouldn't do to have a local address here. Some busybody 'ud smell

it out.

Bamford. I see. (_Suspiciously._) What does his brother get out of it?

Alcorn. Nothing; and he's put down three of his clerks for one share

apiece to make up the statutory seven shareholders. Those are their

signatures above Smithson's and mine.

(_Bamford nods._)

Ste. (_dipping pen_). There's a pen.

(_Bamford signs._)

I'll witness. (_Calling off l._) Lucy!

Bamford. I deliver this as my act and deed.

(_Stephen signs without sitting. Enter Lucy, l. All rise._)

Lucy. Did you call, father?

Alcorn (_advancing and speaking with the respect due to a capitalist_).

Good evening, Miss Verity.

Ste. (_stepping back, and interposing impatiently_). Oh, never mind all

that; sit down, Lucy. (_Pushing her into his vacated chair and pointing

to the papers, handing pen._) Write your name there.

Lucy (_vaguely_). My name?

Ste. Yes. Can't you hear? See what it is? Lucy. No.

(_Bamford's eyes are set on Lucy with the air of a butcher appraising a

sheep._)

Ste. (_impatiently_). Oh, never mind. It 'ud take a week to make you

understand. You've some money lying at the bank. Mine's all tied up. I

want yours for a bit, so just sign your name there. (_Lucy signs._) Say

"I deliver this as my act and deed."

Lucy. I deliver this as my act and deed. (_To Stephen._) It's your deed

really, you know.

Ste. I'll witness. (_Signs._) Right.

Lucy (_reading_). The Land Development Syndicate, Ltd.

(_Stephen takes the paper from under her eyes, folds and hands it to

Alcorn._)

Ste. You'll see to that, now?

Alcorn. Yes. You're our partner, Miss Verity. Lucy (_standing_). But

what's it all about?

Smiths. That's right, Miss Verity. Sign first and ask afterwards.

Bamford. We're buying up the Polygon. Going to make a playing field of

it.

(_Bamford down r._)

Lucy. And presenting it to the town?

(_Stephen alone doesn't look awkward._)

Alcorn. Well----

Ste. (_curtly_). Yes, it 'ull come to the town.

Lucy (_sentimentally_). How noble of you!' Oh, thank you! Thank you so

much for letting me take a share in this----

Ste. (_interrupting_). Yes; now you go and have your supper. It's

getting late.

(_Exit Lucy, l._)

Ste. Well, that concludes the business for tonight, gentlemen. Nothing

more to be done till we hear from Sir Charles. (_Puts chair back up

stage._)

Alcorn. No, that's all.

Ste. (_finally_). Good night, then.

Alcorn. Good night, Verity. (_Crosses r._).

Smiths. Good night. (_Shakes hands and crosses R._) . ..

(_Smithson opens the door r. Alcorn follows him, pausing and looking

back at Bamford._)

Alcorn. Coming, Bamford?

Bamford. No, I want a word with Verity.

Smiths, (_suspiciously_). Business, eh, Mr. Bamford?

Bamford. Not about the Company. (_Glancing involuntarily after Lucy._)

Something else.

(_Exeunt Smithson and Alcorn._)

Ste. Well, Bamford? Have anything? I've a better port downstairs than

the Polygon toffs can run to.

Bamford. No, thanks.

(_Stephen looks relieved, Bamford sits. Their positions reproduce those

of Stephen and Walter at the opening._)

Ste. (_taking his pipe from the mantelpiece_). I'll have a pipe, if you

don't mind. Well, what's up with you?

Bamford (_jerking his thumb towards the left door_). It's about her.

Ste. Aye? Well, I like a man that comes to the point sharp.

Bamford. Perhaps you wouldn't call me a marrying man? (_Sitting below

fire._)

Ste. You've not done it yet that I know of.

Bamford. Never too late to mend. I'm a bit struck with that daughter of

yours, Verity.

Ste. I noticed you were when I mentioned she had money.

Bamford. Well, I'm the last man to deny that money's a very important

thing in life.

Ste. It's a useful thing to have about the house.

Bamford. I was thinking we might come to an arrangement.

Ste. It's not impossible..

Bamford. Eh!

Ste. Only she's a bit young.

Bamford. Meaning to say I'm a bit old, eh? I'm sound and hearty.

Ste. So's t'other fellow, and more her age.

Bamford (_rising_). The other fellow?'

Ste. (_remaining seated_). Aye. You thought you were being smart, didn't

you? Seeing a good thing and dashing at it prompt; but you're the second

man to come to me to-night over Lucy, for all that.

Bamford (_anxiously_). Is she promised?

Ste. No. .

Bamford (_relieved_). Ah!

Ste. The man that weds my daughter takes a tidy bit of money with her.

Bamford. It'll find some more of its own kidney if she brings it to me.

Ste. To tell you the truth, Sam, I'm not struck on the idea of losing

her at all. But she's got a fancy in her head and it's one I don't

cotton to. Best cure might be to put you there instead and be sure of

her not making a fool of herself.

Bamford. Then I'm not too late. (_Sits again._)

Ste. You're the best man up to now.

Bamford. Well----

Ste. See here, Sam. It's like this. That girl can look high. Question

is, are you high enough?

Bamford. Which way?

Ste. Money.

Bamford. Depends what you call high.

Ste. Yes... (_half apologetically._) I've a right to know before I put

it to her.

Bamford (_after slight hesitation_). Well, I'll tell you this: you know

what my father left?

Ste. Yes.

Bamford. There's more to-day. (_They exchange looks._)

Ste. (_rising with resolution_). That 'ull do. (_Opens left door._)

Lucy, come back a minute.

Bamford (_rises in alarm_). I'm not what you call a parlour ladies' man.

Ste. I'll stand by you.

(_Enter Lucy._)

Now then. (_Crosses r._)

Lucy. You want me?

Ste. (_indicating Bamford_). He does.

Bamford (_awkwardly_). Yes, I do, Miss Verity. That's just what I do. I

want you.

(_Lucy is puzzled._)

Ste. (_looking at her_). Well?

Lucy (_turning from one to the other_). You want me. I'm here. What do

you want me for?

Bamford (_l._). For better or for worse. (_Giggling genially._)

Lucy (_freezing_). I don't understand you.

Ste. (_roughly_). Don't play stupid now. You understand him well enough.

Lucy. But---- (_Looking appealingly at Stephen._)

Ste. Here's your chance, my girl. Here's your answer to the other

fellow.

Lucy. I have given him my answer.

Ste. Well, you can give, Mr.. Bamford his and say yes. He's got money.

Bamford (_eagerly_). Yes, I've got money and I spend it. I'll give you

the time of your life.

Lucy. Don't spoil this evening for me, Mr. Bamford. You've made me so

happy, so grateful to you all for letting me help in your charity. I

only knew to-night how rich I am. It frightened me--the thought of so

much money. I was afraid of it... of my unworthiness. Until you showed

me the way to use it well. I was proud that I... and now... father, this

isn't fair of you.

Ste. What isn't fair?

Lucy. Why didn't you tell Mr. Bamford? (_To Bamford._) I'm engaged.

Ste. (_r.c._). Don't lie. You're not.

Lucy (_bravely_). I choose to consider myself engaged.

Ste. He's a pauper. Look here, my girl, you're rebellious to-night. I'm

master here. I'm not the sort of fool to let you twist me round your

little finger. Don't think because you're twenty-one and got a thousand

a year (_the sum moves Bamford visibly_) that you'll ride rough-shod

over me. (_More gently._) You've got to be sensible. (_Smacks table._)

You've got to do what I tell you.

Bamford. You shall have your carriage and dress yourself as much as you

like; and what's more, marry me and you'll be. Mayoress of Carrington in

November.

Ste. Wait a minute, Bamford, not so fast.

Bamford. What's the matter?

Ste. (_crossing l._). Engaged, if you like, but no wedding till the

Polygon deal's complete. The profits on that are mine.

Bamford. Of course they are. I'll hand over your share when we've sold

to the town.

Lucy. Sold! Profit! I thought----

Ste. Never mind what you thought. (_Goes up to Lucy._) That wasn't meant

for your ears. You'd better go back to the other room now. I'll talk to

you after Mr. Bamford's gone. (_Indicating her to exit._)

Lucy. I hope. Mr. Bamford will remember I'm engaged.

Ste. He'll remember you're going to be--to him. (_Crosses down r. above,

table._)

Lucy. Father, I've obeyed you long enough. I'm twenty-one now, and I'm

going to take my own way.

Bamford (_doubtfully_). I don't like the look of this, Verity.

Ste. Look of what?

Bamford. She's a bit of a Tartar, isn't she?

Lucy. That's nothing to what I can do when I'm roused, Mr. Bamford.

Ste. Pssh! It's the first time she's broken out like this. She'll be

tame enough next time you come.

Lucy (_viciously_). Don't make too sure of that.

Ste. I'm not afraid of that. It's a pity if a man can't do as he likes

with his own flesh and blood.

Bamford (_warily_). Best sleep on it before you say more, Verity.

Ste. (_going to Lucy_): Yes. Go to bed, Lucy, and say over to yourself,

I'm going to marry Mr. Bamford. Then you'll get used to the idea.

Lucy. But I'm not.

Ste. Aren't you? We'll see.

Lucy. Yes, we will. (_At exit l._)

CURTAIN.

Graft: A Comedy in Four Acts · 第 2 / 4 章