I do not now discern what at one time I feared that I

might--carelessness, or an effect of haste, in the large mass of

results to which this author has already put his name. On the contrary

it seems to me that more and more he tends toward painstaking care,

and there is good reason to predict that his best and possibly most

brilliant work is yet to come. Regarding one work, since published,

he has told me that, having already pushed a long way toward the end

and finding that the affair went slowly, of a sudden it was borne in

upon him that he was on the wrong track. In a moment he swept 30,000

words of manuscript into his basket and started anew and with a good

heart. A great organizing capacity, a power of maintained effort, and a

willingness to take unstinted trouble, render the large volume of his

achievements as acceptable as the small bulk of another’s work. Faults

I think Mr. Ford has had, and still has, but it would be proper even

for the nicest criticism to discover a sure advance in the quality of

his style. Personally I have never been able to explain satisfactorily

the success of his most popular book, “The Honorable Peter Stirling.”

It is almost without a “literary” quip or term or phrase; the politics

present a stiff dose to novel readers, a class too satiated with an

unvarying diet not to crave spicier viands than those served to them

by the love motive of Mr. Ford’s story. Why then has this proved to be

one of the three stories of the past two years and more? I do not know,

unless it be that Mr. Ford, who is no egotist and not exclusive in his

sympathies, reflects in this book a genuine if unsentimental faith

in human nature of every degree. To such a faith humanity is always

responsive. He did not come crying in the wilderness with acrimony and

fanaticism, but gave the prototype of a gentleman of the heart and

not of long ancestry--a pure man in all things, even in metropolitan

politics, who stamped on evil, not shrank from it. There was a cry

for a politician who could be something to the “boys” besides a prig,

and Mr. Ford, _haud inexpertus_, produced him. It was bread and not a

stone, and the democracy, rampant yet not unclean, heard him gladly.

I have no purpose here to rehearse the merits of Mr. Ford’s various

writings. Current criticism certainly has him in its eye as a

conspicuous figure, and if he meets opposition he is not likely to

suffer neglect. Meanwhile another source of his success and of his

popularity seems to me to lie in his perfect intellectual and moral

normality. Great as is the volume of his work, it is sound throughout.

He strikes no shrill or wayward note; the social order is always

considered. He deals with the sound fruit of human life, and assumes

that good nature, honest love, money-making, clean and enjoyable

existence are not only possibilities but everyday realities. The

success of “The Story of an Untold Love” shows how ready people are for

an observance of all the commandments rather than for a breach of one.

It is with novels as with plays--cleanliness “goes.”

Mr. Ford’s large abilities, aided by fortunate inheritance, have been

used not for the ends of mere scholarship and to humor preciosity and

a love of what is fantastic and occasional, but to recognize common

wants and aspirations; yet at the same time he evinces an idealism

tempered by no little terrestrial wisdom and experience. Imagination

plays a larger part in his work--and I am here speaking of his creative

work--than appears at first sight. In “Peter Stirling” he has managed

to give to an immense metropolitan life an effect of homogeneity and

interrelation. The large and evanescent effects of a great city are

tempting themes, but those who try to catch and hold the impression for

the uses of a novel seldom succeed in giving more than fine details.

Our _genre_ painters of fiction have been admirable in this matter:

but to make one pattern of the huge confusion requires a knowledge

vouchsafed only to him who has acquired by daily contact the largest

and most vital experiences. The immensity of financial transactions,

the intricate shrewdness of politicians, aside from their corruptions,

the nice checks and balances of a higher social life must necessarily

escape the eye of the literary artist mainly because they lie beyond

his ken.

Cerebrally Mr. Ford is multiparous. He can be busy with a play, a

story, a biography, and with editing some historical work during the

same interval of time--the real marvel of it all being that, when these

come to publication, the world, which is said to know clearly what it

wants, accepts the results with apparent satisfaction. The power of

driving a quadriga of new books around the popular arena amid no little

applause, is due, I think, to qualities not inherent in the literary

mind as such, but implying a wider mental grasp.

A spirit of restlessness takes hold upon Mr. Ford when he is hardest

at work, and he shifts at pleasure from one to another of his several

desks or tables. I should imagine that the curiosity hunter of the

future, who might wish to possess the desk at which or the chair on

which the author of “Peter Stirling” sat when he penned that book,

might comfortably fill a storage-warehouse van with his new-found joys.

Like most good fellows who write, Mr. Ford knows the value of the night

and often works to best advantage when honest folk have been long abed.

It is a pleasure to think of the occasionally fortunate person who

writes when he wants to, not when he must, though I do not think it

would be difficult for so conscientious a worker as Mr. Ford to get up

friction at shortest notice and as occasion might require.

While it has been my purpose to refrain scrupulously from ministering

to that curiosity which cares less for the essential qualities, and

the intellectual methods of a character prominently before the world,

than for intrusive detail concerning personal caprices of taste and

modes of living, I shall not be content if I do not say that as a

personality Mr. Ford is as extraordinary as in his achievement. He is

alive to every issue of the day and of the hour. He is brilliant at

conversation, and perhaps even more brilliant at controversy, for I

can imagine no opposing argument so bristling with facts as to prevent

his making a cavalry charge on a whole table of unsympathetic hearers.

Life is at its keenest pitch when one is privileged to hear his urgent

voice, with no little command withal in its notes, and to see the

invincible clearness and dominance in his black-brown eyes.

This spirit of fearlessness, chastened as it is by an attitude of real

toleration and open-mindedness, colors Mr. Ford’s personal sympathies.

Believing as he does that every man must eventually work out his own

salvation and that present well-being may justly be sacrificed to

future growth, it would be impossible for him to choose any channel

for the expression of his personal loyalty other than that which should

strengthen and develop. It is no strange thing, then, that those

who seek his aid and counsel find him most helpful through a power

of stimulation which enhances instead of detracts from the sense of

self-reliance.

LINDSAY SWIFT.

[Since the foregoing was written, Mr. Paul Leicester Ford has died,

being shot through the heart by his brother Malcolm, who it is only

charitable to believe was temporarily insane. Mr. Ford had his best

years before him. He recently married, moved into a fine house built

to suit his own needs near Central Park, and his plans were mapped out

years in advance. He was engaged on a novel at the time of his death,

but had done so little on it that there is no possibility of its ever

seeing the light of print.--EDITORS.]

Transcriber’s Notes

Errors in punctuation have been fixed.

In the table of contents, “George P. Latkrop” changed to “George P.

Lathrop”

Page 32: “Boker make known” changed to “Boker made known”

Page 54: “Scotch balled” changed to “Scotch ballad”

Page 93: “multifarous aspects” changed to “multifarious aspects”

Page 114: “first appearancee” changed to “first appearance”

Page 174: “who anounnces” changed to “who announces”

Page 202: “bibliopole’s art” changed to “bibliophile’s art”

Page 284: “king has abdicted” changed to “king has abdicated”

Page 389: “New Engand” changed to “New England”

Authors at home: Personal and biographical sketches of well-known American writers · 第 17 / 17 段