CHAPTER XIII

NICE

A shifted site—Ancient Nike—Cemenelium—History of Nice—Saracens

at Cap Ferrat—Bertrand de Balb—The barony of Beuil—The

Castle—Internecine strife—Truce—The marble cross—Catherine

Ségurane—Destruction of the Castle—Annexation of Nice to

France—Cathedral—Church of the Port—Masséna—Garibaldi—General

Marceau—Rancher—Story of Collet—Cagnes—Painting by

Carlone—Eze—David’s painting—Puget Teniers—Touët-de-Beuil.

NICE is a town that has uneasily shifted its seat some three or four

times. Whether it were directly settled from Phocœa or mediately from

Marseilles, we do not know. But a Greek city it was, as its name

implies, Nike, _Victory_, speaking of a fight there, engaged either

against the Phœnicians, who resisted their settling into quarters

already appropriated, or else against the native Ligurians.

Anciently, the river Paillon flowed into the tiny bay of Lympia, but

it brought down so much rubble as to threaten to choke it, and huge

embankments of stone were built to divert the course of the river to

the farther side of the calcareous rock of the Château. These have been

discovered in the process of excavations in the Riquier quarter. When

the Greeks settled here, they found the conditions perfect for their

requirements. The Port of Lympia then extended inland to where is now

the rue du Paillon. It was flanked on the east by the steep heights of

Mont Boron, on the west by the crag of the Château, which latter served

as acropolis and was crowned by a temple dedicated probably to Artemis.

The site is thought to be where now stands the chapel of the Ste.

Suaire, which is square and on old foundations. The Phocœan town lay in

the lap of the port of Lympia.

But when the province became Roman, then the town occupied by the great

families of consular origin, the officials of government, and all the

hangers-on, was at Cemenelium, now Cimiez, on the high ground above

modern Nice, and dominating the ancient port. Here had been an older

Ligurian fortified town, of which some remains exist in the huge blocks

laid on one another without cement that formed the defending wall, and

on top of which the Romans built their ramparts. The citadel was at

the extreme south point of the plateau. In Cemenelium the principal

monuments were the palace of the governor of the province, a temple

of Diana, another of Apollo, an amphitheatre and baths. All have been

destroyed and have disappeared save the wreckage of the amphitheatre,

traversed by a road. Roman sepulchral monuments, urns, mosaics,

fragments of marble columns, statuettes, have been unearthed in

considerable numbers. The Phocœan colonies established on the littoral

of the Maritime Alps fell into complete decay when the Romans occupied

the country, and towards the end of the third century Nice dwindled to

almost nothing.

In 578 the Lombards, under the ferocious Alboin, swept over the country

and destroyed Cimiez and Nice. The Franks drove back the Lombards into

Italy. Cimiez remained a heap of ruins, but Nice was repeopled and

rebuilt, not, however, near the port, but on the height of Le Château.

The population of this part of the old province revolted against the

Franks; and Nice entered into a league with Genoa and other important

towns on the Italian Riviera. In 741, however, the province again

returned under the domination of the Franks, and it was governed by

counts appointed by the sovereign, who resided at Nice in the castle.

Here, hard by on the rock, was the cathedral, and down the north-west

slope, that was least precipitous, were lodged the private houses. In

775 the abbey of S. Pontius was founded by Siagrius, Bishop of Nice,

and Charlemagne, who is supposed to have been his uncle, gave the funds

for the building and endowment. This abbey was erected on the rock on

which, according to tradition, S. Pontius had suffered martyrdom by

decapitation.

Profiting by the break-up of the Carolingian dynasty, in 880, Boso,

whose sister was married to Charles the Bald, seized on that part

of Burgundy which is on this side the Jura, and along with Provence

constituted a kingdom, with himself at its head.

In 889 the devastations committed by the Saracens extended along the

coast, and one town after another was sacked and burnt by them. These

ravages continued till 973, when William, Count of Provence, and

Gibelin Grimaldi freed the land from this plague. The Saracens had a

fortress at Saint Hospice, a curious spur which strikes out from the

peninsula of Cap Ferrat, whence they had harassed the neighbourhood of

Nice, but had been unable to storm the fortified town on the rock.

Grimaldi destroyed the Saracen citadel, and left of it nothing standing

save the tower that remains to this day. The captured Saracens were

quartered in a portion of Nice still called _lou canton dei Sarraïns_,

and were employed by him in strengthening or rebuilding the walls of

the town.

To the Saracens are attributed the subterranean magazines, or silos,

that are found at S. Hospice, S. Jean, Trinité-Victor, and elsewhere,

to contain the plunder they acquired in their marauding expeditions.

These are vaulted over, and are still in some instances used as

cisterns or store places; but the evidence that they were the work of

the Moors is inconclusive.

Among those who assisted the Count of Provence against the Saracens

was one Bertrand de Balbs, and in reward for his services he was given

in fief the barony of Beuil, a vast territory stretching from the

Estéron to the Alps, and comprising twenty-two towns and townlets.

His descendants kept the barony till 1315, when William de Balbs made

himself so odious to his vassals by his tyranny that they murdered him.

A brother of the Grimaldi of Monaco had married the only daughter of

William de Balbs, and as there was no son the fief passed to him, and

he became the founder of the family of Grimaldi of Beuil. The barony

remained in the Grimaldi family till 1621, when it was united to the

county of Nice.

They ran, however, a chance of losing it in 1508.

Towards the close of 1507, George Grimaldi, Baron of Beuil, his son

John, Augustine Grimaldi, Bishop of Grasse, and Nicolas Grimaldi,

seigneur of Antibes, formed a plot to deliver over the county of Nice

to Louis XII. The Duke of Savoy was warned, and he summoned George and

his son to appear before him. They replied with insolence and defied

him, relying on French support. But at that moment Louis XII. and the

Duke of Savoy had arranged their little quarrel, and when John Grimaldi

asked for aid from the Governor of Provence, he was refused. Meantime

the garrison of Nice marched against Beuil. The castle, built on a

height and surrounded by strong walls, could have stood a long siege,

when a tragic event put an end to the struggle. The Baron de Beuil was

murdered by his valet, who cut his throat whilst shaving him.

The Duke of Savoy outlawed John, the son, and gave the barony to Honoré

Grimaldi, brother of George, who had steadily refused to be drawn into

the conspiracy.

But to return to Nice.

In 1229 a party in the town revolted against the Count of Provence, and

expelled those who were loyal to him. Thereupon Romeo de Villeneuve

marched on Nice, took the town, and set to work to strengthen the

fortifications of the castle, which in future would control it. At that

time the castle consisted of a donjon, with an enclosure that had four

turrets at the angles. Outside this Romeo built a strong wall that

enclosed within the area the cathedral and the houses of the nobility;

he cut deep fosses through the rock, and furnished the gates with

drawbridges. Later, after the invention of powder, the fortress was

further transformed in 1338.

After the death of Joanna I. of Naples, Nice took the side of Charles

of Durazzo, and in 1388 was besieged by Louis II. of Anjou. The Niçois,

unable without help to hold out against him, offered the town to

Amadeus, Duke of Savoy, and he entered and took possession.

The desolating wars of Charles V. and Francis I. made a desert of

Provence. Nice, as a town of the Duke of Savoy, met with only the

temporary annoyance of the Spanish and German and Italian troops

passing through it to cross the Var. In 1538 Pope Paul III. proposed a

meeting between the two sovereigns at Nice, and he met them there on

June 18th, 1535; a truce was concluded, to last for ten years. A cross

of marble marks the spot where the conference took place. It was thrown

down in 1793, in the Revolutionary period, but was again set up some

twenty years later.

Paul III., in proposing the meeting of the two rival monarchs, had

not only an eye to the welfare of the people of Italy, harassed

by incessant and desolating war, but also to the interest of his

own family. He had been elected Pope in 1534, and at once created

Alexander, child of one of his illegitimate sons, Cardinal at the age

of fourteen, Archbishop of Anagni when the boy was only fifteen, and

Archbishop of Mont Real and Patriarch of Jerusalem when aged sixteen.

Another grandson, Ranncio, he created Archbishop of Naples when aged

fourteen, and Archbishop of Ravenna at the age of nineteen. Now, when

meeting the two sovereigns, he negotiated with Francis to have his

granddaughter united to a prince of the house of Valois; but Francis

procrastinated, and the marriage did not take place. He was more

successful in marrying his grandson Octavio to Margaret of Austria,

natural daughter of Charles V.

But that Paul did use his utmost endeavours to obtain a truce of ten

years is shown by the testimony of the Venetian ambassador who was

present at Nice on the occasion of the meeting. He could find no

words sufficiently strong in which to eulogise the zeal and patience

displayed by the Pope on this occasion.

Paul, however, never lost sight of the advantage of his family. At the

time of the Conference he succeeded in getting Novara from the Emperor,

for his illegitimate son, Pier Luigi, for whom he had already alienated

Parma, and raised it into a Duchy, at the expense of the States of the

Church.

The implacable jealousy entertained against one another by the two

monarchs led to the war breaking out again; Francis I. entered into

alliance with the Turks under Barbarossa, and a combined army laid

siege to Nice in August, 1543. The Turkish cannons completely destroyed

the Convent of Ste. Croix, in which Pope Paul had lodged in 1538,

and broke down large portions of the city ramparts. It was then that

occurred an incident that has never been forgotten in Nice. Catherine

Ségurane, commonly called Malfacia (the misshapen), a washerwoman, was

carrying provisions on the wall to some of the defenders, when she

saw that the Turks had put up a scaling ladder, and that a captain

was leading the party, and had reached the parapet. She rushed at

him, beat him on the head with her washing-bat, and thrust down the

ladder, which fell with all those on it. Then, hastening to the nearest

group of Niçois soldiery, she told them what she had done, and they,

electrified by her example, threw open a postern, made a sortie, and

drove the Turks back to the shore. According to one version of the

story, Catherine gripped the standard in the hand of the Turk, wrenched

it from him, and with the butt end thrust him back.

The story first appears in a “Discours sur l’ancien monastère des

religieuses de Nice,” 1608. Honoré Pastorelli, the author, merely says

that a standard of the Turks was taken from the ensign by a citizeness

named Donna Maufaccia, who fought at the Tour des Caïres, where were

the Turkish batteries. A second authority, in 1654, Antonio Fighier,

says that the event took place on the Feast of Our Lady in August; that

the woman seized the staff of the standard and flung it into the moat.

Some weeks later the Turks penetrated into the town and carried off

2,500 prisoners to their galleys; but these were retaken by the

Sicilian fleet.

The war between Charles V. and Francis I. was terminated by the Treaty

of Crépy in 1544. By it the House of Savoy recovered all the places in

the Duchy taken by the French. Duke Charles III. ordered the complete

restoration and remodelling of the defences of the town and castle. In

the wars of Louis XIV., Nice was attacked again and again, and in 1706

was taken by the Duke of Berwick. By order of Louis, the castle was

then completely destroyed by gunpowder. Thus disappeared this noble

fortress after twenty centuries of existence; and now of it almost

nothing remains. By the peace of Utrecht in 1713, Nice was restored to

Savoy. In 1748 Charles Emanuel of Savoy had the port of Lympia cleared

out and made serviceable. It had been choked up for some centuries.

It was not till 1860 that the county of Nice was definitely annexed

to France. Hitherto the Var had been the boundary between Italy and

France, now the delimitation is the Torrent of S. Louis. The natural

demarcation is unquestionably the _col_ of La Turbie and the Tête

du Chien, and Monaco, about which more presently. I have given but

a meagre sketch of the history of Nice; but the reader would have

no patience with all the petty troubles—great to those who endured

them—which afflicted Nice and its vicinity through many centuries.

Now it enjoys peace, and thrives, not only as a city, doing a large

business, but also as a vestibule to Monte Carlo. The cathedral, that

once stood near the castle on the rock, was demolished in 1656, and

the present building—a rococo construction in the barbaric taste of

that period—was erected below the rocky height. On December 16th,

the Bishop Désiré de Palletier was contemplating the dome that was in

process of construction, when some of the material fell on his head

and killed him. In 1705, on March 16th, a bomb fell in the cathedral

and exploded, killing many people. If it had blown the whole church to

atoms it would have caused no loss to art.

Curiously enough an accident happened of a somewhat similar character

to the church of the Port. The design for this monstrosity was sent by

a Turin architect. The cupola was to be of wood, covered with lead.

But the clerk of the works, in carrying out the design, substituted

stone for wood. The result was that, one Sunday morning, just after the

consecration of the church, the cupola fell in. Happily it was during

the first mass. The priest at the altar, hearing a cracking above him,

bolted into the vestry. An old woman, who was the sole assistant,

fled into the porch, and no lives were lost when the whole structure

collapsed.

Nice has produced some men of note—as Masséna, “L’enfant chéri de la

victoire”—whose real name was Menasseh; he was the son of a petty

Jewish taverner, and was born in 1756. What a simmering cauldron that

was in Europe, which brought to the surface Bernadotte, the saddler’s

son! Murat issued from a little public house. Augereau, the child of

a domestic servant; Masséna, the Hebrew waif and stray. Masséna was

gifted by nature with a powerful frame of body, and with indomitable

resolution. He was considered the most skilful tactician among

Napoleon’s generals, and on the field of battle he was remarkable for

coolness. He had, moreover, the invaluable quality in a commander of

not being dispirited through defeat. His faults were primarily rapacity

and avarice. In Italy, when commanding the French army of occupation,

he “behaved in such a way,” as Miot de Melito informs us, “that the

French troops, left without pay in the midst of the immense riches

which he appropriated to himself, revolted, and refused to recognise

his authority. His pilferings, his shameless avidity, tarnished the

laurels with which he had covered himself.” He brought down on himself

repeatedly the censure of Napoleon. But the greed was born in the bone.

He could not keep his fingers off what was of money value, and might be

turned into coin.

When Bonaparte assumed the command in Italy, he employed Masséna

actively on all occasions of importance, and so justly appreciated the

brilliancy and military talents he possessed, that he surnamed him “the

favoured child of victory.” In 1798 he was appointed to the command

of the army, which under General Berthier was to occupy Rome and the

Papal States. His appointment was as distasteful to the soldiers as to

the inhabitants of the subjected country, for they both became victims

of his insatiable avarice, and the multiplied complaints made of his

peculations at last forced him to resign the command and to return to

Paris. Whilst Masséna was in Rome stuffing his pockets, a paper was

affixed to the statue of Pasquin, with this dialogue inscribed on it:—

“What is the time of day, Pasquin?”

_Pasquin_: “The time of thieves.”

Although Masséna had exposed his person in so many battles without

receiving a wound, he had the misfortune to lose an eye whilst in a

sporting party, some shot having accidentally struck it.

That which redounded most to the fame of Masséna was his gallant

defence of Genoa, in 1800, after the garrison had been reduced to eat

their boots. The defence had made the Austrian army lose valuable

time, and afforded Bonaparte the requisite time to collect sufficient

forces to cross the Alps and crush the Austrians at Marengo. After

that decisive day, the first Consul who desired to return to France,

remitted the command of the troops to Masséna; but only for a while. A

certain feeling of hostility reigned between the Republican General and

the future Emperor. Masséna was envious of the fame of Napoleon, and

resented the distance that separated him from an old comrade in arms.

After the _coup d’état_ of the 18th Brumaire, he was admitted to the

legislative corps, and voted against granting the consulate for life

to Napoleon, and persistently sided with the opposition;—not out of

principle, for of that Masséna did not possess a particle, but because

he was jealous of Napoleon’s greatness and increasing power.

However, Napoleon could not afford to overlook him when conferring

honours, and Masséna was content to accept these, along with the money

granted him to maintain his honours. He was created Duke of Rivoli and

Prince of Esslingen. But he was not grateful, and of all the marshals

of France he showed himself most eager to rally to the Restoration

and to recognise Louis XVIII. He had sufficient keenness to see that

Napoleon’s star was in decline, and all that he really was solicitous

for was to keep hold of his hoarded treasures. He died at Ruel, his

country seat near Paris, in 1817.

This upstart family still flourishes on the accumulated plunder, and

still retains the titles of Duke of Rivoli and Prince of Esslingen, but

is no longer of the Jewish persuasion.

The great square at Nice is called after Masséna, but another square

bears a far more reputable name—that of Garibaldi, who was also a

native of Nice, born there on July 4th, 1807.

General Marceau’s ashes rested for some years at Nice. He fell near

Coblenz in 1796, and his body was burnt and transported, as he had

desired, to Nice, to lie beside the body of his sister Emma, when

it should be her time to depart this life. She died at the age of

eighty-one in 1834, and was laid beside the ashes of her brother.

Marceau had never been shown the smallest token of love by his mother,

and he had been brought up by his sister, to whom he was devotedly

attached. His last words were: “Je ne regrette qu’elle. Je lui dois ce

que je puis valoir.”

It is a pity that his wishes were so far disregarded that in 1889 his

remains were disinterred and transferred to the Panthéon, at Paris.

Nice has produced a poet, the Jasmin of this part of Provence; his

name is Rancher, and he was born in 1785, on July 20th, two months

before due; he was so small that a bon-bon box was extemporised as his

cradle. Indeed, it was supposed that he was dead, and he was to have

been carried to burial in his bon-bon box, when his father, who was a

surgeon, stooping over him, heard a faint sigh, and preparations for

the funeral were stopped. He became secretary to the Count de Cessola,

president of the Senate of Nice, and then under-secretary of the

Tribunal of Commerce, an office he retained till his death in 1843.

He wrote songs and composed music to them, also a little vaudeville,

and a poem “La Nemaïda,” which was serio-comic, and turned on a local

incident, a dispute between the beadles and sacristans of the church of

Ste. Françoise de Paule. His little vaudeville led to his imprisonment.

It had been composed for performance before King Charles Felix and his

queen, Marie Christine, when they were at Nice at Christmas, 1829. He

ventured without authorisation to introduce on the stage his nephew,

aged nine, dressed as a peasant, and to set him to play a little piece

on the violin. This had not been submitted to the proper authority and

allowed; accordingly the Count de Faverger, Governor of Nice, ordered

the incarceration of the audacious poet. But this bit of red-tapism was

too much, and Rancher was released in a couple of hours. He revenged

himself on the governor by a satirical and burlesque song, that ran

like wildfire through the town. A street in Nice bears Rancher’s name.

Nice was the scene of the sacrilegious rascalities of a rogue, Collet,

whose story, as he operated at Fréjus and at Draguignan as well as at

Nice, may be told.

Collet was born at Belley, in the department of Aine, of worthy and

pious parents. He entered the army after having gone through a course

of studies, and became sub-lieutenant in 1796, and was at the siege of

Brescia. But, disgusted with military service, he deserted and went

to Rome. Whilst there he heard of the wreck of a merchant vessel off

Civita Vecchia under a young captain named Tolosant, of Lyons, with

the loss of all hands. At once he saw his chance. He forged papers,

got a ring cut with the Tolosant arms, and passed himself off as the

captain, who had escaped. By this means he deceived a worthy priest,

who was steward to Cardinal Fesch; and as the Cardinal was acquainted

with the family of Tolosant, he introduced the _soi-disant_ captain

to him. The Cardinal at once insisted on Collet taking up his abode

with him, and he even presented him to the Pope, who gave the rascal

his apostolic benediction. As a friend of Cardinal Fesch, Napoleon’s

kinsman, and an inmate of his house, Collet made the round of the

bankers of Rome, discussed with them schemes for making money, and

drew loans from them to the amount of 60,000 francs. Then Collet was

invested with a charge to perform some ecclesiastical commissions

in Lombardy. He left—disappeared—just as suspicions began to be

entertained that he was not what he pretended to be, and turned up at

Mondovi. There he gave himself out to be a gentleman of means, and

he speedily ingratiated himself into the society of the young bloods

there. As Mondovi was a dull town, he proposed to brisk it up by the

institution of a theatre and by amateur performances. This proposition

was cordially accepted, a committee was appointed, and Collet was named

costumier; he was to purchase a complete theatrical wardrobe. All who

were to act were required to pay for their own costumes, and the money

was put into Collet’s hands to furnish these.

All at once the costumier vanished, carrying off with him all the

dresses, those of clergy, bishops, generals, civic authorities, with

ribbons and crosses of various orders.

He next turned up at Sion, in the Vallais, now in the cassock of a

priest, and furnished with fictitious letters of Orders. There he

presented himself to the bishop, and so ingratiated himself into

his favour that the bishop nominated him to one of his best cures,

which happened to fall vacant. He was instituted, and for five months

said mass, preached, married, baptized, catechised the children, and

consoled the dying.

Now the church was in a dilapidated condition, and the late rector

had begun a collection for its rebuilding. Collet called together the

committee of the building project, and learned that the sum already

collected was 30,000 francs. He at once volunteered to contribute

50,000 francs to the fund, if he were made treasurer, and suffered to

build on to the new church a chapel in which his own mortal remains

might repose after his death; for never, never, oh never, would he

leave his dear parishioners! A ready consent was given, and the sum

collected was put into his hands. An architect was engaged, designs for

the new church were procured, the old building was pulled down, the

material sold, and the sum produced by the sale was lodged in the hands

of Collet. Then he suggested that the mayor and the architect should

accompany him to Sion to buy the ornaments and paintings requisite

for the new church. Accordingly they departed in a carriage. Chalice,

tabernacle, three marble altars, candelabra, were bought, but not

paid for. At the recommendation of Collet, the mayor returned to the

village, carrying with him the purchases; and the architect departed to

engage masons and carpenters.

No sooner was Collet left than he took post-horses and departed for

Strasburg. There he vanished. His next appearance was in Italy,

shifting his quarters and changing his costume repeatedly. At Savona,

on the Riviera, he persuaded a banker to let him have 10,000 francs.

Next he appeared at Nice, in a shovel hat, a purple cassock, and

wearing a gold pectoral cross, as Dominic Pasqualini, Bishop of

Manfredonia. He called on the Bishop of Nice, showed him the bull

of his institution, forged by himself, and so completely deceived

him, that the bishop offered him the most cordial welcome, showed

him hospitality, took him into the seminary and asked him to examine

the seminarists. Collet saw the risk he ran, and evaded it shrewdly.

“Monseignore,” said he, “I can see by the look of their faces that they

are a set of asses. I do not wish to hurt their feelings by exposing

their ignorance—I being a stranger.”

“Well, then,” said the Bishop of Nice, “if you will not examine them,

you shall ordain them; there are thirty-three to receive deacon’s and

sub-deacon’s orders next Sunday.”

Collet could not refuse. Accordingly, vested in full pontificals, in

the Cathedral of Nice, he committed this sacrilegious act.

After this, not seeing his way to making much money at Nice,

he departed, changed his costume, and appeared at Fréjus as

plenipotentiary of the Emperor, an inspector-general, charged with

seeing to the equipment of the army of Catalonia. He presented his

credentials, which seemed to be in order; he took a high hand, and

required the head of the Gensdarmerie to furnish him with a mounted

escort to Draguignan, and he sent on an orderly before him to announce

his purpose in visiting the town, requiring proper lodgings and

provisions to be furnished for him. Then he appeared at Draguignan,

with breast covered with Orders, and there he formed his staff. A

retired captain became his aide-de-camp; the son of the Sub-Prefect of

Toulon he graciously received as his secretary; he named two officers

of artillery, one as paymaster, the other as his steward; and finally,

with a staff of twenty persons, he went to Marseilles, where he so

imposed upon the authorities that he was allowed to draw 130,000

francs from the government treasury. Thence he went to Montpellier,

and there his star began to pale. One day, after having reviewed the

troops, he dined with the Préfet, to whom he had promised the cordon

of Grand Officer of the Legion of Honour, when, during the meal, the

hôtel of the préfeture was surrounded by gensdarmes, a party of police

entered the dining-room, and the Organiser of the Army of Catalonia

was arrested and led to gaol. All his staff shared his fate, but were

released after an imprisonment of twenty days.

One day the Préfet was giving a dinner party, and, to amuse his guests,

offered to produce the prisoner who had so befooled him and the rest

of the good people of Montpellier. Accordingly he sent to the gaol for

Collet, who expected every moment to be brought forth and shot. Three

gensdarmes conducted Collet from prison to the préfeture, and till the

guests were ready to see him he was thrust into an ante-room, and two

gensdarmes were posted at the door.

Collet’s quick eye detected, lying in a corner, the white cap and apron

of a cook, and a dish of caramel on the table. In the twinkling of an

eye he had dressed himself as a cook, taken up the dish, kicked at the

door, till the gensdarmes opened and allowed him to pass forth between

them; they supposing him to be the cook.

Collet slipped out of the house and concealed himself next door. A hue

and cry ensued, and the alarm bell rang; the gensdarmes galloped along

the roads about Montpellier, and Collet looked on complacently from the

window, till, after fifteen days, the search for him was relaxed, and

then he left the town.

After having rambled about for a while without leaving traces of his

presence, he reappeared in the department of Tarn, where he presented

himself before the superior of the Schools of Christian Brothers, and

informed him that he was a gentleman of private means and of a devout

turn of soul, and that it was his desire to found a novitiate for the

Brothers, and that he had a sum of 40,000 francs at his disposal for

that purpose. Then he visited a M. Lajus, a Toulouse merchant, and

entered into negotiation with him for the sale of a house he had, and

he informed him that he was ex-sub-prefect of the department of Aine.

M. Lajus accompanied him to the house, and allowed Collet to order and

see to the carrying out of alterations, the pulling down of walls,

etc., under his eye—before a sou had been paid of the stipulated

price. Then Collet returned to the mother house of the Christian

Brothers and urged the director to visit the new novitiate. The worthy

man was so delighted that he gave a holiday to all the inmates of

the establishment, that they might go together to inspect the fresh

acquisition.

“But,” said the reverend superior, “who is to look after the house

whilst we are away?”

“Have no concern about that,” said Collet. “I will keep guard.”

So all these green goslings trotted off on a visit of inspection, to

decide which room was to be fitted up as a chapel, which was to be

library, which were to be devoted to studies, and which to serve as

dormitories.

Meanwhile Collet had free range over the college. He broke open the

treasury of the society and filled his pockets with the money found

there. He visited the chapel, and carried off all the sacred vessels;

he cleared out all the desks and lockers, and left behind, as the

superior afterwards said, “nothing but my spectacles, to enable me

another time to look sharper after rogues.”

Collet departed, with all his spoil, and took the road to Anjou; he

next turned up at Bessac in a hotel, where, through vague hints thrown

out, he allowed it to be supposed that he was the Emperor Napoleon,

escaped from Ste. Helena, and in hiding—awaiting his opportunity to

reascend the imperial throne. The loyal Bonapartists called on him and

were graciously received, and they offered him money which he also

graciously accepted and promised to repay with usury and with honours

when he came to his own again. At last the mayor became alarmed, called

on him, and respectfully intimated that he himself was in danger of

being called to account for harbouring in the place the illustrious

fugitive; that personally he was devoted to his imperial master,

and that for this very reason he was solicitous for his welfare. He

feared that the secret of his presence at Bessac was divulged, and it

was quite possible that an attempt would be made to assassinate the

fugitive. He accordingly strongly urged Collet to remove to a place

where he was not in such danger.

Collet accordingly departed; went to Rochebeaucourt, where he took up

his lodging with the commissary of the police.

In the meantime accurate descriptions of Collet had been sent

throughout France to the police, and this commissary had received

them. Yet never for a moment did it occur to him that the gentleman

of aristocratic appearance and with a purse well lined, who paid so

promptly and liberally for his _pension_, could be the man so much

sought for.

From Rochebeaucourt Collet went to Le Mans, where he figured as

a well-to-do bourgeois, devoted to charitable actions; a man of

irreproachable life. But there, finally, he was arrested, tried, and

sentenced to twenty years’ hard labour, and to be branded as a felon.

In prison he remained for twenty years, and died on the eve of the day

when his chains were to be struck off, in November, 1840.

This extraordinary story does not so much prove how gullible men are,

as how good and trustworthy most men are, so that when we do come

across a rogue who takes advantage of us, it is like an earthquake that

shakes us out of our moral equilibrium.

Some very interesting excursions may be made from Nice to places

accessible by electric tram or by train.

[Illustration: VILLEFRANCHE]

Cagnes was a castle of the Grimaldi. The little town occupies a

hog’sback, the summit of the hill is crowned by the château, and the

one street leading to it runs up the spine of hill, with houses on each

side clinging to the steep sides. The castle is not very picturesque,

but it has in the midst a quaint court, surrounded by galleries and

stairs. The great _salle_ had its ceiling painted by Carlone in the

seventeenth century. It represents the fall of Phaeton, and is one

of those subjects in the debased style of the period that are _tours

de force_ in perspective. It represents an arcade of Corinthian

pillars with windows between them painted on the flat surface, seen

in perspective from a single point only. The castle was occupied by

the Allies in 1815; a Piedmontese garrison was placed in it, and the

soldiers amused themselves with firing at the head of Phaeton.

The painter spent three years over this absurd work, and when leaving

it complete he wept and said, “Bella mea cascata di Phaëton, io non piu

te vedere, mai, mai, mai!” It is really not worth looking at, save as

an example of the degradation of art. The castle no longer appertains

to the Grimaldi; it has been sold.

Eze is reached by tram, passing the beautiful bay of Villefranche,

to the foot of the precipice on which it stands, and from whence it

is reached by a scramble up a zig-zag path in about an hour. It is

a curious example of a town, built on the summit of a rock, walled

about, once with its castle planted in its midst, where it might, it

was hoped, be safe from Moorish and Algerine pirates. Once an important

place, with its consuls, it has sunk to ruin, and is now occupied

by only ninety people. The church was built in 1772. The castle is

levelled to the foundations, but the town walls remain.

In 1770 the Corniche Road did not exist. David the Painter was on

his way to Italy to study at Rome. He arrived at Eze at night, and

the curé very kindly took in the poor and footsore young artist. He

was interested in David, and gave him a letter of introduction to a

kinsman, the Prior Fighera, in Rome. This opened to David many doors

in the capital of Western Christendom, and David received orders for

pictures. In gratitude he sent a painting of S. John the Baptist to

his friend, the curé of Eze, for his new church. About the year 1880

this picture vanished. The Administration des Beaux Arts instituted an

inquiry, and ascertained that the Consuls of Eze had sold the painting

to an Englishman for 500 francs, whereas it was worth 100,000 francs.

That picture is now in the National Gallery.

In the little cemetery of Eze is laid a Swiss woman, assassinated

in 1902 by Vidal, a woman-murderer. From Nice a line takes to Puget

Théniers, on the Var. The line is full of interest, passing places

rich in striking objects, and allowing of branch excursions up the

Vesubie, the Timée, the Cians, with scenery of the grandest character.

It, moreover, enables the visitor to explore strange villages, such as

Touët-de-Beuil, plastered against the limestone rocks. The _Clus_ of

the Cians at Touët, where the river cleaves through the Jura limestone

stained various colours, is as fine as anything of the kind. There

is hardly a village or town accessible from this line that does not

repay a visit, and which will not fill a sketch-book or furnish a

photographer with subjects.

A Book of the Riviera · 第 13 / 19 章