CHAPTER XIII.

FABLES AND PROVERBIAL LORE.

Chinese Fables numerous—Absence of Native Collections of

Fables—Indo-Chinese Fables—Mr. Thom, and his Translation of

Æsop—The Earliest Chinese Fable—Comparative Antiquity of the Fable

in China and Greece—The Cat and the Mice—Offering a White Pig—Men

and Snakes—The Ass and the Oxen—The Tiger and the Monkey, Ass, Fox,

&c.—The Geese and the Tortoise—The Brother’s Boots—The Crows and

the Owls—The King and the Mill Horses—Borrowing Trouble—The Blind

Man and the Lame Man—The Folly of Avarice—Proverbs, their Extensive

Use in China—Writings of Messrs. Lister and Scarborough—A

Comparison of well-known Chinese and English Proverbs—The Chinese

word for “Heaven”—Conclusion, pp. 146–156.

ERRATUM.

In the footnote, page 84, the paragraphs quoted are wrongly attributed

to Mr. C. T. Gardner. They are by an unknown writer in a Shanghai

journal.

THE FOLK-LORE OF CHINA.

I.—INTRODUCTORY.

The attention which has of late been attracted to the study of European

and Asiatic folk-lore happily renders unnecessary any apology for an

effort to bring to the knowledge of English readers the vast, and as

yet almost unworked, field of which it is the design of these pages to

treat. The numerous and in many cases able works recently published

have not only placed at the disposal of students a vast mass of facts

bearing on the science, but have so fully vindicated its claims to the

consideration of the ethnologist and philologist, that any introductory

essay in the same direction is unnecessary. The labours of Professor

Max Müller, the Brothers Grimm, Baring Gould, Kuhn, Kelly, Thorpe,

Dasent, Wilson, Ralston, and Spence Hardy, of Muir, Bleeke, and others,

have satisfactorily paved the way for successors in the field. The

widespread traditions of the Aryan family, down to the homely

superstitions of our own peasantry, the myths of Oceanica and the

popular tales of Scandinavia, have alike received illustration, and

often erudite comment from capable pens. In endeavouring to do for the

folk-lore of China what has been so well done for that of other

countries I shall in one respect enjoy an exceptional advantage. No

serious attempt has yet been made to prove its kinship with the

familiar beliefs of the Aryan races; and the following pages may

therefore claim, on the score of novelty alone, an attention which

might otherwise be denied them.

That a population so enormous as that which owns the nominal sway of

the Dragon Throne—variously estimated at from 250,000,000 to

400,000,000—should present a field of most interesting enquiry, is less

strange than that so few enquirers should as yet have essayed to

explore it. The extreme difficulties of the language and the fact that

few who study it for even conversational purposes do so except for a

specific end, and to fulfil some defined duty, have doubtless mainly

contributed to this state of affairs. Whatever the cause, however, the

fact remains that the folk-lore of the oldest and most populous nation

of the globe, rich in the traditions of a period to which modern

history is but a thing of yesterday, has been hitherto almost ignored

by even the most successful students of Chinese. Those least acquainted

with the people and their customs need not be assured that in China, as

in most other parts of the world, there are certain subjects regarding

which quaint and curious superstitions, beliefs and practices obtain

amongst the populace. Unlike the civilized nations of Europe and

America, however, China numbers amongst believers in the truth of these

superstitions a vast public of some pretensions to education—such as it

is—and of social position in the eyes of their countrymen. The doings

of every Chinaman, from Emperor to coolie, are affected and guided by

astrological portents, divinations, etc., in which even the more highly

educated, who affect to despise them, place a practical trust. The

half-cynical disbelief of the mandarin and literate, becomes firm

conviction in the peasant; and China presents the now-a-days singular

spectacle of an entire nation, numbering over three hundred millions of

souls, whose everyday life is framed to meet the exigencies of a

puerile system of superstition.

It must not, however, be supposed that these superstitious beliefs

differ to any material extent from those current amongst humanity

elsewhere. The variations will be found to lie rather in detail than in

principle; and just as white replaces black for the mourning colour,

but leaves untouched the custom of adopting a special costume as a sign

of grief, so it will be found that a variation or even apparent

contradiction in the beliefs we are about to deal with are in like

manner the outcome of motives common to the inhabitants of almost all

countries alike. Thus, the Scottish custom of opening the windows of

the room in which a person has died, to give the soul free egress, is,

in some parts of China, paralleled by the practice of making a hole in

the roof. The Lancashire superstition as to the “first foot” on New

Year’s Day finds its Chinese counterpart in the dislike expressed to

meeting a woman or a Buddhist priest under such conditions. I forbear

to here enlarge upon such agreements in superstition, as they will be

found treated of at length in the following pages. The one grand

distinction between Chinese and European folk-lore lies, as above

intimated, in the different powers they exert over the respective

communities. In the one case it is either a matter only of amused

indifference or of interested research to all but the lowest classes of

the population. In the other it represents an all-pervading system of

regulations believed in or complied with by high and low alike. We must

not, however, forget at how very recent a date we, who now pride

ourselves on our civilization and enlightenment, were emancipated from

the thraldom of similar and equally oppressive beliefs. To turn for a

moment to the page of western history, we find that the belief in

omens, divinations, &c., has, ever since the earliest times, influenced

communities beside whom we incline, with somewhat undue arrogance, to

term the Chinese “barbarous.” St. Chrysostom and many of the early

fathers inveighed against popular superstitions in no measured way. In

the eighth century we find a Council of Church dignitaries, Pope

Gregory III., Charlemagne and his successors, and the abbots and

bishops of Scotland and France, vehemently denouncing beliefs similar

in all respects to those in vogue in China. The great Martin Luther

himself believed in superstitions as gross as any recorded. [1] We turn

with abhorrence from the story of Matthew Hopkins, the witch-finder,

and cannot forget that, almost within the memory of our own great

grandfathers, the Puritans of the New World outvied in their

superstitious bigotry the worst absurdities recorded in Chinese annals.

It is well to recall these matters to mind, because the enlightenment

of the present day is apt to sneer too unreservedly at the blind

gropings after truth of less favoured races. The popular folk-lore of

Norway, Germany and Brittany presents features quite as quaint as those

we shall come across in dealing with their Asiatic congeners.

Nor, when we leave the domain of what we may term domestic

folk-lore—superstitions as to days and seasons, charms, omens, lucky

numbers, &c.,—and ascend to that of myths and legends, is the

parallelism between Chinese and Aryan belief less striking and

interesting. We miss of course all that can be traced to Christianity;

but the powers of nature have appealed as strongly to the wonder and

dread of the sons of Han as they did to the races of whom we ourselves

are the successors and heirs. “Language,” says a recent writer, “in its

immature phases, has created, without any conscious exercise of

imagination, most of the old-world, pathetic legends, which, different

garbs notwithstanding, meet us like familiar friends in the early

records of nations so widely divergent that it would be hard to

discover any other trace of kinship.” I will not here pause to ask how

fully this applies to Chinese. The myth-making faculty is in any case

the common heritage of mankind; and narrow as are the limits within

which it has been exercised by the Chinese, and grotesque as are the

forms assumed by its productions, they evidence the same yearning to

idealise the mysterious powers of the universe, the same poetic

faculty, if more rudely expressed, as has characterized mankind since

the Chaldean astrologers kept their lonely vigils, and found in the

star-studded heavens materials for the mythic beliefs of the

long-forgotten past.

In view then of the interesting and almost limitless field of research

presented by the superstitious beliefs of nearly a third of the human

race, it is, as I have said, more than remarkable that no one has yet

essayed the task of compiling some record of their peculiarities.

Scattered allusions to them undoubtedly pervade a large number of

recent contributions to our better knowledge of China, while certain

subjects have been dealt with more at length—in some cases with much

ability. Mr. T. Watters has struck a rich vein of curious information

in his articles on Chinese notions respecting Pigeons, Doves, and

Foxes; while Mr. Stent, in his paper on Chinese Legends, has given some

interesting examples of the romances or tales which are current among

the Chinese. As Mr. Stent says, almost every place in China has some

legend attached to it, the whole constituting a mass of material for

collectors of folk-lore, not only interesting from its own quaintness,

but useful for comparison with the legends of other nations. [2] Mr.

Kingsmill’s discussion of the mythical origin of the Chow Dynasty, Dr.

Eitel’s account of the curious Buddhist fable which includes the

Hwang-ho among the sacred rivers flowing from the Himalayan Lake, and

Mr. Mayers’s sketch of the rise and growth of the cult of the god of

Literature in China, all contain curious and suggestive matter on this

head. They deal however only with portions of the subject.

A writer in the year 1798 remarked that “the study of popular

antiquities (of which folk-lore is an important branch) though the

materials of it lie so widely diffused, and indeed seem to obtrude

themselves upon every one’s attention, does not appear to have engaged

so much the notice of enquirers into human life and manners as might

have been expected.” But the last seventy years have witnessed an

activity in this direction which would allow of the formation of a

small library of works dealing only with such matters. It is time that

China were added to the list of countries whose folk-lore has been

recorded for comparative purposes. And any shortcomings of execution on

the part of the present writer will, it is hoped, be condoned on the

score of its being the first attempt to deal systematically with the

vast array of material at disposal.

Any arrangement of subjects is of course arbitrary; but I shall

endeavour to follow what seems to me the most natural order of

sequence; and I must here be pardoned for devoting a short space to

explaining what I conceive that order to be. The unstudied arrangement

of many able works on European folk-lore, although perhaps adding

additional charm to their perusal on the part of the general reader,

somewhat militates against their use for handy reference by those who

care to study them for the sake of comparison. It is therefore much to

be desired that some general system could be agreed upon by those who

care to make this entertaining subject a matter of serious research.

With some diffidence I adopt an arrangement which deals in the first

instance with superstitions personal to the individual, such as those

relating to birth, marriage and death—superstitions which we find

equally disseminated amongst the most degraded and the most civilized

peoples of the earth. To these succeed the beliefs accorded to the good

or evil luck attaching to days or seasons. Next to them come the

credence placed in lucky numbers, portents, auguries and dreams,

succeeded by the popular beliefs in charms, spells and divinations.

These are followed by accounts of popular superstitions—such as those

relating to drowned men, the last piece of edible left upon a plate,

the virtues of human blood, &c. Entering the domain of the more

technically supernatural, but still dealing with beliefs immediately

affecting the happiness or misery of mankind, we come to witchcraft and

demonology,—sprites, elves and fairies, such as those who, to quote a

native composition, “come in clouds and go in mist;” who make use of

“grass that when cut makes horses, or beans that when scattered become

fighting men.” [3] Ghosts and apparitions are naturally connected with

the foregoing. The next section refers to dragons, serpents, fabulous

animals, and monsters, which play as important a part in the popular

legends of China as in those of Christendom. Long before our patron

saint St. George slew the monster so long depicted on the now extinct

five-shilling piece, a doughty Chinese champion (a lady, by the way)

had performed a similar feat, and had been also embalmed in popular

memory; while the snake, regarded with not less awe as an incarnation

of the supernatural in China than in Europe, figures conspicuously in

her legendary lore. Natural phenomena, such as typhoons, earthquakes,

floods, &c., which I next deal with, have naturally, here as elsewhere,

been attributed to supernatural influence from time immemorial. Legends

form the next division of our subject, commencing with those of

locality; for the hills and vales of Cathay have their haunted spots,

and its cities too have their haunted houses. Legends of Locality and

Household Tales conclude this branch of the subject, a selection of the

best known, and those of an essentially popular nature, being alone

given. Fables and Proverbial Lore complete the series; but the latter

has been too fully dealt with in separate works and essays to render

more than passing reference to its characteristics necessary.

Briefly tabulated, then, the Chapters will be arranged in the following

order:—

A—Superstitions as to personal fortune.

Birth, Marriage, Death.

Days and Seasons.

Portents, Auguries, Dreams, Lucky Numbers.

Charms, Spells, Amulets and Divinations.

B—Superstitions as to various subjects.

C—Superstitions involving the interference of supernatural powers.

Ghosts, Apparitions and Supernatural Beings.

Witchcraft and Demonology.

Elves, Fairies and Brownies.

Serpents, Dragons, Fabulous Animals and Monsters.

Superstitions regarding the Powers of Nature.

D—Legendary Folk-lore.

Legends of Locality, Household Tales, &c.

E—Fables and Proverbial Folk-lore.

That it is difficult in all cases to draw the precise line in

classification, those who have paid any attention to the subject will

readily understand; and the most that can be done is to adopt some

system which, however faulty, is handy for reference.

The word “Folk-lore” can be applied to many of the domestic traditions

of China only as a matter of literary convenience. The word which,

according to Mr. Kelly, was invented (or rather first used in its

generic sense) by the late editor of Notes and Queries, [4] is indeed

the only one in the language which satisfactorily expresses the subject

of which it treats, and has met with general acceptance. But there is

this difference between most of the folk-lore of the Aryan races and

that of China. In the former case it chiefly relates to legends and

superstitions handed down from generation to generation by word of

mouth; in the latter it necessarily includes much that is to be found

in print at every native bookstall. Old Moore’s and Zadkiel’s Almanacks

represent this sort of literature in England, but do not of course

contain a tithe of what is current amongst the people. In China such

literature flourishes like a rank weed, to the partial destruction of

aught else more useful and ennobling. In addition to these native

“authorities,” a vast amount of material relating to the subject is to

be found in the columns of the foreign and native newspapers. The aid

thus afforded has been fully availed of in the following chapters,

though it must not of course be supposed that there does not also exist

a large amount of veritable lore, a knowledge of which has been

perpetuated in the ordinary conversational way. The cheapness of the

press has indeed proved in China a powerful help in preserving much

that might otherwise have died out. The precise form of any

superstition can therefore be frequently traced, thanks to this

conservative element, and differing versions of popular myths are

easily referred to their true origins.

It does not appear that the great teachers of China have done much,

except in an indirect way, to encourage popular superstitions. But

faint references—and those chiefly to ceremonial matters—are to be

found in the classics, nor does popular belief credit Confucius,

Mencius, Lao-tzü, and others with more than inferential approval of the

superstitions current in their own day. The principle of filial

reverence for age has probably contributed more than anything else to

imbue the minds of the people with a respect for anything, from a

porcelain bowl to an aphorism or proverb, which savours of antiquity;

and folk-lore shares with ethics the benefits of the national bias. As

regards details, the folk-lore of China is much the same as that of

Europe, with here and there some unexpected contradictions. Many of

these superstitions are, and of course must be, equally childish,

whether finding their home in a Cornish hamlet or a Chinese town; but

it is none the less interesting to find that they often exist in almost

identical shape in places so far asunder. To the mind of the present

writer they convey far deeper assurances of a common origin between

differing races than the often untrustworthy resemblances of isolated

words in their respective tongues.

It will probably be found that the theory which refers the greater

portion of the folk-lore of Europe to the Oriental cradle of the Aryan

races, from whence it was disseminated by their migrations westward, is

equally applicable to the folk-lore of China. The first-named

supposition has been ably supported by Kelly and his brother workers,

and if, as is believed, equally strong grounds can be shewn for

adopting the second, a contribution of some importance to ethnology,

and indirectly to philology, will have been made. And it is difficult,

when the domestic superstitions of Scotland or the tales of New England

witchcraft, the drear legends of Iceland or the myths of Thuringia are

found to be almost identical with beliefs in little-known China,—when

the almond-eyed mother of Kwangtung is found repeating to her offspring

the mystic nonsense uttered by her Hindoo or Turkish sister, as she

too, under other skies, listens to the prattle of childish tongues—it

is, I say, difficult to deny that a strong case has been made out for a

common fount whence the folk-lore of at least two continents has flowed

Eastward and Westward in ever-accumulating streams. I need not here

refer to such essentially related peoples as the Japanese, Tibetans,

Mongolians, &c., whose superstitions are so analogous to those of the

Chinese as to be fairly classed under the same head. Such information

as has been available respecting them, will be found collated in its

proper place.

I have slightly touched in a preceding paragraph upon the unusually

widespread belief accorded in China to signs and omens, legends,

charms, &c., and a passing remark as to the extent to which this belief

obtains may not be out of place. The Court of China, like courts

elsewhere, sets the fashion in this as in other matters, and both the

marriage of the late Sovereign and the recent accession of the new

infant Emperor has afforded an apt illustration of how thoroughly

superstition is interwoven with the political system of the country.

Thus, at the marriage of Tung-chi with Ah-lu-te, the young lady

received amongst the bridal gifts ten pieces of green and white jade

called ju-i [5]—“Heart’s delight.” They were of mystic import, being

supposed to possess the power of conferring joy and happiness on their

owner. [6] The lucky days for the various ceremonies were fixed by the

court astrologers, and nothing was done without reference to their

predictions. Such phrases as “so and so being a lucky day, His Imperial

Majesty will proceed &c.,” are of constant occurrence in the court

circulars. But the burdens laid upon the august inhabitants of the

“Forbidden City” are but light compared to those borne by the rest of

the people. Whether it be to build a house or assume office, to marry a

wife or open a school, to set out on a journey or complete a bargain,

nothing can be done by any Chinese without reference to Geomancy. Nor

are more homely details less under the control of superstitious belief.

Every act connected with birth, marriage or death, the bringing up of

children and the enterprises of manhood, are alike referred to some

detail of this curiously all-pervading system. The superstitions indeed

exist amongst ourselves, those really affected by them being only the

most ignorant of the population. But in China all are, or assume to be,

firm believers in the occult influences of the charm or incantation

which custom decrees shall be used. The veriest “Lancashire witch” was

no more a slave to her own belief in witchcraft than are average

Chinese to their faith in the virtues of divination. Folk-lore

therefore assumes in China a place almost unknown to it elsewhere, and

no student of the manners and customs of its people can overlook its

influence on their every-day life.

II.—BIRTH, MARRIAGE AND DEATH.

In China, as throughout the western world, curious superstitions attach

to human life in all its various stages. The hour and day of an

infant’s birth are as much a matter of solicitude to the Chinese female

as to the “wise woman” of our own North-country hamlets. [7] The

queer-looking almanacks to be found amongst the stock of every native

bookshop or stall, invariably contain a series of figures representing

a fanciful deity, whose title may be rendered as that of the Emperor

“Four Quarters” or “All the Year Round,” each figure having one of the

horary characters placed on some portion of its person. Thus, during

the spring quarter the sign for from 11 to to 1 o’clock a.m. appears on

the forehead; that for from 9 to 11 o’clock on the shoulder; that for

from 1 to 3 o’clock upon the stomach; etc. (See illustration). When a

child is born these diagrams are consulted, and according as the hour

mark occurs upon the forehead, shoulders, hands, legs or other portion

of the body, so they augur the future destiny of the child. Thus title

and degree will be the lot of him who is born at noon. The child who

makes his appearance between 9 and 11 o’clock will have, in the

familiar words of the gypsy, “a hard lot at first, but finally great

riches.” Toil and sorrow, however, will be the portion of the unlucky

baby who first sees the light between 3 and 5 a.m., or p.m., and so on.

[8]

The following verses have been kindly placed at my disposal by a

friend, who has taken the trouble to put into rhyme some of the

doggerel that accompanies the diagrams above referred to:—

THE RHYME OF THE EMPEROR “ALL-THE-YEAR-ROUND.”

In birth, the Emperor’s forehead shows

A fate that never sorrow knows,

Plebeians that rich and honoured be

And rise to title and degree,

The rank they seek is still bestowed;

Nobles that follow a worthy lord

And women, chaste and well-beloved,

Wed and breed scholars true and proved.

The Emperor’s hands in birth portend

The gains that handicraft attend

Abroad, a welcome rich and free,

As home, a well-found family;

One year shall yield a plenteous store,

Next year shall make that plenty more,

Wealth shall flow in on every side,

Wealth with old age shall still abide.

The Emperor’s shoulders mean, I trow,

An heir to goodly gifts that grow

To more and more as years draw on,

Grandsons and sons to honour come,

Rank comes too when the time is fit,

Old age brings fields and farms with it;

If kith and kin at first were cold

“Bitter, then sweet,” is truth of old.

When on the belly falls the sign,

Shalt have enough, as I divine,

Of clothes and food, of acts or arms,

Of music and the pageant’s charms;

Old age with peace and joy shall crown

Mid-age’s office and renown,

And a delightsome halo spread,

Increasing, round thy honoured head.

If on the loins the sign be found,

Then rank with wealth and years is crowned,

With honour when life’s prime is told

And eld y-blessed with yellow gold,

Yea, though arisen from low degree

His fate is true nobility;

His scions, an illustrious band

Who make a name within the land.

But on the leg—the meaning there

Is toil and sorrow, want and care,

Nor clothes nor food enough shall be,

May all thy kin be kind to thee!

Who day by day must drudge and toil

Nor be content for all thy coil.

Yet, when thy bitter youth is past,

Old age shall bring thee bliss at last.

The Emperor’s foot means this—at last

Peace comes from vigil and from fast,

A life-time of tranquillity!

Have nought to do with rent or fee;

Widowed—renew not married life;

Widower—seek no second wife;

Thy path a wilderness unblest,

Flee to a cell and be at rest!

The practices resorted to previous to the birth of children, either to

secure that blessing or to ascertain the sex of the expected infant,

form in themselves a curious chapter. An idea that adopting a girl

belonging to another family will increase a woman’s own likelihood of

having children herself, is based upon the belief that each living

woman is in the unseen world represented by a tree; and that, just as

grafting succeeds with trees, so adoption (which represents the same

process in family life) may succeed as regards children. Another

superstition is that each woman is represented in the other world by a

vase containing a flower. A sorceress is hired to proceed thither and

“change the earth.” A third way of securing children is to obtain from

the temple of the Goddess of Children a shoe which has been worn by

her. This is taken home and, being placed beside the image or tablet of

the goddess, receives equal worship; and, should the desired object be

attained, a pair of shoes exactly resembling the one obtained must be

returned to the temple. Sometimes several are taken from an equal

number of temples, and in that case the goddess from whom the last shoe

was received is rewarded with most offerings. A flower is in other

cases taken from one of the temple vases in place of a shoe, and is

supposed to be nearly as efficacious.

Shortly before the birth of the child in Fuhkien a ceremony is

performed by a priest, with the intention of frightening away the

demons who are supposed to haunt the mother for the purpose of

destroying her life in childbirth. “The priest recites the classics

proper to the occasion. Ten or twenty pieces of a kind of grass cut up

about an inch long, and several likenesses of the crab cut out of

common paper, are put in a censer and burned. Or sometimes several live

crabs, after being used in the ceremony are taken and turned into the

street—by way of frightening or propitiating the spirits. The reason

why crabs are used is that the name of one of these demons sounds like

that of crab, in the local dialect.” [9]

The formula for ascertaining the sex of a coming child is not very far

removed from the children’s amusement of prophesying by buttons,

commencing “Tinker, Tailor, Soldier, Sailor, &c.” The mother adds to

the number of her age in years that of the month, day and hour she was

born: thus if twenty years old and she was born in the sixth hour of

the third day of the second month, she would have a total of

thirty-one. She then takes a series of pictures of the thirty-six

assistants of the Goddess of Children, sold for fortune-telling

purposes, and according to the sex of the child in the arms of the

thirty-first concludes that her own child will be a boy or a girl. If

the number of her age, &c., exceed thirty-six, she commences to count

the first picture from number thirty-seven. Childless women also resort

to a similar process to ascertain whether they will or will not have

children. Those curious to ascertain the religious ceremonies made use

of prior to birth may be referred to Mr. Doolittle’s work on Chinese

Social Life.

It may be noted, in passing, that the Chinese make but little provision

whatever for the birth of female children, which are deemed beneath the

notice of augury or portent. At the birth of a child of either sex,

however, amongst the boating population, a piece of red coloured cloth

is hung from the awning of the sampan in which the birth has taken

place. [10]

A superstition obtains in the southern provinces that if three children

appear at a birth one of them will eventually become a noted rebel, and

it hence becomes a question of “Which is Papa going to keep?” if the

luckless father would avoid that direst of Chinese curses, a thoroughly

bad son. To decide the question a “wise man” is sent for, by whose

directions the three infants are taken into a perfectly dark room. The

wise man then takes three pieces of string, each of a different colour,

such as white, red and black, and entering the room ties one of these

pieces of string round a wrist of each baby. The one that is found when

brought out into the light to have the red string on its wrist is

drowned like a puppy. [11] Presuming however that the little one has

not had such ill-luck as to be the odd one of three, it still undergoes

within an hour or two of birth the ceremony of “binding the wrists.” A

cash or charm is tied to this part of the arm by means of red cords,

which are not untied for some ten or twelve days. Others attach

miniature toys, such as a mallet, drum, bell, &c., the red cords being

about two feet long altogether, with one foot of loose string between

them. Sometimes, however, the cord or tape alone is used, being

replaced when dirty, but worn altogether for several months or even a

year. [12] This of course has reference to the dread lest evil spirits

should harm the child, and the impelling motive finds expression in

other countries in a not quite dissimilar way. Thus the Danish women

place amulets (garlic, salt, bread and steel) over the cradle of a

new-born infant before depositing it therein; [13] while a superstition

formerly obtained both in England and the Highlands that a child should

not be left alone until it was christened lest it should be stolen or

changed by fairies. [14] A practice common amongst nurses is to pass a

knife edge downward between the feet of a child just as it commences to

run alone. This is called “cutting the cord of his feet,” and is

supposed to facilitate his learning to walk. [15]

There is a curious little piece of folk-lore, common alike to the

Middle Kingdom and our own fatherland, which I lighted upon by

accident. A wide-spread superstition exists at home against rocking a

“toom,” or empty cradle. [16] Now, strangely enough, Chinese nurses in

the South of China have precisely the same belief. A little four-year

old girl, who is a very intimate acquaintance of mine, not long ago

began rocking the cradle in which her newly-born sister was usually

laid to sleep. An amah who saw her, rushed at the child, exclaiming

“You no makee rock so fashion! That baby b’long die, s’posie rock,” As

it happened the infant did die, as was fully expected by the medical

attendant: but of course the amah found in the anticipated fact a

verification of her prediction, and farther enquiry has satisfied me

that the superstition is identical with and quite as widespread as our

own. The resemblance of belief here certainly seems something more than

accidental.

The ceremonies observed shortly after the birth of a child are curious.

A package of seed, rush (such as is used for candle wicks), cat’s and

dog’s hair, onions or garlic, a pair of chopsticks, and some charcoal,

is in Fuhkien tied up with red string in a piece of red paper and

suspended on the outside of the door where the mother is lying. [17] In

the extreme South some of these articles are omitted. “A pair of the

trousers of the child’s father are put on the frame of the bedstead in

such a way that the waist shall hang downward or be lower than the

legs. On the trousers is stuck a piece of red paper, having four words

written upon it intimating that all unfavourable influences are to go

into the trousers instead of afflicting the babe. The hair on the

package outside the bedroom door is to keep the noises which may be

made for eleven days by the dogs and cats in the vicinity from

frightening the babe. The coal is to aid in making it hardy and

vigorous. The onions are to cause it to be quick-witted and

intelligent. The pith (rush) is explained as contributing to make it

fortunate or successful in life.” [18] On the fourteenth day the parcel

and trousers respectively are taken away. Odd as the custom above

referred to may seem, it is exactly parallelled by those prevailing in

both Germany and Scotland. In the former country it is usual to lay in

the cradle a package of snapdragon, blue marjoram, black cumin, a right

shirt sleeve and a left stocking; while, on the authority of Mr.

Henderson, it may be noted that in Scotland “the little one’s safeguard

is held to lie in the juxtaposition of some article of dress belonging

to its father.” [19] Of the hair of cats or dogs I shall have more to

say in a future chapter. But I may remark that a superstition as to the

curative and evil-warding power of hair exists at this day in both

Wales and Gloucester. [20]

There is a custom called “Worshipping the Measures” frequently

performed by Chinese during the eighth month if they have sickly

children. The “measures” are two constellations in the Northern and

Southern hemispheres respectively. They are generally identified as the

four stars α, β, γ, δ, in the dipper (Ursa Major) and ζ, λ, μ, σ, and τ

in Sagittarius. For the purpose under notice they are represented as

two old men, the “Northern Measure” being the god of longevity, who

keeps the book in which is recorded the date of each person’s death,

while the “South Measure” is the god of emoluments. Longevity and

riches are thus to be secured by worshipping them. The legend in which

this custom is based is thus given: [21]—“A long while ago a certain

lad on going into the street one day met an old man who proved to be a

celebrated fortune-teller named Kwan-lo. He addressed the lad saying:

‘You are a fine boy. What a pity that your life is to be so short.’ The

lad at once asked him how long it was to be, and he told him that he

was to die at the age of nineteen. This frightened the lad, who was

already near that age, and he went home crying and told his mother what

he had heard. She in turn was very sad also, but told the lad to go and

enquire further of the fortune-teller. He did so and was instructed to

take a plate of preserved venison and a bottle of wine and carry them

to the top of a certain mountain where he would find two old men

playing chess. He was told to place the venison and the wine down by

them without saying a word, and then wait patiently till they had

finished the game, when he might advance and make known his requests.

The lad proceeded to do as he was instructed, and was surprised to find

two men engaged in a game of chess. After he had silently placed the

food and drink by them they kept on playing until they had finished the

game without noticing the lad. They then seemed hungry and began to eat

of the provisions they saw by their side. After they had done eating

and drinking the lad advanced and told his story, weeping while

talking, and besought them to save him from dying at so early an age.

They heard the lad and then took out their records, and found on

examination that his life was indeed nearly finished. They however took

a pen and interpolated before the nineteen the Chinese figure for nine,

thus making the record read ninety-nine. They then ordered the boy to

return home and tell the old man he met in the street that he must not

do in like manner again; that the time appointed by heaven was not to

be divulged to mortals. The lad thanked the old gentlemen, who were no

other than the ‘North Measure’ and ‘South Measure,’ went home and

narrated what had occurred.”

The superstitions regarding marriage are as plentiful in China as we

should expect to find them amongst a people in which its ceremonies are

held in such extreme honour. Of the outward symbols of the married

state there is, as we all know, a great importance attaching to the

wedding ring. Now it is very certain that the Chinese did not take the

idea of wearing wedding rings from us. Yet we find that in certain

parts of China, and in Java, the custom of sending the “measure of the

finger-ring” previous to marriage is well known. Turning to Chinese

annals we find the preparing of a “united-hearts’ finger-ring”

mentioned amongst the preliminary ceremonies to marriage. More than

that, just as the purchase of the ring is considered by us as having

morally bound the intended bridegroom, so in parts of China it affixes

legal responsibility upon him; a failure to carry out the marriage then

subjecting him to the penalties of breach of promise of marriage. [22]

Bearing in mind the symbolic nature of a ring in the western world—that

of something without end—it is interesting to find a value attached to

it out here similar to that we ourselves endow it with at home. In

Durham, for instance, the breaking of the wedding ring forbodes death,

and its loss, the loss also of the husband’s affection. Not less

interesting is it to find that, while our north-country good-wives

throw a plateful of shortcake over a newly-made bride as she returns to

her future home, [23] the Chinese go through the same ceremony with

rice, which is a sign of abundance. [24] As regards the lucky day for

marrying, the Chinese have numerous portents. The first, sixth, and

tenth of the month are laid down in the Imperial almanacks [25] as the

most suitable, but marriages of course take place on almost all days

except those specially noted as “uncanny.”

The ceremonies of betrothal are of course deeply interwoven with

superstitious observances. When children are thus engaged, a pair of

fowls, a pair of ducks or geese, and a few pounds of vermicelli, are

sent by the bride’s to the bridegroom’s family, who retain the male

birds and return the hens. Widows who re-engage themselves are

prohibited from wearing gaudy—that is, red or other

bright-coloured—skirts, and must confine themselves to black, white or

blue. A curious superstition also hinges, in the case of betrothals put

an end to by the death of the intended bride, on shoes. The bridegroom

goes to the house of mourning and asks for the last pair which she wore

previous to death. These he takes home and burns incense to for a space

of two years, believing that her spirit will be present, enticed

thither by the shoes. In thus doing he acknowledges her as his

(intended) wife. As most readers will know, betrothals are managed by

go-betweens, who settle the match on behalf of the parents without

consulting the principals. The first thing to be examined by the agent

is the horoscope of the girl in order to compare it with that of the

future husband, and, if all preliminaries are happily arranged, certain

articles and presents are interchanged which are mostly intended to

have a symbolical meaning. If any unlucky accident happens during the

three days allotted for final consideration, the negociation is broken

off. If all be right, there are provided, in addition to the

betrothment cards, four large needles and two red silk threads, and two

of the former threaded with one of the threads are stuck into each

card. The red thread is supposed to represent that with which the feet

of all mortals are in the spirit-world tied to those who are fated to

be husband and wife—in other words, it represents unalterable fate. A

similar thread is used to tie together the cups out of which the bride

and bridegroom drink. I am unable in the authorities at my command

(some twenty works on the Folk-lore of various countries) to trace any

resemblance to this custom elsewhere.

A curious ceremony is frequently observed shortly before a marriage

takes place. The wedding garments of the bride, and in some cases those

of the bridegroom, are placed in succession in a sort of bamboo sieve

which is then passed over a fire kindled in a brazier. In Fuhkien it is

customary while this operation is being performed to repeat sentences

like the following: “A thousand eyes, ten thousand eyes we sift out;

gold and silver, wealth and precious things we sift in.” [26] The

ceremony is supposed to have a purifying effect, evil influences being

thereby warded off. No female must, however, touch the bride’s clothes

after undergoing this process until she is married—especially a

pregnant woman or one in mourning. Another superstitious custom

consists in placing five cash of the reigns of five different emperors

under the bed mat, and hanging up five bundles of boiled rice (each

bundle consisting of five smaller ones) tied with red string to the

curtain frame.

Amongst the beliefs which, so far as I can ascertain, are peculiar to

the Chinese, is one which relates to the first interview of a bride and

bridegroom. On such occasions the bride’s assistants often request the

bridegroom to rub the feet of his future spouse under the belief that

his compliance will prevent her feet from aching in future. [27]

The ceremonies which take place after the first meeting of the bride

and bridegroom recall in a minor degree certain superstitions which

obtain elsewhere than in China. Thus the bride’s face is hidden by a

long white veil not unlike that worn by Egyptian women when they

venture abroad. This points to a motive similar to that inducing

amongst the old Anglo-Saxons the use of the “care cloth,” made of white

linen, which was held over the pair as the nuptial benediction was

pronounced, to hide the blushes of the bride. If the bride was a widow,

this was dispensed with, and similarly in the rare event of a Chinese

widow re-marrying she dispenses with a veil. The bride and bridegroom

after their first interview go through an act of worship known as

“worshipping Heaven and Earth.” A table is set out, and on it are

placed some lighted candles, a lighted censer, and the following

articles: two miniature white cocks made of sugar, five kinds of dried

fruit, a bundle of chopsticks, a foot measure, a mirror, a pair of

shears and a case containing money scales. [28] The fruits are

frequently placed on a platter of willow wood, which, as every one

knows, is supposed to possess supernatural properties in places other

than China. The precise signification of the shears is not very clear

to the Chinese themselves, but they regard them as typifying industry.

It is odd, however, to find that knives known as “bride knives” formed

part of the wedding outfit of our great-great-grandmothers. Mirrors,

says Brand, [29] “were formerly used by magicians in their

superstitions and diabolical operations, and there was an ancient kind

of divination by the looking glass.” As regards the white cock, I shall

have more to say about this bird under the heading of superstitions

connected with deaths. When its images made of sugar are used as above

described, an attendant breaks off a portion of each and gives them to

the newly-married pair to eat. All the articles displayed are intended

to be omens of prosperity and future harmony. Upon the same table as

these are shewn on, are placed two oddly-shaped goblets, which are

filled with a mixture of wine and honey, of which both bride and

bridegroom partake. Honey plays a similar part at Sicilian marriages, a

spoonful of the pleasant, but sticky, liquid being administered to each

of the contracting parties by two of the attendants directly the

marriage ceremony has been performed.

The candles placed upon the offering table are speedily transferred to

the bride’s chamber, where, however, they are shortly replaced by

others intended to continue burning during the night. I have not been

able to trace any analogous custom at Western weddings, but the idea

underlying the use of candles in this respect by the Chinese is as old

as the oldest superstition. It is thought to be extremely unlucky if

one or both of these bridal candles be accidentally extinguished, as it

would denote the speedy death of one or both of the parties. Nor should

the wax and tallow of which these candles are made melt or trickle down

the sides, the tricklings being an emblem of tears, and signifying

either that the husband and wife will not agree together, or that they

will have much sorrow. If both candles burn about the same time, it

foreshadows the death of the bride and bridegroom at an advanced age

within a short period of each other. If one burns much longer than the

other, it means that either the wife or the husband will long survive

the other. Now all this superstitious respect for flame seems to refer

to a Chinese version of the Promethean Legend. It does not indeed say

that fire was brought from heaven to animate man, but it makes fire

typical of man’s vital force, and is doubtless a dim fragment of an

older legend identical with that of Prometheus. “Candle omens” of a

different sort are familiar in Northern England, and amongst the Greeks

the brilliancy or dulness of a candle flame was an omen of good or bad

fortune. In like manner the lamps and candles used in the above

ceremony, and still more directly the large lighted lanterns carried in

front of all Chinese bridal processions, find a parallel in the old

Roman custom of carrying torches before a bride. The gypsies of

Calabria observe a similar custom, as do also, I believe, the Japanese;

and there is some ground for believing that it was formerly a custom in

England. [30]

Before leaving the subject of marriage I may note that the number

three, usually considered lucky, is expressly avoided in many matters

of its ceremonial. At the ceremony of worshipping ancestral tablets and

relatives, the latter are invited to bow in return, four times instead

of three, as the latter, “being an odd number, is regarded as

inauspicious.” On the other hand, the bride goes to visit her parents

three days after marriage, and the bridegroom, who follows her to the

house of his father-in-law, is regaled with three cups of tea and three

pipes of tobacco. The sedan, by the way, in which the bride is borne on

such visits has painted on it as a charm the image of a Taoist priest

who, according to the legend, succeeded by his magical powers in

counteracting the powers of the evil spirits who lie in wait on such

occasions to harass and make ill the bride.

The use of bride-cake at weddings appears to be, in some form or other,

both of remote antiquity and common to nearly every nation. “The

ceremony used at the solemnization of a marriage was called

confarreation in token of a most firm conjunction between the man and

wife with a cake of wheat or barley.” It was and is customary in

Yorkshire to cut the bride-cake into little square pieces and then

throw them over the bride and bridegroom’s head. In China a quilt is

held in front of the bride’s sedan by its corners, and four bread cakes

sent from the bridegroom’s family for the purpose are tossed up in the

air in succession and caught in the quilt. In neither case is the omen

involved in this proceeding very clear, unless it be taken as an

offering to the deities who preside over marriages, and in our own case

retained as a custom which has lost its primary significance.

The custom of preventing the bride’s feet from touching the threshold

of the bridegroom’s house obtains in China as in Europe. Usually the

entrance is covered with red cloth for this purpose. “In some parts of

the country she is lifted out of the sedan, over a pan of charcoal

placed in the court and carried to her chamber.” [31] Amongst the

ancient Romans, “fire and water being placed on the threshold, the

bride touched both; but starting back from the door she refused to

enter, till she at length passed it, being careful to step over it

without touching it.” [32] (A wedding usage in Yorkshire, by the way,

is to pour a kettle full of boiling water over the door-step just after

the bride has left her old home. Without their having any apparent

connection the coincidence of usages is curious.) The ancient

superstition mentioned in Popular Antiquities was that the bride was

not to step over the threshold on entering the bridegroom’s house, but

was to be lifted over by her nearest relations. [33]

One of the most singular coincidences of Chinese with Western

intention, is connected with shoes. It is customary at a marriage in

South China for the bride to present her husband with a pair of shoes,

by way of signifying that for the future she places herself under his

control. These are carefully preserved in the family and are never

given away, like other worn-out articles, it being deemed, that to part

with them portends an early separation between husband and wife. Now,

in a work published in 1640, mention is made of an ancient custom,

“when at any time a couple were married, the sole of the bridegroom’s

shoe was to be laid on the bride’s head, implying with what subjection

she should serve her husband.” A writer in an old number of the London

Notes and Queries (quoted by Mr. Henderson) remarks:—The throwing shoes

after the Bride and Bridegroom ... is usually said to be “for luck,”

but is rather a symbol of renunciation of all right in the bride by her

father or guardian, and the transference of it to her husband. In the

Story of Ruth you will recollect that her kinsman plucked off his shoe,

as a sign of his renunciation of his claim to marry her. “Over Edom

have I cast out my shoe” (Ps. lx. 8), meaning “I have renounced Edom,”

is another illustration. So that the ceremony now observed by Chinese

brides has in all probability a reference to that current of old in

Palestine and at the present day known throughout England.

Those acquainted with Scandinavian folk-lore will have noted how many

points relating to marriage turn upon the bride’s endeavours to get her

husband to do something implying future subjection to her will. Thus if

a Swedish bride drop her handkerchief, and the bridegroom, from

politeness, stoops to pick it up, his act is regarded as an omen that

he will play second fiddle during his married life. [34] Now the

Chinese girl does something very similar, when, it being time for the

bridegroom and herself to sit down together, she endeavours to sit upon

a part of his dress; [35] in which case he may conclude that

“I’ll be no submissive wife

No not I!”

pretty fairly expresses the bride’s thoughts. If he sits on her skirt,

however, the omen is reversed, though from what is known of Chinese

brides it may be concluded that they do not often succeed in being the

“one” into which the two are made. [36] There is a point about the

selection of the husband or wife which I may, by the way, notice. In

China marriages are forbidden between people of the same family name,

even though they are not in any way connected. Now in Yorkshire it is

very unlucky to marry a man whose name begins with the same letter as

the bride’s. [37] May not the two ideas have a common origin?—both

being evidently at one time founded on the idea of blood-relationship.

That “Matches are made in heaven” is a confirmed belief in China.

Superstitions connected with death have in all countries obtained

credence, and we need not therefore be surprised to find that China

abounds with them. “Born hardly, die hardly,” is as much a Chinese as

an English saying. Even the strange idea (as we deem it) of purchasing

a coffin before death is a not uncommon practice in many parts of

Germany, [38] and may be found existing, in remote country districts in

England, so that the idea of securing a comfortable coffin is not so

purely Chinese as some might think. [39] There is a striking similarity

between many Chinese ceremonies and superstitions connected with the

burial of the dead, and our own. One peculiar superstition of the

Borders is, that for a cat or dog to pass over a corpse is fearfully

ominous. The Chinese have a belief that if a pregnant female animal

pass over the dead person, the corpse will rise up and pursue those

nearest to it, and if it overtakes any one, strangle him. [40]

A home belief in the efficacy of burying the dead in woollen clothes,

and originating in an Act passed in the reign of Charles II. “for the

encouragement of the woollen and paper manufactures of the kingdom,”

has its parallel in China. They here think that every one should be

buried in his best clothes, but in some localities except the use of

satin or a girdle, on account of the characters which signify those

articles being pronounced in the local dialect the same as words

signifying “to cut short—sons,” and so implying the speedy death of the

sons of the family. The usual rule is to select silk, crape, or the

finest cotton for grave clothes, [41] care being always taken to put

two more articles of dress on the upper than on the lower part of a

corpse: thus it will have 3 jackets and 1 pair of trowsers, 5 jackets

and 3 pairs trowsers, and so on, the very rich being buried in as many

as nine upper garments. The corpse is then bound with long strips of

cloth, two of which must be white and one red. After swathing, the ends

are tied in an “auspicious knot;” and as many of these knots are tied

at various places on the body as the material used will allow.

I have already alluded to the custom of using lights at marriages and

traced a faint resemblance to a European custom in that observed by the

Chinese. But as regards burials the parallel is much more exact. In the

lowlands of Scotland a candle is waved thrice round a corpse as it is

“sained” or blessed. In China candles are kept burning round the coffin

after the body has been laid out, “to light the spirit of the dead upon

his way,” and a similar custom appears to have obtained amongst almost

every people in the European world. [42] As everybody knows, the

coffins of those lying in state are surrounded by wax tapers, which are

kept burning until the day of interment. A candle used to be set upon a

dead body in Northumberland, and a similar practice prevailed in the

Isle of Man; while the modern Jews set a light at the head of one

recently departed. Still more exact is the analogy between the Chinese

custom of carrying torches before the dead at funerals and that which

always existed amongst the ancient Jews, and until very recent times

obtained amongst ourselves. Brand, in his Popular Antiquities, Vol.

II., p. 276 et seq., gives a long account of the uses of torches and

lights in this connection.

Amongst the curious superstitions attaching to death in China is one

that, if two “cash” be placed in the sleeve of the dead man and then

shaken out, the result of the “toss” will signify the feeling of the

departed. Thus, if both turn up obverse or reverse, it is concluded

that the defunct is perfectly satisfied, while, if one be obverse and

the other not, it signifies that something has been wrongly done. These

cash are religiously preserved for similar use after the corpse is

buried, when a mode of divination by tossing is resorted to, if it be

desired to learn the wishes of the dead man as to family arrangements,

the respect paid to his manes, &c. It is also customary in China to

carefully reverse the direction of the body before putting it into the

coffin—a practice to which I cannot find any Western parallel.

During the blessing or “saining” of a corpse in Scotland all the

windows of the house are opened so as to give the soul free egress. In

Fuhkien (where the windows are not quite so large as in European

houses) they carry out a similar idea by making a hole in the roof.

[43] Even the superstitious respect accorded to the cock, as capable of

being influenced from the unseen world (evidenced by the carrying of a

white cock or its paper image on Chinese coffins, so as to allure the

soul of the departed to enter it) finds a parallel in western Europe.

The Ischortzi of Ingria (Finland) burn a white cock on the festival of

St. John, when they visit the tombs of their departed friends. A French

receipt, by the bye, for raising the devil given by Mr. S. Baring-Gould

directs one to go to where four cross-roads meet, with a black cock

under your arm; call out Poule noire! three times and the devil will

come and take the cock and leave you a handful of money. Scandinavian

lore also is full of allusions to the same bird.

A superstition prevails amongst the Chinese regarding “watching

spirits” to which I am tempted to accord a rather lengthy notice. The

unwillingness of the natives to help a drowning man, or any one in

absolute peril of life, is based upon a belief that the ghost of the

last man killed, always acts as watchman of the purgatory into which,

according to Chinese belief, the spirit of the departed first enter,

and from which he can only be relieved by the arrival of a fresh

defunct. If, therefore, a man’s life be saved, the spirit of the person

who died last before him is, in a manner, cheated out of his relief,

and will assuredly haunt the person whose misplaced humanity has

condemned it to a fresh term of dismal servitude. Now this belief in a

“watching spirit” is essentially Gaelic: and the following extract from

a recent issue of the Inverness Courier shews a parallelism so close as

to be very singular. A correspondent writes:—“I was sailing past the

beautiful island of St. Mungo, in Loch Leven, the burial place for many

centuries of the people of Nether-Lochaber and Glencoe, when the

following conversation took place between myself and an old man who

managed the sails while I steered. It was all in Gaelic, of course, but

I give the substance in English:—‘You were at the funeral on the island

the other day, sir?’ interrogatively observed my companion. ‘I was,

indeed,’ I replied. ‘John ——,’ he continued, naming the deceased, ‘was

a very decent man.’ ‘He was a fine old Highlander, shrewd and

intelligent,’ I replied, ‘and, what is more, I believe a very good

man.’ ‘Donald ——,’ naming a person we both knew, ‘is very ill, and not

likely to last long.’ ‘I saw him to-day,’ I observed, ‘and I fear that

what you say is true: he cannot last long.’ ‘Well, sir, it will be a

good thing for John —— (the person recently buried): his term of

watching will be a short one.’ ‘I don’t understand what you mean,’ I

observed, with some curiosity. ‘The man is dead and buried; what

watching should he have to do?’ ‘Why, sir, don’t you know that the

spirit of the last person buried in the island has to keep watch and

ward over the graves till the spirit of the next person buried takes

his place?’ ‘I really did not know that,’ I replied. ‘Is it a common

opinion that such is the case, and do you believe it yourself?’ ‘Well,

sir, it is generally believed by the people; and having always heard

that it was so, I cannot well help believing it too. The spirit whose

watch it is is present there day and night. Some people have seen them;

my mother, God rest her! once pointed out to me, when I was a little

boy, an appearance, as of a flame of light on the island, slowly moving

backwards and forwards, and she assured me it was the watching spirit

going his rounds.’ ‘What particular object has the spirit in watching?’

I asked. ‘Well, I don’t exactly know,’ was the answer. ‘He just takes a

sort of general charge of the Island of the Dead, until his successor

arrives.’ I have since found that a belief in this superstition is

common among the old people. The spirit or ghost is supposed to be to a

certain extent unhappy and impatient of relief while in the discharge

of this office, and thus, it is considered that the sooner after a

funeral there is occasion again for the opening of a grave, the better

it is for the spirit of the last person interred, who then, and not

till then, passes finally and fully to his rest.” [44]

The Chinese idea of watching the dead—a duty which amongst them

devolves upon the eldest son and his brothers until the coffin is

removed for interment, finds expression also amongst ourselves. Mr.

Henderson, in his Folk-lore of the Northern Counties, says: “The corpse

must be watched till its burial by one of its kindred and a stranger,

who may be relieved, when weary, by another relation and another

stranger.” In China the incense stick which is straight (emblematical

of the “straight road” which the spirit of the deceased ought to

travel) must not be allowed to go out lest the spirit lose its way.

With us the “Saining Candle” must be kept burning during the night.

The idea of furnishing the dead with food, arms, clothing, money, etc.,

is essentially Chinese, but by no means confined to them. Mr. D. Forbes

states that the Aymara Indians supply the dead with food and clothing.

[45] Horses are sacrificed at the funerals of the Red Indians, and dogs

used to be at the funerals of the Aztecs, while camels formed the

funeral sacrifices of the Bedouins. The Chinese, less extravagant,

consume paper models of money, animals, and boats, with a similar

object; and the reminder of the Stygian ferry in the use of paper junks

is at least odd. [46] The belief that the spirits of the dead pass over

routes used by the living is in like manner a superstition common to

both East and West. The ceremonials observed in this country to

facilitate their passage, and the beatings of gongs to frighten away

evil spirits are equally observed by the Kasi Indians, who, when the

funeral cortege happens to pass a puddle, lay down a straw for the dead

man’s soul to use as a bridge. An ancient Chinese practice is, by the

way, curious. They used to bury the dead in the same position as the

fœtus assumes in the womb. I have nowhere met with any modern mention

of this custom. According to the Chinese ritual the relations of one

deceased assume mourning (made of white hempen cloth) seven days after

his death. Though in our own case there is probably no superstitious

origin in the custom it may be noted by way of coincidence that we

usually bury people after the expiration of that interval, which is the

first time the mourners appear publicly clad in the habiliments of woe.

A number of curious practices connected with burial and mourning are

without doubt purely Chinese. Thus, on the sixtieth day after death,

the family place on a table a number of plates containing offerings of

food, &c., accompanied by the never-absent incense. Besides these they

place on the table a wash-bowl full of water in which is floating half

a duck’s egg. A paper and bamboo duck, astride of which is a paper

human image, is then placed on the water beside it. The image

personifies the deceased, the duck his means of transport and the

egg-shell a boat. The use of both duck and boat to cross the Chinese

Styx is not very clear, but they are probably intended to give the

deceased a choice of conveyance. A yet more inexplicable practice is

that of placing a paper image of the departed in a wheeled sedan-chair

of similar material, to which is attached a paper crane as if in the

act of drawing the sedan. Ranged in front of the crane are numerous

articles of dress, money &c. (all of course in paper), and in some way

the crane is supposed to convey both the spirit of the deceased and the

goods on their onward passage.

Our own custom of throwing earth upon the coffin when the solemn words

“earth to earth, ashes to ashes” are pronounced by the clergyman, is

closely paralleled in China. Directly the coffin has been lowered, “the

sons of the deceased hasten to scatter earth into the grave. This earth

they have previously put into the lap of their sackcloth mourning

garments, and they manage to shake it out so as to fall upon the coffin

if possible.” [47] The idea thus symbolized is in both cases the same.

It is, by the way, to be noted that, in China, when husband and wife

are buried side by side, the grave of the husband must be on the left

side (the place of honour). The water coming from a hill on which a

grave has been dug is esteemed peculiarly lucky for use and is termed

“dragon’s water”—in reference to the term usually applied to the hill

near to or on which, when possible, sites for graves are always

selected. [48] The superstitious aversion shewn in China to permitting

a corpse to enter or be buried within the walls of a city has obtained

at various times in many parts of the Western world. The Moors never

bury their dead within the bounds of an inhabited place, and the

inhabitants of Thibet used, it was said, to be similarly particular,

always exposing them on the tops of mountains.

Most who have read anything about China are aware of the great

importance attached to selecting a lucky place for a grave. Dr.

Williams, in writing on this subject, laments the way in which the

Chinese are befooled by the doctrines of Fung-shuey in this regard; but

we are not so certain that Englishmen, at best, can afford to look down

upon China from any very high elevation. A spot free from water and

white ants, and commanding a good view, while at the same time under

favorable geomantic influences, is what the Chinese aim at. Our people

of the Border counties, more enlightened, (?) prefer the South side of

a churchyard as the “holiest ground,” reserving the North for suicides

and stillborn infants. A rare tract, published in 1589, sneers at a

deceased man because he would not be laid East and West “for he ever

went against the hair.” The South wind, says the same authority, ever

brings corruption with it. [49] It is quite certain that traces of a

very widespread superstition as to the depth, direction and general

lucky aspect of graves still exists in England, though now-a-days

surviving only in remote districts.

A native practice universally quoted in Europe as illustrative of the

contradiction between Chinese customs and our own is that of wearing

white for mourning—white being, in China, “an emblem of evil or

sorrow.” But the practice is not so opposed to European ideas as some

may think. At the funerals of unmarried persons of both sexes, as well

as infants, the scarves, hatbands and gloves given in England as

mourning used always to be white. The Chinese do not present mourners

with these adjuncts of the funeral, but give in place of them white

“crying cloths” or, as we should say, pocket handkerchiefs. It may be

interesting here to note also that black is not of universal use even

in the West. The Egyptians use yellow, the Syrians, Armenians and

Cappadocians light sky-blue, and the Ethiopians grey. Henry VIII. is

referred to in Hall’s Chronicle as wearing white mourning for the

unfortunate Anne Boleyn; while Plutarch (Langley’s Translation) writes

that, “The women in their mournynge laide a parte all purple, golde,

and sumtuous apparell, and were clothed both they and their kinsfolk in

white apparell.” * * * “Of this ceremonie, as I take it (adds the

translator) the French quenes toke the occasion, after the death of

their housebandes, the kynges, to weare onely white clothying.” The

motives however of the Italians in adopting this colour were

diametrically the opposite of those influencing the Chinese.—“The white

colour was thought fittest for the ded, because it is clere, pure, and

sincer, and leaste defiled.”

The student of Chinese folk-lore will search in vain for any expression

of the old superstition regarding female apparitions as harbingers of

decease. [50] The Chinese theory of death is that it takes place in

accordance with the reckoning of Heaven, exercised through the power of

the God or Goddess controlling the special disease from which the

patient suffers. To this latter, therefore, prayers and offerings are

addressed, and if they prove unsuccessful the petitioners comfort

themselves by remarking that it is the decree of fate. The absence of

supernatural ghostly portents in this connection amongst a people so

superstition-ridden as the inhabitants of the Middle Kingdom is quite

as curious as the existence of its numerous beliefs.

Finally, it may be interesting to point out that the extreme dislike

entertained by the Chinese to disturbing a grave, based on the

supposition that the spirit of the person buried will haunt and cause

ill-luck or death to the disturbers, has been felt amongst Englishmen.

Aubrey, referring to the disinterment of the body of Mary, Queen of

Scots, says, “it always bodes ill to a family where bodies are removed

from their graves. For some of the family will die shortly after, as

did Prince Henry and I think Queen Anne.” The Chinese also, like

ourselves, deem certain hours of the twenty-four more fatal to life

than others. Recorded statistics in England give them as from 5 to 6

a.m., (maximum) 11 p.m. to 12 midnight, and 9 to 10 a.m. The Chinese

hold that noon and midnight are the two most fatal periods. [51]

III.—DAYS AND SEASONS.

The superstitions of the Chinese concerning lucky and unlucky days are

so numerous that, though they scarcely exceed, they certainly equal

those which, some 300 years ago, existed amongst our own ancestors. To

commence with those referring to periods rather than dates, we may note

that the seventh day is reputed to possess much the same mystic

properties by the Chinese as it was by the Western ancients. This may

arise from its being an astronomical period—the moon’s phases being

always spoken of as changing every seven days. But whatever the reason,

both the seventh day and the period it begins or terminates is

constantly observed in Chinese ceremonies. Thus, for example, the

seventh, fourteenth, twenty-eighth and thirty-fifth days after a

person’s death are specially set aside for mourning observances. The

seventh day is critical in fevers; and the seventh evening of the

seventh month is the great worshipping time for women. But, more than

this, we find that the Chinchew edition of the Imperial Almanack

invariably marks the Christian Sabbath with a character, signifying

“rest or quiet,” though simply taken by the natives to mean

unauspicious for work. Dr. Carstairs Douglas thus wrote on this subject

in Vol. 4 p. 38 of Notes and Queries on China and Japan: “In the

edition of the Imperial Almanack published at Chinchew

(Tsʻuên-cheu-foo) and at Amoy and all the country round, the Christian

Sabbath is invariably marked by the character mih (pronounced in Amoy

bit), which means ‘secret,’ ‘quiet’ or ‘silent.’... I have not met with

any heathen who can throw any light on the meaning or history of this

remarkable character as it stands in the Almanack, though I have made

enquiries both among the literati and at the office in Chinchew where

it is published. The only trace of its meaning (excepting of course the

plain and unmistakable sense of the word itself) as used by the Chinese

at present, is that it is always placed in that part of the page which

contains the inauspicious elements of each day, which make it unlucky

for doing work. This seems clearly to prove that the original use of

the phrase was to indicate ‘a day of rest.’” Dr. Douglas then goes on

to shew that the assumption of its having been introduced by the

Jesuits is scarcely tenable, inasmuch as it is not found in the

almanacks published at Peking, where Jesuit influence was greatest;

while if its introduction were so recent it would not probably have

found its way into the category of the criteria of lucky and unlucky

days, which are always supposed to rest on the highest antiquity. The

discussion was finally set at rest by Mr. Wylie, who explained “mih” as

being a transcript of the Persian “mitra” for Sunday introduced into

the Chinese Calendar through Indian astronomers. [52] It is noteworthy

that the day always coincides with the Christian, and not the Jewish

Sabbath.

The fifteenth day of the eighth moon is a day on which a ceremony is

performed by the Chinese which of all others we should least expect to

find imitated amongst ourselves. Most people resident in China have

seen the moon-cakes which so delight the heart of the Chinese during

the eighth month of every year. These are made for an autumnal festival

often described as “congratulating” or “rewarding” the moon. The moon,

it is well known, represents the female principle in Chinese celestial

cosmogony, and she is further supposed to be inhabited by a multitude

of beautiful females; the cakes made in her honour are therefore

veritable offerings to this Queen of the Heavens. Now in a part of

Lancashire, on the banks of the Ribble, there exists a precisely

similar custom of making cakes in honour of the “Queen of Heaven”—a

relic, in all probability, of the old heathen worship which was the

common fount of the two customs.

The Chinese carry out the idea of lucky days to a remarkable extent.

While we now saddle only one day in the week with ill luck, they have

selected a number of days in each month as uncanny for work, or even

amusement. [53] On the 7th and other days you must not start on a

journey, change your dwelling place, plant or sow, go to school for the

first time, repair your house, purchase landed property, &c. The

superstition as to not starting on a journey seems to be common to all

nations. We know the origin of Friday being an unlucky day amongst

ourselves, as being that of the Crucifixion. [54] But it is evident,

that an older superstition is the basis of the tradition, and a

thorough investigation would probably give us some common starting

point for both the Aryan and Mongolian families.

A book in popular circulation in Southern China called the 黃歴通書

(hwang-li-tung-shu) gives an exhaustive return of lucky and unlucky

days, from which I extract the following information. It must be

premised that the 365 days of the year are divided into sets of twelve

days, each being under the supposed influence of a certain planet, a

certain zodiacal sign, [55] a certain terrestrial element and one of

the twenty-eight “lunar mansions.” There is a further series of twelve

terms, expressing the lucky or unlucky characters of given days which

in the eyes of the people embody the result total of the astrological

bearings of any given day. They are thus arranged and named, though it

does not follow that the terms will in any given month agree with the

dates here stated:—

+---+------------+-------------------------------------------------+

| 除 | 1 13 25 | Very lucky. |

| 滿 | 2 14 26 | Neither lucky nor unlucky. |

| 除 | 3 15 27 | Neither lucky nor unlucky. |

| 定 | 4 16 28 | Very lucky. |

| 執 | 5 17 29 | Neither lucky nor unlucky. |

| 破 | 6 18 30 | Very unlucky. |

| 危 | 7 19 .. | Very unlucky. |

| 成 | 8 20 .. | Very lucky. |

| 收 | 9 21 .. | Neither very lucky nor unlucky, rather unlucky. |

| 開 | 10 22 .. | Neither lucky nor unlucky. |

| 閉 | 11 23 .. | Unlucky. |

| 建 | 12 24 .. | Neither lucky nor unlucky. |

+---+------------+-------------------------------------------------+

The foregoing table shews the practical application of this system.

Thus it may happen that in a given month the 6th, 7th, 9th, 11th, 18th,

23rd, and 30th days of a month are very unlucky.

The 2nd, 3rd, 5th, 10th, 12th, 14th, 15th, 17th, 22nd, 24th, 26th, 27th

and 29th are neither lucky nor unlucky.

The 9th and 21st are rather lucky; while the 1st, 8th, 13th, 20th and

25th are very lucky.

From the explanations affixed we learn that the 6th, 18th and 30th of

the month shewn, though unlucky in other respects, are lucky for

hunting and fishing, calling in a doctor, or pulling down a house. The

character 破 pʻo means “to rend,” “break,” or “take by storm.” The 7th

and 19th again, to which the character 危 wei, signifying “danger,” is

prefixed are not quite so unlucky as the 6th, 10th, 18th, 22nd and

30th. The 11th and 23rd, unlucky for general purposes, are particularly

so to white ants and other vermin, as those days are lucky for their

destruction, filling up holes, &c., the character given 閉 pi meaning to

“shut,” “close,” or “obstruct.” The 2nd, 3rd, 14th, 15th, 26th and 27th

are good for meeting friends, and (as well as the 9th and 21st) are

peculiarly suitable for taking a baby out for its first airing. [56] On

the 5th, 17th and 29th one can cut wood, hunt, fish, and, if you find

them, catch wild animals. Not long since a party of gentlemen resident

in Hongkong went over to the mainland to look for a tiger which was

reported to have visited the neighbourhood of Deep Bay, but as they

neglected to choose a “lucky” day their success (as the natives

observed) was not remarkable. One is hardly prepared to find the 12th

and 24th, noted as “neither lucky nor unlucky,” recommended as

propitious days for worshipping at the temples, making proposals of

marriage and moving house. “Cutting out clothes,” which is perhaps not

a very interesting occupation at any time, is also recommended on these

dates.

The 10th and 22nd in the month above given do not carry an invariably

lucky status with them, it depending very much upon the month in which

they occur. They are, however, always propitious for hunting and

fishing. The 9th and 21st, in addition to being, as above noted, good

for babies, are fortunate for building, cutting wood, seeing friends,

proposing in marriage, marrying, and making and mending drains—a

sufficiently incongruous selection of employments. Finally upon the

1st, 4th, 8th, 13th, 16th, 20th, 25th and 28th, anything can be done,

while the 8th and 20th are the luckiest days of all.

But New Year’s day is for certain things the day of luck. According to

Chinese belief you may on this date, in almost any year, present

religious offerings or vows to heaven, put on full dress, fine caps,

and elegant attire; at noontide one should “sit with one’s face to the

south;” may make matrimonial matches, pay calls, get married, set out

on a journey, order new clothes, commence repairs to a house, lay

foundations, or raise up the framework of it; set sail, enter into

business contracts, carry on commerce, collect accounts, pound, grind,

plant, sow, &c. Nor are other superstitions connected with this

auspicious day wanting. Like our own old women in the more remote

country districts, the Chinese attach considerable importance to the

“first-foot” or person first seen after the New Year has set in. A fair

man is a lucky first-foot in the North, while a woman is peculiarly

unlucky. In China a Buddhist Priest is regarded as the most

ill-foreboding mortal it is possible to set eyes on as a first-foot.

Another similarity is to be found in the common superstition that the

first words heard in the year will affect the fortune of the hearer for

the coming twelve months. In Lincolnshire they arrange with the “first

foot” to repeat a lucky rhyme. [57] In China the women go out secretly

and listen to persons talking in the street. The first sentence heard

is held to contain a prediction, good or bad, of the listener’s luck

for the ensuing year.

Another curious coincidence between Chinese and British belief is

afforded in the fact that the former people have a sort of “St.

Swithin’s Day.” [58] Our own popular rhyme is sufficiently well known

St. Swithin’s day, if thou dost rain,

For forty days it will remain;

St. Swithin’s day, if thou be fair,

For forty days ’twill rain nae mair:

and I need not more particularly allude to the legend concerning

him—how the violation of his grave was followed by the “40 days rain.”

A correspondent of the Shanghai Courier and China Gazette thus writes

on the 5th March 1875:—“The first prediction as to the fortunes of the

New Year rested on the state of the weather on the first day of spring,

which coincided with our February the 3rd. ‘Heaven grant that it may

not rain a drop to-morrow,’ said a boatman to me on the evening of

February 2nd. ‘If it does,’ he continued, ‘the crops will be below

average for a certainty; and the price of rice will go up.’ ‘Why so?’ I

asked. ‘Don’t you know,’ he replied, ‘that if it rains on “lih

chʻing,”’ (the first day of spring) ‘it will rain more or less for

forty days afterwards.’ A curious coincidence this with our St.

Swithin’s Day; and it is observable that the Chinese prophets, as well

as the authors of the memorial prophecies of the irate Saint Swithin,

make their predictions sufficiently elastic to save their credit—‘more

or less for forty days.’” It is noteworthy that the Chinese prediction

is seldom verified, and that our own popular prediction is almost

equally sure to be false, special observations taken at Greenwich for

twenty years having shewn that rain fell in the largest number of days

when St. Swithin’s Day was dry! With amusing agreement there were more

wet days than dry ones following the recent 3rd February in China,

although that day was distinguished by “a bright sun and a cloudless

sky!” Weather predictions in either country are evidently of equal

value. [59] The Hakkas (and also many Puntis) believe that if in the

night of the 15th day of the 8th month (mid-autumn) there are clouds

obscuring the moon before midnight, it is a sign that oil and salt will

become very dear. If, however, there are clouds obscuring the moon

after midnight, the price of rice will, it is supposed, undergo a

similar change.

IV.—PORTENTS OR OMENS, AUGURIES, LUCKY NUMBERS AND DREAMS.

Portents or omens exert, as might be expected, a telling influence on

Chinese everyday life, and implicit belief is placed in the effect

which will follow certain unintentional acts on the part of any

individual. Spilling the salt is held to forebode ill-luck amongst

ourselves, and similarly the upsetting of the oil jar foretells

misfortune to the Chinaman. The appearance and flight of birds seems,

again, to have been regarded as an augury by every nation of whose

social life details have come down to us, and it is not therefore

surprising that the crow should in China be regarded as an omen of

evil, just as it is looked upon amongst ourselves. Our North Country

children cry when they see one

“Crow, crow, get out of my sight

Or else I’ll eat thy liver and light;”

while a Chinese mutters an invocation against the evil harbinger, its

cry being considered so unlucky that when any one about to undertake an

affair hears it, he generally postpones action. On the other hand,

while our old superstition concerning magpies is adverse to the

appearance of a single bird—

“One for sorrow,

Two for mirth,

Three for a wedding,

And four for a birth,”

the Chinese consider the solitary visitor an omen of good luck. A duck

quacking as one passes is, they hold, just the contrary. Regarding dogs

the agreement of English belief with that of China is singular. For a

strange dog to follow a person is regarded in most parts of our own

rural districts as lucky. The Chinese say that if a strange dog comes

and remains with one, it is an omen of good to his family and indicates

that he will become more wealthy. [60] Cats, on the other hand, are

inauspicious beasts, and a display of sudden attachment, such as that

just noted, foreshadows poverty and distress. “May kittens should be

drowned,” according to English folk-lore; but I am not aware that the

full-grown animal is deemed particularly objectionable except by

sailors, who aver that when a cat becomes unusually frolicsome it

portends a storm. Hens also come in for a share of the feeling

expressed in the distich

“A whistling woman and crowing hen

Are neither fit for Gods or men.”

“In China the crowing of a hen is considered ominous of something

unusual about to happen in the family to which it belongs. In order to

ascertain whether this event is propitious or unpropitious, the

relative position of the fowl, while crowing, is to be observed. If the

hen crows while her head is toward the outside, or the front of the

premises, it is an unpropitious prognostication, foreshadowing poverty

or ill luck of some kind; whereas, if her head is pointing toward the

rear of the premises while crowing, it is an omen of good, indicating a

more prosperous state of the family. Few families will keep a crowing

hen, even should she betoken future good, as extraordinary omens like

this are deemed undesirable. The unfortunate fowl is either sold or

killed as soon as possible after she has commenced to crow. It is said

that if a cock should crow about ten or eleven o’clock in the evening,

he is not allowed to remain on the premises long, being killed or sold,

as such crowing denotes future evil to the family of the owner.” [61] A

precisely similar belief obtained amongst our own ancestors. “Moresin

ranked the unseasonable crowing of a cock amongst omens,” says Brand;

and in Morier’s Journey through Persia, p. 62, we read: “Amongst the

superstitions in Persia, that which depends on the crowing of a cock is

not the least remarkable. If the cock crows at a proper hour, they

esteem it a good omen; if at an improper season, they kill him. I am

told that the favourable hours are at nine, both in the morning and in

the evening, at noon, and at midnight.” The flight of birds, more

especially swallows, is also an omen in Chinese eyes. Classical

scholars do not need to be reminded how often this augury was consulted

amongst the Greeks and Romans. A Chinaman never wilfully kills

swallows. The French of the Mediterranean term them ames damnées and

have also a superstitious regard for them—a queer coincidence, to say

the least of it. Bats again in China afford omens of good fortune. The

Chinese name of the animal is fuk shil (in Cantonese) or “Rat of

Happiness,” and its erratic dashes into a room or summer-house are held

to augur coming luck to the occupants. With us, similar conduct on the

part of a robin red-breast is an omen of calamity.

But these agreements of superstition are not confined to crows, dogs,

bats, cooks, and hens. The owl occupies the same position in Chinese

esteem as it did in ancient Roman eyes, and as it still does in Great

Britain. Pliny called it “inauspicata et funebris avis,” while similar

epithets are applied to the bird by Ovid, Lucian, and Claudian. Chaucer

described it as

“The Oule eke, that of deth the bode bringeth,”

and Spencer speaks of it as the bird “that whoso heares doth die.”

Butler, in his Hudibras, p. 2. Canto III. l. 707, refers to the

lustration which Rome underwent because an owl had strayed into the

capital. Bourne describes it as “a most abominable and unlucky bird,”

whose hoarse and dismal voice “is an omen of the approach of some

terrible thing: that some dire calamity and some great misfortune is

near at hand.” Brand devotes several pages to quotations, ancient and

modern, in the same sense. [62] Now let us see what the Chinese have to

say of the bird of Minerva. “The voice of the owl is universally heard

with dread, being regarded as the harbinger of death in the

neighbourhood.” I shall perhaps be pardoned if, for the sake of making

this notice exhaustive, I quote the following from Mr. Doolittle’s

interesting chapter on this and kindred subjects.

Some say that its voice resembles the voice of a spirit or demon

calling out to its fellow. Perhaps it is on account of this notion

that they so often assert having heard the voice of a spirit, when

they may have heard only the indistinct hooting of a distant owl.

Sometimes, the Chinese say, its voice sounds much like an

expression for “digging” the grave. Hence, probably, the origin of

a common saying, that when one is about to die, in the neighborhood

will be heard the voice of the owl, calling out, “dig, dig.” It is

frequently spoken of as the bird which calls for the soul, or which

catches or takes away the soul. Some assert that if its cry is dull

and indistinct, as though proceeding from a distant place, it

betokens the death of a near neighbor; whereas, if its notes are

clear and distinct, as if proceeding from a short distance, it is a

sure harbinger of the death of a person in a remote

neighborhood—the more distinct the voice, the more distant the

individual whose decease is indicated; and the more indistinct the

voice, the nearer the person whose death is certain! It is a common

saying that this bird is a transformation of one of the servants of

the ten kings of the infernal regions, i.e., is a devil under the

guise of a bird. It is also frequently referred to as a “constable

from the dark land.”

To pass from birds to eggs, it may be noted that a Lancashire

superstition that to set a hen on an even number of eggs will result in

their being addled, or in the chickens not thriving, exists also in

South China.

I have already referred to shoes in connection with birth and marriage,

but can find no precise analogy to the “shoe omens” in vogue in

Europe—such as the ill luck which it is feared will befall the person

who puts a left shoe on a right foot and vice versa. Mirrors, however,

share in China the superstitious respect paid to their preservation at

home. To break a looking-glass is in most parts of Europe deemed a very

unlucky accident. “When a looking glass is broken it is an omen that

the party to whom it belongs will lose his best friend. Grose tells us

that breaking a looking-glass betokens a mortality in the family,

commonly the master;” [63] and Buonaparte, having once broken the glass

over Josephine’s portrait, could not rest till a special courier had

informed him of her safety. This belief exists in full force in China.

To break a mirror augurs a separation from one’s wife by death, or

otherwise, and is only second in ominous portent to breaking an oil

jar. And this superstition of a connection existing between the mirror

and its owner’s life is evidenced also by its use in cases of sickness

to form the head of a sort of figure made of one of the sick man’s

coats which, suspended to a bamboo with the end leaves still on it, is

carried about in the vicinity of the house in the hope of attracting

the departing soul back to its body. Mirrors are also used as charms,

under which head their use will be described.

Who has not noticed or heard of the bizarre arrangements of Chinese

gardens and rockeries? The motive for this laying out the pleasure

grounds attached to large houses is not simply ornamental. No doubt the

Chinaman is one of the most ingenious of landscape gardeners, but the

crooked walks and abrupt turns not only economize space but are

“lucky,” inasmuch as they discourage the advent of evil spirits, who

like the “broad way” in China much as they are reputed to do in Europe.

Now in England, says a recent writer, “Good luck seems to be attached

to everything deformed or crooked. Thus, a crooked sixpence, all

England through, is lucky; also placing crooked pins in walls is a very

common custom. I never could learn the reason why, although I have

known it extended to highways and lanes, such as being cautioned never

to build a house in a straight lane, but always to choose (because

lucky) a crooked or lane with many curves and turnings.” It looks very

much as if the two superstitions were identical, but fearful of being

too dogmatic I leave readers to draw their own inference.

A recent English writer remarks that “throughout our history, and even

in our own day among the vulgar, every eclipse or comet is regarded as

the harbinger of some storm, or inundation, or some contagious

disease.” The sentence may stand as it is to describe the Chinese

sentiment, with the slight omission of the words “amongst the vulgar;”

for prince and peasant alike believe that the astrologers do not lie.

But more astonishing still is it to find that an able writer, Dr.

Forster, in his Illustrations of the Atmospherical Origin of Epidemic

Disorders, gives tables occupying 40 closely-printed 8vo. pages, to

shew that the visits of these scourges have really been concurrent with

the appearance and approach of comets. He in fact gravely supports the

theory held by the Chinese (who by the way say, the longer the comet’s

tail, the greater the disturbance), so far as it relates to disease.

The natives consider a comet to portend war also, and as rebel fighting

is generally going on somewhere in the Middle Kingdom, have no great

difficulty in proving their case. Stars have, since the remotest

antiquity, been held by this people to serve as portents or warnings,

generally on the side of order and good government. Some eight years

ago the Southern rebels had advanced from Tsao-chow to capture

Chi-ning-chow, and as the city was badly defended they would have had

an easy task, but for one circumstance that intervened. They fancied

they saw on the Eastern road “an enormous red star of an inexplicable

nature, within which was plainly visible Kwan-ti in armour, and with a

helmet surmounting his fiery face and mighty beard. He darted about at

the head of his legions just as he is represented as doing in

paintings, and the tumult of his innumerable host was distinctly

heard.” The rebels were affrighted and fled, and it was officially

recorded that “the spirit of Kwan-ti had preserved the city of

Chi-ning-chow.” As regards eclipses, the popular belief of the Chinese

in the fact that the sun or moon is then being devoured by a dragon,

and the means adopted of beating gongs and firing crackers to frighten

the dragon away, have been held up to Western ridicule ever since books

about China have been written. But precisely the same beliefs and

practices prevailed amongst the Romans, Macedonians, Medes, Turks,

Italians, Irish and Welsh! I need not here quote authorities at length,

as they will all be found in Brand (Vol. III. p. 152–3). But I may note

that the Spartan belief that the appearance of shooting stars signified

that the king had offended the gods is not very far removed from the

Chinese idea that an eclipse is an omen of ill luck to the reigning

emperor—a belief curiously verified but a few months back when the

attack of small-pox from which the young emperor Tung Chih died was

concurrent with the occurrence of a solar eclipse.

Superstitions regarding bells may be classed under the heads both of

auguries and charms. The two largest bells in the empire—those at

Canton and Peking—are held to possess peculiarly portentous virtues. A

native account of the City of Canton states that the kin chung or

“tabooed bell,” as it is called, was cast in the beginning of the reign

of Hung-wu (therefore shortly after A.D. 1468, or five centuries ago),

but in consequence of a prophecy foretelling calamity to Canton

whenever it should give forth sound, was deprived of a clapper and the

means of access to it removed. At length one day a rash official

directed a man to strike it. No sooner had its reverberating boom been

heard, than upwards of a thousand male and female infants died within

the city. Some evil spirit had evidently been irritated at the bell

being rung, and to ward off his influence infants have, ever since,

worn bells upon the clothes. But the prophecy thus vindicated was still

supposed to hold good, and advantage was taken of the circumstance by

our bombarding force in 1857. It was suggested to the commander of one

of H. M’s. ships to aim a shot at the bell, and the result was that, as

calamity was indeed befalling the haughty city, the unwonted boom was

once again heard. A portion of the lower rim was fractured, and the

superstition thus recalled to the popular mind undoubtedly contributed

to a general belief in foreign prowess. [64] The belief regarding the

Peking bell is less deep-seated, being only to the effect that, if

struck by an unauthorized hand, the rain-god will immediately visit the

offence by sending down unneeded rain. Some years since, on the writer

with a party of friends, visiting the great bell-temple outside the

City, the Priests refused to strike the enormous specimen therein hung

(it is, by the way, the largest suspended bell in the world), lest the

rain-god should be offended. A small present from one of the party

however induced them to let the visitors draw back the heavy wooden ram

which did duty as a clapper. Strangely enough, as the first blow was

struck, a heavy rainstorm came on, and the shaven-pated attendants

roared out in high glee, “We told you so!” For once superstition

carried the day. It is unnecessary to remind at least London readers

that grave disaster to the Royal family is believed to follow the

unexpected tolling of the great bell of St. Paul’s. Bells, especially

if blessed by a priest, were formerly thought efficacious to scare away

evil spirits. Church bells have ever been regarded in a similar light;

and the passing-bell tolled for a dying man was of old supposed to

frighten off the demons who stood at the foot of the bed ready to

seize, or at least molest, the departing soul. The latter thus got a

fair start, or what sportsmen call “law.” “Hence,” says the authority I

am quoting, “the high charge made for tolling the great bell of the

Church,” as being more efficacious than smaller ones heard to a less

distance.

A writer in Notes and Queries states that a Scottish plan for securing

good luck, for the space of twelve months at least, is to draw a

bucket-full of water from the village well, at midnight, on New Year’s

eve, and, after throwing a handful of grass into it, to carry it

carefully home. If the drawer be a cow-keeper, he uses part of the

water to wash his dairy utensils, and gives the remainder to his cows,

in the rather dishonest hope that he will thereby obtain the cream of

the cows of such of his neighbors as use the well, and have not been so

wise as himself. Now this custom finds an exact counterpart in China.

Natives living in the neighbourhood of Canton believe that water drawn

on the night, or rather after midnight, of the seventh day of the

seventh moon, possesses special efficacy in the cure of cutaneous

diseases or fevers, if used in the cooking of gruel for a patient. It

is, moreover, believed that such water will not get putrid even if kept

for years, its efficacy indeed increasing with age. The date above

given is reported to be that of the descent of the female genii of the

Pleiades (possibly because the constellation is formed of seven stars).

Omens of personal sensation are as commonly accepted in China as in

England. With us burning or itching sensations on the body forebode ill

luck or calamities; thus, if you have a shivering fit, some one is

walking over your destined grave; if the right ear burns, you will hear

good news, but if the left, you are being defamed by an enemy. The

Chinese believe that if one of the eyelids move involuntarily, it

forebodes good or evil luck according to the hours at which the

sensation is experienced, and the eyelid (right or left) affected. As a

rule it is an ill omen. Sneezing indicates that some one is talking ill

of the person so relieving himself. Any twitching of the flesh or a

jumping sensation in the region of the heart always forebodes serious

ill fortune (the latter symptom, by the way, often needs no prophetic

interpretation); and if a man’s second finger shakes, it is a sign that

he will shortly be invited to a grand feast. Clothes again, especially

trowsers, have ominous properties. Our own goodwives tell us that it is

very unlucky to sew a button on a pair of breeches while wearing them.

The Chinese give a pair of the same indispensable articles of dress to

a young girl commencing to learn sewing, her successful efforts to

stitch them together foreboding wealth. Our saying that if two men wash

in the same bowl they will quarrel before sunset has a Chinese parallel

in the belief that sitting down in a chair still warm augurs that you

will shortly fall out with the last sitter.

It has always been deemed unlucky to meet a funeral in most parts of

England, and the Chinese entertain an exactly similar idea, especially

if the person meeting it is going to a wedding. In fact, many natives

will turn back from any business visit they are about to pay if they

come across either a funeral or a coffin. There is a quaint saying at

home that “Trouble will never come near folks whose eyebrows meet;” and

it is also alleged that ladies with overmuch down and gentlemen with

overmuch hair upon their arms and hands, carry about them Nature’s own

guarantee that they are born to be rich some day—as rich as those happy

individuals whose front teeth are set wide apart. The Chinese say that

“people whose eyebrows meet can never expect to attain to the dignity

of a Minister of State;” that “ladies with too much down or hair are

born to be poor all their lives;” but that “bearded men will never

become beggars.” In fact, it is scarcely possible to take up the most

ordinary magazine article on European folk-lore without noting in

almost every paragraph strange coincidences either in actual belief or

in the subject of a superstition. Even the appearance of a white speck

upon the finger nail or an itching sensation of the palm of the hand

(both ominous of coming gifts in England) bear significance in the eyes

of this mysteriously isolated people. The Chinese note that both the

foregoing are omens of coming evil.

The first words heard after making a resolution are supposed in China

to be ominous. Thus, if a man who has decided to do a certain

thing—say, for instance, recover a debt—hears the first person he meets

say mei-yu or m’hai (according to the dialect he speaks) he will defer

his visit. No Chinaman will open a shop, marry a wife, or engage in any

important undertaking without casting lots to see if the fates are

propitious. [65] The method of carrying this out is as follows: Each

temple in China has belonging to it about a hundred stanzas of poetry

relating to a variety of subjects; each stanza is numbered and printed

on a separate piece of paper; in addition to this, there are a quantity

of lots made of bamboo slips about eight inches long, corresponding to

the number of stanzas, and referring to them by number. The individual

who wishes to make application to the god presents himself before his

image on his knees, and after performing the ko-tow by touching the

ground with his head nine times, states his name and residence, the

object of his inquiries, and whether on his own or another’s account.

He then takes a bamboo tube containing the lots, and shakes it gently

before the idol until a slip falls to the ground. He then rises from

his knees and picks up this slip, and places it so that the god can see

the number of the lot written on it; he then takes two pieces of wood,

each having a round and a flat side. After passing these through the

incense, he tosses them into the air before the idol; if they fall so

that both round sides are uppermost, the answer is negative and

everything is unpropitious; if they fall with one round and one flat

side up, the answer is in the affirmative, and the man may go on his

way rejoicing. [66]

A belief in what we term lucky numbers pervades the whole arcana of

Chinese life and literature. Mr. Mayers, in the introduction to his

admirable Chinese Reader’s Manual, says: “In obedience it would seem to

an impulse the influence of which is distinctly marked in the literary

traditions of the Chaldeans, the Hebrews, and the Hindoos, a doctrine

of the hidden properties and harmonies of numbers imbues the earliest

recorded expression of Chinese belief. So also, it may be remarked, in

the teachings of Pythagoras an abstract theory of number was expounded

as underlying the whole system of existence, whence the philosophy of

the western would become tinged with conceptions strongly resembling

those which still prevail on the same subject in the Chinese mind.” Mr.

Mayers has here indicated the common source of many of those vulgar

beliefs now known as mere folk-lore; and humble as that is in

comparison with the more pretentious philosophy which he has so

skilfully elucidated, it is not wholly without interest. It would seem

that the popular saying “There is luck in odd numbers” meets with as

much belief in China as in England. I have already noted the fact that

the number 3 is, with an odd exception relating to marriage ceremonies,

deemed auspicious. Thus they speak of the 3 decades of heat, the 3

powers united in nature (tʻien, yang and yin), the 3 systems of

doctrine, the 3 forms of obedience, the 3 mental qualifications, the 3

powers of nature (heaven, earth and man), and so on, to say nothing of

the phrases in which the same number is pressed into service to express

real or assumed historical, geographical, and other facts, such as the

“3 kingdoms,” the “3 armies,” the “3 rivers,” the “3 heroes,” &c. [67]

Mr. Mayers’s exhaustive “Numerical Categories,” give the following

number of current phrases under the first ten numerals.

Under number 2 9 phrases.

,, ,, 3 68 ,,

,, ,, 4 40 ,,

,, ,, 5 63 ,,

,, ,, 6 38 ,,

,, ,, 7 18 ,,

,, ,, 8 25 ,,

,, ,, 9 30 ,,

,, ,, 10 12 ,,

Many of these have of course a reference to popular superstitions. Five

and Seven appear to be the favourite numbers in this respect. All the

forces and phenomena of nature are based upon the number five:—we have

therefore, Five active organs: the stomach, the lungs, the liver, the

heart, and the kidneys. Five colours: Yellow, White, Green, Red, Black.

Five varieties of taste: Sweet, Acrid, Sour, Bitter, Salt. Five

elements: Earth, Metal, Wood, Fire, Water. Five planets: Saturn, Venus,

Jupiter, Mars, Mercury. Five regions of heaven: Centre, West, East,

South, North. And so on throughout nature. And similarly as sounds

belong to the phenomena of nature, there must be five of them. It does

not appear that any particular virtue has ever been held to reside in

the number five amongst ourselves. The number seven, however, is as

portentous in China as in the Western world. Besides the Sabbathaical

use of the number, it enters so largely into the popular sayings of the

people that one is tempted to suppose anything but an accidental or

independent origin for its adoption. Thus the Chinese speak of the

seven passions, the seven spirits; they wish a bride seven children;

there are seven lawful reasons for divorce. The “Seven Joys” is a

common tea-shop sign. There are the seven Famous Persons of the Bamboo

Grove. Seven hands and eight feet is a common expression for “too many

cooks spoil the broth,” and I may note that a jury is commonly termed

in Hongkong (when the pidgin English word Ju-li is not used) the “seven

strangers.” Except to indicate a parallel, I need hardly here specify

the part which the same number plays in our own affairs. The Hebrew use

of the number is familiar to all. The seven wise men, the seven hills,

the seven senses, the seven churches, the seven angels, the seven

planets, and some thirty other similar expressions are in frequent use

amongst us. We transport rogues for seven and fourteen years and bind

apprentices for seven, and we find that, of old, Selenus the

mathematician, and Hippocrates, both held the Chinese idea of the

seventh day being critical in diseases.

Always excepting the tabooed 13, odd numbers have ever been popular in

England, in various circumstances. Thus we hold it lucky for an odd

number of people to sit down to dinner. The Chinese incline to an even

number, 8 being in their estimation the most fortunate. But as already

noted they share with us the superstitions as to setting a hen on an

odd number of eggs. On the other hand, the hair should not be combed on

odd days, more especially the 1st and 15th of a month. (The coiffure of

Chinese women being dressed with a glutinous substance, it is only

combed out at intervals.)

Dreams have ever played an important part in the psychological history

of the human race, and the belief in their portentous nature is

possibly the only superstition common to all mankind. As Dr. Kitto

(Cyclopædia of Biblical Literature, Art. Dreams) well observes:—“It is

quite clear from the inspired history that dreams were looked upon by

the earliest nations of antiquity as premonitions from their idol gods

of future events; ... and in order to guard against imposition Moses

pronounced a penalty against dreams which were invented and wickedly

made use of.” It is almost unnecessary to make reference to the belief

reposed in these alleged warnings from another world by Western

nations. The story of Mahomed’s dream is known to all; and I will

merely add that both the Negro and Fijian races believe them to be

caused by visits of the souls of deceased friends, while such widely

divergent races as the Finns and the Australian Aborigines entertain a

contrary belief that the soul of the dreamer leaves his body as it

enjoys or suffers imaginary pleasures or pains. [68] The Chinese refer

all dreams to the inspiration of a god or goddess, but frequently use

the divining bamboos to ascertain how they are to be interpreted. Many

of the principal temples in the empire owe their construction to

imaginary instructions received during sleep. A recent visitor to the

city of Tai An, situated at the foot of the Tai San mountains in

Shantung—one of the five sacred mountains of China—thus gives the local

legend: “The common account is, that Chin Tsung, the third Emperor of

Tʻang Dynasty, was afflicted with a grevious boil, which the Imperial

physicians could not cure. There was a Taouist Priest at Tai San called

Yen He, who declared that the Goddess of the mountain had appeared to

him in a dream and directed him to go to the capital and cure this boil

for the Emperor, at the same time directing him how to proceed. He went

accordingly, and gave out that he had come to cure the Emperor’s boil.

The Emperor hearing of it, called him in. As soon as he entered the

Imperial presence, the boil called out, ‘Yen He has come and my destiny

is finished;’ the Priest prescribed treatment, and the boil was cured.

The Emperor wished to reward him with an office, but he refused, saying

‘Your Majesty has not been cured by my power, but by the efficient

power of the God of Tai San; you should show your gratitude by

repairing the temple at Tai San.’ The Emperor assented, made a large

appropriation, and appointed an officer to have it rebuilt in

magnificent style.” I might multiply examples of this sort ad libitum.

The memorials in the Peking Gazette abound with references to acts

done, or crimes discovered in consequence of dreams. Mr. Doolittle

notes how dreaming has been pressed into the service of Buddhism at

Foochow by way of enforcing the prohibition against eating flesh. “A

certain butcher one day bought three buffaloes one of which he killed.

One night he began suddenly to bellow like cattle, and for a whole day

remained insensible. His family in alarm called a doctor, who

prescribed medicine to revive him. His family, on his recovering his

senses, inquired what was the occasion of his acting thus? He answered

that he saw in his dream the two buffaloes not yet killed suddenly

begin to speak like men; one of them said: ‘I am your father;’ and the

other said: ‘I am your grand-father.’ In a short time they became in

appearance like men, and on looking carefully at them, said he, ‘I saw

that they were really my father and my grandfather.’ The butcher was so

painfully affected by these circumstances that he sent the two cattle

away to the country, and changed his calling.”

As an illustration of the every-day belief in dreams which comes under

the observation of the least curious foreign resident in Chinese, I

subjoin two stories which have within the last few months appeared in a

Shanghai and Hongkong journal respectively. The first relates to the

old, old subject—the discovery of treasure. “The other night a

gentleman named Chang (Anglice Smith) went to bed and had a very

remarkable dream. He thought that he was in a particular spot at the

back of a certain temple in Shanghai city, and that there he came upon

a hidden treasure of gold. On awaking he was so much impressed with the

vivid nature of the dream that he immediately sprang out of bed,

shouldered a pickaxe and wended his way to the enchanted spot. Upon

reaching his destination he fell to work, and sure enough had not far

to dig before he came upon a box containing five hundred taels’ weight

of gold, and—so runs the story—all marked with the magic name of Chang!

Of course proprietorship was indisputable, and lucky Mr. Chang trotted

home a richer and a happier man.”

The other story appeared a very short time since in the China Mail, and

the facts came within the writer’s personal knowledge. Some time ago, a

junk sailed from Hoifoong, containing a number of coolies for the

barracoons of Macao. Having arrived there, the live cargo was quickly

disposed of, and the Captain received as freight something over $1,000.

This incited the helmsman and some of the crew to league themselves

with two piratical junks to attack the boat and to rob the Captain of

the money. Two or three days after, the junk left Macao on her way back

to Hoifoong. On the voyage, near Chang Chow, the two pirates hove in

sight, and the helmsman steered closed up to them, when the pirates

boarded the junk, killed the Captain and threw him overboard. Here

comes the mysterious part of the story. The master of the Luk Kee

barracoon one night dreamed a dream, in which he saw the ghost of the

murdered man before him, saying he had been murdered, that he was

robbed of his money, and that he wished the barracoon master to

complain and try to obtain redress for him, which he thought would not

be difficult, as the pirates were sailing off Chang Chow. On the

strength of this dream, the barracoon master complained to the

Portuguese authorities, who sent out a gunboat, and the pirates were

found at the spot indicated by the ghost. The crew of the attacked junk

(who had come to Hongkong since the robbery) immediately went to Macao;

one of them was the brother of the deceased and had been cut in several

places. Whether there was any truth in the statement of the appearance

of the ghost or not, the facts of the robbery and capture were correct.

Here there was nothing mysterious in the fact of a friend of the junk

captain dreaming that a very common contingency in Canton waters had

actually occurred. Nor was it very strange that he should hit upon the

most likely place to find the pirates. The Chinese however, especially

in psychological matters, are not very keen in connecting cause with

effect, and the lucky dreamer enjoys to this day the reputation of

having been specially favoured by the Goddess of Sailors.

It does not appear that Chinese soothsayers, like their Western

prototypes, divide dreams into distinct categories, or, to put it more

accurately, that the fortune-telling books in circulation amongst the

people agree in any standard of division. There is, however, a sort of

natural order followed, as all such warnings may be divided into three

classes,—those which portend good fortune, those which portend evil,

and those to which no precise signification can be affixed. A very

interesting paper on the subject of dreams recently appeared in the

Japan Mail; [69] and from this it would appear that in many respects

Chinese and Japanese beliefs are alike, though the latter people, true

to their national character, have evinced a much greater talent for

classification than their older rivals. Amongst good portents, in

Chinese belief, are dreams of mounting upwards to the skies, meeting

genii, or persons celebrated for their positions or acquirements, and

of being present at convivial parties. To dream that one sees bats,

turtles or tortoises, or that one is wounded by robbers (provided blood

be not drawn) is also of good augury. These are also portents of good

fortune to the Japanese; but while the latter consider that to dream of

wearing new clothes or of having ulcers on the face is a sign of

prosperity, these are both taken to augur impending ill fortune in

China. [70] Of evil auguries common to the two countries are dreams of

eating fruit, of breaking mirrors, or of seeing ants crawling over the

house matting; to dream of the “sun or moon shedding tears of blood” is

a sign of the approaching death of a parent; while to dream of having

one’s teeth pulled out implies impending unfriendliness on the part of

relatives, and to dream of eating pears is an emblem of family broils.

In both countries bad dreams should not be talked about at once—in

China, until the morning meal has been taken, and in Japan until the

mouth has been rinsed with water and ejected facing the East, an

incantation being at the same time ejaculated. To dream of a bear is in

China a sign that the dreamer will have a son; of a snake that he or

she will have a daughter; while the appearance in a dream of a white

mouse indicates the presence of treasure at the place where the animal

is seen. Yet we must not be too hard on our Eastern friends. A half

superstitious belief in the prophetic nature of dreams lingers

throughout Europe, and a few decades will doubtless find China and

Japan as generally incredulous of its existing beliefs in such matters

as we assume to be ourselves.

V.—CHARMS, SPELLS, AMULETS AND DIVINATIONS.

The subjects to be dealt with under the above heading afford an

embarras de richesses. Next to the belief in the prophetic nature of

dreams none probably is more widespread than that in charms and kindred

matters. The ancient British Druids attempted to cure the generality of

diseases by charms and incantations, [71] and the so-called Doctors of

modern China follow a similar custom hallowed by a still greater

antiquity. But in addition to these, the universal belief in the

influence of demons and evil spirits upon the every-day life of mortals

has led to the devising of such numerous preservatives that the makers

and vendors of such wares find constant employment. I propose to deal

in the first instance with charms involving a certain amount of

preparation, classing articles worn about the person under the head of

amulets.

The superstitious regard paid to mirrors as regards their preservative

qualities has been noticed in a previous chapter. This probably arises

from the fact that in China they are regarded as all-efficacious

household charms against the attacks of evil spirits. Nor are magic

mirrors, similar in their use to the ink mirrors employed by modern

Egyptian necromancers, unknown to the Chinese. At Canton, only a year

or two since, a native was exhibiting for the small sum of 30 cash

(about 2½d.) a jewel stated to possess magical qualities. In it the

curious spectator saw various figures such as a beggar, a mandarin, a

woman, &c., and was assured that his or her own future condition would

be the same as that of the counterfeit thus seen. There exists a belief

in many parts of the Empire that the pointed roof or corner of a

house’s gable end may exert an unpleasant influence upon the dwelling

in nearest proximity. To counteract this therefore a concave brass

mirror—those of glass are still articles de luxe in most districts—set

in a wooden frame, is arranged on the wall or roof of the threatened

building so as to catch and reflect back the evil influences in

question. I can find no trace of any similar practice in Western

countries. Small brass mirrors hung near a bed are also all-efficacious

to ward off evil influences.

It is possible, that, though everybody knows how fire-crackers are used

by the Chinese to frighten off evil spirits, all readers are not aware

that they are charms pure and simple; the original intention of their

manufacture being to imitate the crackling of burning bamboos which

were supposed to frighten away a race of malignant demons called Shan

siao—“beings in human shape, a foot or so in height, and by nature very

fearless,” or according to another account a bird with a nest as big as

a five bushel measure. [72] Mr. W. F. Mayers, in his interesting

article on gunpowder and firearms in China, in the Journal of the N. C.

B. R. A. S. for 1869–70, ingeniously suggests that these demons are but

the embodiment of the supernatural agency visible in the attacks of

fever and ague to which the inhabitants of the swampy regions of

Western China were, and still are, liable. I quote his remarks: “The

Chinese themselves do not appear to have pursued any investigation

respecting the origin or meaning of the term Shan siao, but, guided by

the date of its appearance in literature and its foreign garb, we may

with some confidence, ascribe the belief in this demon to an Indian

parentage. As regards the myth itself, it may be permitted to hazard

the speculation that fever and ague, lurking as it did and still does

in the swampy regions of Western China, may, by a very familiar

process, have become embodied in the conception of a supernatural

agency, and that the fires which native wisdom or foreign counsel might

suggest as a prophylactic device may have been invested with magical

attributes, either by teachers who thought it best to fortify sanitary

precautions with a cloak of fetishism, or else by the inherited

tradition of succeeding ages. However this may be, the idea of

exorcism, dating as far back as the sixth century, has remained

inseparably connected with the use of fire-crackers down to the present

day.” And in a note on the same page the writer adds that subsequently

to an execution taking place at Canton in 1868 in a public square, the

inhabitants of the locality were not satisfied until they had exorcised

the ghost of the departed criminal by a protracted discharge of

crackers. It is not difficult to trace a similar motive in the custom

which obtains of honouring the departure of a popular resident in any

place, in a similar manner. The crackers are to frighten away all

demons from the traveller. Such a compliment is frequently paid to

foreigners by their Chinese acquaintances in Hongkong. It may, I think,

be taken as certain that crackers are charms pure and simple to the

Chinese, their use as mere noise-producing fireworks being secondary to

the idea of exorcism.

Charms of another sort are sometimes used by the Chinese. It is only

three years since that H. E. Li Hung Chang, who is at this moment

premier of China, fired cannon at the Peiho to make it cease inundating

the surrounding country. [73] The Eagre or bore of the Tsien Tang

river, which flows from the boundaries of Kiang-si, Fuhkien and

Chih-keang to Hang-chow Bay, and takes its name “money-dyke” from the

amount expended on its embankments, [74] has been treated with “charms”

on several occasions, but as Chinese annals tell us, with very

indifferent success. Prince Wu Shu (A.D. 930) made five hundred “daring

archers” let fly six arrows apiece at the dreaded tidal wave as it came

rolling onwards, and then after praying to Wu Tsz-si, the tutelary

deity of the stream, put the key of the dyke water gate into an

envelope, and threw it into the river. Forthwith the waters retired;

but as they would have retired in the ordinary course of events, even

the Chinese did not consider the experiment a remarkable success. In

1131 the Emperor Kan Tsung sunk ten iron plates, each weighing over 130

lbs., in the river by way of charming the mischievous spirits of the

waters, but charms and embankments were alike carried off by the

resistless power of the tide. Experience however was not availed of in

a case where superstition had firm hold, and time and time again was a

similar experiment tried—with, I need hardly say, similar success. Such

practices, however, have not been quite unknown amongst ourselves, and

even at the present day there are many springs in rural Britain

supposed to be guarded by spirits who require charming in a very

similar way. The crooked pins cast into St. Winifred’s well in North

Wales, the fourpenny pieces cast into that of Gwern Degla, the rags and

clothes thrown into those of Strathfillan and Kenethmont in Scotland,

and Benton (near Newcastle-upon-Tyne), and the common offering of three

stones as a tribute to the spirit of the stream in Unst (Shetland),

are, like the nosegays thrown into wells and fountains in honour of

their presiding nymphs at the Roman fontinalia, or the cakes of

bread-corn similarly offered of old to Juno in Laconia, evidences of a

belief not at all unlike that which prompts Chinese acts of a similar

nature.

The anti-demoniacal power ascribed to the wood and leafy branches of

certain trees in our own folklore is matched by a similar Chinese

belief. The elder, the rowan, the yew, and the mountain ash of rural

England, or the palasa (a species of mimosa) of India, are represented,

in the Middle Kingdom, by the bamboo, peach and willow, which are

regarded as peculiarly powerful over goblins and imps. The dry Bamboo

is supposed to attract devils. On the other hand a rod of green bamboo

is carried at funerals by nearly-related mourners for a contrary

purpose. It is called the “dog-driving rod,” and is supposed to be

efficacious in driving away evil spirits who might stop the way of the

departed. The willow is used both to drive away and to raise spirits,

but in the former case a twig only must be used. The plum tree is also

regarded as possessing mysterious virtues in the same direction, but is

not thought equal to the willow. Two other plants are also supposed to

be efficacious against evil spirits, and one of them, the Fo yeung lak

火殃䓶 is at Canton hung over door-ways to prevent them from entering

houses. We too, formerly put up holly at Christmas with a similar

object, though it has now become a mere decoration, and there was a

pretty Druidical superstition that the Sylvan spirits would take refuge

in the evergreen branches from the chill winds and snows proper to the

season. [75] It would be interesting to trace the superstitions

connected with trees somewhat further, but I have not sufficient

authorities at command.

Of the charms affixed to buildings, etc., the Chinese have a fair

variety. The all-potent horseshoe is indeed not found nailed against

doors and gables; but, oddly enough, a horse’s hoof hung up in a house

[76] has the same preservative virtues in native eyes. Chinese

reverence for the dead has prevented the adoption of so horrible a

charm as that known in France, Germany, Spain, and Ireland as “the hand

of Glory” or dead man’s hand, consisting actually of the dried hand of

an executed criminal. But a nail that has been used in fastening up a

coffin is a sovereign charm. This is sometimes beaten out into a rod or

wire, and, encased in silver, worn as a ring round the ancles or

wrists. The cat here makes her appearance, a clay image of poor

pussy—with a bob-tail of course, after the Chinese model,—being

frequently placed on the apex of a roof to ward off unpropitious

influences. The conspicuous position thus accorded to the cat as a

warder-off of evil fortune seems oddly paralleled, though not imitated,

by the place accorded to the same animal in popular European folk-lore.

I have already mentioned its evil repute amongst the Chinese as a

harbinger of ill luck, and this agrees closely with the usual Western

estimate, witches and cats being constantly associated, the former

indeed being supposed to take upon themselves the shape of the latter

at will. The old legend that the chariot of the Goddess Freya was drawn

by cats, and that Holda was attended by maidens riding on cats, is

referred by Mr. Kelly to a widespread belief in their weatherwise

powers. In China the cat is supposed to be in league with the spirits

of darkness, and as this includes meteorological prescience, it is

propitiated accordingly, the cat’s image becoming a popular “charm.”

So too those nondescript animals which most people agree to call lions,

and which may be seen keeping guard in such disconsolate attitudes on

the roofs of most native buildings of importance, are mere charms. The

Chinaman in fact, from his cradle upwards, seems to regard himself as

ever environed by diabolical agencies, to combat which an all-pervading

system of charms and amulets is a prime necessity. While we laugh at

this superstition, it is perhaps only a too vivid realisation of the

fact of the devil “going about like a roaring lion.” It may be

interesting to note here that our own custom of depositing coins,

papers, &c., in the foundation stones of new buildings is matched by a

similar custom in China. I am unable to trace the superstitious origin

of the practice in our own case, but the Chinese place coins under the

door-sill and under the kitchen fireplace, when building, simply for

luck. In some cases, following out the usual notion of contrariety,

these and other charms are attached to the ridge pole of the building.

“Cash-swords,” a very common form of charm, are thus described: “What

is commonly called a Cash-sword is considered very efficacious in

keeping away evil spirits. It is often hung up on the front and the

outside of the bridal bed-curtain, in a position parallel to the

horizon. About the time of a woman’s confinement, a cash-sword is

sometimes taken and hung inside of the curtain. This sword is usually

about two feet long, and is constructed out of three kinds of things,

each of which is regarded as a preventive of evil spirits: 1st. Two

iron rods, about two feet long, constitute the foundation of the sword.

2d. About one hundred cash, either ancient or modern (if ancient, or if

all of the same emperor’s reign, so much the better), are ingeniously

fastened on these rods, concealing them from view. The rods are placed

in the centre, and the coins are tied on the outside in two rows. 3d.

Red cords or wires are used in tying on the cash. These three kinds,

joined together in the shape of a sword, make a really formidable

weapon, of which the maliciously-disposed spirits are exceedingly

afraid!” [77]

Another charm of extensive use amongst Chinese women is a small solid

silver or golden triangle, having two little swords suspended from the

outer angles and a trident from the centre of the base; on the triangle

itself lucky characters are engraved. This shape appears to be a

favorite one, as women always fold their written charms in a similar

manner, and sew them up in pieces of cloth of a triangular pattern.

The idea of an evil eye is no less common amongst the native population

out here than it was and still is in Europe; and this belief,

implicitly accepted as regards their own countrymen, is intensified as

regards foreigners, owing to the outrageous stories circulated about us

during recent excitements. I have often been amused in the North at the

request not to stare at any child whose interesting appearance might

have attracted my attention. In writing letters the Chinese invoke the

person addressed, to cast a glance on the epistle “with the clear part

of his eye” (or, as we should say, white of the eye) that is, take a

favourable view of the matter talked of. A pregnant woman or a man

whose wife is pregnant, is called “four-eyed,” and children are guarded

against being looked at by either, as it is thought the sight would be

unlucky to the children and would cause sickness to attack them. The

superstition as to the powers of an “evil eye” may almost be deemed

fundamental to humanity, as I have yet to read of a people amongst whom

it does not find some degree of credence.

One of the commonest diagrams to be met with throughout China is the

mystic swastika or “Thor’s Hammer” 卐 (pronounced wan in Chinese and

given as the archaic form of 萬). It is all-pervading, meeting the eye

in all sorts of places, on the wrappers of medicines and sweetmeats,

the stomachs or chests of idols, and the flanks of animals, upon dead

walls, coins, etc. Dr. Eitel gives a most interesting account of this

symbol in the 3rd volume of Notes and Queries on China and Japan. [78]

It is ordinarily accepted as “the accumulation of lucky signs

possessing ten thousand virtues, being one of the 65 mystic figures

[79] which are believed to be traceable in every one of the famous

foot-prints of Buddha. This of course stamps its Buddhistic origin so

far as the Chinese are concerned. Apropos of this symbol, known by us

as the fylfot, a recent review of Mr. Waring’s Ceramic Art in Remote

Ages says:—“Another form of the cross which Mr. Waring has collected

very completely is the fylfot. By some this is thought to be only a

sort of Greek fret or meander pattern; but the evidence of its having

been a symbol in past times of mystic significance is too strong to

allow of its being reduced to a mere ornament. It has been identified

with the Hammer of Thor, the Zeus or Thunderer of the Scandinavians.

With the Buddhists this cross had the very opposite signification from

that of the tau of the Egyptians or the cross of the Christians.

General Cunningham is quoted, who says:—‘The atheistical Swastikas

received their name from their peculiar symbol, the Swastika, or Mystic

Cross, which was typical of their belief in Swasti. This term is a

compound of ‘su,’ well, ‘asti,’ it is, meaning ‘it is well;’ or, as

Wilson expresses it, ‘so be it,’ and implying complete resignation

under all circumstances.’... To Mr. Waring’s collection of facts

regarding the Swastika, or fylfot, it may be added that a Hindoo woman,

when she cleans out her simple cottage, and washes over the earthen

floor with a thin coating of mud and cow-dung—the latter having, as

coming from the cow, which is sacred, a highly purifying virtue—she

usually forms the figure of a Swastika on the door-step. In the woman’s

mind it is supposed to be an efficacious charm to keep away evil from

the house. Along with the fylfot we have the very similar figure of the

three legs which we associate with the Isle of Man. Mr. Waring’s book

gives us many examples of this symbol. In some cases they are legs, but

oftener they are merely three obtuse angles, or curves. This is also

found in many parts of the world, as well as some examples which are

given with five or six limbs. In such cases it is suggestive of a

wheel; and there are a number of Buddhist symbols not unlike to these,

which are understood to represent the ‘Wheel of the Law,’ or the Wheel

of Buddha. It may be stated that a three-limbed figure of this kind is

much used in the Punjaub, and other parts of India, by the Mohajin

log—the banking or moneyed class—as a charm; they place it in their

houses, and generally over the door.” But Dr. Eitel makes a yet more

interesting contribution to the subject in pointing out that

Scandinavians, Danes, Germans and Englishmen still attach superstitious

importance to this magic charm of their heathen forefathers, and of the

Chinese Buddhists of to-day. To the present time the hammer of Thor is

used amongst the German peasantry, and in Ireland, as a magical sign to

dispel thunder. [80] The same symbol was frequently cast on bells

during the Middle Ages, and many of them still bear this mark. Dr. E.

mentions those of Appleby and Scotherne, Waldingham, Bishop’s Norton

and West Barkwith in Lincolnshire, Hathersage in Derbyshire, Maxborough

in Yorkshire, and many more. That this symbol should thus be common to

Buddhistic and Scandinavian mythology argues a common fount in ages

long gone by; before the Aryan races had commenced their Westward

wanderings or the Shang dynasty had ceased to reign in China—coeval in

fact with Cadmus, the reputed father of Western letters.

The use of the Pa-kwa or “Eight diagrams”—a collection of strokes

arranged in hexagonal form and familiar to the merest tyro in Chinese

studies—as a charm to ward off evil influences, is universal. It is

made of all sizes and shapes, from large ones on boards one or two feet

square, down to tiny medals for personal wear not larger than a

sixpence. In the centre is the diagram of the Yang and Yin (male and

female principle), or sometimes a concave metal or glass mirror.

Coarsely executed boards of this description are placed perpendicularly

on the highest part of the roof. More neatly carved specimens are hung

up in rooms. Go where one will, the inevitable pa kwa, carved, painted

or written, is almost sure to ornament some portion of the premises. On

some houses again will be seen “three arrows placed in an earthen tube,

and laid on the side of the roof, the tube pointing towards some

distant object—the arrows being fastened in their places by clay.”

Sometimes the representation of a lad sitting on a three-legged

nondescript animal, with a bow in his hands, as if on the act of

shooting an arrow, takes the place of or accompanies the other objects

described. [81]

Stone slabs or pillars erected near the entrances of alleys leading

into a main street, are supposed to ward off the evil influences

proceeding from them. Mr. Doolittle states that in Foochow every family

on the first day of the Chinese month nails up a few leaves of the

sweet flag (acorus gramineus) and artemisia on each side of the front

doorway. They are held to represent swords, and so scare away evil

spirits! Other charms, not personal, in Chinese use, are red cloth worn

in the pockets, or red silk braided into the hair of children; a knife

that has been used to kill a fellow-creature; the Chinese Classics

placed under the pillow or kept near the owner; knife-cash cast for the

purpose and attached to the ridgepole; pieces of old fishing nets, of

which demons are said to be especially afraid as they suppose them to

be used by the priests to catch spirits; and gourd shells, which it is

supposed will attract to their interior such diseases as small-pox,

measles, &c., which might otherwise attack children. Images or drawings

of tigers, lizards, snakes, centipedes, &c.—the list is almost

inexhaustible—have similar virtues, more especially guarding children

from colic and other infantile diseases.

Most people are acquainted with the cant expression about “taking a

hair of the dog that bit you,” now-a-days applied by those, who have

drank too much overnight, to the morning glass supposed to re-steady

the shaken nerves, but originating in a superstition common to both

Europe and China. The idea on which it is based is that of the sympathy

which a part of the body has with the whole. Thus a dog’s virus being

powerless on its own body, a person will by swallowing one of its hairs

enjoy the immunity possessed by the animal it came from. In Devonshire

we find the idea oddly reversed, as, when a child suffers from hooping

cough, a hair from its head is put between slices of bread and butter

and given to a dog, who thereupon, it is believed, gets the cough

instead of the child. [82] In the same country it is supposed that you

can give a neighbour ague, by burying a dead man’s hair under his

threshold. [83] The fact of a dog’s hair possessing mystic powers, in

Chinese Hakka [84] belief, is illustrated by the following incident

related to me by a distinguished sinologue in this Colony.

While on his missionary tours in the Canton province he was usually

accompanied by a powerful dog, at which, in some of the villages he

passed through, the children were somewhat frightened and once or twice

very slightly bitten. In such a case the mother would run after him and

beg for a hair from the dog’s tail, as a charm against the evil one.

The hair thus obtained would be put to the part bitten in the belief

that the spirit which the fright suffered by the child had caused to

pass into his person, would thereby be attracted from it.

My informant used sometimes, jokingly, to say to the applicant, “Oh!

take a hair from the dog yourself,” but not liking his looks, this

offer was usually declined, and the alternative suggested brings into

notice another curiously wide-spread superstition. He was asked to spit

in her hand, as a charm against evil. Now the virtues claimed for this

not very cleanly proceeding by the Chinese found a thorough belief

amongst the ancients, which survives to this day amongst the lower

classes in England. Brand gives a most interesting chapter on this

subject. [85] The Roman custom of lustrating an infant by spittle on

the day of its being named, that of the Mandingoes who spit thrice in

the child’s face on the same occasion, and the custom of fishwomen at

home who still “spit upon their handsel,” or the first money they take

in the day, all point to the same belief as that entertained by the

Hakkas. There is still a rural English belief that spitting three times

in a person’s face is a charm against the evil eye. The Hebrew belief

in the mystic properties of saliva is said to be of considerable

antiquity, and we find our Saviour on two occasions (St. John ix. 6 and

Mark vii. 33) using it in curing the blind.

“Characts,” or written charms, are as common in China as in Europe. We

settle the origin of our own former confidence in their efficacy by a

somewhat off-hand reference to the Jewish phylactery—a derivation I am

inclined to doubt—but we have nothing that I know of to guide us in

finding the root of the Chinese superstition. However that may be, the

fact that written charms have ever been deemed efficacious, wherever

the art of writing is known, is curious. Not a very long time ago the

still warm body of a deceased male child was picked up in the streets

of Hongkong, having affixed to its cap one of these charms, which had

evidently been sold to the parents by one of the itinerant

fortune-tellers who infest the city. It was kindly placed at my

disposal by the Coroner, and a facsimile of it is given on the opposite

page.

It is almost untranslateable, but if you bear in mind that the Chinese

words refer to horary or astrological terms, the following will give

you some idea of what it meant. The paper refers to an infant born in

the yam shan year (1872), 2nd moon, 17th day, at noon; the character

for “left” appended to the date signifies that the child is a male,

that for right signifying a female.

“Being born in the yam shan year, kwai mou month and kap ng hour, the

child is subject to the combined influence of these dates. Under yam

shan it will be adverse to the influence of koon (officials) [that is

an indication of evil], but will find powerful friends. He will have

brothers who will impoverish him. According to the portents under the

character kwai mou, he will always have plenty to eat and great wealth.

Under Sun mi he will meet with counter influences from an evil spirit.

Kap ng indicates that he will meet with good influences indicating

wealth and powerful friends, but these good influences will be

counteracted by an evil spirit.

“For 3 years, the first epoch under prediction, his fate is good.

Thence to the age of 13, the first five years will be bad, the second

five good; from 14 to 25 the first five years will be bad, the second

very bad; from 26 to 33, five years will be bad, the latter five very

good; thence to 43, good and very good fortune will be his fate. For

five years after this his fate will be good, continuing till his death,

which will happen before he is 53.

“The life of this child indicates purity and prosperity. His good

fortune lies in being born at the hour of noon, as this indicates

powerful friends and other good influences. His future life will be one

of bliss, but he ought to adopt the Kum-fa goddess, in the municipal

temple, as his spiritual mother. In selecting a name for him some

character should be chosen having To, earth, as a component part. It

will then be lucky. The date fixed for shaving the child should be the

18th day of the 3rd moon from 9 to 10 a.m. The child should be a year

old before he is vaccinated.”

So much for this written charm;—sad rubbish no doubt, but not much

worse than the whining predictions of gypsy crones in enlightened

Europe, and harmful chiefly in the widespread belief attached to its

value.

The charm here given was written on red paper, that colour being

supposed to be peculiarly obnoxious to evil spirits. Hence the red

cloth and silken twist already noted. But charms on yellow paper are

quite as numerous. Yellow is the Imperial colour, one of the five

recognized in the Chinese cosmogony, and a superstitious value attaches

to its use. “Sometimes a picture of an idol is printed or written upon

this paper, or some Chinese characters, or various scrolls, are drawn

on the paper with red or black ink. It is then pasted up over a door or

on a bed-curtain, or it is worn in the hair, or put into a red bag and

suspended from a button-hole, or it is burnt, and the ashes are mingled

with tea or hot water, and drank as a specific against bad influences

or spirits. An incredible number of these charms are used in the

various ways indicated. Many houses have eight or ten or more on the

front side or under the eaves. Immense numbers are burnt in idolatrous

or superstitious ceremonies.” [86] Similar charms are hung upon

bed-curtains, placed upon the ridge poles of houses, and hung over

door-ways. The veneration entertained for the written character in

China is doubtless partially owing to the superstitious belief in the

protective nature of written charms. The Biblical, or at all events

Talmudical, authority for the use of Phylacteries seems to have

indirectly produced a somewhat similar effect amongst the Hebrews.

Brand gives numerous instances of the belief in written charms in

England, and a gypsy charact, sold within the last few years, has come

under the present writer’s personal observation. In this case, as in

all others, it may be truly said, that the more we enquire the less do

we find to be the divergence between Chinese and Western beliefs and

superstitions.

But amulets and charms worn about the person are, perhaps, even greater

objects of importance in Chinese estimation than household or other

charms. Retaining as we do the words, now applied to harmless trinkets

worn on the watch-chain, [87] we are apt to forget the deep

significance attached to them by our forefathers, and to somewhat

unduly ignore the influence which a belief in their virtues once

exercised over our own ancestors, and still exercises over people like

the Chinese. I may here note that small trinkets, believed to be

veritable amulets, are worn by the well-to-do Chinese just as among

ourselves. The most popular form of charm is, both in China and

England, a piece of money. Most boys have treasured a “lucky fourpenny”

with a hole in it, and most Chinese babies have been the unconscious

owners of “lucky cash” attached to them by a red string and bearing

certain lucky characters inscribed on them. The cash chosen for this

purpose are, as a rule, ancient. The older the cash the greater its

virtue. Sometimes coins of this sort are tied on the wrists of a

new-born child and worn by it for a considerable time. Similarly a

number of cash belonging to the reigns of different Emperors are placed

under the bed of a newly-married couple. Collectors of old coins

frequently come across curious specimens of the numismatic art produced

for this purpose, metals generally in China being favourite substances

for amulets. One of the commonest amulets given to an only son is a

small silver lock. The father collects a number of cash from the heads

of a large number—strictly speaking a hundred—different families, and

having exchanged them for silver has the latter converted into a native

padlock which is used to fasten a silver chain or ring on the boy’s

neck. [88] This it is supposed will be respected by evil spirits, and

will therefore contribute to the boy’s longevity. Another popular

amulet is made in the shape of a flattish silver hook with some

fortunate inscription thereon. But most common of all are the little

bells worn by the Chinese child of every degree in the Southernmost

provinces and, more sparingly, used in the North also. The origin of

the custom as regards Canton has been already given. But a belief in

the occult qualities of bells is so wide-spread [89] that considerable

doubt may reasonably exist whether, even if the legend be true, the

Cantonese did not merely amplify an existing practice by way of

appeasing the Demon of the bell. It is at all events strange that our

own ancestors should have credited bells with possessing occult powers

to aid mankind in their combat with the spirits of darkness, while the

Chinese propitiate the same enemies by wearing models of bells upon

their clothes. But a yet more odd coincidence is found in the sixty-six

bells attached to the Ephod of the Jewish High priest when engaged in

sacerdotal ministration. [90] At the present day we give bells to

babies mounted on a piece of coral—itself a celebrated charm since the

days of Pliny, by whom it is noted as an amulet against fascination and

able to preserve and fasten the teeth. Few substances, by the way,

except metal are used by the Chinese as amulets, jade being almost the

only exception. [91] It would be interesting to ascertain whether the

ear-ring was ever regarded in China, as by the Semitic races, as a sort

of amulet or charm.

Divination is in China as popular as, and probably more respectable

than, it was amongst the Israelites in the days of the witch of Endor,

and it is not perhaps going too far to say that there is not a single

means resorted to in the West by way of lifting the impenetrable veil

which hides the future from curious mankind which is not known to and

practised by the Chinese. From “Pinking the Bible” to using the

Planchette, from tossing for odd and even to invoking spirits to

actually speak through crafty media, the whole range of Western

superstition in this regard is as familiar to the average Chinaman as

to the most enthusiastic spiritualist at home. The coincidences of

practice and belief are indeed so startling that many will doubtless

see in them a sort of evidence either for their truthfulness, or for a

common origin of evil. Divination by the ka pui has been already noted,

together with that by bamboo slips. Cash and many other objects are

similarly used, the mode of procedure in no way differing from our own.

Such modes of consulting the gods are, however, every-day matters. It

is when we come to the consulting of media, the use of a forked stick,

writing on sand, and similar matters that the Chinese practice becomes

singular in its resemblance to superstitions openly avowed at home. I

would here remark that I am no spiritualist. But how, without any

apparent connection with each other, such beliefs should at once be

found in full force in the farthest East and the extreme West is

puzzling. Is our Western spiritualism derived from China?

It is only within the last ten years that the attention of English

readers has been markedly drawn to this strange agreement of Chinese

with Western belief and practice—in the first instance, [92] by the

Rev. J. Doolittle, in a series of papers contributed originally to the

China Mail and subsequently published in book form in 1867; and in the

same and following years, more exhaustively, in Notes and Queries on

China and Japan, by the Rev. E. J. Eitel, PH.D., whose thorough and

scholarly papers on Chinese matters render him a high authority.

Readers of that now defunct periodical will doubtless, in consideration

of the papers in question being out of print and unknown to the

majority of the British public, pardon my here transferring Dr. Eitel’s

remarks almost verbatim; the more so as any original account I could

give would be but a mere variation in language:—

“A certain form of spirit-rapping is practised among the officials and

literary classes of China. A spirit is sometimes made to appear, to

communicate by writing revelations about the future, and questions are

answered as regards the lucky or unlucky result of intended

transactions, about success at impending examinations, about progeny to

be expected, and so forth. The pencil to be used by the spirit must be

made from the twig of a peach-tree. But this twig should be cut off a

branch pointing towards the East, and before cutting the twig the

following magic formula consisting of four lines (with four syllables

each) has to be pronounced: ‘Magic pencil most efficacious, daily

possessing subtle strength, now I take thee, to reveal clearly

everything.’ [93] After the recitation of this formula, a compound

character is to be carved into the back of the tree. This character is

composed of two radicals, of which the upper one signifies water from

clouds; the lower one means demon, which indicates that the spirit to

be conjured up resides in the clouds. The other characters [94] ‘the

mysteries of Heaven wondrously mastered’ refer to the revelations which

the pencil is expected to communicate under the direction of the

spirit. When this compound character has been cut into the bark of the

peach-tree, a twig from one of its eastern branches, which moreover

must have a little curvature at its end in the form of a hook, is cut

off and fitted into a small piece of wood of about six inches length,

which is intended for being laid on the palms of the medium acting at

the ceremony. Every one who intends to witness it, has to purify

himself by fasting and ablutions and to dress in perfectly clean

clothes. In the hall where the ceremony is to take place two long

tables are placed together. On the upper table sacrifices are placed,

consisting of wine, fruit and confectionery, while the other table is

to be covered with fine red sand, which should be rolled even and

smooth by a small bamboo-roller, so that characters can be traced in

the sand without difficulty. All these preparations should be finished

before night-fall, when a petition to the Great Royal Bodhisattwa [95]

is to be written on a card, informing this Deity that sacrifices are

prepared, and requesting that one of the great spirits wandering

through the clouds [96] should be sent to the house of the petitioner

whose name and address is mentioned minutely to prevent any mistake.

This card, together with a quantity of gold paper, is conveyed to the

temple of the above-mentioned Deity, and burnt before the idol’s

shrine. On returning to his own house the petitioner writes his

address, as given on that card, on a slip of paper which he pastes on

one of the door-posts.

“Later in the evening two or three of the company assembled go to the

door, burn there some gold paper and make then an indefinite number of

bows and prostrations, receiving as it were the spirit on entering the

house. Having conducted him into the hall, an arm-chair is moved to the

table whilst incense and candles are lighted. At the same time the

medium approaches, the handle of the magic pencil resting on the palms

of both hands, but so that the end of the twig touches the surface of

the table strewn with sand. He places his out-spread hands near the

head of the table and addressing the spirit with becoming reverence

says: ‘Great spirit, if you have arrived, be pleased to write the

character “arrived” on this table.’ Immediately the magic pencil begins

to move and the required character appears legibly written in the sand,

whereupon all assembled request the spirit to sit on the large

arm-chair, whilst the Deity, that is supposed to have conducted him

thither, is likewise politely asked to sit down on another chair. The

whole company now bow and prostrate themselves before the seats of both

spirits, and some pour out wine and burn gold paper. Then the medium

approaches again with the magic pencil on the palms of his hands,

whilst all assembled say with one voice: ‘Great spirit, what was your

august surname, what your honourable name, what offices were you

invested with, and under which dynasty did you live on earth?’

Immediately the magic pencil is seen moving and answers to these

questions appear written in the sand. After this every one of the

assembled may put a question one after the other, but each question is

to be written on a slip of paper and burnt together with some gold

paper. As soon as each paper is fairly consumed by the fire, the magic

pencil writes down the answer to it, generally in poetical form, and

each sentence is followed by the character [97] ‘I have done,’

whereupon the pencil ceases to move. Then all assembled try to read the

characters aloud. If they fail to decipher them, the pencil moves again

and writes the same sentence more distinctly, until it is intelligible.

As soon as one of the assembly succeeds in deciphering a sentence, the

magic pencil moves again and writes on the sand the two characters [98]

‘that’s it.’ When a sentence is finished in this way, the sand on the

table has to be smoothed again with a bamboo-roller, and whilst this is

being done the whole company address flattering speeches to the spirit,

praising his poetical talents, to which the magic pencil replies by

writing on the table the characters [99] ‘it’s ridiculous.’ If any one

present behaves improperly, displaying a want of reverence, the spirit

writes down some sentences containing a sharp rebuke. The motions of

the pencil are quite extraordinary and apparently not produced by the

medium on whose open palms the handle of the pencil rests, and who

merely follows the spontaneous movements of the magic pencil. In this

way conversation is kept up without flagging until midnight (when the

male principle begins to be active). Then the spirit breaks off the

conversation and addressing the whole company writes on the table:

‘Gentlemen, I am much obliged for your liberal presents, but now I must

beg leave to depart.’ [100] To this all persons present reply saying:

‘Please, great spirit, stop a little longer,’ but the spirit jots down

as if in a great hurry the two characters [101] ‘excuse me, I am off.’

Then all assembled say, ‘If there was any want of respect or attention,

great spirit, we beseech thee forgive us this sin.’ All walk then to

the house-door burning gold-paper, and there take leave of the spirit

with many bows and prostrations.

“I proceed now to point out another form of spiritualism by which more

especially the lower classes of Chinese society allow themselves to be

blinded. There are somnambules in China, [102] and no matter whether

they be real clairvoyants under the influence of animal magnetism, or

merely clever impostors, they are at least in the South of China

everywhere to be found, enjoying the entire confidence of the mass of

the people, and holding a position very much like that of the witch at

Endor who conjured up Samuel before Saul, or like those priests in the

temple of Pluto and Cora at Acharaca, who used to prescribe to their

patients the remedies revealed to them in their dreams; in some

respects also like those oracles which were obtained at the lake

Aornos, and in which those consulted called up the spirits of the dead

(see Smith, Dict. of Antiquities, on Oracles). The fact is that, at

least as far as I am aware, somnambulism in China is generally made

subservient to necromancy. The Chinese mind is so deeply impressed with

the stability of family ties, that even death is not considered as

separating a man or woman from their respective families, and it is,

therefore, the common belief of the people that the ancestors of each

family, though living in Hades, are continually watching the interests

and welfare of all their descendants that live on earth. Consequently

if a family be in great distress on account of the severe illness of

some one of its members, or in doubt with regard to the advisability of

an intended marriage, or anxious to know if a certain site chosen for a

tomb would ensure rest and peace to the soul of a deceased relative,—on

each of these subjects the Chinese feel a craving desire to consult the

spirits of their ancestors. Now as the Chinese well know that it is not

so easy to influence those spirits and to induce them to submit to

consultations and cross-examinations, there is a class of people,

chiefly women, who make it their profession to conjure up spirits from

the dead, and to act as the mediums in the consultations to be held

with them. These women are called shang-pʻo in Canton city, whilst in

other parts of the province they are usually known by the name of

sin-pʻo. [103] If there be any family in trouble or anxiety for some

one or other of the reasons mentioned above, a somnambule is sent for.

No preparations are required, no sacrifices are to be offered, except

that some incense sticks are lighted and put into that niche dedicated

to the spirit of the hearth, [104] which may be seen in every Chinese

house in the wall over the cooking range. When the somnambule arrives

at the house, she is received by the female portion of its inmates and

conducted to some quiet back room. No man is allowed to be present,

especially no scholar, and great care is to be taken, that no copy of

the Chinese classics, among which the ‘great learning’ [105] is most

dreaded by the somnambules, should be left lying about in the room. If

any of these precautions are neglected the somnambule will declare it

impossible to hold any conversation with the spirits. When all is ready

she ascertains first the nature of the difficulty under which the

family labours, and the name and sex of the ancestor whose spirit is to

be conjured up. As soon as she has learned these particulars she seats

herself on a low stool and crouches down on it, so that her head rests

on her knees. Then she utters in a low and measured tone the following

incantation:—

‘Ye sisters three—ye ladies four,

‘O! lead me now to Hades’ door!

‘What would ye do in Hades? Speak!

‘My kindred only would I seek—

‘My kindred seek, one word to say.

‘Then quickly lead me back, I humbly pray.’

“This incantation she repeats three times, and soon after she has

spoken it for the third time a sudden change seems to come over her

body. Her arms drop down, her limbs are one after the other seized by a

sort of torpor, convulsions shake her all over, and cold sweat covers

her face and temples. At last she seems fast asleep and now questions

may be put to her. ‘What do you see?’ she may be asked. ‘I see

nothing,’ is the answer, ‘it is all dark and chilly.’ After a while she

is again asked, ‘what do you see now?’ ‘Now,’ she replies, ‘now it is

lighter; yes, at a distance I see pagodas and towers and palaces and

houses.’ ‘Do you see any human being?’ ‘No, I cannot see distinctly;

yes, now I see them, there are men and women with pale sallow

complexions, and one approaches me, speaks to me!’ ‘How is that person

dressed?’ Then the somnambule describes the dress and the whole

appearance of that person, and her description coincides exactly with

all that her employers can remember with regard to the peculiarities in

dress and general appearance of the deceased relative whose spirit is

being conjured up. The identity of the person required being thus

established, questions may now be put as to the particular difficulties

on account of which the family want to consult the spirit of their

ancestor. This spirit, however, is not made to appear, but the

somnambule pretending to see it and to be in conversation with it, acts

as interpreter, and answers all questions in the name of that spirit

and with an unnatural shrill voice. When the curiosity of the audience

has been thus satisfied they try to awake the somnambule by shouting

her name three times into her ears. Soon her body begins to tremble,

one limb after another seems to shake off its torpor, the woman raises

herself up, and goes through all the pantomime of a person suddenly

roused from a heavy sleep, expressing most dramatically an immense

surprise at finding herself in such a place and in such circumstances.

Then the somnambule speedily falls into her professional swagger, asks

for her wages, which, according to the means of her employers, vary

from five cents to five taels or more, and departs chuckling, I

imagine, over the credulity of her deluded victims.

“In conclusion I may remark that the deity to which the above given

incantation is addressed, is supposed to be that popular deity which is

commonly called ‘the seven sisters.’ [106] By some it is considered

identical with the spirit of the Wega in Lyra, [107] by others it is

identified with the spirit of the Pleiades; [108] and this latter

explanation I consider to be most plausible, because the Pleiades are

in Chinese colloquial called ‘the star of the seven ladies.’ [109]”

Another mode of divination employed is by means of a small image carved

out of willow wood (See supra for qualities attributed to this wood).

The medium is in this case also a woman. A recent writer thus describes

the modus operandi: “The image is first exposed to the dew for

forty-nine nights, when after the performance of certain ceremonies it

is believed to have the power of speaking. The image is laid upon the

stomach of the woman to whom it belongs, and she by means of it

pretends to be the medium of communication between the dead and the

living. She sometimes sends the image into the world of spirits to find

the person about whom intelligence is sought; it then changes into an

elf or sprite, and ostensibly departs on its errand. The spirit of the

person enters the image, and gives the information sought after by the

surviving relatives. The woman is supposed not to utter a word, the

message seeming to proceed from the image. The questions are addressed

to the medium, the replies appear to come from her stomach; there is

probably a kind of ventriloquism employed, and the fact that the voice

appears to proceed from the stomach undoubtedly assists the delusion;

any way, there are scores and scores of these mediums implicitly

believed in, and widows who desire to communicate with their deceased

husbands, or people who desire any information about a future state,

invariably resort to their aid.” In Kwang-hsi again there are wizards

who use a magic water called ku-tu. [110] They take this medicine and

smear it on a grain of rice, which they throw away. The natives gravely

believe that if any one is unfortunate enough to touch this grain of

rice, he at once grows ill; his stomach swells, and continues to do so

for a month or so until he at length bursts and out gush, not bowels,

but unboiled rice. If the ku-tu is smeared on straw, the stomach of the

person touching it, in like manner, becomes full of straw!

Mesmerism also has its Chinese votaries. A practice somewhat similar to

our mesmerism and used to gain money by exhibitions on the 5th of the

8th moon, is very common in Canton. The performer reads with the person

operated on certain incantations, chou, [111] whereupon the patient

falls into a mesmeric sleep. During this sleep, he is able, though

never taught the exercise, to go through all sorts of tricks of

fence—the native explanation being that the patients’ soul having

departed from the body, the spirit of a deceased fencing-master

occupies the empty tenement.

Divination by Virgilian, Homeric or Biblical Lots, in which the book

being opened at random the sense of the words covered by the thumb is

held to be prophetic, finds an exact counterpart in a Chinese practice.

The classical works (an odd coincidence, as the two most celebrated of

Western classics give their names to the Sortes Homericæ and Sortes

Virgilianæ) [112] are chiefly availed of for this purpose; but the

Chinese pay more attention to the lucky or unlucky meaning of the

particular characters touched than to the sense of the sentence in

which they occur. Any one even but slightly acquainted with the written

character of the language will easily conceive the vast field it

presents for such purposes. Thus nu, [113] a woman, enters into the

composition of a large member of characters having an evil

signification, and its presence in the word touched is therefore

unlucky. The literary section of the community rather discourage

frivolous appeals to such divinations, but are not above being guided

by them in affairs which they deem important.

I have already referred to the omens deduced from bamboo slips selected

or shaken out at random from a bamboo box. Fortune-tellers and

joss-house keepers divine future events for their credulous clients in

a somewhat similar way. A number of papers are prepared, marked with

characters the same as those on the bamboo slips, but also having short

sentences added indicative of good or ill luck. A slip being thrown

out, the paper containing its character is referred to, and the

sentence inscribed on it is accepted as the answer. Street

fortune-tellers frequently train birds to select one or more from a

heap of papers, each marked with a single ominous character. The

fortune-teller then proceeds to explain the prophetic meaning hidden in

the character thus chosen. Or, if he does not possess a trained bird,

the client himself picks out a paper for similar interpretation. A very

popular form of domestic divination is that already noted as availed of

at the new year—going out into the street and accepting the first words

heard as an omen.

Chiromancy or Divination by Palmistry has its votaries in China as in

Europe, the predictions of our English gypsies being arrived at in very

nearly the same way. The lines in the palm of the hand known as the

“line of life or longevity,” “line of fortune,” “line of the stomach,”

bear similar names in the vocabulary of native chiromancers, the same

line both in China and England being referred to as that of longevity.

A native account says: “The lines indicate whether a man be spendthrift

or the reverse; whether he will be lucky, wealthy, and prosperous, or

attain high position; whether he will have children, their sex, and

whether or not they will survive; and finally whether he will have more

than one wife.” The skin peeling from the palm of the hand (a common

occurrence when a person unused to manual labour performs work which

abrades or blisters the palms) is looked upon as an unlucky omen. The

evil omen attached to white specks on the finger nails has been already

noticed; but there does not appear to exist any practice of divination

by this means such as was formerly practised in England under the name

of Onychomancy or Onymancy. [114] Physiognomy is however much believed

in by the Chinese, and auguries from the countenance—a form of

divination which we all more or less unconsciously adopt, as witness

such phrases as “he looks born to be hanged,” &c.—are frequently drawn

and believed in. The Chinese have a quaint way of dividing off the

facial ages. At 30 years a man is said to have arrived at the epoch of

the eyebrows; at 36 at that of the eyes, and so on, at the epoch of the

nose, lips, cheek, bone, chin, &c.

Finally the “Divination by a green ivie leaf” recorded by an old

writer, [115] in which the health or sickness for the coming twelve

months of the party practising it is divined by the green or black

appearance of a leaf immersed in water for six days, is faintly

paralleled by the ominous virtues attributed by the Chinese to the

leaves of the juniper tree and pumelo plant. No doubt a fuller

investigation than the present writer is able to institute would

elucidate other points of agreement in this class of superstitions. But

enough has been given to shew that the Chinese mind has for ages been

subject to the same influences as obtain amongst ourselves, though

happily in our case (with the exception of spiritualism) now only

surviving amongst the lowest classes of the community.

VI.—SUPERSTITIONS AS TO VARIOUS SUBJECTS.

There are in China a large number of generally believed Superstitions

which it is difficult to class under any of the foregoing heads. The

mysterious properties ascribed to the hare are peculiarly interesting.

A prejudice against eating its flesh is coeval with Chinese history. In

the Erh-ya [116] we find it stated that the people of Yo-yang

“considered the hare to be a telluric genius so that nobody dared to

hunt it,” and throughout China it has always been looked upon

(especially the red variety) as a divine animal. [117] Albino hares are

regarded as omens of good, and their appearance a mark of heavenly

approval. In Dr. Eitel’s Handbook of Chinese Buddhism, Art. Sakchi, we

read, that an unselfish hare who threw itself into the fire, to offer

its flesh as food for others, was transferred by Indra to the centre of

the Moon. [118] The superstition concerning hares is common to China

and India. Nor, though it does not take precisely the same form, is a

belief in the portentous attributes of this animal wanting at home. For

a hare to cross a man’s path early in the morning is an ill omen

throughout Europe. And a Highlander of the 42nd Regiment, in his

printed memoirs, notices the same harbinger of evil as having crossed

his own path on a day of personal disaster in Spain. [119] It is

noteworthy that the Goddess Freya is represented as attended by hares,

who act as train and light-bearers. The hare moreover is reputed to be

the commonest disguise of a witch in all the Northern Countries of

Europe. [120]

Equally as widespread as the foregoing superstition is a common belief,

that drowned bodies may be discovered by throwing into the water

certain objects which, it is asserted, will stop over the exact spot

where the corpse may lie. The American Indians use a chip of cedar

wood. In England a loaf of bread loaded with quicksilver is used, while

in Ireland similar use is made of a wisp of straw, bound round with a

strip of parchment on which some cabalistic words have been written by

the parish priest. In Java and in some parts of China a living goat (a

sheep, I believe, will do as well) is cast into the water, and its dead

body will, as is believed, indicate the resting place of the drowned

man. As regards running streams it is easy to account for this common

superstition by natural facts, but the varied forms it assumes are

interesting. Another Chinese superstition relates to the use of salt,

which is thrown into the water when any one has been rescued from

drowning. A few months since a correspondent wrote to a Shanghai

newspaper as follows:—“Yesterday afternoon a youngster of the Chinese

nationality fell into the water off a pontoon. So his relatives set to

work to fish him out, which humane act being accomplished, was followed

by two old women very properly pulling his ears for trying to drown

himself, and giving them trouble, while another old woman threw salt

into the water at the spot he had fallen in. Can any of your readers

inform me what the salt-throwing meant, and whether it is a custom on

such occasions to do so?” The query remained unanswered. Nor has

subsequent enquiry enabled me to throw any light upon the subject.

“It’s a local custom,” was the only answer I could get. But a reference

to Brand gives us some very interesting facts in connection with the

use of salt for the purposes of lustration. [121] Flinging salt over

the left shoulder to avert threatened calamity is a well-known custom.

The Greeks and Romans used it in their lustrations, and Jews and Pagans

alike used it in their sacrifices as a propitiation. The Romans

especially designed it as a propitiatory offering to avert the

vengeance of Stygian or infernal Gods—an exact parallel to the Chinese

custom. In the Isle of Man, a gift of salt is an essential element in

numerous transactions. The Scotch used to, and perhaps still, put salt

in the first milk taken from a cow after calving. That the Chinese

should credit salt with propitiatory virtues also is therefore curious.

Another item of our own household folk-lore, concerning the last piece

of any edible left on a dish, is purely Chinese. While our goodwives

give it the name of the “bachelor’s bit,” the Chinese call it the

“poison piece,”—not because it is in itself poisonous, but because he

who takes it may fare as badly as if he had been veritably poisoned.

The Chinese think it unlucky to have the spout of a kettle, standing on

the fire, turned outwards;—a belief I can only match by our

superstition that it forebodes ill to cross two knives on the dinner

table, being unable to trace the origin of either superstition.

I can hardly avoid in this place a notice of the singular geomantic

superstitions known as Fêng-shui, regarding which Dr. Eitel has written

so excellent a brochure. That learned writer answers the question “what

is Fêng-shui?” in the following words: “Fêng-shui [the words themselves

signify wind and water] is, as I take it, but another name for natural

science.... It is simply the blind gropings of the Chinese mind after a

system of natural science, which gropings, untutored by practical

observation of nature, and trusting almost exclusively in the truth of

alleged ancient tradition, and in the force of abstract reasoning,

naturally left the Chinese mind completely in the dark.” No more

accurate definition for scientific purposes could be given, and to

those who feel an interest in the subject I cannot do better than

recommend the perusal of his work. But for present purposes, in which

the practical rather than the theoretical side of popular belief is

necessarily dealt with, the reply must be framed somewhat differently.

Fêng-shui, then, is a system of geomancy which determines the good or

ill luck of localities as regards their occupation for purposes of

building, cultivation, burial, etc., etc. By way of illustrating this

interpretation the following paragraph from a Shanghai newspaper,

written of course simply for “news” purposes, is apposite:—“The general

excitement caused in Hangchow, in common, apparently, with the rest of

the province, was some weeks ago intensified by a development of the

well-known superstition of Fêng-shui. A number of people having died in

a certain part of the town, enquiries began to be made as to the cause

of a mortality somewhat specially localised. But instead of looking, as

Westerns almost instinctively would, to the physical conditions and

environments of the district, the good folks of Hangchow called in the

learning of the geomancers to explain the cause of the ‘evil

influence.’ These worthies were not long in pointing to a range of

buildings belonging to one of the American Missions, that stood on a

hill overlooking the district where the abnormal mortality had

prevailed. These buildings, though not high in themselves, were yet

elevated by their site above all the surrounding buildings, and thus

they interrupted the benign influences of the Fêng-shui. The question

then came to be, how the evil was to be remedied. The traditional mode

of procedure would have been to organise a mob, raise a disturbance,

and during its continuance contrive to pull down or burn the obnoxious

premises. But, on the one hand, past experience of foreigners has

convinced the authorities that this way of dealing with foreign

property is sure to entail serious consequences; while, on the other,

the satisfactory results of diplomatic action as illustrated at Peking

has gradually inclined them to the suaviter-in-modo policy. Accordingly

a number of the gentry were commissioned to proceed to Ningpo and put

themselves in communication with the United States Consul on the

subject. Arrived in Ningpo they drew up a petition to that gentleman,

setting forth the fears and anxieties which were excited among the

common people of Hangchow, by the disturbance of the Fêng-shui

occasioned by the mission premises in question, and setting forth the

willingness of the authorities to grant them a site and erect buildings

on some other site to be agreed on between them and the missionaries,

or to pay the missionaries a money equivalent for the surrender of

their property. The missionaries, on being communicated with by Dr.

Lord, signified their preference of the proposal to grant them an

equally eligible site and erect suitable buildings elsewhere, in

exchange for their existing property, and this arrangement is now in

course of being carried out.” No better instance of the difficulties

which Fêng-shui presents to foreign missionary and commercial

enterprise could be adduced.

A superstitious belief in the value of human blood and portions of the

body as medicinal aids seems to be common to the ignorant classes of

many nations. Just two years ago, a number of lepers were reported to

have made their appearance at Whampoa and its vicinity, attacking and

killing healthy men, that they might drink the blood and eat the

intestines of those killed, which, lepers are under the firm belief,

will cure them of their loathsome disease. The native residents at

Whampoa became very apprehensive about this, and exercised very great

caution in their trips into the surrounding country in obedience to the

time-honoured custom of worshipping at the tombs. A Chinaman, who was

employed on board one of the river steamers, caught the disease, and,

as was currently stated at the time, resorted to the modus operandi

stated above. Female lepers, by the way, believe that they will become

free from the disease if they communicate it to men willing to live

with them, and as some are always to be found sufficiently dead to

ordinary feeling to do so, leprosy has by this means been spread more

than it would otherwise be.

The idea of cannibalism for other purposes is by no means unfamiliar to

the Cantonese. When the rebels, called “patriots” by the half-informed

enthusiasts of those days, held possession of the Blenheim Reach Fort,

they used to drink the blood and eat the hearts of the Imps, (i.e.

foreigners) whom they made prisoners. Colonel Yule, in his exhaustive

work on Marco Polo (Vol. I., p. 275), devotes a lengthy note to the

subject of Chinese and Tibetan cannibalism. The Arab travellers of the

9th century relate that, “In China it occurs sometimes that the

governor of a province revolts from his duty to the emperor. In such a

case he is slaughtered and eaten. In fact the Chinese eat the flesh of

all men who are executed by the sword.” Dr. Rennie states (and I can

myself confirm the assertion) that after an execution at Peking certain

large pith-balls are steeped in the blood of the defunct criminal, and

under the name of “blood-bread” are sold as a medicine for consumption.

It is only to the blood of decapitated criminals that any such healing

power is attributed. “It is asserted that the executioners of Mr. de

Chappedelaine, a Romish missionary murdered in Yunnan in 1862, were

seen to eat the heart of their victim, and Mr. Cooper, the well-known

traveller, was told by a Bishop of the same mission, that he had seen

men in Yunnan eating the heart and brains of a celebrated robber, who

had been executed.” In all these cases the idea underlying this

horrible act is, that by eating a portion of the victim, especially the

heart, one acquires the valour with which he was endowed.

Nor do the Chinese stand alone in their silly stories respecting the

use of the children’s eyes and blood for photographic purposes. I note

that a recent report of the Smyrna mission alludes to a superstition

amongst the Greek Christians of the Levant curiously similar. They hold

that the Jewish ritual enjoins the shedding of blood at the feast of

the Passover, and that the Jews annually inveigle a Christian child

into their toils, fatten it up, and then open its arteries to utilize

the blood. [122] This blood, it is believed, is kneaded into the

unleavened bread by the priests, who afterwards distribute this

devilish confectionery to their congregations, for a small pecuniary

consideration. [123]

But the superstitions regarding the uses of human blood or flesh are

not confined to the instances above given. It used to be believed at

Canton, and perhaps now is, that the blood of an unborn infant was all

effective for magical purposes. [124] It is used as a charm against

husbands by a sect called 迷夫教, a set of young unmarried women,

comprising a sisterhood who are sworn never to many. If forced by their

parents to do so, they then employ this charm to destroy their husbands

in order to remain single, and be faithful to the oaths of the

sisterhood. A case is on record in which a Fokienese availed himself of

this drug to influence a woman for improper purposes, and her

subsequent death in child-birth was regarded as the natural result of

her yielding to the horrible charm.

More wide-spread is a belief in the restorative qualities of human

flesh and blood to the sick. Parents suffering from long-standing or

dangerous diseases are frequently offered a decoction of medicine in

which is mixed a piece of the flesh of one of their children. It is

considered an act of great filial piety to cut a slice off one’s calf

to mix it with medicine for a parent. The practice is still followed

even to the present day. Honourable mention is often made in the Peking

Gazette of such cases. It has of late been written down by the native

press, particularly by the Chinese Mail. A recent issue of the Shanghai

Courier and Gazette (November 1875) contained the following paragraph

amongst its local items:—“Two model sons are now living at Soochow,

whose mother was one day taken alarmingly ill. They were very poor; but

medical assistance was urgently necessary, and so the elder brother

went to implore the assistance of a celebrated doctor. He was only

able, of course, to offer the great man a small fee; and the great man

loftily refused to come. The poor lad threw himself on the ground

before him and bumped his head till it ached, but the doctor was quite

immoveable. So he went home and told his younger brother how

unsuccessful he had been. The unfortunate woman was dying; what was to

be done? At length the young boy hit upon an expedient. He cut a great

piece of flesh out of his left arm, boiled it down to a broth, and gave

it his mother to drink. It is said that she recovered.” In May 1874, a

memorial in the Peking Gazette records how the Deputy Governor of Honan

petitioned in reference to a dutiful daughter who cut a piece of flesh

from her arm, in order to cure her father of his sickness. “In the

present Holy Dynasty, filial piety rules the Empire, and this doctrine

originates in the female sex. In the district of Chinyang there lived a

daughter remarkable for her filial piety, whose name after her

marriage, was Mrs. Wang. In the fifth year of the reign of the Emperor

Hëen-fung, this young lady’s father became dangerously ill, and his

filial daughter, lighting incense sticks, announced (to the gods) her

desire to sacrifice her own body for her father’s sake. After this

announcement, her father’s illness increasing, and his physicians being

unable to cure him, this filial daughter secretly cut off a piece of

flesh from her arm, and putting it into the medicine prescribed, gave

it to her father who, on eating it, immediately recovered. Some time

afterwards the daughter’s female attendants, perceiving the mark on her

arm, questioned her as to the cause and learned from her the facts

already stated. There was not a single individual of all those who

heard the narrative who was not struck with amazement.” The young lady

in question was shortly afterwards married, but her father dying some

ten years afterwards she “pined away and died for grief.” The petition

from which the above quotation is made prays the Emperor to order that

a Triumphal Arch be erected to her memory, as was usual in cases when

extreme filial piety had been displayed, and the petition was of course

granted.

A common saying that “a selfish child will be cut while being shaved”

embodies an idea not altogether unfamiliar to ourselves. But another

Chinese superstition, which certainly existed in full force at one

time, though I have failed to get any positive confirmation of its

existence at the present day, obliges us to seek its parallel amongst

other than Aryan races. A belief in weather conjuring by means of “rain

stones” seems to have been introduced into China from Mongolia, and

though it never took extensive root it attracted sufficient attention

to induce the Emperor Shih-tsung in 1724–25, to issue an edict on the

subject. It is addressed to the Mongolian Banner Corps, and says: “If I

offering prayer in sincerity have yet room to fear it may please Heaven

to have my prayer unanswered, it is truly intolerable that mere common

people wishing for rain should at their own caprice set up altars of

earth, and bring together a rabble of Hoshang and Taossŭ to conjure the

spirits to gratify their wishes.” Colonel Yule, in his Marco Polo, from

which (I. p. 273) I take this reference, gives some long and

interesting notes on the subject. Rain stones are used by the Samoans

in the Pacific, and if my memory does not deceive me, by some of the

North American Indian tribes also.

A popular belief exists in Central China that the practice of

gymnastics, if carried out with sufficient faithfulness, will enable

the student to avoid the common lot, and pass bodily into a future

state “ascending to heaven with his fleshly body.” That such a belief

exists is not unlikely, and it is probably a vulgar superstition based

on the more reasonable opinion that such exercises tend to extreme

longevity. Another queer superstition (the adjective is not classical

but expressive) relates to bridges. I have already adverted to the care

taken as regards houses by placing on them charms, &c., to avert

possible evil. But bridges, for some mysterious reason, have occult

virtues and defects of their own. A native account says, “If bridges

are not placed in proper positions such as the laws of geomancy

indicate they may endanger the lives of thousands by bringing about a

visitation of small-pox or sore eyes (!). They materially affect the

prosperity of the neighbourhood. There is a legend that during the

building of the stone bridge situated near the small eastern gate of

Shanghai (陸家百橋 the ‘Loh-family bridge,’) some difficulty was found in

laying the foundations. The builder thereupon vowed to Heaven the lives

of two thousand children if the stones could be placed properly. The

Goddess addressed, however, intimated that she would not require all

their lives, but that the number in question would be attacked by small

pox. This took place, and about half of those attacked died.” Stories

like this circulated amongst coolies and compradores are a fair

specimen of popular legendry in this connection. But why bridges should

especially require such sacrifices it is difficult to say.

Amongst what may be termed domestic superstitions is one that, if a

person be afflicted with a swelling, touching it three times with the

hem of a woman’s garment is efficacious as a cure. If, when one is

boiling a pot full of liquid, a straw be tied round the neck of the

pot, it is believed that the contents will never boil over or get

burned. Another piece of cook’s folk-lore relates to eggs. As everybody

knows an egg suddenly plunged into boiling water will most likely

break. But the Chinese cook averts this occurrence by previously

describing a circle with the egg round the rim of the pot, which he

believes is an infallible protection against any fracture of the shell.

The Japanese, by the way, draw auguries from the noise made by boiling.

Over a bright fire, a rice boiler is said to vibrate with such violence

at times as to give forth a loud humming noise. If this begins faintly

and grows afterwards stronger, it is said to indicate good luck; if

loudly, the reverse is predicted, but in such cases it should at once

be stopped by enveloping it in the under-clothing of a female (a

virgin, if possible.)

A curious antidote against sickness is very commonly applied by parents

at Canton to their infant children on the fifth day of the fifth month.

This consists in staining their foreheads and navels with cinnebar or

vermilion, leaves of the sago palm and garlic bulbs being at the same

time suspended over the entrance doors to prevent the intrusion of evil

spirits. A medicated cake prepared at noon of the day in question, and

known as “the noon day tea” (午時茶) is also in much repute for the cure

of diseases, as is also a sort of congee boiled at the same hour with

five kinds of pease.

The all-pervading yang and yin principle so naturally influences the

whole arcana of Chinese belief that it is not surprising to find it

applied to the care of such useful contributors to the national

industries as silkworms. These are said to belong to the yang or male

influence and to be under the protection of a special constellation.

Anything male, such as men, sunlight, &c., is congenial to them, and

anything female deleterious. Hence pregnant women (development of the

yin principle) are not allowed to approach them; and even the presence

of a new-born child in too close proximity is thought to be

deleterious.

Finally, I may note that a curious superstition obtains regarding

murderers. It is believed that if the corpse of the murdered man lies

with its fists closed, it is a sign that the murderer will soon be

captured. If, on the contrary, the hands are extended, the omen

foretells that he will for at least some time make good his escape. It

is strange, by the way, that so widespread a belief as that relating to

the bleeding of a corpse when touched by its murderer has not some

analogy in China. At least I have failed to find any, though a not

quite dissimilar superstitious idea is prevalent, that if a man has

died a violent death—either by process of the law, or by the act of a

murderer—and the dead man is dissatisfied, blood will come out of his

mouth, eyes and nostrils on the appearance of a close relative.

VII.—GHOSTS, APPARITIONS, AND SUPERNATURAL BEINGS.

No one who has thus far followed my imperfect efforts to convey an idea

of the popular beliefs of the Chinese will be surprised to find that

ghosts and apparitions occupy an even greater place in their

superstitious lore than is the case with ourselves. In the words of a

native friend, “China is full of ghosts.” There is scarcely a popular

play in which a ghost does not play a conspicuous part in aiding to

right the wronged or to punish the guilty. The person to whom he

appears on such occasions generally counterfeits either sleep or

insensibility; but now and then while wakeful and active the actor

(especially if he be the ruffian of the piece) is scared out of his

senses by the apparition in the most approved melodramic style. Many

popular stories turn also on the appearance of supposed ghosts, who

turn out to be quite bonâ fide citizens in the flesh, and simply

enforce the moral that conscience makes a coward of the wrongdoer. A

story of this sort runs to the following effect, and narrates an

incident stated by Mr. C. T. Gardner to have happened only some five

years ago at Chinkeang. There were two partners, named Chang and Li, on

one occasion returning by way of the canal from Yangchow, where they

had been collecting debts. Chang saw Li standing on the edge of the

boat, and the crime of pushing him into the water, and thus becoming

sole possessor of the money, suggested itself. Chang, therefore, pushed

Li into the canal. Next year, at the time the murder was committed,

Chang fell very ill, and the ghost of Li appeared to him in a

threatening form, and told him that unless he paid over the sum

properly belonging to the dead man’s family, he would die. Chang

promised to do so, and got well, but his health being restored he broke

his promise, and still kept the money. Again, the following year, at

the same time, Li’s ghost again appeared, looking still angrier. Again

Chang was induced to make the promise, and this time he kept it.

However, his health seemed permanently to suffer, everything went

wrong, business fell off, and he determined to try and change his luck

by migrating to other parts; he consequently went to Honan. What was

his astonishment when he again saw Li, not now in the middle of the

night by the side of the bed where he lay sick, but in broad daylight,

and in the street. His terror was extreme, he rushed forward, and made

a ko-tow, and said, “I have already done as you ordered me, why do you

still haunt me?” To which Li replied, “I am no ghost; what do you

mean?” Then Chang told him how he had twice appeared, and how his share

of the money had been paid to his family. Li then said, “So, it was not

an accident my falling into the river? I had neglected to pay due

respect to the spirit of my father, and when I tumbled in the river,

and was nearly drowned, I thought it a punishment for my impiety.”

“The spirits of the dead,” remarks Mr. Chalmers, “were perhaps known at

first only as objects of superstitious fear under the name Kwei 鬼,

ghosts. The top of this character is supposed to represent a human

skull. It had from the first an unpleasant association, and hence it is

seldom used in speaking respectfully of the dead. In the poetry it

occurs only twice, once as our modern Ghost, and once as the name of a

place—Ghostland.

“An interesting statement is attributed to Confucius in the Book of

Rites (§ Tan-kung) that in the time of the Hea, the earliest dynasty,

they did not sacrifice to the dead, but simply made for them incomplete

implements of bamboo, earthenware without polish, harps unstrung,

organs untuned, and bells unhung, which they called ‘bright implements’

implying that the dead are spirits (shen) and bright. There is

something really beautiful in this; and the substitution of ‘bright

spirits’ or ‘spiritual intelligences’ for ‘ghosts’ is an euphemism of

which we feel the necessity as much as the Chinese; for who likes to

speak of his relations as gone to the shades and to the fellowship of

ghosts?”

One peculiarity of the Chinese belief respecting ghosts is forcibly

recalled by Charles Dickens’s description of the Ghost of Christmas

Past in his famous “Carol.” They are frequently seen in shapeless form,

i.e. that the head will first be visible and then the feet, then the

body, and so on, the various parts appearing and disappearing in swift

succession. Another quaint belief is that a ghost has no chin, and to

say to a Cantonese “ni mo ha-pa”—“You’ve no chin,” is equivalent to

saying “You’re a Ghost.” Furthermore, the conventional white clothing

which European superstition bestows on nearly all ghostly visitors is

absent from the Chinese idea. A ghost in this country always appears in

the dress he was accustomed to wear during life—a very Marley in

fact—and conducts himself in a very ordinary way. There is indeed a

refreshing absence of the fee-faw-fum element in Chinese ghostology,

this eminently practical people taking a most matter-of-fact view of

spirit vagaries. They agree with us however in allotting the hours of

darkness to such visitors, who, as with ourselves, are compelled to

disappear as the cock’s crow announces the returning dawn. The candle

flame, which with us burns blue as the being from another world

intrudes himself, is in China alleged to burn green—an odd reminder of

the “green fear” of the Greeks. Most Chinese ghost stories turn upon

some end to be accomplished by the supernatural visitor; they retail

none of the sprightly friskiness attributed to ghosts in Western lands,

and altogether the Chinese specimen presents, as a rule, an edifying

illustration of how to do one’s work in the quietest and most

straightforward manner possible. It must not, however, be imagined that

they are endowed by popular belief with benevolent intentions. On the

contrary they are supposed to be maliciously inclined, and the very

fact that the words for “ghost” and “devil” are the same, and form a

portion of the objectionable epithets applied to foreigners (Kwei-tsze

in mandarin or Fan-kwai in Cantonese) demonstrates the popular belief.

To see a ghost is almost always regarded as an evil omen, and a

Chinaman is quite as easily scared as a European by the unwelcome

sight. One thus visited is described by his pitying neighbours as “down

in his luck.” As a rule, ghosts in China, it is alleged, most often

appear either to intimate friends or relations, or to downright

enemies. In the former case it is to request the fulfilment of some

unaccomplished duty or to aid virtue in distress, in which latter case

the ghost gives the weaker but upright party material aid in disposing

of his antagonist. As an illustration of the first-named sort of

apparition, I quote the following, recently communicated by a resident

to the North China Daily News, as told him by his teacher to excuse his

non-appearance for some few days:—

“It happened thus; three years ago a soldier who lived near our house

was ordered to join his regiment, which was about to march against the

rebels. As he was going to battle he did not wish to take his money

with him, and he called on my uncle and asked him to take charge of

$40, the amount of his property, until his return. My uncle accordingly

took charge of the money, and the soldier joined his regiment; but he

must have been killed in battle, as we have never heard from him since.

The day before yesterday, my uncle, who has for some time been

suffering from illness, called us to his bedside, and told us that he

was about to die. The soldier, he said, had appeared to him and

insisted that my uncle should immediately join him in Hades. We asked

my uncle whether he had committed any fault with regard to the $40, for

which we might make some atonement by punishing him in any way? He

replied that the money was all right, and that we should find it in a

certain drawer which he pointed out. My uncle died that day, and it was

of course impossible, under such circumstances, that I could come to

your Excellency’s place to study.”

Among recent stories of ghosts is one related in a native newspaper of

a mandarin who met his death in the late collision between the steamers

Fusing and Ocean. The unfortunate man was a passenger in the former

steamer, which was sunk in the catastrophe, over 60 other people being

also drowned. According to the story his ghost appeared to his wife,

who was living in Soochow, streaming with water from head to foot. He

told her that he had unfortunately been drowned and could therefore

enjoy no more of her society. He also stated that he had sent by a

certain friend of his some money for her use before he took passage in

the Fusing, and that the friend would arrive shortly. The wife was left

in a state of bewilderment, and did not exactly know what to make of

it. A day or two afterwards the friend named actually came with the

packet of dollars, his arrival being shortly followed by the

intelligence of the Fusing’s disaster.

Another story relates to a young Cantonese, who was made commander of a

Chinese man-of-war belonging to the Foochow Arsenal fleet. Shortly

after his promotion, he was taken ill and died. He was unmarried, as he

was very young—only 23 years of age. When he fell sick, he was living

at the house of a very intimate friend, a compradore in one of the

foreign firms at Foochow. After his death, the friend frequently saw

his ghost, and one night he saw it more distinctly than ever. He was

lying in bed half asleep and half awake, when he saw the ghost standing

by his bedside weeping. The friend addressed it and said: “Young man,

you need not cry, it is your fate; you should be satisfied with it.”

Thereupon the ghost disappeared, and never shewed itself again to the

same party. The ghost appeared however to the men on board the ship he

had been commanding, being often seen to pace up and down the deck, as

was his wont at night during his lifetime, and sometimes to place

itself in the attitude of drilling the men. Though the appearance here

narrated seems to have been objectless, the story is quoted as being

the type of numberless others which find insertion in the native

prints.

The Chinese endow certain sorts of ghosts with peculiarly malevolent

powers. Thus those of women who die in childbed, or while pregnant, are

peculiarly obnoxious, and those of suicides still more so. The ghosts

of those who die natural deaths seldom appear to the survivors; as a

rule the fact of a man’s ghost appearing implies that he has died by

violence. [126] The commonest type of ghost story to be met with in

China is that wherein somebody who has been foully dealt with appeals

to those who represent his interests to avenge him. It would of course

be more odd if there were no coincidences pointing to the truth of the

alleged appearances than if there were not. But I must confess that in

China as elsewhere they sometimes leave a bona fide impression of the

marvellous which can neither be explained nor rejected.

When a man has been murdered by another, his ghost will, it is

believed, haunt the murderer wherever he goes, and will only be

prevented from doing him a mischief by the want of a suitable

opportunity. Thus the presence of idols in the same room completely

neutralizes the ghost’s power, and it is moreover believed that in any

case no vital injury can be inflicted on the guilty party until the

time of his death, as recorded in the Book of Fate, has arrived. The

ghosts of suicides (who are distinguished by wearing red silk

handkerchiefs) haunt the places in which they committed the fatal deed

and endeavour to persuade others to follow their example; at times, it

is believed, even attempting to play executioner by strangling those

who reject their advances. Mr. Gardner gives the following story as

related to him by a Chinese friend:—“A friend of mine, enticed by low

rent, took a haunted house, and invited a guest to stay with him. My

friend declares he had no dread whatever, and that his guest did not

even know that the house was haunted. In the middle of the night he

heard a noise as if of struggling proceeding from the guest’s bed. He

went to see what was the matter, and found his friend choking in his

sleep. Thinking this might be accidental, he invited three friends to

stay with him, and the phenomenon repeated itself on all three at the

same time. Frightened at this, he made enquiries, and found a woman had

committed suicide in the guest’s chamber, and gave up the house.”

Another story runs as follows:—“Outside the north gate at Hang-chow

there was a house haunted by demons, where no human being dared reside,

of which the doors were ever barred and locked. A scholar named Tsʻai

bought the house: people all told him he was doing a dangerous thing,

but he did not heed them. After the deed of sale had been drawn out,

none of his family would enter the house. Tsʻai therefore went by

himself, and having opened the doors, lit a candle and sat down. In the

middle of the night a woman slowly approached with a red silk

handkerchief hanging to her neck, and having saluted him, fastened a

rope to the beam of the ceiling, and put her neck in the noose. Tsʻai

did not in the least change countenance. The woman again fastened a

rope and called on Tsʻai to do as she had done, but he only lifted his

leg and put his foot in the noose. The woman said ‘You’re wrong.’ Tsʻai

laughed, and said, ‘On the contrary, it was you who were wrong a long

time ago, or else you would not have come to this pass.’ The Ghost

cried bitterly, and having again bowed to Tsʻai, departed, and from

this time the house was no longer haunted. Tsʻai afterwards

distinguished himself as a scholar, and some have identified him with

Tsʻai-ping-ho, the Provincial Chancellor.” A third tale from the same

source illustrates what I have called the practical element in Chinese

ghost stories: “At Nanchang, in Kiangsi, were two literary men who used

to read in the Polar monastery; one was elderly, the other young; they

were united by the bonds of closest friendship. The elder one went to

his home, and suddenly died. The younger man did not know of it, and

went on with his studies at the monastery in the usual way. One night

after he had gone to sleep, he saw his old friend open the bed

curtains, come to the bed, and put his hand on his shoulder, saying,

‘Brother, it is only ten days since I parted from you, and now a sudden

sickness has carried me off. I am a Ghost. I cannot however forget our

friendship, and so have come to bid adieu.’ The young man was so

astounded that he could not speak. The old man reassured him, saying,

‘If I had wished to injure you, why should I have told you I was a

Ghost; do not fear then. The reason of my visit is that I have a favor

to beg of you with regard to the future.’ The young man grew a little

calmer, and asked ‘What can I do?’ The Ghost replied, ‘I have a mother

over 70, and a wife not yet 30; a few piculs of rice are needed for

their maintenance. I beg you to have mercy upon me, and supply their

wants. That is my first request. I have also an essay which I have

written, which has not been printed. I beg of you to get a block cut

for it, and print it, so that my name may not utterly die out. This is

my second request. Next I owe the stationers some thousands of cash,

which I have not paid; kindly settle the claim. This is my third

request.’ The young scholar assented with a nod. The dead man stood up,

and said, ‘As you have been kind enough to grant my requests, I will

depart.’ Saying this he was about to go, when the young scholar, who

had observed from what he said that there was a great deal of human

feeling in him, and also that his appearance was as usual, lost all

fear of the Ghost, and tried to detain him, ‘We have been such close

friends; will you not stay with me now a little while?’ The dead man

wept, and came back and sat on the bed, and having conversed about

ordinary topics, again stood up, and said, ‘I must now go.’ He stood up

and did not move, his eyes stared, and gradually his features changed.

The young scholar got frightened and said, ‘Now you have finished what

you had to say, you had better go.’ But the dead man stood still, and

did not depart. The young man shivered in his bed, and a cold

perspiration came over him, but still the guest went not, but stood

erect by the bedside. The young man got in a still greater fright, and

jumped up and ran away. The Ghost ran with him, and the faster the

young man ran, the faster ran the Ghost. After a mile or so of this

race they came to a wall, over which the young man vaulted, and fell to

the ground. The dead man could not get over the wall, so he hung his

head over its ledge, and from his mouth fell some saliva which fell on

the young man’s face as he lay. At daybreak some passers-by gave the

young man some ginger, and he awakened from his trance. Meanwhile the

family of the dead man sought the corpse, but could not find it, but

when they heard the news of the corpse looking over the wall they took

the body and buried it.”

Although as I have said there is a general absence of “friskiness” in

Chinese ghosts, such pranks as those which have attracted attention at

home—throwing down crockery, trampling on the floor, &c.—are not

unknown. The only difference is that with us, such annoyances seem

usually to be purposeless, while in China they are resorted to attract

attention to the ghost’s demands. Ghosts, say the natives, are much

more liable to appear very shortly after death than at any other

period. For the first ten days after the spirit has quitted the body a

ghost is said to be 囘煞 ui shat (in Cantonese), returning to its former

haunts and attempting to pursue its ordinary avocations. In such cases

it is supposed to be accompanied by celestial police termed

Yen-lo-hwang, who are responsible that it duly returns to Hades. In

order to discover whether such a visit has been paid, the hall in which

the body is laid out is strewn with a smooth layer of sand. If it

appear clean, or footmarks only are visible, it may be concluded that

the deceased is in a state of happiness; but should the marks of chains

or dirt be detected, his fate is supposed to be very much the reverse.

I may, by the way, note that to constantly dream of deceased relatives

is regarded as a sign that the dreamer will soon die.

The superstitions as to deceased husbands visiting their wives are

peculiar, but scarcely calculated for popular explanation. A somewhat

contemptuous idea seems to prevail amongst the Chinese regarding the

intelligence possessed by ordinary ghosts. They are usually spoken of

as stupid and easily amenable to the control of those who remain

self-possessed. The ghostly hierarchy is well marked off as to its

degrees. Thus, on the 17th of the 7th moon, a ceremony called

“appeasing the burning mouths,” consists in laying out plates filled

with cakes and bearing above them invitations to the “Honourable

Homeless Ghosts,” or those whose relations being too poor to provide

for them, leave them to the tender mercies of the general public. Those

are the paupers of Ghostland. The writer already quoted, says in his

amusing paper:—“Though the invitations are addressed to Ghosts near and

far, there seems to be a sort of poor law which practically confines

the relief afforded to Ghosts of the parish. Of course, it is only

disreputable Ghosts who thus consent to live on charity. These pauper

spirits are said to do a great deal of harm, and cause epidemics, but

luckily the firing of crackers is a cure for the diseases thus caused,

as it drives the hungry Ghosts elsewhere. Besides these low bred and

malevolent hobgoblins, there are aristocratic and benevolent spirits,

one of whom rules the destiny of each of the Chinese cities. These

Ghosts are called Chêng-hwang, and receive their appointments in

various manners and for various terms. Thus the Chêng-hwang of Chu-chow

in Chê-kiang, is the ghost of a man named Shih, who was formerly

magistrate of the place, but who died of grief on being unjustly

disgraced. He received his appointment from heaven, and appeared to his

successor in office to notify the fact. The Chêng-hwang of Hangchow is

the ghost of a censor named Chow, who, being unjustly sentenced to

death, memorialized the throne to slay his only son, as he feared he

would rebel to avenge his father. Both were executed, and afterwards it

being found out that the accusation was false, the Emperor, to make

amends, appointed his ghost Chêng-hwang of Hangchow in perpetuity, and

having executed his accusers, man and wife, made stone images of them,

kneeling and in chains, which he caused to be placed in the

Chêng-hwang’s temple. The Chêng-hwang of Wu-chang is changed every

three to six years, and receives the appointment from the Taoist

Patriarch residing at Chang-tien joss-house in Kiangsi, and this is

notified to the various Taoist priests.”

“The Chinese almanacks describe sixty ‘Shin of Offence’ or evil ghosts,

one of which is abroad on each day of the cycle of sixty. If any one

goes out in any particular direction, and afterwards feels heavy-headed

or feverish he is supposed to have met this shin. He therefore takes

some fruit, rice, &c., and politely bows the creature away in the

direction where he met the accident. The shin are pictured in the

almanacks as little naked men. When the demons take possession of a

sacrificing witch she talks about happiness and misery. Every time they

come she is altogether a shin in her eating and drinking and speaking,

and every time they go she is altogether a human being. It would be

hard to say whether demons are in the witch or the witch in the

demons.” [127]

In an old Chinese farce said to date from the Sung Dynasty entitled

王道士收妖 or “How the Taoist priest Wang exorcised the Ghost,” Wang goes to

a haunted house with all his spiritual apparatus, full robes, mitre,

&c., and a gong big enough and noisy enough to frighten the boldest

devil. Not a bit however does the ghost quail in the present instance,

but seizes the gong, the cap and the robes of the holy man, and vows he

will turn the tables. At last the priest goes on his knees, and

beseeches the ghost not to exorcise him, as he only came in order to

earn a few cash; and had he only known beforehand that his Excellency

the ghost was really in the house, he would not have ventured to

disturb him. The farce ends by the ghost exorcising the priest.

Ghosts of idols are not unknown to the Chinese. “Ten years ago, when

the rebels infested the country and the cities were kept under strict

restraint, the people of Canton reported that the idol Kwan-yin’s shin,

her body dressed in white and in her hand a yak’s tail, perambulated

the city wall protecting the rampart; and at San-shuey the common

people reported that the rebels saw the shin of the idol Hiun-tan,

which is outside the South gate, bodily riding on a black tiger and in

his hand a golden whip too awful to be meddled with.”[127]

Another case of god-ghosts visible to the vulgar eye was gravely

recorded a few years since in the Peking Gazette. When the Mahometans

were some time ago besieging the district city of Chang-wei, they

suddenly halted, and ran away. The explanation is that when the rebels

approached the temple of Ta pi-peh (god of the star Venus) they saw a

terrible vision—“gods clad in golden mail and armed with swords and

shields, drawn up in battle array, numerous as forest trees, and all

along the top of the city wall innumerable red lamps;” and as a general

fire of musketry and cannon from the wall was heard, the assailants

were scared, and they abandoned their onslaught on the city.

The residence of human ghosts in Hades is supposed to be subject to

conditions very like those obtaining amongst mortals. They sally forth

on their visits to the world at permitted times and are free so long as

they behave themselves. But any infringement of the ghostly laws which

regulate their conduct is met by prompt punishment and a seclusion

which effectually prohibits their revisiting earthly scenes of pleasure

or business. Even when enjoying to the full all the privileges of

ghostdom, they are not able at all times to do what they would. Mortals

may deter them from appearing by pasting up pictures of Chung-Kwai 鍾葵

the Beelzebub of China, on the walls of their rooms. Talismans written

in perfectly unintelligible characters are also in use, and, as already

seen, Taoist priests are credited with the possession of curious powers

as exorcists. Pictures of Warriors pasted on the doors of houses are

efficacious, as are also the pieces of perforated paper so often seen

waving from the lintels.

The belief in ghosts does not limit itself to those of mankind only.

The spirits of certain animals are also supposed to manifest themselves

in a similar way, but this section of the subject will be more fully

dealt with under the head of witchcraft and demonology. As an

illustration however of animal ghostdom pure and simple, the following

story may be cited:—A resident at Canton named Ling was the owner of a

monkey belonging to a species known as yuan, which is supposed to be

peculiarly intelligent and possesses an almost human mind. The natives

believe that if one of these monkeys has plenty of water given to it,

it will attain an enormous size, larger than that of an average man.

The monkey in question had been in Mr. Ling’s family for some 40 years,

but never having been allowed to drink water, was of small stature. One

day Mr. Ling’s little son was passing the monkey when it put out its

hand and snatched away his cap. The child complained to his father, who

thereupon chastised the animal heavily with a whip; upon this the

monkey became sulky, refused all food and in a few days died. Shortly

afterwards the monkey’s ghost began to haunt the house. Food placed on

the table vanished mysteriously and many of the curious phenomena

attributed to ghostly interference took place. At last a fire broke out

in the house unaccountably, and Mr. Ling shifted his residence. But the

monkey’s ghost still followed him and continued its persecutions. Again

he moved house and again the ghost accompanied him, until at length, as

a last resource, he took a room in the Temple of the 500 Worthies and

finally evaded his persecutor. The monkey ghost did not dare face the

gods, and so left him in peace. The party mentioned was but a year ago

still residing in the temple.

The foregoing pages, though by no means exhaustive of the subject, will

it is thought be sufficient to indicate the agreement of Chinese with

Western belief as regards ghosts and apparitions. The line of

demarcation between the subjects already treated of, and that of

witchcraft and demonology, being somewhat indefinite, those curious in

the matter will find additional information in the succeeding chapter

under that head.

VIII.—WITCHCRAFT AND DEMONOLOGY.

The subject of Witchcraft and Demonology presents as inexhaustible a

field of interesting matter as any other in the wide domain of Chinese

Folk-lore. So much however has already appeared on the subject of

witchcraft that, were not a full notice of popular Chinese

superstitions in this respect an essential portion of the plan I have

proposed, I should scarcely venture to deal at length with a matter

which has already been handled with considerable ability by other pens.

And indeed the following details consist more of a re-arrangement of

already accessible information than of much that will be new to

students of Chinese social life.

Thirteen hundred years before the birth of Christ, witches and wizards

were familiar objects of Chinese superstitious respect. It is probable

that they practised their occult arts at a period long anterior even to

this, but the direct evidence to that effect is scanty and unreliable.

Suffice it to say that the office of “Chief Wizard” was at that date a

recognized appointment, and that he and his brethren exerted in those

early days a powerful influence over the popular mind. They could “call

spirits from the vasty deep,” avert pestilence and famine and do all

that is pretended on behalf of their modern successors. But scant

notices of their doings however are to be found in the ancient records

of the Empire. Every now and then it is related how some emperor or

celebrated man resorted to the wizard fraternity to discover future

events, or the means of avoiding some threatened evil. But it was not

until about the third century before the Christian era that such

notices were at all common. We then read that wizards existed who could

summon familiars and were often consulted by the reigning potentates.

It is especially noteworthy that the hatred of witches and wizards

cherished in the West does not seem to exist in China. Those reputed to

possess magic powers are regarded with dread, but it is rare to hear of

any of them coming to untimely end by mob violence. The more educated

literati ridicule the implicit belief placed in their pretensions by

the unlettered mob, but take no part in exciting it to violence, and

the feeling is abundantly evidenced by the tone adopted in popular

novels wherein witchcraft often plays a conspicuous part. Besides those

who make a living as professed exorcists, the members of two

trades—builders and plasterers—fall under a suspicion of similarly

unholy proclivities. Witchcraft has always been deemed a communicable

art in China. In the Supplement to the History of the Genii we read:

“Yang Tʻung Yew when a child met a Tauist priest who taught him the art

of invocation and gave him a celestial writing of the three August

Ones, by which he could command and subject all ghost shên, none of

them failing to answer him instantly. Yang went down to the ninth depth

of the earth to seek for the ghost of a royal concubine amongst the

ghost shên in that quarter.” Indeed the power of summoning demons is a

conventional portion of Chinese supernatural tales. Thus, in a recently

published translation of a popular novel entitled The Thunder Peak

Pagoda, [128] we find the heroine and her servant (both originally

serpents) consulting together as to how they shall raise money:—

“‘What then can we do?’ says the mistress. ‘It will be very easy for

you, Madam, to find money,’ replied the slave girl, ‘for you are

possessed of supernatural powers, and you have only to make use of some

spell this evening, to enable you to procure whatever sum you may

require, and by these means you will prove to him that you are truly of

a wealthy family, and that you are the daughter of a high officer.’

Pĭ-chau-niang agreed to what her servant advised, and accordingly that

evening, at the third watch, she prepared seven pans of burning

charcoal in a circle, and entering therein with a drawn double-edged

knife, began walking round and round, muttering incantations; suddenly

she uttered a loud cry, and summoned to her presence all the chiefs of

the demons from the four corners of the earth, who instantly appeared

and knelt before her crying, ‘Your servants are present—In what can the

spirits serve their mistress?’ Pĭ-chau-niang ordered them to bring her

a thousand taels of silver. Hardly had she uttered the words, when the

money was before her in twenty ingots of fifty taels each.”

The Chinese idea of genii can best be given in the words of their own

writers. A genie, says one of them, will live upon air, or even give up

breathing the outer air and carry on the process of breathing inwardly,

as they say, for days together as in a catalepsy (like an Indian fakeer

buried alive?). He will become invisible: he will take the form of any

beast, bird, fish or insect. He will mount up above the clouds, dive

into the deepest sea or burrow into the centre of the Earth. He will

command spirits and demons of all sorts and sizes and have them at his

beck and call. And finally after living in the world for perhaps

several hundred years he does not die (for a genie is immortal, though

a spirit may not be so), but he rides up to heaven on the back of a

dragon where he becomes a ruler of spirits.

The Tauist considers genii as the highest class of intelligent beings

and places Shên or spirits next below them: the strict Confucianist

denies their existence—

Like cumbrous flesh: but in what shape they choose,

Dilated or condensed, bright or obscure,

Can execute their airy purposes,

And works of love or enmity fulfil.

Paradise Lost, IL., 24.

In Kwan-tzu, sec. 14, we find this definition:—“That which when it

would be small becomes like a moth or a grub, when it would be large

fills the world, when it would ascend mounts the cloudy air, when it

would descend enters the deep—whose transformations are not limited by

days, nor its mounting or falling by seasons, is called Shên (or

spirit).”—The agreement of this with the description of genii given in

the Arabian Nights is too obvious to need insisting on. Taoist genii

(仙人) are thus described: “The genie is a man who had a former existence

in the world of spirits, is born into the world either on account of

some indiscretion or for some benevolent object, or simply by way of

amusement—usually in some lowly situation. He early begins to shew a

predilection for things mysterious, to receive visitors from the unseen

world, to practice Alchemy and the healing art, to prepare and use

certain drugs and charms of which no one knows the use or the virtue

but himself, and the more advanced genii from whom he gets from time to

time instruction and assistance; and then to give up human food and all

ordinary human occupation.” After this there is scarcely any marvellous

thing which the human mind can fancy that he will not be found doing.

One of the most celebrated genii alluded to in Chinese history is Chang

Kwoh, who possessed a white mule which could transport him if required

thousands of miles in a single day, and which when he halted he folded

up and hid away in his wallet. [129] Another was Hu Kung, 壺公 a magician

who effected wonderful cures and was accustomed to retire at sunset to

the interior of a gourd hung up at his own doorpost. (See Ch. Readers’

Manual, sect. v.) Many females also are numbered in the list of such

beings, one of the most celebrated being Ma Ku 麻姑. The seeds of the Che

芝 plant were reputed by the Tauist mystics to be the food of the genii,

as were also the leaves of the Yoh Wang 藥王 tree which grows in the

moon. The result of using this food is that the bodies of those who eat

of it become pellucid as crystal. [130] As with the Westerns the genii

possess the secret of a magic powder. They use the yellow heron (Hwang

Kuh Ko) as an aërial courser.

The “Isles of the genii” San Shên Shan 三仙山 were supposed to lie pretty

much where Formosa actually exists, and, like the fabled Atlantis of

European superstition, they have been the subject of actual search. Su

Shih or Su Fuh, a necromancer who lived about B.C. 219, announced their

existence to the then Emperor, and, in accordance with his own request,

was placed at the head of a large troop of young men and maidens, and

set out on his voyage of discovery; but the expedition, though it

steered within sight of the magic island, was driven back by contrary

winds. Mr. Mayers adds to this account in his Manual that it is

conjectured this legend has some reference to attempts at colonizing

the Japanese islands. If so the parallel between the Isles of the genii

and Atlantis is yet more perfect.

A very superficial comparison of Chinese and Western ideas on the

subject of necromancy demonstrates their identity. The familiar stories

of Jane Shore and the Countess of Soissons, accused respectively of

making waxen images of the Duke of Gloucester and of Louis XIV. to

compass their death; the less known account of the death of Ferdinand

Earl of Derby, whose death by poison in the reign of Elizabeth was by

popular credulity attributed to witchcraft, “a waxen image with hair

like that of the unfortunate earl being found in his chamber and

reducing every suspicion to certainty;” King James’ remarks in his

Daemonology (Book II., Ch. V.) “that the devil teacheth how to make

pictures of wax or clay, that by roasting thereof, the persons that

they bear the names of may be continually melted or dried away by

continual sickness”;—these and the host of similar stories recorded in

our own and continental annals all find an exact reproduction in China.

[131] There is a well-known legend amongst the Cantonese of a builder

having a grudge against a woman whose kitchen he was called upon to

repair—(builders, as already noted, are believed to often practice

witchcraft). The repairs were duly completed, but somehow or other the

woman could never visit the kitchen without feeling ill. Convinced that

witchcraft was at the bottom of it, she had the wall pulled down, and

sure enough there was discovered in a hollow left for the purpose “a

clay figure in a posture of sickness.” It may be noted that a reflex of

the old English superstition that drawing blood from a witch renders

her harmless is suggested by the Chinese belief regarding images such

as that above described. Builders or plasterers are supposed to cut a

gash in some part of their bodies whence the warm blood is injected

into the interior of the image thus making it alive! Nor does Chinese

superstition confine itself to clay images only. It is believed that

certain wizards are able to endow with life figures cut out of paper

with similar effects. In other cases these paper mannikins become the

wizard’s familiars and obey all his orders. There is also a widespread

superstition that the feathers of birds, after undergoing certain

incantations, are thrown up into the air and being carried away by the

wind work blight and destruction wherever they alight.

References to necromancers who have at various times enjoyed a large

amount of popular reverence abound in Chinese history, though it is

somewhat difficult to distinguish between the historical “magician” and

the mythical “genie.” In Mr. Mayers’s very comprehensive Manual are

notices of, amongst others, Hsien Yuan chi, who (A.D. 847) played the

part of Cagliostro, pretending to the gift of perpetual youth and the

power of transforming lovely damsels into wrinkled harridans and vice

versa; of Li Shao kun (Circa B.C. 140), who professed to know the

secrets of transmutation and immortality; of Lu-Pan, the patron saint

of Carpenters, who carved a genie which of three years inflicted

drought on the people of Wu; of Lu Yen (A.D. 755), who for 400 years

wielded a magic sword with which he traversed the Empire, slaying

dragons and emulating the deeds of the knights of Western chivalry; of

Tʻu Yü and Yü Lui, renowned for their magic control over evil spirits;

and of Tso-Tzŭ, who in the second century practised magic. It is

noteworthy that throughout all this mass of legend there runs the same

vein of search after the elixir of youth and the philosopher’s stone

which forms so prominent a feature of our own mediæval history. “Men of

the four seas are all brothers,” says one of the tritest of Chinese

apothegms; and so it would seem.

The vast extent of the Chinese Empire has allowed the natives to allot

a portion of its territory to a tribe of magicians called mao shan; and

it is to this country that those desirous of acquiring magical arts

proceed, to place themselves under the instruction of its diabolical

inhabitants. Adepts in their lore can, it is asserted, make fowls

which, being placed outside houses it is desired to rob, will during

the night open its doors so as to admit the robbers. Another belief

refers to the existence of invisible necromancers called shan ching

kwei 閃靑鬼. People who have been deeply wronged and are unable to

otherwise avenge themselves can by practising certain spells become

shan ching kwei. The most efficacious way is to dig up a coffin, and,

after removing the body it contains, to sleep in it for several nights

in succession. At the end of so many days the sleeper becomes invisible

until dawn, and can thus gratify his revenge without fear of detection.

A belief in demon monsters somewhat resembling the genii of the Arabian

Nights exists in full force in China and dates back to respectable

antiquity. One of the Emperors who flourished about 700 A.D., having

been taken ill, dreamt he saw a blue half-naked devil coming into his

palace. He stole the empress’s perfume bag and also the emperor’s flute

which was made of precious stone, and flew off with them to the palace

roof. Suddenly there appeared another blue devil, but of giant stature,

having a black leather high boot on one foot, the other being bare. He

had on a blue gown. One arm was like his foot, bare, with which he

wielded a massive sword. His mouth was like that of a bull. This fierce

looking monster seized the little one and with a blow made an end of

him. The Emperor asked this monster demon what his name was. He said

his name was Tsung Kwei, and that he was a military M.A. when in the

body, but that now he had become a sort of colonel-commandant over all

imps, ogres, wraiths, hobgoblins and the like under heaven. The emperor

was greatly flattered at being visited by such a distinguished although

unearthly personage, and waking up found his illness gone. He called a

painter to paint for him what he had seen in his dream; and it was

executed so faithfully that the emperor ordered two hundred ounces of

gold to be given him and that copies of the painting should be

distributed throughout the whole empire, so that all the people might

know and pay due respect to this blue bull-headed demon. To this day he

holds a conspicuous place in the temples of the people.

[132]“Although this monster demon ranked high, he was low when

compared either to the ancient or present head of the vast host which

abounds in the air, the earth, or the infernal regions. All mermaids

of the deep, all satyrs of the forest, all needle-necked starving

ghosts, the weak and the strong, whatever forms they take, whether

birds, fishes, beasts or men, or a combination of some or all of them,

make nondescript monsters of demons. All are said to have existed in

the time of Fuhi, and immediately after that time under the rule of

the harpy Nü-kwa 女媧. She had a human face with the body of a bird. It

was she who mended the visible heavens for us, but unfortunately it

was not completed. There is a little hole in the north west corner,

and to this day the wind from that quarter is colder than any other.

“The present head of the demons was a Tauist priest named Chang Tau

Ling, who lived when the kingdom of Wei was powerful. At sixty years of

age, he ate the pills of immortality, after which, Lautsze, the founder

of Tauism, appeared to him and gave him supreme power over all demons.

When he was thus appointed to be the modern head of the demon kingdom,

Lautsze gave him a book of charms and spells together with two magic

swords. Chang Tau Ling lived to the age of 123 years, when he ascended

in the light of day to his onerous duties of ruling the devils. After

this many of the Tauists for a time actually called themselves devils;

the name evidently had become respectable.

“Having dealt with demons in general, let us now proceed to a special

class of human phenomena which the Chinese attribute to the influence

of demons. Firstly, then, is their power to produce diseases. There is

no disease to which the Chinese are ordinarily subject to that may not

be caused by demons. In this class the mind is untouched; it is only

the body that suffers, and the Chinese endeavour to get rid of them by

vows and offerings to the gods. The subject in this case is an

involuntary one.

“Next come those who are possessed by the indwelling of the evil

spirit. These the Chinese distinguish from the lunatics both by their

appearance and language. There is more of a cringing nature in the

possessed, and the patient’s manner is perfectly consistent with his or

her new consciousness, and which is said to be the demon’s. When

questioned as to his home, the demon answers, it is in the mountain or

desert, generally in some cave. Sometimes he says that the person whom

he had possession of before is dead, and having no abode, he takes up

his quarters with a new victim. Sometimes he says he is travelling or

has only come to pay a visit to a brother or sister, to a father or

mother, and that after a short stay he will go away. Those possessed

range between 15 and 50 years of age—quite irrespective of sex.

Possession comes on very suddenly—sometimes in the day, sometimes in

the night. The demoniac talks madly—smashes everything near—possesses

unusual strength, tears his clothes into rags and would rush into the

streets or to the mountains, or kill himself, unless prevented. After

this violent possession, the demoniac calms down and submits to his

fate, but under the most heart-rending protests. These mad spells which

are experienced on the demon’s entrance return at intervals and become

more frequent the longer possessed and generally with more intensity,

so that death at last ensues from their violence.

“A Chefoo boy aged 15 was going on an errand. His path led him through

fields where men were working at their crops. When he came up to the

men and had exchanged a word or two with them he suddenly began to rave

violently, his eyes rolled, and he made for a pond which was by. Seeing

this, the people ran up to him, stopped him from drowning himself and

took him home to his parents. When he got home he sprang up from the

ground several yards, manifesting superhuman strength. After a few days

he calmed down and became unusually quiet and gentle, but his own

consciousness was lost. It was that of another. He spoke of his friends

in Nanking. After six months the demon departed, and the boy got back

his own consciousness. He has been in the service of several foreigners

in Chefoo since. In this case no worship was offered to the demon.

“Now we come to those who are involuntarily possessed but who yield to

the worship of the demon. The demon says he will cease from tormenting

the demoniac if he worships him and will reward him by increasing his

riches. But if not, he will punish his victim, make heavier his

torments and rob him of his property. People find that their food is

cursed, and that whenever they prepare any, filth and dirt comes down

from the air to make it uneatable. Their water is likewise cursed,

their wardrobe is set on fire, and their money very mysteriously

disappears. Hence arose the custom of cutting off the head of the

string of cash that it might not run away. The 999 cash of the thousand

is made to return to the one left in the following manner. The blood of

a fly called Fu-chien (蚨蟬) sprinkled on the one cash left at home and

the fly’s eggs are put on the 999 cash that are laid out. Tradition

says (and Kanghi’s Dictionary perpetuates it) that the young flies in

the eggs, although fastened to each cash, will all find their way back

again to their mother, bringing the cash with them. When the people’s

faith in these and similar antidotes fail, they yield to the demon and

say, ‘Hold! Cease thy cursings, we will worship thee.’ A picture is

stuck up on the wall, sometimes that of a woman, sometimes of a man and

prostration is made to it twice a month. Being thus reverenced, money

comes mysteriously in instead of going out. Even millstones are made to

move in at the demon’s orders and the family at once becomes rich. But

it is said that no luck attends such a family; it will eventually be

reduced to poverty. Even officials believe these things. Palaces are

known to have been built by them for these demons, whilst the latter

are obliged to be satisfied with humbler shrines from the poor.”

Stories of persons being possessed by demons are so common that it is

difficult to choose from the selection which offers itself. I quote the

following as illustrating one phase of the common belief. It relates to

animal possession, and is as follows:—“At Ningpo, some religious

Buddhist published a tract with a picture of a buffalo, a frog and a

dog, and some Chinese characters. It tells how a native of Ningpo, who

used to catch and kill frogs, was possessed by the spirit of his

victims, how his body broke out into blotches, how he squatted like a

frog, and finally was impelled to spit himself in the very manner he

had spitted these innocent little reptiles.”

The other story is a translation from the Chinese, [133] and runs as

follows:—In Funghua district a literary man surnamed Woo had a slave

girl of fifteen or sixteen who was black and ugly, but his wife was

fair and beautiful. The slave always slept in the wife’s apartment,

till suddenly one day she was missing and could not be found for two or

three days. At last an old female servant on going to fetch firewood

and opening the coal-hole heard an inexplicable chirping noise and

turning aside some of the firewood found the girl standing like a stump

in the middle of it. She was perfectly inane and on being pulled out,

though she walked, would answer no questions. They gave her a dose of

hot ginger and water, upon which she threw up a basin full of mud. Then

she began to speak and said, “There was an old man like a genie in

green clothes and square cap came and called me away, the other day, I

know not where. When I wanted food he gave me cakes to eat. But now I

am very hungry.” They gave her some rice and that night she slept in

her mistress’s room. But everything in the room was being pulled about,

so that the master and mistress got up to look. They called the girl,

but she did not answer, and as the doors and everything were in their

usual state they said nothing about it. Next day the girl was missing

again, and searching for her in the old place they found her exactly as

before. On giving her three slaps with the hand she came to herself,

but while they were in the act of scolding her lo! there was what she

called “an old man like a genie” up in the eaves of the house, holding

a white fan and in appearance neither old nor young but middle-aged.

They went up to the room above and tried to strike him, but they could

not hit him nor make him move. In the midst of the hubbub he suddenly

disappeared. But as suddenly it was reported that fire had broken out

in the kitchen. This was extinguished, and then all was quiet. But

afterwards every night either the slave or her mistress muttered or

talked in the bedroom, or else there was heard the sound of people

eating, or doing something out of the way. The master did not know what

to do. One day he went and got some brave men to keep guard around the

room with fire-arms, but then a fire broke out down stairs, and while

all the people were putting it out the mistress and slave seemed

perfectly unconscious that anything was going on. Next day, when the

rice was cooked, on opening the pot they found that it was all mixed

with dirt, and uneatable. There was no end to annoyances of this kind.

At last they called in a Tauist priest to fast and say requiems. At the

same time a “Fragrant Feast” of fine things was prepared as if for a

great visitor. The master of the house put on his best clothes and also

knelt down while he presented the wine and the viands: and the whole

family small as well as great worshipped one whole day and night. But

the trouble went on exactly as before. The genie himself would make his

appearance at odd times; and in the dark there would be talking and

conversation indistinctly heard, so that nothing could be definitely

made out of them. One day the mistress took the slave girl, and fled

with her to her (own) mother’s house; and then everything was out of

joint there. There were sounds and movements, and dashing and breaking

of things, and clothes burning. So they fled next to a small quiet

Buddhist nunnery. But bad as things were before, here they were worse;

and the master was at his wits’ end, all his means being exhausted to

no purpose. After about half a year of this he took the girl and sold

her to a villager in the neighbouring district of Tʻsze Kʻe, and his

wife had peace at last. The villager however found the girl an

intolerable nuisance, and when he wanted to sell her no one would buy

her; so he drove her out into the street. But nobody would have

anything to do with her there either, and she turned to begging. Then

her master had peace and quietness.

There are many more stories about the Woo-tung-shên (五通神). It appears

from the Tsze-pu-yu (子不語) that in one village in Sze-chuan he required

a young girl for a wife every year, and that the girl chosen became

possessed by this evil spirit.

The active possession which induces a sort of ecstatic frenzy, and

vents itself by bodily exertion is quite familiar to the Chinese.

Persons under this influence are known as “devil dancers,” and to a

great extent act the part of media for those who desire to make

enquiries from the other world or induce the assistance of spirits to

heal the sick. When devil dancers are called in, a feast is prepared in

their honour. The head dancer, accompanied by pupils who are learning

the art, presents himself at the house and having done justice to the

viands provided commences by burning incense, while enquiries are made

as to what is amiss. Some of the attendants then seat themselves with

drums, bells, &c., and begin a sort of musical accompaniment to which

the dancers keep time. Presently the music quickens; the dancers

increase their speed until the whole party are almost convulsed with

their efforts. Suddenly the leading dancer falls exhausted to the

ground. Here for a few moments he lies as if lifeless. Presently he

raises himself up and begins to speak. Questions are put to him and he

describes the disease of the sick man, the remedies he ought to adopt,

&c. When all the questions are answered he again falls as if exhausted,

and is gradually brought back to ordinary consciousness.

Mr. Gardner states that in Manchuria “they do not ordinarily observe

the custom of inviting their neighbours’ spirits, but the devil-dancers

are far better skilled in their art. The chief, with a belt of bells,

stands up to dance with two of his pupils on each side. If he has not

four pupils, some from the family must make up the number. The

devil-dancers present many varieties and various ways of calling on the

spirits. Thus, for instance, the chief says his demon is a white tiger.

A whole pig must be cooked for him. He must get two children, one in

each hand, to go with him to eat pig out of the boiling caldron. He

assumes himself to be a tiger and thrusts his head down to his neck in

the boiling water, and bites a mouthful off for his young whelp in his

right hand, then a thrust and a bite for the whelp in his left hand,

and finally a thrust and a bite for himself. This over, he commences

the dance. Most of the class just described are men, but there are

women also who are devil-dancers. They never condescend to go about.

Those who seek their assistance must go to them. In seeking their aid,

the suppliant takes with him presents of incense and paper money to

worship the demons, besides valuable presents of bread, red cloth, and

red silks. These neither dance nor beat drums nor ring bells, but sit

and commence a slow shaking as from ague; then yawn, gape, and at last

shake so violently that the teeth rattle in their gums; then they fall

into a fit, like the former class. They tell the suppliant to return

home and place a cup on the window outside, and the right medicine will

be put into it by a spirit. The suppliant is at the same time made to

vow that he will contribute to the worship of the particular demon,

whose power and intervention they now invoke, and that he will also

contribute towards some temple in the neighbourhood.”

The impostors who gain their living in the way above described are of

course mere ordinary mortals whose power of simulating hysteria and

epilepsy easily imposes upon the masses. But the Chinese believe in the

existence of a class who are human only in their outward appearance.

They are supposed to be veritable demons specially sent from the spirit

world to warn mankind of the consequences which may follow indulgence

in evil. A Minister of State during the time of the Tʻang is alleged to

have been one of these demons, and legends illustrative of his powers

are still to be met with in the collections of popular tales to be

found in every book-stall. It does not appear that the old English

belief as to witches was very remote from this demon theory. In one

case we read of a witch being hunted for in a salt box, it being

supposed that she possessed the diabolical power of changing her shape

to any extent. But the whole subject of Western witchcraft is so wide

that space forbids my even entering upon it—to say nothing of the fact

that most readers are fully acquainted with the subject.

It is somewhat odd to find—and one is puzzled to know whether the fact

is complimentary to Christianity or the reverse—that in those parts of

China to which missionary effort has penetrated, a popular belief

exists in the power of Christian exorcism. Missionaries of all

denominations know of cases in which either they or their converts have

been called in “to cast out the devil” supposed to possess a patient.

Were this to be accepted as a tribute to their powers as real

intercessors with the Creator, the fact would be gratifying; but it is

to be feared that the confidence thus evinced turns rather on the

popular belief that Christian relations with the Satanic hierarchy are

uncommonly intimate. Be this as it may, the fact remains that converts

are classed with the native exorcists. Most places of any pretension

have demon shrines to which the friends of those afflicted resort in

the first instance. Offerings are here made to demons of all

descriptions—not merely to those which take possession of men, but to

those of floods, drought [134] and pestilence. It is when supplications

at such shrines are useless that exorcists are consulted.

Exorcists are of various kinds. Spiritualists, such as those already

described, are frequently called in, their success being various.

Taoist priests find more favour with some people, and their pretensions

are not one whit inferior to those of the more orthodox media.

Conjurors of this sort, says a writer before quoted, “sit on mats and

are carried by invisible power from place to place. They ascend to a

height of 20 or 30 feet and are carried to a distance of 4 or 5 li. Of

this class are those who, in Manchuria, call down fire from the sky in

those funerals where the corpse is burnt. These conjurors not only use

charms but recite incantations, make magic signs and use some of those

strange substances which the astrologer uses to keep away evil

influences.” The class of so-called doctors also enjoy the reputation

of being able to cast out evil spirits, and their modus operandi is

thus described:—“They use needles to puncture the tips of the fingers,

the nose, and the neck. They also use a pill made out of ai tsau 艾草 and

apply it in the following manner: The thumbs of the two hands are tied

tightly to each other. The two big toes are also tied to each other in

the same manner. Then one pill is put on the two big toes at the root

of the nails and the other at the root of the thumb nails. At the same

instant the two pills are set on fire and there they are kept until the

flesh is burnt. Whether in the application of the pills or in the

piercing of the needles the invariable cry is—‘I am going, I am going

immediately. I’ll never dare to come back again. Oh have mercy on me

this once; I’ll never return.’” All the above-mentioned practitioners

may however fail, and as a last resort a professional exorcist, neither

medium, priest, nor doctor, is called in. The men who follow this as a

profession pretend to singular experiences. As the recognized enemies

of evil spirits these latter never cease to persecute them. They are

mysteriously pinched and beaten by the Puck-like emissaries of ghostly

tormentors. Stones are thrown at them by unseen beings, and spirit

hands seize and attempt to drown them if they incautiously venture into

running water. To counteract these influences they always carry about

their persons amulets of which the spirits stand in dread. Their first

act when called in is to paste written charms upon the windows and

doors of the room in which they operate. They then recite certain

formulæ and are sometimes answered by the spirits, who promise to cease

troubling the patient in future.

As with us there is a sovereign Chinese charm against witches. Sir

Walter Scott, in his Old Mortality, refers to the popular belief that

they can only be shot with silver bullets. A Chinese receipt given in

the Rites of Chow is as follows: “If you wish to kill this Shên, take a

certain piece of wood with a hole in it: insert a piece of ivory in the

hole, making the form of a cross and throw it into the water: thus the

Shên will die and the deep become a hill.” Certain officers were in old

times appointed to “hoot at,” “shoot,” and “kill” those spirits (shên)

which were injurious.

The popular identification of the cat with matters pertaining to

witchcraft in Europe is well known, and it is interesting to find that

the Chinese assign to it a somewhat similar connection. As with us the

vulgar believe that witches can change themselves into cats, [135]

though the hare, and more especially the fox, are reputed to be their

more favourite disguises. But the demoniacal attributes of a cat’s

ghost are more singular. In Section I. of the Che Wên Luh (誌聞錄) occurs

the following notice [136]: “At Leong Chow in the province of Kansuh

the people sometimes do homage to the ghost of a cat. The same thing is

mentioned in the history of the North. The way they proceed with this

monstrous thing is first to hang the cat, and then perform certain

ceremonies of fasting and requiems for seven weeks, when the spiritual

communication is established. This is afterwards transferred to a

wooden tablet, and put up behind the door, where the owner of the cat

honours it with offerings. By the side of it is placed a bag about five

inches long, intended for the cat’s use. From time to time it goes and

steals people’s things, and then, about the fourth watch of the night

before cock crowing, the bag is amissing. After a little while it is

hung up on the corner of the house, and the person uses a ladder to

fetch it down. When the mouth of the bag is opened, and the bag

inverted over a chest, as much as two hundred catties of rice or peas

are got out of it, so much does the depraved imp manage to make the

little space hold. Those who serve it always get rich very fast.”

A certain prefect once received a birthday present of rice from a

friend. It weighed over a thousand catties and was put into a large

cask. Several days after the prefect sent a man to divide it out, when

it was noticed that the top of the flour was all in a crust like paper,

while below it was clean gone. The man, in a fright, told the prefect,

who sent an officer to enquire into the matter. It was then found that

behind the prefect’s residence there was a person who practised

sacrificing to this kind of cat. The officer found out the image and

severely chastised it in the hall with forty blows, and also flogged

its owner. He then laughed and sent them off. After this, as the story

goes, the Shin had no efficacy. Choo-tzu says—“The spirituousness

(Ling) of Shên is the result of the accumulated earnestness of the

people—there is really no Shên. When one turns his back upon it the

spirituousness is immediately dispersed. Therefore while the people

honor it the Shin keeps its place, but you may scatter it with a kick.”

Tigers also figure as demoniacs or ghosts. In the same work as that

above quoted from a story relates how a benighted traveller suddenly

observed amongst the brushwood a brilliant light and a man in red

clothes, with a golden crown and armour of rare brightness, and before

and behind him a regular retinue of followers. The traveller was

astonished, and, wondering what mandarin it could be, hid himself in

the wood. Next day he asked the natives of the place who it could have

been. They told him it was the tiger ghost of the mountains. “When he

wishes to eat people up he puts off his clothes and is changed into a

striped tiger. He then advances with a great roar and the traveller is

instantly torn in pieces.” “You,” said they, “have had a wonderful

escape.”

Nor are tigers alone in this regard. The ghosts of the “green ox” and

“black fowl” [137] are mentioned in native legends; while a yet more

fantastic extract narrates that “the carp as soon as its scales number

360 is caught and carried away by dragons; but if every year a shên be

placed to guard it, it cannot be carried away. This shên is a

tortoise.” [138]

Dragons again furnish their quota of ghostly representatives, and the

following legend accounts for the popular belief. “During the reign of

an emperor of the Tʻang dynasty, the dragon god of rain had greatly

offended the Supreme god, and orders were consequently given to the

prime minister to behead him on such and such a day. On the night

before the execution, the dragon god of rain appeared in a dream to the

Emperor and begged him to intercede on his behalf and exercise his

influence over his minister. The Emperor promised he would. The

following day the Emperor invited his minister to play chess with him.

He hoped he would forget the time, and that the dragon god would thus

be saved. As the hour drew nigh the minister got very sleepy. The

Emperor seeing this, said nothing about the dragon god, but let the

minister sleep. Suddenly, the latter jumped up and said, ‘I must behead

immediately;’ and right between them a dragon’s head fell from the sky.

The King fell back with fright and was taken ill. That night the

dragon’s ghost appeared to him in a dream and threatened him severely

for this breach of promise, insisting on bringing the case up before

the judge of the lower regions. The Emperor explained, begged

forgiveness and made a promise, the results of which remain to this

day. He engaged to honour the dragon god by having all his high

officers and the great people of the land to carry the dragon above

their heads. The plan adopted was to place a dragon’s head on every

palace roof, so that when the gentry and officials were at home, they

had a dragon’s head over them. The head seen so often on temples and

palaces is said to have had this origin.” In those days, adds the

account from which the foregoing is quoted, the demons had such

unlimited power to transform themselves that a son would not leave his

father, or a husband his wife, without secret tickets, which they

carried about with them and compared on meeting. If a person was unable

to produce the ticket he was believed to be a demon in human form. This

is the origin of the proverb: “If your ticket be lost, you are

hopeless.”

But of all known animals the fox plays the principal part in Chinese

demonology. European folk-lore assigns a prominent place to the

were-wolves (Germ. Wehrwolf, Port. Lobis-homem), which are even now

believed by the superstitious peasantry of many countries to haunt

their native forests. Well, in China we find the same idea in a

slightly different form. The fox takes the place of the wolf, and

“fairy foxes” play an important part in every native collection of

supernatural tales. The belief in their existence dates from remote

antiquity, though more prevalent in Northern than in Southern China,

the inhabitants of the latter taking the doings of genii more

especially as the basis of their fairy lore. There is however this

difference between the were-wolf and the fairy fox:—that whereas the

former is invariably malicious, the latter may be either beneficent or

malignant. In many of the tales the fox is only transformed (as in the

well-known nursery story of “Beauty and the Beast”) into human shape

after making acquaintance with its host. “At the age of 50 the fox can

take the form of a woman, and at that of 100 can assume the appearance

of a young and beautiful girl. When 1000 years old he is admitted to

the heavens and becomes the celestial fox.” [139]

In and about Peking the belief in foxes having power to assume a human

shape flourishes perhaps more thoroughly than in any other part of the

empire, though similar stories are told throughout the eighteen

provinces. The Liao-chai-chih-yi (聊齋志異), a collection of tales

published in 1765, abounds with narrations of this nature, many of the

most curious, unfortunately, being unsuitable for publication in an

English dress. But the whole subject has been so fully dealt with in

accessible publications that the extended notice which the subject

would permit is unnecessary. Dr. Birch, of the British Museum, wrote an

interesting paper on the subject of Fairy Foxes [140] in No. III., of

the Chinese and Japanese Repository (1863), which was followed by a

notice from the pen of the well-known sinologue Mr. W. F. Mayers, in

No. III., of Vol. I., of Notes and Queries on China and Japan (1867).

The most complete essay on the subject, however, which has yet appeared

was written by Mr. T. Watters, and read before the North China Branch

of the Royal Asiatic Society in March 1873. That accurate and

painstaking scholar thus opens his remarks on the subject:—

“Chinese philosophers seem to be agreed in attributing to Reynard a

long life, some making the number of his years 800 and others extending

it even to a thousand. This power of prolonging life they suppose to

result from the animal’s living in caves and holes where it is shut out

from the sun. The vital powers can thus operate free from disturbance

and the wearing effect of the sun’s heat and light. The fox, badger,

mole and some other cave-dwelling animals are all grouped together as

enjoying long life. The Chinese are not alone in thus regarding the

exclusion of light and air as tending to prolong existence. Not to

refer to others, our own Bacon says:—‘A life in caves and holes, where

the rays of the sun do not enter, may perhaps tend to longevity; for

the air of itself unexcited by heat has not much power to prey upon the

body. Certainly on looking back, it appears from many remains and

monuments that the size and stature of men were anciently much greater

than they had been since, as in Sicily and some other places; and such

men generally lived in caves. Now there is some affinity between length

of age and largeness of limbs. The cave of Epimenides likewise passes

current among the fables.’”

The use of the several parts of the fox’s body in the Chinese

pharmacopeia is followed by an account of the Chinese opinion of his

cunning, in which we read as follows:—

“Like most Western nations the Chinese ascribe to the fox a cunning,

crafty disposition by which he can disarm suspicion on the part of the

very animals which constitute his prey.... The notion about the fox’s

caution is put to practical use in the North of China, for it has been

observed that when he is crossing a frozen river or lake he advances

very slowly and deliberately, putting his head down close to the ice

and listening for the sound of water beneath. Accordingly when in the

early spring the traveller fears the stability of the ice, if he

observes on its surface traces of the fox’s footsteps he may proceed

any without apprehension. One can easily see what an opportunity is

presented here again to the Chinese mind for the exercise of

myth-making ingenuity. Below the ice is the region of the Yin or female

element—the dark world of death and obscurity—while above it is the

region of the Yang or male element—the bright world of life and

activity. Accordingly it has come to pass that the fox is represented

as living on the debatable land which is neither the earth of life nor

the Hades of death. His dwelling place on the earth is among the tombs,

or actually, rather, within the tomb, and the spirits of the deceased

often occupy the body. Thus he enables ghosts of the dead to return to

life or himself performs their terrible behest—visiting upon living men

and women the iniquities they have committed against those now dead,

and by this means bringing peace and rest to the souls of the latter

which would else be travelling and troubling for ever.”

From the numerous stories given by Mr. Watters in illustration of the

popular belief in the fox’s powers of transformation, I take only the

following:—“It is as a pretty girl that the fox appears most frequently

and does most mischief. Disguised as a woman it is always young and

handsome, generally wicked, but on rare occasions very good. At times

it puts on the garb and appearance of some one well known, but who is

either dead or at a great distance. An accomplished scholar who resides

in a village about twenty miles from Foochow told me not long ago a

story which affords an illustration of this personation of particular

individuals. A friend of his had ill-treated and, as was supposed,

secretly killed a pretty young wife and married another. Soon after

this latter event the house was reported to be haunted and no servant

would remain in the family. The first wife’s apartments were the worst

of all, and this part of the premises had to be abandoned. Now one day

my friend was reading with the master of the house in the works of

Chuhsi, and they came to the passage which treats of ghosts and

spirits. They then ceased reading and entered into a conversation on

the subject, and the story of the haunted chambers was related. My

friend laughed at and reproached the weakness which made a scholar

believe in ghosts, and finally the two agreed to remove to that portion

of the dreadful rooms. Before they had been seated here a long time,

strange sounds became audible and soon the pit-pat of a woman’s steps

was heard. The door opened without any noise, and in walked the

murdered woman clothed as of old. The blood forsook the two men’s

faces, speech fled their lips, and had it not been for the law of

gravity their pigtails would have stood on end. There they sat

paralyzed with mute awe and gazing on the spectre, which went pit-pat

over the boards looking neither to right nor left until it reached the

corner in which was a small wash-hand-stand with a basin of water. She

took the basin in her hand and walked steadily with it over to the man

who had been her husband, presenting it to him, when he instantly

uttered a terrible scream and fell backwards. Then the spectral woman

walked away and her patter was heard along the boards until she reached

the outer door. My friend summoned up courage to go out and make

investigation, but no human creature had been stirring, and only the

fox which came almost daily had been seen on the premises. The house

has been abandoned, the owner has gone elsewhere, but my friend

believes that the ghost of the murderer’s wife will torment him by

means of a fox daily until it brings him to the grave.”

It would be easy to multiply stories of this nature, but their

narration would unduly swell the limits of the chapter, while those who

are curious on the subject can easily refer to Mr. Watters’s paper. I

prefer therefore to turn to the analogies with Chinese belief presented

elsewhere. Neither amongst the Semitic nor Aryan races can I find, in

the authorities at my command, that any demoniacal power has ever been

attributed to the fox. No reference to the animal appears in Brand, and

in Continental Europe the wolf alone figures in fairy tales as the

dangerous and crafty enemy of man. But we learn on the authority of Dr.

Macgowan that “when the Pilgrim Fathers landed in Massachusetts, they

found the Indians, especially those of Naragannset, deeply imbued with

fox superstitions, many of them similar to those mentioned above.”

Notices of these are found at considerable length in the works of the

Rev. Mr. Elliot, known as the “Apostle of the Indians.” In Japan,

again, we find fox-myths a mighty power in the State. Dr. Macgowan

describes a primer—the first book put into the hands of Japanese

children; it was profusely illustrated with wood-cuts, in which was

depicted in full detail the progress of the Fox’s courtship. Thus, even

in the education of childhood, the fox-myth weaves itself into the

texture of Japanese thought. The fox was understood to be most

mischievously inclined, and was especially mischievous in its domestic

relations. It was believed, in Japan, to be no uncommon incident for a

fox to transform itself into a charming young woman, who got married to

some loving Japanese swain and had a family. By-and-bye something went

awry in the domestic experiences, on which the mischievous fox-elf

resumed her foxhood, and all her progeny did the same, and scampered

off to their homes in dead men’s tombs, leaving the late happy husband

and father desolate and wretched. A recent newspaper paragraph, by the

way, describes a murder committed at Chikuzen in which the murderer was

discovered to be insane. Different members of his family, for three

generations back, had gone mad, it was said, in consequence of one of

their ancestors having injured a fox!—So much for the fox, thus

summarily dismissed inasmuch as other writers have dealt so fully with

his alleged powers.

Leaving the animal, for the mineral, world we note that even stones

possess the reputation of being inhabited by spirits. A well-known

Taoist legend relates that Chang Liang, a counsellor of the founder of

the Han dynasty, derived his knowledge from a sage who was eventually

metamorphosed into a yellow stone. Another legend tells how one of the

immortals kept a flock of sheep who were changed to stone, but

reassumed their proper shape at a word from their shepherd. Mr. W. F.

Mayers, in his article on Canton in the Treaty Ports of China and

Japan, thus describes the Legend from which Canton derives its

soubriquet of the “City of Rams”:—“In the temple of the ‘Five Genii’

were until lately the stone images of five (supernatural) rams, but

these latter were destroyed in a conflagration which consumed the rear

building in which they stood some three years since. The legend with

reference to the foundation of this temple is that, some twenty

centuries ago, five shepherds were seen on the site where the building

now stands, who suddenly became transformed into an equal number of

rams, while these again instantly changed into stone, a voice being

heard at the same time proclaiming that, so long as these supernatural

objects should be worshipped on this spot, the prosperity of the

adjoining city should endure. From that day forward (runs the story)

these images have remained on the identical spot, and it is certain

that from time immemorial they have been looked upon with superstitious

reverence, nor is it the less remarkable that the destruction of their

shrine should coincide so closely with the actual decline in the

prosperity of the city. The stones were almost shapeless blocks of

granite, about eighteen inches high and the same in length, with some

rude attempt at sculpture in the form of a ram’s head. From them and

their attendant legend Canton derived its soubriquet of the City of

Rams (羊城), but the legend itself is traced by Chinese philosophers to

an accidental resemblance between the word signifying ‘ram’ or ‘sheep’

and the ancient designation of the province of Kwangtung. This is a

striking corroboration of Professor Müller’s dictum that all myths are

merely amplifications of some forgotten sound.”

A popular superstition recounts that in Lʻien-chow, in the province of

Kwang-si, when any person walking, happens to hit his foot against a

stone, and afterwards falls sick, his family immediately prepares an

offering of fruit, wine, rice and incense; and proceeding to the spot,

bow down and worship, after which the person gets well. They imagine

that the stone is possessed by a demon. Gamblers frequently pray to

stones thus possessed for “luck.”

IX.—ELVES, FAIRIES, AND BROWNIES.

An accurate definition of the Chinese idea of elves and fairies is

somewhat difficult. In many cases the word shin 神, spirit, or, as some

will have it, God—can only be translated by “elf” or “brownie,” while

on other occasions one is puzzled under what category to place

creatures who play too important a part in Chinese belief to be omitted

from these pages, while strictly answering to nothing known in the

West. China, at all events, boasts an infinity of beings who are

alleged to possess the general characteristics of our local sprites. As

with us they are sometimes malicious and sometimes merely playful. But

I fancy that, in the main, a more stern air of purpose runs through

Chinese than through European fairy legend. The wildest native

inventions have never endowed the fairy community with, “houses made

all with mother-o’-pearl, an ivory tennis-court, a nutmeg parlour, a

sapphire dairy-room, chambers of agate, &c., &c.” [141] Still less do

we find anything resembling Shakespeare’s Queen Mab:—

“Her waggon spokes made of long spinner’s legs,

The cover of the wings of grasshoppers,

The traces of the smallest spider’s web

The collars of the moonshine’s watery beams,

Her whip of cricket’s bone, the lash of film.” [142]

We hear little amongst the Chinese of fairy sprites whose highest aim

is mere amusement, their action being usually, as with a certain class

of brownies in our own fairy pantheon, malignant. It is, by the way,

interesting to note that while the words alp and alf (Swedish and

English elf) equally signify a mountain, or demon of the mountains,

[143] the Chinese most frequently assign a mountainous locality to the

homes of their fairy folk. The celebrated mountain Kwʻên Lun (崑崙)

(usually identified with the Hindoo Kush) is said to be peopled with

fairies who cultivate upon its terraces the “fields of sesamum and

gardens of coriander seeds” which are eaten as ordinary food by those

who possess the gift of Longevity. Here too is the “Lake of Gems” on

whose borders dwells the fairy mother Si wang mu (西王母) and beside whose

waters flourishes the kʻiung shu or tree of life, described as 10,000

cubits in height, 1800 feet in circumference and supposed to bear fruit

only once in 3,000 years. This fruit is bestowed by the fairies on

their favourites, who thus become immortal. Other receipts for the

“Elixir of Life” are peach-tree gum mixed with the powdered ash of the

mulberry, and tan 丹 the elixir of gold, or tan sha 丹砂 the common name

for cinnabar.

There are some curious resemblances between Chinese and Western

superstitions on the subject of storm-fiends or fairies. Thus the

storm-raiser in China is not unlike his prototype in Scotland. Sir

James Melville in his Memoirs tells us that “the spirit or devil that

helped the Scottish witches to raise a storm in the sea of Norway was

cold as ice, and his body hard as iron; his face was terrible, his nose

like the beak of an eagle, great burning eyes, his hands and legs

hairy, with claws on his nails like a griffin.” The Chinese demon of

the storm is thus described in the Shan hai ching 山海經. “In Daylight

mountain dwells the shên called Ke-mung. His shape is like a man with a

dragon’s head. He wanders about continually in the depths of the Chang

river, and whenever he comes over or goes in there is sure to be a

violent storm and rain.”

Fairies in China indeed, as with us, usually possess the attribute of

beauty. A well-known Chinese legend relates how two friends wandering

amongst the ravines of their native mountains in search of herbs for

medicinal purposes come to a fairy bridge where two maidens of more

than earthly beauty are on guard. They invite them to the fairy land

which lies on the other side of the bridge, and the invitation being

accepted they become enamoured of the maidens, and pass what to them

seems a short though blissful period of existence with the fairy folk.

At length they desire to revisit their earthly homes and are allowed to

return, when they find that seven generations have lived and died

during their apparently short absence, they themselves having become

centenarians. [144] Another version of the story is found in the Liao

chai chih yi. About A.D. 60 or 70 two friends named Yüan Chao and Liu

Chʻên when wandering amongst the Tʻien-tʻai mountains lost their way,

and after wandering about for some time at length came upon a fairy

retreat where two beautiful girls received them and fed them on hu ma

胡麻 (hemp, the Chinese haschisch). After spending what seems only a few

days with their hostesses they return home and find to their

astonishment that seven generations have passed away since they made

the acquaintance of the maidens. [145] I may here remark that this Rip

Van Winkle sort of story takes several forms in China, and a slight

digression on this subject may be pardoned. A legend, related of Wang

Chih, one of the patriarchs of the Taoist sect, involves him in a

similar catastrophe with less obvious excuse than in the case of the

two friends above mentioned. [146] Wandering one day in the mountains

of Kü Chow to gather firewood “he entered a grotto in which some aged

men were seated intent upon a game of chess. He laid down his axe and

looked on at their game, in the course of which one of the old men

handed him a thing in shape and size like a date stone, telling him to

put it into his mouth. No sooner had he tasted it than ‘he became

oblivious of hunger and thirst.’ After some time had elapsed, one of

the players said, ‘It is long since you came here, you should go home

now!’ whereupon Wang Chih proceeding to pick up his axe found that its

handle had mouldered into dust. On repairing to his home he found that

centuries had passed since the time when he had left it for the

mountains, and that no vestige of his kinsfolk remained. Retiring to a

retreat among the hills he devoted himself to the rites of Taoism, and

finally attained to immortality”—a very un-Van-Winkle-like termination

to the legend.

The striking resemblance of these to legends popular throughout Europe

needs no demonstration, they being in fact identical with Erse, Gaelic

and Teutonic stories yet related in their respective neighbourhoods.

The bridge in the first story is described as the “Azure bridge,” the

fairy home being known as the “Jaspar city.” “Yao chi” or the “Jaspar

lake” is the name given to a sheet of water which it is believed forms

one of its chief attractions, and to speak of a Chinese lady as “a

nymph of the Jaspar lake” is to pay her the highest compliment for

purity and beauty.

The somewhat particular, and at times pugnacious, “Brownie” is supposed

to exist in China. Readers acquainted with our north-country folk-lore

will be aware that a practice exists in many parts of the country of

setting out milk &c. for the consumption of some household brownie, who

performs willing labour for the benefit of its entertainer, the one

proviso being that the brownie’s operations are never to be overlooked

by mortal eye. It is curious, in this connection, to find such a

Chinese legend as the following recorded (Tʻan ching 談徵, vol. 4):—“In

the Tsʻê dynasty there was one Chang Ching, who went out one night and

saw a woman on the south corner of his house who beckoned him to come

to her; and when he came she said: ‘This is your honour’s mulberry

ground, and I am the shên of this place. If you will make next year, in

the middle of the first moon, some thick congee, and present it to me I

will engage to make your mulberry trees a hundred times more

productive.’ Having said this she disappeared. Ching made the congee

and afterwards had a great crop of silkworms. Thence arose the practice

of making thickened congee on the 15th of the first moon.” Of the more

truculent class of brownies we also hear a good deal in China. In an

article on “Gunpowder and arms in China,” published in a recent volume

of the N. C. B. R. A. S. Transactions, the author, Mr. W. F. Mayers,

quotes from the Shin-i-king the following: “Among the hills in the

Western parts [of China?] there exist beings in human shape, a foot or

more in height, who are by nature very fearless. If attacked [or

offended] they cause men to sicken with [alternate] heat and cold. They

are called Shan sao.” It was to frighten these brownies that the

practice of burning bamboos, now-a-days substituted by fire-crackers,

(as already alluded to,) was adopted. Another account makes the

Shan-sias or Shan-sao, to be a species of bird which when attacked

summons tigers to its aid and burns down dwelling houses. In any case

these beings bear many points of resemblance to our own sprites,

especially those that are malignant. A curious story, which may serve

as the type of many such, is also given in the same volume as that from

which the above is derived, the locale given being Lew-chew, which

until very lately was deemed a dependency of China. It relates how a

fairy in the guise of a beautiful woman is found bathing in a man’s

well. He persuades her to marry him, and she remains with him for nine

years, at the end of which time, despite the affection she has for

their two children, she “glides upwards into a cloud” and disappears.

We find a very similar story in the Arabian nights, and both Germany

and the Shetland islands give us an almost identical legend.

A large proportion of the fairy tales of all countries are of course

what grave scholars denominate “puerile”; but I need hardly apologise

for giving the two following, which illustrate both the idea of

diminutive stature attributed to fairies and the yet more common

endowment of animals and insects with fairy power. In the work (Tʻan

ching) above quoted from we read that the Emperor Yuen Tsung of Tʻang

had imperial ink called Dragon fragrance. One day he saw in the ink

little Taoist priests like flies walking about, and they called to him,

“Live for ever! Your servants are the spiritual essence of ink, the

ambassadors of the black pine. Whoever in the world has literary

cultivation must have twelve of us dragon guests in his ink.” This is

not badly matched by the following: “A youth while sleeping was

accosted by a maiden who asked him to accompany her for protection

against some menaced danger, telling him she was a princess in

disguise; but he turned away from her. Soon afterwards he heard the

noise of humming and saw entangled in the web of a spider a bee about

to be devoured. He released the bee, placed it upon the ink-slab, when

by the impression of its feet it left the character “Grateful” and flew

away. He followed it with his eyes and saw it enter a honey-comb

suspended above. The disguised princess was the bee.” Sir John Bowring,

who gives this story in almost the same words, adds, “It is easy to

fancy that the character or sign meaning ‘Gratitude’ could be made by

the impress of a bee’s feet.” I fear that the learned ex-governor of

Hongkong was in this instance indulging in an exaggeration not unusual

with him.

Chinese popular stories also abound with references to “kelpies” such

as in Scotland are reported to haunt fords and ferries. A not less

popular belief credits the monkey tribe with peculiar attributes as

being possessed by fairies who make woman-stealing an ordinary

avocation—thus affording a curious parallel to a South-African

superstition. In the History of the White Monkey, by Kung Tʻsing, we

read that a man of Leang, who had a very pretty wife, was travelling

and came to pass some time at Chang-toh. Warned by the people of the

place that a local shên was given to stealing females he conceals his

wife in an inner room: but, despite all his precautions, on the second

night in the fourth watch she is abducted. After seeking her high and

low amidst great perils he at length comes to a stone door in a

mountain facing the East, and learns from women passing in and out that

his wife is within. To effect her deliverance he is advised to provide

two kilderkins of spirits, ten dogs and several pounds of hemp. With

this the women in the cave promise to attempt the shên’s capture. The

shên accordingly sees and devours the dogs and drinks the spirits, when

he is securely bound with the hemp. The husband being called in, finds

an enormous monkey bound hand and foot to the bed, and Ngau-yang Hih

(the husband) kills him, thus releasing all the females in his power.

Fairies who embody the powers of nature are firmly believed in. “The

Emperor Liang when tired fell asleep in the sunshine and dreamed that

he was visited by a woman of celestial beauty. He asked whence she came

and who she was. ‘I live on the terrace of the Sun on the Enchanted

Mountain. In the morning I am a cloud, in the evening a shower of

rain.’” The popular credence which this legend obtains argues a very

deep-seated belief in the fairy-like attributes of representatives of

the powers of nature, and shows a close analogy to the Western legend

of the “Spirit of the Mist.”

But the Chinese people other spheres with Fairy inhabitants; and there

is a touch of the imaginative in such beliefs which rather induces

sympathy with than hostility to their tenour. The universal legend of

the Man in the Moon takes in China a form that is at least as

interesting as the ruder legends of more barbarous peoples. The

“Goddess of the Palace of the Moon,” Chang-o, appeals as much to our

sympathies as, and rather more so than, the ancient beldame who in

European folk-lore picks up perpetual sticks to satisfy the vengeful

ideas of an ultra-sabbathaical sect. Mr. G. C. Stent has aptly seized

the idea of the Chinese versifier whom he translates:—

“On a gold throne, whose radiating brightness

Dazzles the eyes—enhaloing the scene,

Sits a fair form, arrayed in snowy whiteness.

—She is Chang-o, the beauteous Fairy Queen.

Rainbow-winged angels softly hover o’er her

Forming a canopy above the throne,

A host of fairy beings stand before her

Each robed in light and girt with meteor zone.”

Making every allowance for the polish of translation, the foregoing

verses intimate a delicacy of perception that raises Chinese fairy

folk-lore to the level of our own. It is scarcely necessary to quote,

from European sources, verses which in sentiment express a similar

idea.

Fairy Tales abound in Chinese resembling those in Arabic folk-lore. A

very well-known legend relates how a celebrated musician, aspiring to

wed a princess who played so exquisitely on the flute that all the

birds, even to the eagle, came down from heaven to listen to her, was

accepted, on shewing proof of this ability as her husband. “Too good to

live,” however, the pair were transformed into genii, and still occupy

a place in the somewhat vast arcana of Chinese gods. Other legends

relate to animals becoming endowed with the gift of speech. Thus

Chwang-tzŭ, the hero of a story which has been popularized by Mr. Stent

under the heading “Fanning the Grave,” is related to have reached a

river, the banks of which were almost dry. Various small fishes

thereupon petitioned him to restore their much-needed

element—water—representing that if he did not do so, they would all

perish; and their request was acceded to. Ireland and Germany both give

us similar legends.

To sum up, I am inclined to the conclusion that no very real

distinction obtains in Chinese folk-lore between the various beings

described in the West as demons, genii and fairies, though, as I have

endeavoured to shew, supernatural creatures, possessing the attributes

of each, are fully believed in. The constant application of the term

shên 神 in this connection seems to me an argument against its adoption

by Christian missionaries to express our own conception of the Creator.

It is singular, by the way, to find that just as we use the word

“spirit” in two different senses when we say “God is a spirit” and “He

is a man of spirit,” the Chinese in like manner make the word shên do

double duty. Of course the argument cuts both ways; but its

inapplicability to the Chinese side lies in the fact that the language

provides no word for the one ultimate cause. Whatever word our

missionaries agree upon must do some violence to the native idea. The

subject is, however, too wide to be more than incidentally touched on

here. Suffice it to say that both in the everyday language of the

people and in popular literature shên conveys the idea of gods,

spirits, fairies or demons only. A careful consideration of this fact

is imperative in any discussion as to its adoption in Christian books

to express the Hebrew “Jehovah.”

X.—SERPENTS, DRAGONS, FABULOUS ANIMALS AND MONSTERS.

The part played in the mythology of the Aryan and Semitic races by the

Serpent and Dragon would have led one to expect a similar concurrence

in the Legendry of China, even if the well-known designation under

which its government is so frequently referred to did not at once

direct attention to the fact. The land of the “Dragon Throne” is indeed

by no means singular in its beliefs in this connection. To say nothing

of the Biblical narrative, the Brahminic Krishna, under his two aspects

of Krishna serpent-wounded in the heel and Krishna standing triumphant

on the head of his arch-enemy, the classic stories of Hercules and the

Hydra, Apollo and Python, Cadmus and the Dragon, the Teutonic myth of

Sigurd and Fafner, or our own legend of St. George, and others which

will be referred to in their proper place, combine to give the serpent

and his congeners an universal celebrity. “Among different forms in use

as an old symbol (says a recent reviewer) none is more mysterious than

the serpent. The animal itself glides out and into holes and corners,

and as it glides you only, perhaps, see a coil of the reptile; so, with

its symbolism, the facts are most difficult to be got at, and the

understanding of them is more difficult still. All nations seem to have

had the serpent as a symbol in some form or another. Perhaps one of the

strangest forms of this creeping thing was that of the Christian

Ophites, who kept a serpent which crawled over the bread of the

sacrament on the altar, and this they considered to be the act of

consecration.” It is hardly necessary, however, to tell students of

Chinese literature or folk-lore that our own assortment of popular

legends and beliefs touching the serpent tribe shrink into

insignificance beside that of the “Middle Kingdom.” The brazen serpent

of Moses has been the lineal progenitor of a succession familiar indeed

to the sons of Han. [147] Confining our attention in the first instance

to serpents proper, let us glance at the vast array of legend which

greets the most superficial enquiry into Chinese beliefs on the

subject.

And, before dealing with its supernatural characteristics, let me note

the healing qualities ascribed to the serpent’s flesh. The skin of the

white spotted snake is used in leprosy, rheumatism and palsy, [148]

while the flesh of other varieties enter largely into the often filthy

prescriptions of native doctors. Though I am not aware that the figure

of a serpent has ever been used in China as with the classical

Esculapius and Hygia, who are represented as bearing a staff round

which is coiled a serpent, as a symbol of health, the snake is a

popular item of the show-part of every native drug store, and the

virtues attributed to its body are at least a reminder of the Western

legend. As a drug, however, it ceases to possess supernatural

qualities. To the living animal are attributed powers not less potent

than to the gods themselves. And the writer encountered an instance of

this superstition when endeavouring some months since to induce his

Chinese assistants in the Hongkong Museum to kill and prepare a fine

specimen of the boa tribe which had been caught on the island.

That evil spirits or human beings compelled by enchantment can assume

the form of snakes, is a deeply-rooted belief, as is also its converse

that mysteriously-gifted serpents can at will present themselves to the

public eye as ordinary mortals. In the “Thunder-peak Pagoda” novel,

already referred to, we find the heroine of the story to be a white

snake who possesses the power of assuming the human form. In the Cavern

of the Winds situated on the Green Mountain near Ching-to-foo in

Sze-chuan “there was,” says the story, “reputed to be a monstrous white

female serpent, who had been there from time immemorial. In this cave

also grew strange flowers and wonderful shrubs. This serpent had

existed for eighteen hundred years, and had never yet done harm to any

living thing. On account of her great age, this white serpent had

attained to a vast degree of knowledge, and was able to work marvellous

spells, and to take the form of a woman, in which condition she adopted

the name of Pĭ-cheu-niang.” Her servant, like herself, was a serpent

and the scene in which the two are for the first time introduced to

each other is described in a way worthy of the Arabian nights:—

“Hang-chow is a most beautiful place. The residences of princes and

nobles are here, and beautiful flower gardens and ancient temples

are scattered all over the place. Among these, the garden of Prince

Chow was pre-eminent for beauty; but Prince Chow had long been

dead, and his beautiful garden was deserted by mankind. In it were

altars, pavilions, and mountains almost equalling in splendour the

gardens of the imperial palace. Here there resided a huge black

serpent, which had been in this place for more than eight hundred

years,—and could also ascend into the clouds, and take the human

form; and when she saw the white serpent coming in, she hurried to

prevent her entrance, saying, “Whence comest thou thus to invade

the privacy of my garden? Dost thou not fear my wrath?” The white

serpent, who had assumed the human form, as had the other, merely

smiled, and said, “Don’t talk about your power, but pay attention

to what I am going to say—I am a powerful white serpent, come from

the mountain cavern of the winds, where I have resided more than

eighteen hundred years; but because I am not so powerful as I could

wish, I have determined to change my abode, wherefore you must let

me take up my residence in this garden—besides this, why should we

quarrel, being both spirits in the form of serpents?” But the black

snake was not so easily pacified, and angrily exclaimed, “This is

my garden, and you are a spirit from some distant place—How then do

you dare thus to deprive me of mine own? If, moreover, you think

yourself more powerful than I am, let us contend together three

times for the mastery.” The white serpent smiled slightly, and

said, “It is no desire of mine that we should contend together, as

I do not wish to injure one of my species; but since you so much

wish it, I will contend with you, but upon this condition only that

whoever shall be victorious in the strife, shall become the

mistress, and that the conquered one shall always act as a slave.

“The black snake, still angry, snatched a sword and cut at the

white serpent, but she, drawing two swords, put them before her in

the form of a cross. In a few minutes the superior talent of the

white serpent became evident, for by muttering a powerful spell,

the sword was snatched from the hand of her adversary by some

invisible means, and she was left defenceless. The black serpent at

this was very much frightened, and kneeling down, respectfully

addressed the other, saying, “Do not contend any longer—I

acknowledge you as my superior, and am willing to serve you as your

slave.” Matters being thus settled so satisfactorily, the mistress

and servant entered the garden together.” [149]

The adventures of those two serpent women and the scrapes into which an

unlucky attachment for the mistress led the hero of the tale, form the

principal features of the plot. I cannot, of course, here follow that

out; suffice it to say that the enchantress brought grief to all

connected with her. But the story presents certain analogies with an

old English legend that are worth noting. The “worm of Spindlestone

Heugh” in Northumberland, was, so the legend says, a beautiful girl

transformed by her step-mother into a loathsome serpent, until her

brother should come to her rescue from beyond the seas. This of course

he eventually does, and the charm is broken.

“He quitted his sword, and bent his bow,

He gave her kisses three;

She crept into her hole a worme

But out stept a ladye.” [150]

The well-known Linton worm or dragon [151] supposed to inhabit the

borders of Roxburghshire, gives us another parallel between a British

and a Chinese belief. From his cave on Linton hill this monster “could

with his sweeping and venomous breath draw the neighbouring flocks and

herds within reach of his fangs.” Again we read, “such was the dread

inspired by the monster’s poisonous breath” that the villagers were

beside themselves with terror. Now we have only to go back to 1867 to

find a story extensively believed throughout the Fuhkien seaboard, in

which the poisonous character of a serpent’s breath is an important

element. [152] It was to the effect that a party of tiger-catchers near

Foochow discovered in the cage which they had constructed to receive

the tiger a monstrous snake with two large horns. Although somewhat

frightened at their unexpected prisoner, they decided on taking him on

board their junk with a view to eventually selling him. A few days

after they had put to sea a thunderstorm came on, and a flash of

lightning struck the junk, breaking open the cage. Away slipped the

monster into the hold, which, being stored with rice and other edibles,

was a decided change for the better in his position. As, however, the

captain and crew were bound to deliver their cargo intact, the former

offered $1,000 to anybody who would go down and kill the snake. Two men

were found to venture, but no sooner did they approach the animal than

“raising his head a little, he hissed out a vapour on them and they lay

dead.” Of course captain and crew immediately deserted the junk, and

she is still reputed to be, like the flying Dutchman’s ship off the

Cape, cruizing around the neighbouring coasts; and so great is the fear

of the serpent’s breath, that no one who has heard the story dare board

a castaway Foochow junk to this day.

Something more than mere traces of serpent worship are to be found

throughout China. The San-chieh temples (三界廟) at Canton are also known

by the name of Chʻing Shê Miao or “Green serpent temples,” the origin

of which name is thus given in a compilation by the well-known author

Chao Yi. [153] “When offerings were made to the god a serpent came out

and ate or drank what was laid before the altar. If any person made a

vow and did not afterwards fulfil it, although he might be hundreds of

li away, serpents would come and claim fulfilment of his promise. These

were commonly called Green Serpent Messengers. At present the most

famous of these temples is that at Wuchow-fu, where scarcely a day

passes on which plays are not performed or sacrifices offered, at the

expense of traders who thus celebrate the fulfilment of their

entreaties at the shrine. At the time of sacrifices being offered a

green serpent does in reality issue forth from the sanctuary or make

its appearance from the rafters, or from within the garments of the

God, to drink the wine and devour the eggs that are placed there

without being deterred at the sight of the persons standing by. After

finishing its meal the creature quietly glides away.” [154] Monsieur de

Beauvoir, in his recent work describing a visit to the East, speaks of

a temple at Canton within the enclosure of which was a clump of trees

near an altar, the residence of a sacred serpent. “A crowd of

worshippers were pressing round the sacred bushes, bringing gifts to

the ugly reptile, a snake two feet long, which crawled about close to

some hot ashes.” I have not identified the temple, but the account is

probably accurate, as native informants confirm it. Yet stronger

evidence of the hold which serpent-worship has over the Chinese mind is

afforded by the fact that during the height of the Tientsin floods, in

the autumn of 1873, Li Hung-chang, a man distinguished for his clear

common sense and administrative ability, joined in offering worship to

a miserable little snake which had been picked up and placed in one of

the temples, afterwards extolling, in a memorial to the Throne, the

divine favour exhibited by the appearance of the wretched reptile. And

in the following year the North-China Herald related an even more

absurd instance of faith in the supernatural attributes of the serpent

tribe. “In this case also,” says the journal in question, “the

memorialist is a man of distinguished ability, which he has given

evidence of both in connection with Foreign and Chinese matters. He

reports wonderful miracles on the part of the river gods, in saving

embankments and helping the men who were at work on them, over and over

again. Apparently the Taiwang are credited with power to make the

waters abate just at the critical moment, but not to avert such

unfortunate crises altogether. The river god is, in every case, a small

water snake, which popular fancy has converted into a deity. The story

of Chen Ching-lung Chang-chün, one of the deities mentioned, is that he

was inspector of the Yellow River, and being unable to repair a breach

in the embankments, on account of the strength of the current, he in

despair threw himself into the river. The water ceased to rise, the

current slackened, and the breach was repaired. Chen was transformed

into a River God for his noble devotedness, and constantly appears in

the shape of a water serpent, to work miracles on behalf of his more

fortunate successors in the difficult duty of checking the outburst of

‘China’s Sorrow.’”

That snakes contain in their heads certain precious stones is an old

belief common to most branches of the human family. [155] A story in a

native book of anecdotes relates how a foreigner passing a

pork-butcher’s shop asks the master what he will take for the bench on

which the pork is exposed. The answer, given in fun, is “fifty taels.”

The foreigner offers to pay the money. This convinces the butcher that

there must be something valuable in the bench, so he declines to sell

it, and carefully puts it by. The foreigner leaves the place and

returns after a year’s absence. Seeing the butcher he asks after the

bench, and, in answer to a very natural enquiry why he deems it so

valuable, informs him that, lodged in a cavity within it, is a snake,

holding in its mouth a precious gem. He further adds that the snake

lives on the blood that soaks through the wood from the raw meat

exposed on it, and that when this supply is cut off the snake will die,

and the gem become worthless. Cursing his own stupidity, the butcher

seizes a hatchet and splits the bench open, finding the snake dead,

while the jewel it undoubtedly holds in its mouth is of the same colour

as the eye of a dried fish. I have chosen this story as illustrating

another point in native folk-lore—the mysterious powers attributed to

foreigners—but may observe that constant allusions are to be found in

Chinese works to the idea of snakes containing precious stones. Now, to

go no further than a file of Indian papers received a few weeks ago, I

find in one of them the following paragraph. “The Lawrence Gazette

indulges in surmises as to the object of the ex-King of Oudh in

collecting snakes. Perhaps,” it says, “he wishes to become possessed of

the precious jewel which some serpents are said to contain, or of that

species of snake by whose means it is said a person can fly in the air.

The jewel referred to (nun) has in all times been a popular myth, but

located variously in the heads of toads, fishes, and even horses.” The

superstition therefore is not confined to the Chinese. Is it not

possible that Shakespere’s allusion to the toad, which,

“Ugly and venomous, wears a precious jewel in his head,”

may have been suggested by this popular belief, though now interpreted

to apply only to the beautiful eye with which the animal is endowed?

The transition from the serpent to the dragon is easy, but appears to

have followed much the same rule in China as in England—there being a

considerable amount of confusion in the legendary lore of both

countries between the two animals. It is indeed somewhat difficult to

exactly say where fact left off, and fancy commenced, to contribute to

the popular portrait of the dragon. China does, in fact, produce an

animal—a harmless species of lizard,—which may well have sat as the

original of the native monster; but its small size (only some two feet

from nose to tail) deprives it of any ferocious semblance. Looking at

the widespread belief in dragons there seems little doubt that the

semi-myth of to-day is the traditional successor of a really once

existent animal, whose huge size, snake-like appearance and, possibly,

dangerous powers of offence made him so terrible that the earlier races

of mankind adopted him unanimously as the most fearful embodiment of

animal ferocity to be found.

Dr. Eitel, in an interesting article on the subject of dragon worship,

[156] expresses his belief that it has sprung from the same form of

snake or naga worship as that still existing in India, Burmah and Siam.

“What strengthens this assertion,” he says, “is the circumstance that I

am enabled to state positively that the Chinese translators of Sanscrit

Buddhist texts invariably rendered the term naga (which has been

identified with cobra di capello,) by the word “lung” (龍) or dragon.

The religious mind of China has never made a scientific distinction

between snake and dragon.” Suffice it to say that China is the oldest

home of dragon worship, the animal being represented as winged and

four-footed, each foot having four (or five) claws—the latter number

being appropriated solely to pictures, embroideries or figures used by

the Imperial Court. Thus a dress with a five-clawed dragon worked on it

can be used by one of Royal blood only. It is noteworthy that the

English dragon is also nearly always represented with wings. For those

who have never read the ballad of the Dragon of Wantley I may quote his

description, to enable a comparison to be drawn between him and his

Chinese brother:—

“This dragon had two furious wings

One upon each shoulder,

With a sting in his tayle, as long as a flayle,

Which made him bolder and bolder.

He had long claws, and in his jaws

Four and forty teeth of iron,

With a hide as tough, as any buff,

Which did him round environ.”

The authentic species of dragon or Lung, has, according to Chinese

belief, a camel’s head, a deer’s horns, a rabbit’s eyes, a cow’s ears,

a snake’s neck, a frog’s belly, a carp’s scales, a hawk’s claws and a

tiger’s palms. The chief distinction between the snake and the dragon

in Chinese eyes is that, while the former is worshipped as a real,

everyday object, the latter is avowedly supernatural. A popular proverb

says, “Dragons bring clouds, and tigers bring winds.” [157] The dragon

is in fact an all-pervading element of every myth relating to the

powers of nature, and its worship is not, when we trace its serpent

origin, surprising.

In no case however does it seem more absurd than when we find it

gravely noticed in official documents. Thus a year or two since an

Edict published in the Peking Gazette stated as follows:—“Li Hung-chang

has addressed to us a memorial, stating that the River Yung-ting has

filled its channel, reporting for punishment the officials who were

engaged on the works, and requesting the appropriate discipline on

himself. He states that much rain fell for several weeks in succession

this year, and the waters in river and lake rose to an unwonted height.

The officers responsible worked day and night to avert danger by

opening and shutting sluices and strengthening works. On the 4th and

5th July the rain came down in bucketfuls, and it became utterly

impossible to do anything; the river overflowed in several places. Li

Hung-chang last year reported that he had caged the dragon, and it is

therefore an inexcusable fault that, in so short a time afterwards,

even allowing several weeks’ rain, the river should have broken out!”

It would be difficult to come across more convincing proof that the

supernatural powers of the dragon over the phenomena of nature were

fully believed in.

Domestic dragon worship again is familiar to every native. The author

of the paper above referred to gives curious details of the ceremonies

observed in worshipping dragon-spirits. Every hill and mountain is

supposed to be inhabited by them, and whenever a new house is to be

erected, a Fêng-shui geomancer is consulted to learn if the location be

within the range of friendly dragon spirits. The house on being

completed has a niche fitted up in it as a shrine for the individual

dragon which protects the destinies of the house. He is installed with

considerable ceremony, and the shrine is worshipped at the same periods

as sacrifices or prayers are offered in the Ancestral Hall. In the case

of houses which have been built for the space of one hundred years (at

the expiration of which period the original virtue and efficiency of

the tutelary dragon is supposed to need reinvigoration) more elaborate

ceremonials are necessary. Three days are devoted to preparation, and

on the fourth the exorcism of evil influences commences. This consists

in magical incantations mumbled in unintelligible language, accompanied

by offerings of frankincense, wine and paper, the whole accompanied by

the beatings of drums and gongs and the blowing of a horn. The chief

wizard then dips his arm into boiling oil or performs some similar feat

to justify his claims as an exorcist, one of the commonest being to

walk unharmed through an enormous fire of blazing charcoal. Another

performance consists in ascending a ladder of swords. One or all of

these being accomplished, the wizard repairs, attended by the

neighbours, to the nearest hill and invokes the dragon spirit to

return, and after announcing his arrival professes to entice him back

to the house. The curious reader will find the ceremonies described at

length in the article from which this is summarized.

The following dragon legend was communicated to the same periodical by

Mr. T. Sampson of Canton, and is worth preservation: “It is a common

expression in Canton, to say that extremely violent gusts of wind

during a typhoon are caused by the passage of a tün mi lung 斷尾龍 or

“bob-tail dragon,” and it is sometimes averred that this animal is

actually seen on such occasions passing through the air; generally

however it is, among educated people, nothing more than an expression

signifying a violent gust of wind, and the story connected with it, if

known at all beyond the district of Sun-ui where it has a local

circulation, is classed with such fables as that of the great sea

serpent which was so long that when at rest a junk had to sail for

several days to traverse its length, and which, on being cut in two by

a steamer, was several hours in discovering the fact, in consequence of

the immense length of the nerves which had to convey to the brain the

sense of the injury inflicted.

“The story however of Ah-Tseung and the dragon, as narrated to me by a

native of Sun-ui, is as follows: In ancient times there was a certain

studious rustic whose name was Ah-Tseung, but whose surname has

unfortunately not been handed down for the benefit of posterity; this

youth having found a young snake took it home with him, and as long as

he lived it was his chief delight to nurture this animal; he made a

nest for it in his book-case, and after every meal he secretly conveyed

food to it; it shared his bed, and was his constant companion; the boy

for a long time kept the matter secret from his parents, but his

teacher having observed his many visits to the book-case, wished to

find out what was the attraction, and on opening it he observed to his

great surprise and alarm, a huge snake filling one of the shelves, for

by this time the snake had become full grown. A few months after this

Ah-Tseung died, whereupon his parents drove the snake away to the

neighbouring hills; on every occasion of ceremonial mourning held by

the parents, and on every anniversary of his death, the snake visited

the home of his departed friend, and after going several times round

the house returned again to the hills; the neighbours felt a natural

repugnance to these periodical visits, and remonstrated with Ah

Tseung’s mother, who herself anxious to get rid of so unwelcome a

visitor, forbade the snake coming to her house any more; heedless of

this command the snake did return; whereupon the mother, with the

intention of frightening it away, brandished a knife at it in a

threatening manner, but in doing so the knife accidentally came in

contact with the animal’s tail and severed off several joints of it.

After this the snake never returned; it retired however to the

Kwai-fung-shàn in the district of Sun-ui, where there is a lake of

about a mau (⅓d of an acre) in extent and of unfathomable depth; indeed

it is asserted by the inhabitants of the neighborhood, that its waters

communicate subterraneously with one of the mouths of the great rivers

of Kwangtung, the Ngaimun, and that any substance thrown into the lake

will reappear in the ocean near that embouchure. In and round this lake

Ah Tseung’s snake has lived to the present day, and its appearance on

the distant hill top, sometimes as a man clothed in white, and

sometimes as a white dragon (an instance of progressive development

without natural selection, its flight through the air causing dragonic

development from the pristine type of an ordinary snake), or the

foaming disturbance of the waters of the lake when he indulges in a

bath, are considered sure indications of an approaching storm.

“Such is the story of Ah Tseung and the dragon. Fabulous as it

undoubtedly is, there may nevertheless be, as is often the case with

the most outrageous fables, a grain of scientific truth in it; the

range of hills in Sun-ui of which the Kwei-fung-shan forms a part, must

exert some influence on typhoons; they are in the track of these

circular storms, and probably their height effects an attractive

influence over them, and their conformation diverts the course of the

storm as it impinges upon them. Hence the fact in the natural history

of typhoons, that they, owing to these causes, frequently pass over

Sun-ui and disturb the waters of the lake in the Kwai-fung hills before

they reach other parts of the common delta of the Kwangtung river, may

be the grain of scientific truth which has given rise to the story of

Ah Tseung and the dragon with an abbreviated caudal extremity.”

If we have no Western legend to answer to that just given, a very close

parallel to a Serpent or dragon myth which has spread throughout Europe

can be found in China. Our popular story of St. George and the Dragon

has numerous parallels in Western folklore. The stories of the laird

who slew the “worme of Linton,” of the knight who killed the Lambton

worm, of the Champion Conyers who delivered Sockburn in Durham from “a

worm, dragon or fiery flying serpent,” and of the plucky Scot named

Martin who in Forfar achieved a victory over a dragon which had

devoured nine maidens, embody the same story in other words.

Scandinavian Folk-lore too abounds with similar stories. But one is

hardly prepared to find the legend existing in China, with a change of

sex indeed on the part of the champion, but otherwise the same in its

general features as our own. Mr. W. F. Mayers, writing in November

1867, drew attention to this fact and furnished the now extinct

periodical so frequently referred to on previous pages with the

following translation from the Kwang-po-wu-chih, a thesaurus of

excerpts compiled towards the end of the sixteenth century: [158] “In

the eastern regions of Yueh Min (the present Fuhkien) there exists a

range of mountains called the Yung Ling, many tens of li in height, in

the north-western recesses of which there abode a mighty serpent, seven

or eight chang (seventy or eighty feet) in length and ten feet in

circumference, which was held in great awe by the people of the

country. At a certain time it signified either to some person in a

dream or to those versed in the art of divination that it lusted to

devour a maiden of the age of twelve or thirteen; and the governors and

men in authority of that region, equally alarmed respecting the

monster, sought out female bond-servants and the daughters of criminals

to satisfy the serpent’s appetite. In the morning of the day in the 8th

moon, after offering sacrifices, the victim was taken to the mouth of

the serpent’s cavern; and at night the serpent suddenly issued forth

and devoured its prey. Year after year this happened, until at length

nine maidens in all had been offered up; and a fresh demand was being

made, but no victim could be obtained. At this time Li Tan, Magistrate

of Tsing Lo, had six daughters and no sons. His youngest daughter,

named Ki 奇, responded to the call and was ready to proceed (to the

cavern), but her parents refused consent. She urged, however, that she

was unable to be of use to her parents, as was Ti Ying (the faithful

daughter of olden times), and being a mere source of useless expense

might as well bring her life to a speedy close, and only requested to

be supplied with a good sword and a dog that would bite at snakes. In

the morning of the day of the eighth month she visited the Temple, with

the sword beside her and the dog provided. She had also previously

prepared several measures of boiled rice mixed with honey, which she

placed at the mouth of the cavern. At night the serpent came forth, its

head as large as a rice stock and its eyes like mirrors two feet

across—when, perceiving the aroma of the mess of rice, it began to

devour it. Ki forthwith let loose her dog which seized the serpent in

its teeth, and the maiden hereupon hacked the monster from behind, so

that after dragging itself to the mouth of its cave it died. The maiden

entered the cavern and recovered the skeletons of the nine previous

victims, whose untimely fate she bewailed. After this she leisurely

returned home, and the prince of Sueh, hearing of her exploit, raised

her to be his Queen.

“Other versions of this history may exist, but the above is the only

one I have met with. The occurrence of a female as the hero is somewhat

remarkable, but in other respects the fact that filial piety and

dexterity in stratagems replace in the Chinese legend the masculine

purity and dauntless courage with which our own traditions invest St.

George, as also the minuteness in detail of the events recorded, are

highly characteristic of the Chinese turn of mind. In any case, this is

probably the earliest existing version of the famous legend.”

So much for dragons, dismissed perhaps with almost too scant notice,

but scarcely needing more elaborate discussion. The third heading of

the present chapter refers to fabulous animals of another description,

and of these Chinese folk-lore presents us with a fair variety. The

Phœnix, for instance, enjoys its classical reputation amongst the

inhabitants of the Middle Kingdom, while tigers, monkeys and elephants

also enjoy the reputation of a wisdom which goes beyond instinct and

more than verges on the domain of humanity. Tailed men and mermaids

furnish native tradition-mongers with numerous stories; and the unicorn

of Chinese myth-land is to all intents and purposes identical with the

celebrated animal mentioned in our nursery rhyme, relating how

“The lion and the Unicorn

Went fighting for the Crown;”

and still “supporting” our royal arms. The ki lin, or Chinese unicorn,

has a stag’s body, a horse’s hoofs, the tail of an ox and a

parti-coloured skin, while from its forehead proceeds a single horn

with a fleshy tip. In this case there is however but little mystery in

the resemblance. So far from agreeing with Dr. Williams as to “the

independent origin of the Chinese account,” [159] there can, I fancy,

be no question that, both we and the Chinese alike derived the idea of

the unicorn from Central Asia, where we have almost historical proof

such an animal once actually existed, if indeed it does not still

inhabit the vast steppes of the continent. [160] The chief superstition

connected with the unicorn in China proper is that one makes its

appearance when a sage is about to be born.

Phœnixes also act as harbingers of the birth of great men, [161] but it

is somewhat difficult to define their shape and colour. Popular native

proverbs allege that “The Phœnix will only alight where there is

something precious.” Another saying declares that “when the phœnix

comes there is prosperity.” The following account of this

universally-believed-in bird, given by Mr. Mayers in his Readers’

Manual, embodies an admirable résumé of Chinese legend on the subject.

The feng or phœnix is, he says, “a fabulous bird of wondrous form and

mystic nature, the second amongst the four supernatural creatures. Very

early legends narrated that this bird made its appearance as a presage

of the advent of virtuous rulers, whose presence it also graced as an

emblem of their auspicious government. One writer describes it as

having the head of a pheasant, the beak of a swallow, the neck of a

tortoise and the outward semblance of a dragon; to which another

version adds the tail of a fish; but in pictorial representations it is

usually delineated as a compound between the peacock and the pheasant,

with the addition of many gorgeous colours. It sate in the court of

Hwang-ti while that sovereign observed the ceremonial fasts; and

according to the Shu King it came with measured gambollings to add

splendour to the musical performances conducted by the great Shun. The

female is called Hwang, and this name, combined with that of the male,

forms the compound Feng Hwang which is usually employed as the generic

designation for the wondrous bird. It is translated phœnix by many

writers. Among the marvels related respecting this creature, it is said

that each of the five colours which embellish the Fêng-hwang’s plumage

is typical of one of the cardinal virtues; and a name is given to each

of the many intonations ascribed to its voice.”

An animal occupying an intermediate position between fact and

fiction—its existence being the one, and its alleged qualities the

other—is known as the Sing-sing 猩猩, a very large species of baboon

found in Cambodia. Its blood is supposed in China to be useful as a

dye; but inasmuch as it of course dries up if the animal is killed, the

Chinese allege that artifice is resorted to by hunters to induce it to

submit to the process of bleeding, and the natives quaintly describe

the (very imaginative) operation. The story is evidently the production

of some Chinese Æsop, containing as it does an admirable satire on the

temptations of the wine cup. But, nevertheless, the animal is really

believed by the vulgar to possess supernatural powers. The account

given is as follows:—“The Sing-sing is remarkably fond of wine; so the

blood-hunters lay a trap for him thus:—Having found the tracks he

frequents, they place in some position where he is sure to see them a

pailful of some intoxicating liquid and a cup, and then conceal

themselves in the vicinity. After a time the Sing-sing discovers the

pail; but after inspecting it mutters, ‘Ah! this is put here by the

blood hunters, but I shan’t be fool enough to drink it; it’s nothing

but poison.’ Moving away for a short time it presently returns,

observing, ‘After all wine is a good thing in itself, if one doesn’t

take too much; it’s very nice, and I shall just try one cup.’ The

animal accordingly takes one cupful and walks away, soon however

returning for a second and a third, finally drinking itself helpless.

The hunters then seize it and place it in a cage, and on its recovery

begin to bargain with it for its liberty. Its blood, to be of any

service, must be voluntarily given, so the hunters demand so many

cupsful as the price of its release. After a good deal of palavering

this is settled; the animal then himself opens a vein, measures out the

quantity agreed on and is released, again to fall a victim to similar

temptation.” The assumption that the baboon can, if it will, hold

converse with mankind is noteworthy as common to most countries whence

the monkey tribes take their origin.

Of course our old friend—I might almost say, in view of the latest

published accounts, our American friend—the Sea Serpent, turns up on

the coasts of China, and the description given of him does not greatly

differ from that recorded elsewhere. According to a popular legend the

Chien Tang river was at one time infested by a great Kiau or sea

serpent, and in 1129 A.D., a district graduate is said to have

heroically thrown himself into the flood to encounter and destroy the

monster. His wife forthwith put an end to her existence also, from

devotion to him, and their virtues were commemorated by a temple

erected for their worship. [162] It has been already noted that most of

the river gods are supposed to appear in the form of water snakes, and

that the sea serpents noticed in Chinese records have always infested

the mouths of rivers. From a tutelary deity to one purely malevolent is

no great step. Other remarkable animals are noted by the writer above

quoted (Dr. D. J. Macgowan) as stated to have visited the same river:

In 488 A.D. a salt inspector discovered near its mouth a “sea-fish

which the tide had left behind. It was more than 300 feet long, of a

black colour, without scales,” and was eaten by its captors. About 120

years ago, again “a huge sea-fish appeared off Chapoo; it followed the

vessels in with the tide and at ebb was unable to return. It measured

one hundred feet in length, was ten feet high and twenty wide.” This is

probably an exaggerated story of a whale, but as the Chinese have a

distinct name for the whale, with which they are fairly familiar, there

remains a possibility of the animal in question being something unknown

to naturalists.

A very singular coincidence between two legends relating to fabulous

fish is to be found in the following. A recent visitor to Nanking thus

describes the basin which formerly decorated the top of the celebrated

porcelain pagoda: “We happened to discover among the ruins an immense

cast iron basin, 39 feet in circumference, which is connected popularly

with the above account of the thunder spirit. This basin was placed

with its mouth upwards on the summit of the pagoda, and hence would

constantly be full of rain water. A bird perched upon the edge of the

basin one day dropped a fish into the water, which grew and grew till

it became a strange monster, exercising such an evil influence over the

neighbourhood that the God of thunder was at length compelled to attack

it, and in doing so struck the tower and partially destroyed it. It was

finally destroyed by the rebels in 1856.” Now if we turn to Henderson’s

Folk-lore of the Northern Counties, p. 248, we find the following story

of the “Heir of Lambton.” Fishing one day in the river Wear he felt

something tugging at his line and thought he had secured a fine fish.

But to his horror he found that he had only caught a worm of unsightly

appearance which he hastily tore from his hook and flung into a well

close by. “A stranger of venerable appearance passing by asked him what

sport he had met with. To which he replied, ‘Why truly I think I have

caught the devil himself. Look in and judge.’ The stranger looked, and

remarked that he thought it boded no good.... Meantime the worm

remained in the well till it outgrew so confined a hiding place. It

then emerged and betook itself by day to the river, and by night to a

neighbouring hill round whose base it would twine itself; while it

continued to grow so fast that it soon could encircle the hill three

times. The monster now became the terror of the whole country side,

&c.” The feat of arms by which this “Lambton Worm” was finally killed

has been before alluded to. But the coincidence between the Chinese and

English legend, in other respects, seemed worth additional notice.

Some of my readers may perchance be interested to learn that the

original home of the mermaid (Ch. sea-woman 海女 hai nü) is almost within

sight of the room in which these notes are being written. The only

specimen of a veritable mermaid I ever saw was Barnum’s celebrated

purchase from Japan, which, so far as could be judged, consisted of a

monkey’s body most artistically joined to a fish’s tail. But the author

of a work entitled Yueh chung chieh wên, or “Jottings on the South of

China,” compiled in 1801, narrates how a man of the district of Sin-an

(locally Sin-on) captured a mermaid on the shore of Ta-yü-shan or

Namtao Island. “Her features and limbs were in all respects human,

except that her body was covered with fine hair of many beautiful

colours. The fisherman took home his prize and married her, though she

was unable to talk and could only smile. She however learned to wear

clothes like ordinary mortals. “When the fisherman died the sea-maiden

was sent back to the spot where she was first found, and she

disappeared beneath the waves.” The narrator quaintly adds, “This

testifies that a man-fish does no injury to human beings,” and he

moreover informs us that these creatures are frequently to be found

near Yü-shan and the Ladrone Island—so that any adventurous Hongkong

canoeist may still have a chance of making a novel acquaintance.

Another case recorded by the same writer speaks of a mermaid of more

conventional form than the lady already noticed. “The Cabinet

Councillor Cha Tao being despatched on a mission to Corea, and lying at

anchor in his ship at a bay upon the coast, saw a woman stretched upon

the beach, with her face upwards, her hair short and streaming loose,

and with webbed feet and hands. He recognised this being as a mermaid

(or man fish) and gave orders that she should be carried to the sea.

This being done, the creature clasped her hands with an expression of

loving gratitude and sank beneath the waters.”

The Straits of Hainan are regarded by the Chinese as the chief habitat

of monstrous fishes of strange shape, ruled over by the God of the

waters, a sort of Chinese Neptune. And it is quite possible that the

opening of the principal port of the island to foreign trade may (on

the ground that nearly all such legends have a faint substratum of

truth) reveal to the eyes of the naturalist new and undreamt-of

inhabitants of the deep. It is but a few years since the ridicule

excited by M. Victor Hugo’s “devil fish” has given way to a sober

recognition of the fact that the octopus of real life is a monster but

little differing from the fanciful sketch given of his congener. And he

would now-a-days be rash who ventured to assert that the Chinese have

less ground for asserting the existence of very real monsters to our

eyes than is possessed by the hardy fishermen of the coasts of Northern

Europe.

XI.—SUPERSTITIONS REGARDING THE POWERS OF NATURE.

The beliefs to be noticed under this head are such as those familiar

with Asiatic ways of thought would expect to find. The sun, moon, and

stars, thunder and lightning, wind, water, and fire are each supposed

to exist and exercise their powers under the directions of particular

deities or spirits. As with ourselves, the moon enjoys amongst the

Chinese a preëminence in regard to the numerous traditions related of

her inhabitants. There is an Old Man of the Moon, a Goddess, a Lunar

Frog, a Toad, a Hare &c., and each myth bears more or less resemblance

to legends handed down to us from our own forefathers. The sun, though

in a less degree, is the object of similar beliefs. Planetary or

stellar influences are devoutly believed in, stars being, as amongst

the ancient Westerns, the embodiments or homes of heroes or demons. So

too with cosmical phenomena. Being unable to realize that these occur

in accordance with natural laws laid down by an all-powerful Creator,

the Chinese are naturally thrown back upon the pagan idea of numerous

supernatural directors. That their legends regarding such matters are,

however puerile, so strikingly free from aught that is obscene or (when

mythology is in question) unnatural, is creditable to the purity of the

popular creeds.

Dr. D. J. Macgowan, whose numerous contributions to our better

knowledge of Chinese matters have placed his readers under considerable

obligations, furnished an interesting mass of matter in this connection

in an article read in December 1858 before the North China Branch of

the Royal Asiatic Society. In his introductory remarks he thus accounts

for the fulness of cosmical record for which Chinese literature is

remarkable:—“According to Chinese cosmogony, man is so intimately

identified with the powers of nature, being what they term ‘a miniature

heaven and earth,’ that, in order to be conversant with the science of

civil government, one must study celestial and terrestrial

phenomena,—as the deviations from the course of nature are all more or

less portentous of evil, excepting a few, which are regarded as

felicitous. Indeed, in high antiquity they professed to have a

revelation in a tabulated form, procured from the carapace of a

tortoise, by which those who observed the weather and seasons might

form correct opinions on the political aspect of the times. In the

Shu-King, under the section Hung-Fan or Great Plan, this doctrine is

summarily laid down thus:—

Seasonable rain, indicates Decorum.

Excessive rain, ,, Dissoluteness.

Opportune fine weather, ,, Good government.

Long-continued drought, ,, Arrogance.

Moderate heat, ,, Intelligence.

Excessive heat, ,, Indolence.

Moderate cold, ,, Deliberation.

Extreme cold, ,, Precipitation.

Seasonable wind, ,, Perfection.

Continued tempest, ,, Stupidity.

“From these views, which have great influence on the minds of the

Chinese, it happens that a fuller account of subterranean action of

meteorological wonders, and the like, are found in their records, than

among the annals of any other people, anterior to the birth of

meteorology as a science.”

No doubt the explanation here given accounts for the attention paid by

the more educated classes to natural phenomena. But, as is usually the

case, popular belief has grafted upon an intelligible, if absurd,

system numerous additions. The superstitious peasantry trouble

themselves but slightly about the science of civil government but

eagerly discuss portents which are believed to affect their little

world. And as my object is rather to deal with such superstitions as

they affect the vulgar, than as they influence the literati, I content

myself with this mere glance at the profounder system involved in

watching cosmical phenomena and pursue the humbler branch of the

subject comprehended under the term “folk-lore;” though it is probable

that I shall here transgress the boundaries of my subject, inasmuch as

such beliefs are too closely connected with native mythology to enable

a strict line to be drawn between the two.

The Chinese “Old Man in the Moon” is known as Yue-lao and is reputed to

hold in his hands the power of predestining the marriages of mortals—so

that marriages if not, according to the native idea, exactly made in

heaven, are made somewhere beyond the bounds of earth. He is supposed

to tie together the future husband and wife with an invisible silken

cord which never parts so long as life exists. Readers of Mr.

Baring-Gould’s “Curious Myths” will remember the various legends

attaching to the Man in the Moon, none of which however endow him with

any power over sublunary affairs. The parallel between an English and

Chinese superstition regarding the Queen or Goddess of the Moon is

closer. This still exists in parts of Lancashire and is the basis of

numerous legends in China. Regarding these latter I cannot do better

than quote the remarks made by Mr. W. F. Mayers, [163] though, as will

be observed, he does not notice the Lancashire superstition. He

says:—“No one can compare the Chinese legend with the popular European

belief in the ‘Man in the Moon,’ as sketched, for instance, in Mr.

Baring-Gould’s ‘Curious Myths of the Middle Ages’ (First Series, p.

179), without feeling convinced of the certainty that the Chinese

superstition and the English nursery tale are both derived from kindred

parentage, and are linked in this relationship by numerous subsidiary

ties. The idea, says Mr. Gould, of placing ‘animals in the two great

luminaries of heaven is very ancient and ... a relic of a primeval

superstition of the Aryan race.’ A tree, an old man, and a hare, are,

as Mr. Gould shews in various passages, the inhabitants assigned to the

moon in Indian fable; whilst the curious notion that the human recluse

condemned to an abode in the lunar regions owes his transportation

thither to an act of theft or of sacrilege is a well-known concomitant

of the story in all lands. In all the range of Chinese mythology there

is, perhaps, no stranger instance of identity with the traditions that

have taken root in Europe than in the case of the legends relating the

moon; and, luckily, it is not difficult to trace the origin of the

Chinese belief in this particular instance. The celebrated Lin Ngan,

author (in part at least) of the writings known as Hwai Nan Tsze, is

well known to have been the patron of travelled philosophers, under

whose guidance he studied and pursued the cabalistic practices which

eventually betrayed him to his death; and the famous astronomer Chang

Hêng was avowedly a disciple of Indian teachers. That the writings

derived from two such hands are found giving currency to an Indian

fable is, therefore, not surprising; and there seems to be ground for

suspicion that the name Chang Ngo, (or, as the dictionaries assert more

properly Heng-ngo) appearing in their treatises may be the corrupt

representation of some Hindoo sound, rather than connected, as the

writer quoted above suggests, with the doubtful title of an office

obscurely mentioned in times long anterior to the dates at which they

wrote. The statement given by Chang Hêng is to the effect that ‘How I

后羿, the fabled inventor of arrows in the days of Yao and Shun, obtained

the drug of immortality from Si Wang Mu (the fairy “Royal Mother” of

the West); and Chang-Ngo (his wife) having stolen it, fled to the moon,

and became the frog—Chan-chu—which is seen there.’ The later fabulists

have adhered to this story and amplified its details, as for instance,

in the Kwang-ki a pleasing story of a subsequent reunion between How I

and his wife is told; but in general the myth has been handed down

unaltered, and the lady Chang-ngo is still pointed out among the

shadows in the surface of the moon. In its etymological bearings, the

legend is well worthy of further investigation.” With this conclusion

all readers will agree. As regards the legend concerning the hare, it

is purely of Indian origin, having been introduced into China with

Buddhism. Sakyamuni, the founder of Buddhism, is related to have been a

hare in one of the earliest stages of his existence, living in

friendship with a fox and an ape. Indra having sought their hospitality

the fox and ape procured him food, but the hare could find nothing.

Sooner than be inhospitable the hare cast itself into a fire in order

to become food for his guest, in reward for which Indra transported him

to the moon. [164] The lunar hare, as Mr. Mayers notes in his “Manual,”

is said to squat at the foot of “the cassia tree of the moon” (月中桂)

pounding drugs for the Genii (Art. Kwei 桂 § 300). A vulgar superstition

asserts that the hare conceives by looking at the moon, bringing forth

her young from the mouth.

The influence exerted by the moon on tides is recognised by the

Chinese—a noteworthy fact in view of the strenuous denials of there

being any basis of scientific truth in a belief shared by every Western

sailor. The moon is, in China, the embodiment of the Yin or female

principle influencing darkness, the female sex, the earth, water, &c.

&c. A trace of a similar belief is to be found in the Isle of Skye. The

Skye correspondent of a home Journal writes:—“During the fortnight

commencing on the 24th of June, when the moon was crescent, no real

Skyeman would stack his peats for any consideration, believing that

unless stacked under a waning moon the peats will give neither light

nor heat when burned. ‘A power of smoke’ is all that can be expected

from peats stacked under a crescent moon. In Skye the crescent is

called ‘fas,’ and the wane ‘tarradh,’ and under these two terms the

moon not only exercises great influence over peats, but also over many

other things. In some parts of the High-lands, sheep, pigs and cows are

only killed in the ‘fas,’ as meat made in the ‘tarradh’ is supposed to

be good for nothing but ‘shrinking’ when in the pot.” Native Chinese

records aver that on the 18th day of the 6th moon, 1590, snow fell one

summer night from the midst of the moon. The flakes were like fine

willow flowers or shreds of silk.

If we except the somewhat bold speculations of certain modern

religionists who place the hereafter within the fiery orb forming the

centre of our system, European legend and belief have but little to say

about the sun. The Chinese however have not failed to assign it as the

dwelling-place of mysterious beings, one account making it the

residence of a spirit named Yuh I, while others allege that a

three-legged bird of supernatural attributes is its ruling demon. The

sun rules the masculine principle and is supposed to be the offspring

of a female named Hi Ho. [165] Other popular Buddhistic legends allege

the names of the solar genius to be—Su-li-ye 蘇利耶 or Su-mo 蘇摩. We must

turn to the fire-worshippers of Persia or Mexico, to the worshippers of

Baal or the sun-worshippers of Phœnicia for precise analogies in this

direction. Dr. Kitto concludes that the latter worshipped not the sun

itself but an astral spirit residing in it. The most singular fact in

connection with the Chinese beliefs is, after all, their compatibility

with an absence of any extended system of Sun-worship, though that

luminary is adored as Tai-yang-ti-chün—the “Sun ruler” who presides

over the soul of man.

The identification of the stars and planets with the dwelling places of

heroic or supernatural beings prevails extensively in China. These

superstitions are mostly Taoistic and strongly resemble those of the

Hindoos. The Divine Tortoise 神龜 Shên-kwai is said to be the embodiment

of the star “Yao Kwong” in Ursa Major. The Spirit of the legendary

prince Chih-yu 蚩尤 is supposed to inhabit the planet Mars. Yu-hwang-ti

is assigned to the pure Jade stone palace in the Tʻai-wei tract of

stars. Tʻien-hwang-ta-ti, who rules the poles, and regulates heaven,

earth and man, is said to reside in the pole star. Hsing-chu, the “Lord

of the stars” resides in a star near the pole known by his name; while

the spirit of the South pole has a similar celestial residence. As

already noted, Kwan-Ti, the God of War, is alleged to have made himself

visible, on occasions of dire political distress, within a brilliant

star. Numerous examples of this sort might be adduced, but the

foregoing may suffice. The constellations, by the way, are in Chinese

almanacks formed into arbitrary figures as in Western astronomy, while,

as is natural, the Chinaman actually associates the monster thus

designed with the stars forming its supposed outline. Persons born

under certain constellations are (in accordance with European

Astrology) liable to good or evil luck. Apropos of this I came across a

curious work from Madras [166] a short time since, in which the rules

for building a house in compliance with stellar influences closely

resemble similar beliefs in China.—“Having selected a site, the

frontage must be divided into nine equal parts, five being assigned to

the right and three to the left, the fourth division being reserved for

the door-way. The enumeration begins on the left and thus the fourth

section is in the mansion of Mercury. The occupant of such a house may

become as wealthy as Kubera. A person born under Gemini, Cancer, or

Leo, must build his house on a line stretching east and west, the

entrance being placed easterly. A person born under Virgo, Libra, or

Scorpio, must build on a line running north and south, the door-way

being southerly. One born under Sagittarius, Capricorn, or Aquarius

must build west and east, placing the entrance westerly. If born under

Pisces, Aries, or the Twins, he must build south and north, the door

being placed northerly. A family occupying a house built contrary to

these rules will be ruined.”

Some of the popular beliefs regarding appearances in the heavens have

been alluded to under Portents and Auguries, but I may here add a word

or two to the details already given. The appearance of ships, troops,

&c. in the sky is of course deemed supernatural, Chinese science being

as yet unacquainted with the causes of the mirage. Several

well-authenticated stories of such phenomena are on record, one at

Kung-shan having been visible for a whole day. That part of the sea on

Hangchau Bay which lies near Kiahing often, says Dr. Macgowan, exhibits

this illusion. It is more frequently seen from the opposite side. “Sea

Market” is the general term by which the mirage is designated, and it

is noted as occurring at different points of the coast from Canton to

Shantung. It can easily be believed that such an apparent miracle, in

view of two contending armies, would suffice to turn the scale of

victory on the side of those expecting reinforcements. Amongst other

phenomena recorded in China is the appearance of a hen without feet

sitting on the sun! Parhelia, or mock suns, have frequently been seen,

and the concurrence of their manifestation with important state events

has of course tended to justify a popular belief in their portentous

qualities. A well-known story published only a few years since, in one

of the foreign papers, relates how the Chang-ning rebels besieged one

of the cities in the Yangtsze valley, and how the magistrate having

first offered prayer in the temple of Tien-kung, led the troops against

them and completely defeated them. The rebel prisoners all stated that

when the battle commenced they saw a large flag in the heavens with the

characters Tien 田 on it, and in the rear of the flag a host of ghostly

soldiers flying through the air, smiting the rebels as they passed, and

scaring them out of their wits. Thus the city was saved. The success

was fully attributed to divine interposition, and the story is

gratefully recounted by the people to the present time. A memorial was

drawn up by the local gentry, and presented to the district magistrate

with the request that the Throne should be petitioned to confer a

higher title on Tien-kung. Such a request being in accordance with

Chinese custom, it was of course granted.

The absurd stories told of meteors are endless. In the native Records,

the most extraordinary phenomena are alleged to have been observed. A

shooting star from which fell fish (A.D. 519), a meteor which after

lying where it fell for some days suddenly moved of itself (A.D. 1561),

and a formless body as large as a house which bounded over the dykes

near Yuling into the sea, furrowing the ground as it went (A.D. 1782),

are duly recorded, with a host of ordinary meteorites, as having

alarmed the neighbourhood in which they appeared. “In the year 1348, a

star as large as a bowl, of a white and slightly azure colour, with a

tail about 50 feet long, lightened the sky, with a rumbling noise flew

from the North-east, and entered the midst of the moon, the moon then

looking as a reversed tile,—i.e. upright.” The Chinese are not of

course much worse (if so bad) in regard to such matters than the people

of the West, and equally curious records exist amongst ourselves. As

was observed in the introductory chapter the distinction between the

superstitions of the Middle Kingdom and those of Europe lies rather in

the more widely accorded credulity to alleged marvels amongst the

former than in any actual difference of belief.

Thunder and lightning are, of course, in China the manifestations of

supernatural anger. [167] The god of Thunder in China (Lui-tsz)

corresponds to the Indian Vajrapani, and is a well-known Buddhist

deity, worshipped like his numerous companions as a stellar god, and

occupying in popular belief a position not unlike, though less

important than, that of the Scandinavian Thor. [168] The connection

between lightning and fire in all known mythologies is equally obvious

in China. But we miss the Promethean legend so widely known in the

West. Here the God of Fire wields indeed the lightning, but only to

cause the conflagrations which satiate his vengeance. He is, in fact, a

very everyday deity, destitute of the enormous powers wielded by his

representatives elsewhere. The popular idea of his attributes is well

illustrated by the following legend, kindly placed at my disposal by

Mr. G. M. H. Playfair (of H. M. Consular service in China) as having

been related to him during his residence in Peking:—

“The temples of the God of Fire are numerous in Peking, as is natural

in a city built for the most part of very combustible materials. The

idols representing the god are, with one exception, decked with red

beards, typifying by their colour the element under his control. The

exceptional god has a white beard, and ‘thereby hangs a tale.’

“A hundred years ago the Chinese Imperial revenue was in much better

case than it is now. At that time they had not yet come into collision

with Western powers, and the word ‘indemnity’ had not, so far, found a

place in their vocabulary; internal rebellions were checked as soon as

they broke out, and, in one word, Kien Lung was in less embarrassed

circumstances than Kwang Hsu; he had more money to spend, and did lay

out a good deal in the way of palaces. His favourite building, and one

on which no expense had been spared, was the ‘Hall of Contemplation.’

This Hall was of very large dimensions; the rafters and the pillars

which supported the roof were of a size such as no trees in China

furnish now-a-days. They were not improbably originally sent as an

offering by the tributary monarch of some tropical country, such as

Burmah or Siam. Two men could barely join hands round the pillars; they

were cased in lustrous jet black lacquer, which, while adding to the

beauty of their appearance, was also supposed to make them less liable

to combustion. Indeed, every care was taken that no fire should

approach the building; no lighted lamp was allowed in the precincts,

and to have smoked a pipe inside those walls would have been punished

with death. The floor of the Hall was of different-coloured marbles, in

a mosaic of flowers and mystic Chinese characters, always kept polished

like a mirror. The sides of the room were lined with rare books and

precious manuscripts. It was in short the finest palace in the Imperial

city, and it was the pride of Kien Lung.

“Alas for the vanity of human wishes! In spite of every precaution, one

night a fire broke out and the Hall of Contemplation was in danger. The

Chinese of a century ago were not without fire-engines; and though

miserably inefficient as compared with those of our London fire

brigades, they were better than nothing, and a hundred of them were

soon working round the burning building. The Emperor himself came out

to superintend their efforts and encourage them to renewed exertions.

But the wall was doomed; a more than earthly power was directing the

flames, and mortal efforts were of no avail. For on one of the burning

rafters Kien Lung saw the figure of a little old man, with a long white

beard, standing in a triumphant attitude. ‘It is the God of Fire,’ said

the Emperor, ‘we can do nothing:’ so the building was allowed to blaze

in peace. Next day Kien Lung appointed a Commission to go the round of

the Peking temples in order to discover in which of them there was a

Fire god with a white beard, that he might worship him and appease the

offended deity. The search was fruitless; all the Fire-gods had red

beards. But the Commission had done its work badly; being highly

respectable mandarins of genteel families, they had confined their

search to such temples as were in good repair and of creditable

exterior. Outside the North gate of the Imperial City was one old,

dilapidated, disreputable shrine which they had overlooked. It had been

crumbling away for years, and even the dread figure of the God of Fire,

which sat above the altar, had not escaped desecration. ‘Time had

thinned his flowing locks,’ and the beard had fallen away altogether.

One day some water-carriers who frequented the locality thought, either

in charity or by way of a joke, that the face would look the better for

a new beard. So they unravelled some cord, and with the frayed-out hemp

adorned the beardless chin. An official passing the temple one day,

peeped in out of curiosity, and saw the hempen beard. ‘Just the thing

the Emperor was enquiring about,’ said he to himself, and he took the

news to the palace without delay. Next day there was a state visit to

the dilapidated temple, and Kien Lung made obeisance and vowed a vow.

“‘O Fire God,’ said he, ‘thou hast been wroth with me in that I have

built me palaces and left thy shrine unhonoured and in ruins. Here do I

vow to build thee a temple surpassed by none other of the Fire-gods in

Peking; but I shall expect thee in future not to meddle with my

palaces.’

“The Emperor was as good as his word. The new temple is on the site of

the old one and the Fire god has a flowing beard of fine white hair.”

Some odd superstitions connected with the spread of fire come under my

notice at this moment. The Chinese are cautious of provoking the “God

of Fire” or “Fire Principle” either by ill-timed allusions to his

powers or by other acts, and the Tientsin correspondent of a Shanghai

journal refers to this fact in noting that, in view of an existing

drought, and the closing of the South gate of the former City as a

stimulus to rain, the Fire Principle might revenge itself by an

outbreak. On the 19th of May last the correspondent writes:—“Almost as

soon as this ill-timed suggestion had an opportunity to get itself

considered, the Fire Principle proceeded to act upon it; the

consequence is that a large quantity of combustible material, and

several rather incombustible mud houses, now ‘slumber in the valley.’

The houses at the foreign settlement a mile and-a-half distant were

illuminated by the lurid light, before which even the full moon paled

its ineffectual fires. The inevitable ‘fire pigeon,’ whose

indeterminate circles and final flight are watched with close and most

superstitious awe, did not fail to appear, and having indicated by his

course that the fire would spread across the wall into the city, caused

the most intense excitement there. Fortunately the wind was

comparatively light, and the damage done, considering the terror

inspired, was trifling. The next day in a violent gale another

conflagration broke out at the south-west corner of the city, destroyed

the grass intended for horses and donkeys, but no houses.” The “fire

pigeon” here alluded to is nothing supernatural. Most cities in North

China are frequented by large flocks of pigeons, and the light of a

conflagration generally attracts a number who wheel in circles round

the burning house. The bird nearest the flames is looked upon as

affording an augury of their spread—not always, as is above evidenced,

of the most reliable description.

Mountains in China as in Europe have their demons or presiding

divinities. The God of Tʻai-shan in Shantung Tung-yoh-ta-ti regulates

the punishments inflicted on sinners in both this world and the next.

Four other divinities rule over the principal chains in other portions

of the Empire.

The formation of islands by natural causes in the vast streams which

water the empire is of course the basis of numerous legends. A

gentleman who explored the West River near Canton, some ten years

since, gave the following instance, showing how easily a popular belief

springs into being. “Pau Man-ching, who was Departmental Magistrate

(some eight hundred and twenty-five years ago) of what was then known

as Tün Chau now Shiu Hing Fù, is said to have been a man of remarkable

administrative powers and possessing the most sterling integrity. He

filled his term of office in such an acceptable manner, that on its

expiration he was immediately transferred to a position of honor and

trust in the capital. Illustrative of his great virtue it is recorded,

that when he arrived at Shiu Hing, the Department City, he found the

officers were in the habit of practising gross abuses of power, and set

himself immediately to the work of reformation. Particularly were they

accustomed to require the people to furnish ten-fold more than the

lawful tribute from the ink-stone quarries, which are regarded as the

best in the Empire. The surplus thus acquired was secretly distributed

among the high officers at the Court, in order to secure special favor.

He at once put a stop to the practice, and would allow no more tribute

to be levied than was actually sent up to the Emperor. In this one

respect he was so strict that he did not carry away a single stone for

himself when he left. Now tradition amplifies the idea and says, that

of the many testimonials of gratitude and respect offered him by the

people on his departure, he only accepted an inkstone, lest there

should seem to be even the shadow of bribery or corruption chargeable

against him. When he arrived at the above-mentioned point in the river

on his voyage down, a violent storm arose, which threatened to

overwhelm the boat. The inkstone became a burden to his conscience, and

Jonah-like was hove into the stream; whereupon the storm immediately

ceased and an island rose up, known to this day as ‘Inkstone island.’

Another form of the legend is, that in the midst of the storm he fell

into a passion, upbraided the Gods of the country for thus rewarding a

man who had endeavoured to do his duty, and then cast away the stone,

the act being followed by the above result. If either of these were

true, it surely might be said that this was one of the most productive

inkstones in China.” It should be added that the better-read literati

of the neighbourhood simply refer the name to the fact of the inkstone

being cast overboard opposite the island, but the more miraculous

version is firmly accepted by the unlettered peasants. I need scarcely

refer to well-known European legends to find parallels to the above.

The belief that violent winds or typhoons are caused by the passage

through the air of a “Bob-tailed Dragon” has been before adverted to,

and the superstitions connected with water, whether in the shape of

rain, sea, or river, are equally quaint. The rain god Yü-Shih 雨師 or

“Master of rain” is a divinity identified by the ancient cosmogonists

with a son of Kung Kung bearing the name 玄冥 (Hsuan-ming). He is

identified with the constellation 畢 (Hyades) and is held as

personifying the aqueous influences of the atmosphere. [169] One of his

effigies occupies an honoured position in a temple some ten miles from

Peking, and about a hundred and fifty years ago fell under the

displeasure of the then Emperor for his persistent neglect to send down

the much needed showers. A chain was put round his neck and he was

ignominiously dragged to the Mongolian frontier, when a lucky deluge

delivered his godship from his unpleasant position. He was taken back

in great state, and the Emperor himself bestowed on him a yellow dress,

which still adorned the idol at the time of my visit.

As a specimen of the form in which the popular superstitions in this

connection are evidenced the following from a correspondent at Tientsin

deserves record. Writing to a Northern journal in May last he says,

“The season continues excessively dry, in spite of the liberal

petitions to every god by all people whatsoever. The most recent

sensation story relates to a Buddhist priest who has conceived the idea

of doing a little temple building at the expense of the public

credulity, and has accordingly, after interviewing the high officials

for permission, announced that he will pray for rain for a period of

six or seven days, on an altar for that purpose erected near the Sung

Wang Miao, and if within the specified time rain does not fall, he will

be burnt alive.” A general curiosity was manifested to know whether

this foolish bargain would be kept. Happily for the enthusiast, or

impostor, a slight shower which fell an hour or two before the date

expired was considered sufficient to save his reputation and his life,

Chinese officials not liking to be trifled with in such matters. For

the rest, praying for rain is an every-day matter in China where

drought is one of the most serious of disasters. By native custom the

Emperor is deemed responsible if the drought be at all severe, and

numerous are the self-condemnatory Imperial edicts on this subject

published in the pages of the venerable Peking Gazette. In extreme

cases the Emperor, clothed in humble vestments, sacrifices to Heaven

and entreats its benevolence. No touch of superstition this,

however,—rather a glimpse of Chinese humanity at its best, conscious of

its subjection to a higher will and openly confessing its shortcomings!

Tides share with rain a superstitious belief in their regulation by

supernatural beings. The most remarkable phenomenon in connection with

this subject to be witnessed in China is the Eagre or bore of the

Tsien-tang river which debouches into the sea at the extreme eastern

portion of the coast, the city of Hang-chow being situated at its

mouth. The Eagre at times causes a rise of tide to the extent of some

forty feet opposite the city, and a writer already quoted, in a paper

on the subject read before the China Branch of the Royal Asiatic

Society so long ago as 1853, gives some interesting details of the

superstitions connected with it. The Chinese, he says, regard the Eagre

as one of the wonders of their world, and it gave its name to the

province. “As might be expected, therefore, it is blended with their

mythology. It is not a little remarkable, however, that it should be

popularly ascribed to the spiritual energy of a 神 shên (or god,) who

lived so recently as five hundred and forty years before our era, or

about twenty years before the birth of Confucius. At that period the

Tsien-tang was the boundary of two belligerent kingdoms, Wú and Yueh.

Fu Chai, king of the former, incensed against his minister Wú Tsz’ Si,

for opposing the terms of a treaty, submitted by Chung, ambassador of

Ku Tsien, King of Yueh, sent him a sword, with which, understanding his

master’s will, he committed suicide, by cutting his throat, a method

still pursued by sovereigns in China towards officers of distinction

who have incurred their displeasure. This incident in ancient history

is recorded in the spring and autumn Annals of Confucius; but in a

work, entitled “Spring and Autumn Annals of the States of Wú and Yueh,”

a historical novel, written several hundred years after, a prevailing

myth is superadded to the authentic narrative, which the author himself

seems to credit, and which to the present day is received as verity.”

“Wú Tsz’ Si’s corpse, which was thrown into the Tsien-tang, after being

carried to and fro by the tide for some time, tunneled a passage

through the hills on the Yueh side, as far as the tomb of the quondam

ambassador Chung, whose cadaver he took with him to the estuary. Since

that period, it is stated Wú Tsz’ Si has been the god of the Eagre, his

periodical indignation being exhibited by its violence; hence the

sacrifices and prayers officially presented at appointed seasons to

propitiate his anger. Monarchs of almost every dynasty have honoured

him with titles, so that they are recorded.” [170]

The superstitions connected with that class of phenomena referable to

Volcanic agency are numerous. The many earthquakes which have visited

the empire are frequently alleged to have been accompanied by the

appearance of white hairs on the ground. As a similar appearance has

been observed in Mexico the allegation is doubtless true, and is

probably explainable by natural causes. Some scientists are of opinion

that these hairs are caused by the mixture of some salt of the soil

with a certain gas. But whatever the true reason, the Chinese commonly

view them as supernatural productions emblematic of serious disaster.

Another very frequently recorded appearance at such times is that of

blood falling from the sky, issuing from the ground, or otherwise

appearing in unusual places. The following legend regarding lake Man in

the prefecture of Sungkiang is related in the native topography of the

district. This lake was in former times the site of a flourishing city

called Chiang-shui. A report, said to have originated with the children

of the place, ran to the effect that whenever blood should be seen upon

the gates of the city it would disappear and the site become a lake.

Now there lived at Chiang-shui an old woman who being deeply impressed

by the possible danger used to come daily to see if blood was on the

gates; and some of the soldiers on duty thought in an idle moment that

it would be fine fun to hoax her; so they killed a dog and smeared the

gates with his blood. The old woman immediately left the place amidst

the jeers of the jokers. But their laughter was short-lived. A few days

only had elapsed when a flood took place; a fearful noise was heard,

and, with scarcely a moment’s warning, the entire city sank into the

earth, the resistless waters filling up the hole and forming the lake

now visible. The fact appears to be historical, and similar instances

of sudden sinking are alleged to have occurred in the same

neighbourhood.

Records of sudden fissures in the earth (due it may be safely alleged

to volcanic action) are plentiful enough in Chinese annals, but are, of

course, always accompanied by other portentous occurrences. A favourite

legend relates to the emission of a shên or chiao 蛟 which eventually

becomes a dragon. The fissures are due to its efforts to escape from

the earth’s interior. “The Shên is popularly described as an embryotic

dragon, or a dragon in the first stage of existence. It is formed by

the perspiration of that animal falling from the sky upon terrestrial

beings. Animals thus affected become Shên, sink into the ground and

remain there, some say thirty, some an hundred years, emerging in heavy

rains as a Kiau.” [171] Other legends record the emission of fragrant

vapours from the rents thus made, the issue of blood from springs in

place of water, &c. These latter occurrences may have been due to a

gush of water through oxide of iron beds, but Chinese records are too

unscientific to allow aught save conjecture in this respect. Trees also

are recorded as giving forth blood, an appearance due in all

probability to the presence of minute insects in exudations from the

bark.

Waterspouts are usually spoken of in native annals as dragons, and when

more than one is seen they are described as fighting in the air. Nine

dragons fighting at sea are recorded as having been seen at Shanghai in

the year 1519. The following list of such occurrences is from the

authority already quoted—

A.D. 1605.—A couple of dragons fought at Whampoa and tore up a

large tree, and demolished several tens of houses.

A.D. 1608, 4th moon.—A gyrating dragon was seen over the decorated

summit of a pagoda; all around were clouds and fog; the tail only

of the dragon was visible; in the space of eating a meal, it went

away, leaving the marks of its claws on the pagoda.

A.D. 1609, 6th moon.—A white dragon was seen at Whangpu; on its

head stood a god.

A.D. 1452, 6th moon.—A dragon at the Tsan stream taking up water,

lifted a boat, and transported it to the middle of a field; rain

fell to the depth of several feet, soaking plants to death.

A.D. 1667, 6th moon, 14th day.—Dragons were seen fighting in the

air; there was a violent wind and excessive rain; the canal rose

four or five feet; many houses were destroyed, a tree above ten

armlengths in circumference was torn up &c.

A.D. 1773, 7th moon, 20th day.—A group of dragons burnt paddy in

the field, drew houses into the air and travellers also;

hail-stones of two or three catties weight fell, killing houses and

animals.

A.D. 1739, 9th moon, 3rd day.—Dragons fought at Man lake, and went

off S. E. to the sea, destroying the paddy as they went.

A.D. 1787, 7th moon.—Dragons fought; a great wind overturning

houses, and carrying off, no one knows where, half a stone bridge.

It is satisfactory to be able to identify the very mythical dragon (as

usually deemed) with a tangible force. The popular superstitions

regarding it acquire a certain amount of respectability in view of this

fact—first pointed out I believe by the ingenious writer above quoted.

Popular beliefs concerning human beings being metamorphosed into stone

have been already touched on under the heads of Witchcraft and

Demonology, the “stone rams” of Canton being cited as an example. But

similar legends, though of less supernatural complexion, exist in all

parts of the empire. Shiu Hing Gap 肇慶峽 on the West River is more

properly called Ling Yung Hap 羚羊峽 i.e. “Chamois Gap,” since tradition

asserts that some such animal was thereabouts transformed into stone.

Not far from the same spot, says a traveller who visited the place some

ten years since, “The Woman looking for her husband” 望夫石 is pointed

out. “Two thirds way up the mountain, in a slight depression between a

secondary peak and the main peak above and beyond, and at the head of a

ravine which, from a point on the river a little further up, inclines

down the stream as it ascends the face of the hill, there is a rock

apparently only a few feet in height, which presents a striking

resemblance to a woman seated on the ground and looking towards the

west. In ascending the pass the view is not fully obtained until you

have passed slightly beyond the position, when a good binocular reveals

a fine side view of the head and body of a woman, the coiffure being

quite distinct and the general appearance tolerably true to life. The

legend connected with the rock-freak is that in ancient days the wife

of a military officer who had gone to Kwang-Si and fallen in battle,

came here day by day to look for his return. Being ignorant of his

fate, her vigils were protracted until they were finally rewarded by

the transformation of her body into this rock, a conversion into her

own monument.”

Such then are a few of the cosmical facts or phenomena in which Chinese

superstition finds room for indulgence. I may fitly conclude this

chapter by noting an incident in this connection which reflects credit

on the Emperor to whom it alludes. A secretion (probably of animal

origin) is occasionally found to fall like the manna of old from the

sky, and such an event being rare a report of it is always made to the

authorities. In the year 1788 a notice that sweet dew had fallen for

three days in the Sung Kiang prefecture was sent to the Emperor Yung

Ching. The memorial stating the fact “attributed it to the virtues of

the monarch, which called down this signal manifestation of heaven’s

favor. His Majesty gracefully declined taking the honor to himself, as

it did not fall in the palace; but ascribed it to the goodness of the

officers and people of the palace, and enjoined on them the duty of

acknowledging and proving themselves worthy of the heavenly token.”

Pagan gratitude to Heaven, though it sometimes takes queer forms, is

not an unknown sentiment in China.

XII.—LEGENDS OF LOCALITY, HOUSEHOLD TALES, &c.

All who possess the slightest acquaintance with the legendary lore of

the Celestial empire will readily credit the assertion that any attempt

to even cursorily notice a tenth of the vast number of legends current

throughout its population would be a task far beyond both the scope of

these pages, and the average reader’s patience. In touching therefore

on the subjects embraced under the above heading, an attempt must be

made to deal chiefly with those which are typical of numerous variants,

while at the same time offering resemblances to legends current in the

West. Few countries present a larger field for curious enquiry in this

respect; and any shortcomings in demonstrating the fact must rather be

referred to the fault of the writer than to paucity of matter.

In an interesting article on the “Legends of the Yang-Tsze River” the

North China Herald recently drew attention to the wealth of material at

the disposition of any one willing to gather it, in the following

well-chosen words: “The Romish Church has been said by a great Catholic

authority to be ‘hung with miracles,’ and in the same way the whole of

China is hung with legends. The most industrious and materialistic race

in the world attest the resolution with which the imaginative faculty

suggests itself, by the wild variety of the legends that linger about

its austere mountains and winding dells. The rocks, tapestried with

creepers, the fountain sparkling in the winding vales, and the rude

rocks or tawny islets that abound in the large streams, all have their

presiding fairy or their romantic tale of magic and glamour. The names

of the various elevations that the voyager meets with, suggest all

manner of curious enquiries. We hear of ‘Yellow Ox Hill,’ ‘Golden Yoke

Cliff,’ ‘Flying Phœnix Mountain,’ ‘Ascending Dragon Peak,’ and ‘Filial

Maiden Precipice.’” The writer indeed admits that though the legends

connected with the Yang-Tsze, its tributaries and lakes, are full of

interest, the wildest and most romantic stories and the richest

historical associations do not gather about the Yang-tsze-kiang but

about the Yellow River. But his remarks will, it may be hoped,

stimulate research in both directions, and I can only regret that no

chance of exploring this rich mine of Chinese legend presents itself to

me before giving these pages to the press. Enough however is at

disposal to render selection difficult.

Most nations have, or have had, a reputed gate of Purgatory or Hell

situated somewhere within their borders, more especially if the country

they inhabit include vast tracts of mountainous country, amongst whose

gloomy recesses popular superstition finds it easy to locate an

entrance to the nether world, unchecked by the ridicule of educated

visitors. Thus the Hörselloch cavern in the Hörselberg, between

Eisenach and Gotha, was supposed by the peasantry of Thuringia to be

the entrance to Purgatory, and moans and shrieks were believed in

former times to be nightly heard issuing from its ghostly portals.

[172] I need scarcely refer classical scholars to the legend of the

cave of Acherusia, nor will most students of ethnology be unaware how

widespread is the belief that a door to the infernal regions is

accessible to mortal gaze. But the fact of a similar belief existing in

China may be new to many. The location of this entrance to the Chinese

purgatory is by native writers placed not far from Têng Chow, of which

Chefoo is the Treaty Port, celebrated throughout the length and breadth

of the Empire from its proximity to the birth-place of Confucius. The

demons of Têng Chow are classed, according to a Chinese proverb, as one

of the wonders of the world—as well they might be, did they exist.

Popular tradition avers that at stated periods the ghosts of the

departed, who are sent to Têng Chow to await judgment, are allowed to

again revisit their earthly haunts; which, as the native chronicles

naively observe, fully accounts for the mysterious doings common in the

neighbourhood.

Nobody who has read the Arabian Nights (and who has not?) will have

forgotten the story of the “City of Silence,” in which the hero goes in

search of “the bottles of brass stopped with molten lead and sealed

with the ring of Suleymán the son of Dáood.” The story goes on to tell

how these bottles were frequently drawn up by fishermen in their nets

and how, upon their being opened, genii were liberated who had been

imprisoned by that all-powerful potentate as a punishment for their

disobedience. The hero, after undergoing various extraordinary

adventures, finally reaches the City of Silence and at last obtains the

coveted bottles for his Sultan. Now the powers herein conferred upon

the mighty Suleymán are oddly recalled by a legend (communicated to

Notes and Queries on China and Japan by Mr. T. Sampson in 1867) which

may quite rank with its Arabian prototype, with the difference that it

has a local interest and, in native eyes, accounts for certain

historical events. It runs as follows:—

“Many generations ago, the Prefect of Shiu-hing dreamed a dream. In his

dream he saw myriads of devils who in answer to his enquiries, told him

that they were going to overthrow the ruling dynasty; the Prefect

expressed disbelief in their power to do so, but the devils still

asserted their power and their purpose. The Prefect desired some

distinguishing mark by which to recognize the devils in any altered

form which they might assume in carrying out their threats, and the

latter consented to allow him to mark each of them with a red spot on

the forehead as a token of recognition; this the Prefect did.

“When he awoke he was much troubled, not knowing whether his dealings

with the devils were a reality or an idle vision. He went out to

consult wise men on the subject; but what was his surprise, on

returning to his yamên, to find it strewed with small round stones, on

every side of which was a red spot. ‘These,’ thought he, ‘are surely

the devils I marked last night, and what a good opportunity is this for

me to get them in my power.’ Accordingly he caused all the stones to be

collected, to be firmly secured in earthenware jars, and then to be

locked up in a strong room in his yamên. But before they were finally

secured they entered into a parley with the Prefect, the result of

which was an agreement on their part to submit to incarceration till a

certain tree in the yamên should come in blossom, when they were to be

released. The wily Prefect knew, but the devils did not know, that this

particular tree never did blossom in the latitude of Shiu-hing, and

thus he congratulated himself on having saved the Government from these

powerful enemies. It was understood however that to render their

imprisonment valid the door was to be sealed with the Prefect’s seal,

which was to be renewed by each successive holder of that office.

“Prefect after Prefect for some generations occupied the yamên, and

each of them on assuming office faithfully resealed the door of the

devils’ prison, until at length the story began to be forgotten or

disbelieved; and one unlucky Prefect surnamed Luk, forgetting or

carelessly neglecting to perform this duty, the door was thoughtlessly

left open and a jar of devils broken. At the moment this occurred it

happened that an official retinue were in the yamên, and the followers

had hung their red-tasselled caps on the tree, the blossoming of which

was to have been a signal for the release of the prisoners.

“Perceiving that their release was the result of accident, mistaking

the red tassels for flowers, and assuming that the tree had thus

flowered every year during their long confinement, the devils were much

incensed at this breach of faith in the matter of their promised

release, and in retaliation they caused the city to be submerged below

the waters of the river. And it was not until they (the story saith not

how) were captured, and the door resealed that the city again came

above water. Taught by woeful experience, each succeeding Prefect was

from that time careful to reseal the door on assuming office, and thus

the devils were long restrained from doing mischief.

“Time passed on, and with the same result as before. Faith in the

necessity of sealing the door was shaken, and in 1854 a Prefect

surnamed M’a assumed office, utterly despising the story of the devils.

Not only did he omit to seal the door, but he caused the red-spotted

stones to be taken from the strong room, and to be thrown away. What

was the result? In that very year the red-turbaned rebels—the devils

with red marks on their foreheads, now appearing in human form—captured

the city!

“Here ends the legend. Whether the devils have been recaptured, or

whether they are still abroad devising schemes for the release of a few

remaining jars of their comrades which escaped Ma’s destruction, or

whether they ceased to exist when their human personifications were

killed, the legend saith not; but so far as it goes, it is vouched for,

at this day, by the inhabitants of Shiu-hing, who declare that the

sealed strong room may be seen any day, and that no man surnamed Luk or

Mʻa would now be allowed to be Prefect of Shiu-hing.”

It would be interesting to know if the classical legend of the golden

cup given by the Sun-God Helios to Hercules, who used it as a ship to

convey him across stretches of ocean, owed its origin to the same

source as a popular legend in South China. We want however in the

latter case the connecting link between the original myth and the

vulgar version so ingeniously shewn by Mr Kelly in his well-known work.

[173] A tea-cup here takes the place of the more valuable utensil, but

is credited with similar powers of transport. Pei-tu (杯渡) “The Cup

Traveller” was a renowned Buddhist priest who lived some five or six

hundred years ago, and was accustomed to wander at will over the Canton

province, his magic cup serving him as a ferry-boat whenever he had to

cross water. On one occasion he carried off a golden idol belonging to

the house where he had passed the night. Pursuit was given, but the

priest, though walking on foot, easily outstripped the fastest horse of

his pursuers, who, at length seeing him carried over a river in his

tea-cup, abandoned the chase. The mountain not far from Hongkong, known

to foreigners as “Castlepeak,” was named after this priest, Pei-tu (or

in the local dialect Poi-tou). Can this legend be a dim reproduction of

the Western myth?

The legend connected with the valley of the White Deer near the Poyang

Lake—so named from the story that the Philosopher Choo Tzu employed

such an animal to bring him provisions from the neighbouring

market—recalls home tales in which deer are gifted with human

attributes. Sclavonian folk-lore has many references of this nature.

The Vilas or mountain nymphs of Servia are sometimes represented in

their popular songs as comforting the sorrows of enamoured deer. They

are usually, says Mr. Keightley, represented as “riding a seven-year

old hart with a bridle made of snakes.” Deer horns are, as everybody

knows, supposed in China to possess all sorts of wonderful properties.

The Icelandic Troll who plays so conspicuous a part in the story of the

“Shepherd of Silfrunarstadir” [174] possesses attributes closely

resembling those with which the Chinese endow the female spirits of the

gorges to be found in the vast mountain chains of the Empire. In both

cases they are beneficent spirits. The great Yu is said to have been

indebted to the being who watches over the Wushan gorge in Szechuan for

the power to carry out his labours. The “Wild women” of Germany, who

are supposed to frequent the Wunderberg, possess analogous qualities

but have no dominion over the powers of nature. The Breton Korrigan,

again, bear certain resemblances to supernatural beings believed in by

the Chinese. They are described (Keightley, page 432) as short and

humpy, with shaggy hair, dark wrinkled faces, little deep-set eyes but

bright as carbuncles; and woe to the belated traveller who is forced to

join in their fairy revels! Their breath is reported to be deadly. The

Chinese legend of the Lin-lu mountain recounts the existence of a

mysterious arbour inhabited by a demon and numerous companions who are

in reality dogs transformed for the nonce into the semblance of earthly

beings. As with the Korrigan, whoever passed the night with them was

sure to die. A Sage, possessed of a magic mirror, once put up with

these elves, but being warned by the mirror of the quality of his

companions, stabbed the nearest, when the rest ran away. Similar

stories are told of numerous localities, but this may be taken as a

type of the whole.

The fantastic exaggerations of geographical facts and fancies which

form so prominent a feature in oriental tales (such, for instance, as

the Arabian Nights) are freely reproduced in China, though it is only

fair to say that they seem in great part to be derived from Hindoo

sources. Thus all that is recounted of the celebrated lake supposed to

be the source of the Hwang-ho, with its bottom covered with diamonds

&c., &c., is simply adapted from the Sanscrit. The Kwên Lun mountain,

in which this lake is supposed to be situated, is, in Taoist legend,

alleged to have growing upon it trees of jade-stone and pearls, the

tree and fountain of life, &c., the sources of these wonderful stories

being similar. Native writers have, indeed, expanded the original

accounts, but the legends are substantially the same. Chêng Cheng Shan,

near the capital of Sze-chuan, is supposed to be a mountain in whose

caves the gods and genii assemble. Allusion has already been made to

the “Isles of the Genii” supposed to exist in the Eastern sea opposite

the Chinese coast. It may suffice to say that there are few such

extravagances recorded in Western literature which do not find

counterparts in Chinese belief.

A Western superstition, which I cannot now trace, but of which I have

seen mention, that a human being or human blood cast into a smelting

furnace ensures a satisfactory casting, forms the basis of a legend

connected with the Bell Tower of Peking, narrated by Mr. Stent in his

recent paper on Chinese legends. Briefly summarized it tells how the

Emperor Yung-lo of the Ming dynasty, having built the tower, ordered a

mandarin named Kuan-yu to cast a bell of the proper size. Two attempts

were made to carry out the order, at intervals of some months, but

without success. In both cases the casting was “honey-combed,” and the

enraged Emperor declared that if the third attempt failed he would

behead the unfortunate official. Now Kuan-yu had a beautiful daughter

aged sixteen, named Ko-ai, to whom he was tenderly attached and who did

all she could to comfort her distressed parent. One day it struck her

that she would go to a celebrated astrologer to ascertain the cause of

her father’s failures and what means could be taken to prevent their

recurrence. From him she learned that the next casting would also be a

failure if the blood of a maiden were not mixed with the ingredients.

She returned home full of horror at the information, but resolved to

immolate herself sooner than that her father should fail. She obtained

leave from her father to be present at the casting; and the catastrophe

is thus described. “A dead silence prevailed through the assemblage as

the melted metal once more rushed to its destination. This was broken

by a shriek and a cry of ‘For my father,’ and Ko-ai was seen to throw

herself head-long into the seething hissing metal. One of her followers

attempted to seize her while in the art of plunging into the boiling

fluid but succeeded only in grasping one of her shoes, which came off

in his hand. The father was frantic and had to be kept by force from

following her example; he was taken home a raving maniac. The

prediction of the astrologer was verified, for on uncovering the bell

after it had cooled it was found to be perfect, but not a vestige of

Ko-ai was to be seen; the blood of a maiden had indeed been fused with

the ingredients.” But the sequel recounts how the sonorous boom of the

bell when struck was followed by a low wailing sound like the cry of a

human female voice in great agony distinctly saying the word hsieh

(shoe)—a sound still heard after every stroke; and to this day people

when they hear it say “There’s poor Ko-ai calling for her shoe.”

The idea of self-sacrifice to ensure some public good has ever been

popular in China, and ages before the heroic Roman Youth leaped his

horse into the earthquake chasm for the sake of his countrymen, Chinese

patriots are recorded as having exhibited a similarly noble spirit. An

instance of this was afforded by a tea-merchant at Hang-chow who some

hundred and fifty years ago cast himself into the river Tsien-tang as a

sacrifice to the spirit of the dykes which were constantly being washed

away. Numerous instances of similar devotion appear in Chinese annals,

each being of course the basis of a legend more or less accurate in its

adherence to facts.

The cave of Kwang-siu-fʻoo in Kiang-si is the reputed scene of a legend

or household tale recalling a portion of the well-known “Ali Baba and

the Forty Thieves.” There was in the neighbourhood a poor herdsman

named Chang, his sole surviving relative being a grandmother with whom

he lived. One day, happening to pass near the cave in question, he

overheard some one using the following words:—

石門開,鬼谷先生來

Shih mun kai, Kwai ku hsien shêng lai. “Stone door open; Mr. Kwei Ku is

coming.” Upon this the door of the cave opened, and the speaker

entered. Having remained there for some time he came out and saying

“Stone door close; Mr. Kwei Ku is going,” the door again closed and the

visitor departed. Chang’s curiosity was naturally excited, and having

several times heard the formula repeated he waited one day until the

genie (for such he was) had taken his departure and essayed to obtain

an entrance. To his great delight the door yielded, and having gone

inside he found himself in a romantic grotto of immense extent. Nothing

however in the shape of treasure met his eye, so having fully explored

the place he returned to the door, which shut at his bidding, and went

home. Upon telling his grandmother of his adventure she expressed a

strong wish to see the wonderful cavern; and thither they accordingly

went together next day. Wandering about in admiration of the scenery

they became separated, and Chang at length, supposing that his

grandmother had left, passed out of the door and ordered it to shut.

Reaching home he found, to his dismay, that she had not yet arrived.

She must of course have been locked up in the cave, so back he sped and

before long was using the magic sentence to obtain access. But alas!

the talisman had failed, and poor Chang fell into an agony of

apprehension as he reflected that his grandmother would either be

starved to death or killed by the enraged genie. While in this

perplexity the genie appeared and asked him what was amiss. Chang

frankly told him the truth, and implored him to open the door. This the

genie refused to do, but told him that his grandmother’s disappearance

was a matter of fate. The cave demanded a victim. Had it been a male,

every succeeding generation of his family would have seen one of its

members arrive at princely rank. In the case of a woman her descendants

would in a similar way possess power over demons. Somewhat comforted to

know that he was not exactly responsible for his grandmother’s death,

Chang returned home and in process of time married. His first son duly

became Chang tien shih 張天師 (Chang, the Master of Heaven), who about

A.D. 25 was the first holder of an office which has existed

uninterruptedly to the present day. So says one popular legend. An

equally credible (or incredible) version of the birth of this prodigy,

however, says nothing of the magic cave, but refers the event to a

visit made to his mother by the spirit of the Polar star, who gave her

a fragrant herb called Hêng wei which caused her to become enceinte.

[175] Be the authentic version what it may, however, the fact remains

that Ali Baba’s cave has its mythic representative in China.

The apparently magic power possessed by the loadstone has in China, as

elsewhere, been pressed into legendary service. Stories of magic tombs

also were common amongst European peoples in mediæval ages, and here we

have a native legend which in many respects recalls their details. In

the mountain of Ting Chün is the tomb of Chu-ko-liang 諸葛亮 or Kung-ming

孔明 celebrated in ancient annals as the wise councillor of Liu-pei and

reputed during his life-time to have employed, by means of magic arts,

wooden oxen and mechanical horses to aid in the military operations of

his time. As was but natural, the burial-place of so renowned a man

was, like that of “Wonderous Michael Scott,” credited with mysterious

contents. It is alleged that the Emperor Hung-wu, the founder of the

Ming dynasty, once finding himself in company with the Councillor Liu

Pei-wên, in the neighbourhood of this tomb, determined to visit it.

Iron armour was then still in use in China, and the Emperor and his

attendant were habited in the then usual way. Having obtained an

entrance and passed through the ante-chamber, which contained an

inscription to the effect that whosoever visited the tomb should have

his hands bound by the defunct—a prediction verified by the fact that

in squeezing through the entrance the visitors had to so wedge

themselves as to be virtually incapable of using their arms—they broke

open a second door. Within the room thus entered were several figures

built of loadstone, which attracted the armour of the unbidden guests.

Terrified at the unknown force which was dragging them forwards they

hastily cast off their armour and fled—not before noticing however

another inscription which may be rendered in doggerel:—

I’ll strip off the skin

Of who ventures in

To open this my grave.

The practical experience of the mysterious power residing in the

loadstone figures was quite enough for the Emperor, who did not stop to

see if anything worse might befall him. The tomb was closed, and the

tradition of Hwang-wu’s visit is still recounted by the story-tellers

of the neighbourhood.

Another and perhaps better-known version of the (doubtless) same story

refers it to the tomb of Confucius who was buried in the hill of

Keu-fau in Shantung. His disciple Tze-kung is related to have covered

the coffin of the great philosopher with loadstone. When the Emperor

Chin gave orders to open the tomb the pick-axes were attracted by the

magnetic fluid, as was also the armour worn by the soldiers, so that it

was found impossible to proceed with the work. Hence the tomb of

Confucius has never been violated. Absurd as both stories are they

point to a belief in the powers of the loadstone which was readily

accepted by mediæval Europe.

The principle that good deeds generally bring a substantial reward,

underlying so many legends and tales in all parts of the world, is

sedulously encouraged by Chinese folk-lore. The Servian story entitled

“Animals as friends and enemies,” [176] in which the hero is rewarded

for not killing the fox, bear, wolf, hare &c., has numerous variants in

native lore. A proverb referring to “The bird which brought the yellow

flower” tells how a Chinese, seeing a bird fall to the ground wounded

by an arrow, draws out the weapon and nurses the bird until it has

recovered. Some time afterwards the man falls sick and is about to die,

when the grateful bird brings him some yellow flowers in its bill,

assuring him that if he makes and takes a decoction of their petals his

life will be saved. Another story tells how another bird, rescued from

the talons of a more powerful companion, rewards its preserver by

bringing him four silver bracelets; while a third recounts how (in flat

contradiction to the Æsopian fable) the Emperor Ho-ti 和帝 found a

wounded serpent in his path and, having cured and released it, was

rewarded by a carbuncle of exceeding brightness brought to him by the

snake. Chinese story books abound with tales similar to the Servian

story, “One good turn deserves another,” in which a supernatural being

is imprisoned by a certain king, whose son having released him secures

the being’s aid in all his undertakings.

The saying of the English Queen that when she died the name of Calais

would be found engraved on her heart reminds us of a popular Chinese

tale concerning an enamoured boatman, who being obliged, while plying

his daily avocation, to pass beneath the window of a beauteous maiden,

fell violently in love with her. His passion was reciprocated, but

after a time the young lady died. On being opened (the idea of a

Chinese post-mortem on a disconsolate maiden is, by the way, quite as

wonderful as anything else!) her heart was found to be of iron, upon

which was painted or engraved a picture of the boat, the window, and

the two lovers. [177] This being shewn to the bereaved boatman he

instantly expired, his body turning to ashes! We are gravely informed

that this event happened about B.C. 350.

Like the Italian original of our own popular and faithless Punch, his

Chinese brother has a legendary origin. Punch and Judy shows, indeed,

are, in some quarters, alleged to have been introduced into Europe from

China. Be that as it may Po-tai-hsi (布袋戲), so called because the

showman used to cover his head with a linen bag in order that his face

might not distract attention from the puppets, date back to at least

260 B.C. The received legend asserts that about this date a lady named

Oh, (閼) wife of a general named Mao-tun, was besieging the city of Ping

in Shen-si. Its defender Chan-ping knowing the lady to be of a very

jealous disposition, invented a puppet in the shape of a wooden woman,

which was made by strings and springs to dance on the battlements of

the beleaguered town. As he intended, Mrs. Oh became alarmed at the

idea of so fascinating a creature falling into her husband’s hands and

becoming an addition to his seraglio; and she consequently raised the

siege! In memory of this “happy thought” similar, but smaller, puppets

were constructed whose antics have for two thousand years amused the

Chinese populace. The principal puppet used to be known as “Kwoh, the

bald” in memory, as it is averred, of a man of that name who having

lost his hair in sickness began on his recovery to jump and dance.

[178] Rather hazy and contradictory ideas indeed prevail in China of

the origin of the amusing vagabond, different stories being told at

different places. So simple an explanation as that of some ingenious

native having determined to turn an honest penny by reproducing in

miniature the jokes of the stage, seems however to have been ignored. I

may in passing note that Lord Macartney, in his Journal, speaks highly

of these exhibitions. The pandean pipe of the drummer is in China

replaced by that most ear-splitting of instruments, a native clarionet.

That so important a shrub in Chinese eyes as that which produces tea

should have a legendary origin is hardly surprising. The virtues of the

cup which “cheers but not inebriates” have been sung by the Cowpers of

China from time immemorial, and of this fact most people are aware. It

may be less generally known that a vulgar (Buddhistic) legend

attributes the production of the first plant to Bodhi-dharma, the 28th

Indian and first Chinese patriarch of the Buddhist hierarchy. He

brought the famous patra (almsbowl of the Buddhist mendicant, regarding

which Indian legend has some wonderful accounts) to China, which he

reached in the year 520 A.D. [179] Kæmpfer, in his well-known Dutch

work on Japan, thus tells the story. [180] “About A.D. 519 this Dharma

came to China. His object was to bring the inhabitants of this populous

country to the knowledge of God and to preach to them his Gospel and

service.... He went further and strove by godly grace to lead a most

exemplary life, exposing himself to all the hardships of the storm and

tempest; chastising and mortifying his body and bringing all his

passions under subjection. He lived only upon the herbs of the fields,

and considered it the highest degree of holiness to pass the day and

night in an uninterrupted and unbroken Satori, that is the

contemplation and meditation of the godly essence; to deny all rest and

recreation to his body and to dedicate his soul wholly and entirely to

God was in his opinion the truest penance and the most eminent degree

of goodness to which human nature could attain. After many years of

this continual watching he was at length so weary and tired by his work

that he fell asleep. On awaking the following morning and seeing that

he had broken his vow, he determined to do penance to show his sincere

sorrow; and that this misfortune should not occur again he cut off both

his eyelids as the instruments and servants of his crime and threw them

on the ground.

“Returning to this place on the following day he remarked a wonderful

change, and that each eyelid had become a shrub; and the same which we

now call tea, whose virtues and use were at that time as unknown as the

plant itself. Dharma, on eating the leaves of this plant (fresh and

green, for infusing them in water was unknown), found with astonishment

that his heart was filled with extraordinary joy and gladness, and that

his soul had acquired renewed strength and power to enable him to

continue his godly contemplations. This event and the extraordinary

virtues of the tea plant he immediately brought to the notice of a

number of his disciples, together with the manner in which it was to be

used.... And hence it comes that since that time to the present, the

learned have made no remarks about it, and that some have considered it

sufficient to attribute its origin to the eyelids of Dharma.” The

translator shows however that tea was not unknown in China in the third

and fourth centuries, so that the legend bears the impress of modern

invention. Its existence is repudiated by modern Buddhist scholars, and

it is essentially a mere vulgar tale. But, accepted as such, it is

interesting in the hint it gives us of the Hindu myth, wherein the

falcon who undertook to steal the heavenly Soma (drink of immortality)

had a claw and a feather shot off by a demon arrow. They fell to the

earth and took root, the claw becoming a species of thorn and the

feather a palasa tree, the Indian representative of the rowan or

mountain ash. [181] The classic origin of the hyacinth (from the blood

of Ajax), the growth of mint from the body of Minthe the mistress of

Pluto, the almond tree which sprang from the corpse of Phyllis, and

numerous other legends familiar to our schoolboy days all embody the

same idea of the human body, or a portion of it, springing up anew in

the shape of some member of the vegetable world.

The cocoa-nut tree is also the subject of a fanciful Chinese legend.

“The prince Liu Yeh having had a quarrel with Prince Sueh sent a man to

assassinate him; this he did while his victim was in a state of

intoxication. His head was then suspended on a tree, and it became

metamorphosed into a cocoa-nut with two eyes on the shell. Thus the

fruit acquired the name of Yueh-wang-tʻou or Prince Yueh’s head.” [182]

The cocoa-nut is now known as the Ye Tzu, owing, as is alleged, to the

fact that during the Ching dynasty princes have been called “Ye.” The

fable is not countenanced by the Pen Tsao or native herbal, but is

gravely recorded by Chinese authors. It is noteworthy that vessels made

of cocoa-nut shell are supposed to betray the presence of poison in the

liquids they contain, either ebullition taking place or the vessel

bursting. Spoons made of the same material are in Ceylon supposed to

possess similar virtues.

An interesting parallel to Western beliefs is found in the legendary

virtues attributed by the Chinese to mercury and its preparations. The

native term for Quicksilver—water-silver—is the equivalent of the Greek

and Latin terms. Sulphide of mercury is called hsien tan 仙丹 of which

our phrase “Philosopher’s stone” is a sufficiently near rendering; and

this, like the long-sought secret of western alchemists, is supposed to

have the power of conferring immortality. Stories in which this

substance figures as a supernatural agent are to be frequently met with

in Chinese books.

Household tales reminding one of the “Judgment of Solomon” find place

in Chinese folk-lore—as indeed they appear to do in that of nearly all

Asiatic nations. One of the most original I have heard, introducing as

it does a supernatural element, is as follows. During the time of the

Sung dynasty there lived a man, a maker of marriage ornaments, and his

wife, who loved each other dearly. A white dog versed in magic having

seen the woman, who was remarkably good-looking, determined to win her,

and in order to carry out his project transformed himself into an exact

likeness of her lawful husband. Mistakenly calculating on the absence

of the latter, he visited the wife just as the real husband was

returning, and she was accordingly thrown into a state of the most

extraordinary doubt at beholding two “Simons Pure,” as they appeared to

be, at the same moment. Unable to decide between them, she insisted on

their at once accompanying her to the magistrate’s yamên—a proposition

to which, from very different motives, they both assented. Upon the

parties making their appearance, the magistrate, like the wife, was at

first completely puzzled. Suspecting however that one of the claimants

was a dog in disguise he remembered that a tiger confined on the

premises was accustomed to feed on dogs though it had never attacked

men. He therefore placed both husbands in the tiger’s cage. The tiger

at once flew at and devoured the dog which had assumed a man’s

disguise, leaving the real husband untouched; and the reunited pair

left the yamên, praising the sagacity of the magistrate who had

delivered them from the power of enchantment.

A version however of the real Solomonaic story is to be found in China.

As in the Hebrew tale two women had each of them an infant, one of

which died by misadventure, the bereaved mother claiming the surviving

child. The official before whom they came did not suggest so cruel a

measure as the division of the infant, but simply ordered that it

should be handed to a domestic in his yamên to be brought up for

official life. He rightly surmised that the real mother would gladly

accept so good a chance for her offspring, while the pretended mother,

who only wanted the child in order to dispose of it, would demur.

Judgment was accordingly given in favour of the tearful acceptor of the

proposition, and the story, which is alleged to be historical, is

widely believed. The Chinese are very fond of telling stories having a

similar basis, most of them being, very probably, derived from Indian

or Semitic sources.

Superstitions connected with the use of bread have in China, as amongst

ourselves, formed the basis of legends more or less absurd. Our Good

Friday Hot Cross buns are, as is known, simply relics of the heathen

custom of offering sacred cakes to the gods as propitiatory offerings.

This idea underlies a story related of Chu-ko Liang, the ingenious

minister before mentioned. “Returning from the conquest of Pegu and

reaching a river on the borders of China he found himself surrounded by

a thick fog from which proceeded groans and wailings. On enquiring from

the inhabitants into the cause he was told that they were uttered by

the multitude of dead killed by the pestiferous waters of the stream;

and that to disperse the fog it was necessary to sacrifice forty-nine

men to the river. Shocked at this barbarity he invented loaves bearing

the human figure each with a head and one hand, and threw forty-nine of

them into the water and so dispersed the fog; and, since that time,

bread has been used for the same purpose in China.” It is probable,

however, that the use of bread for such purposes by the Chinese existed

long before the date of the legend (about A.D. 220). The “Staff of

life” has amongst all nations possessed symbolical attributes, and its

sacrifice to the gods of rivers, &c., is one of the most commonly met

with of superstitious practices.

Dr. S. Wells Williams, in a paper which he prepared for the N. C. B.

Royal Asiatic Society in 1869, drew attention to the interesting tale

from Lew Chew to which I have casually adverted in a previous chapter

and which at once recalls Mr. Baring Gould’s “Swan maidens.” The

Samojed legend in which the theft of the feather dresses is made

instrumental in obtaining atonement for injuries inflicted on the

family of the purloiner is not noticed by the learned author; but he

reminds his readers of the story in the Arabian Nights in which the

hero obtains the daughter of the King of Tʻan by carrying off her dress

of feathers while bathing, and when she eventually flies away with

their two children, follows her to the land of Wak Wak, and remarks

that both Germany and the Shetland islands have similar legends, though

in the latter case the fairy dress was a seal skin. The Lewchewan

legend is translated from the journal of a mission to that country

written by the Envoy Li Ting-yuan in 1801–1803 and is as follows.

“Once in olden time a man named Ming-ling-tzŭ, a farmer in poor

circumstances and of irreproachable character, but without any family,

had a well of delicious water near his house. He went one day to draw

some, and when at a distance saw a bright light in the well: on drawing

near to see what it was, he beheld a woman diving and washing in the

water, who had her clothes on a pine tree. Being displeased at her

shameless ways and at his well being fouled he secretly carried off her

dress. The garments were quite unlike Lewchewan in their style and were

of a ruddy sunset colour, which excited his surprise so that he

cautiously came back to see what change would come about. The woman,

finishing her bath, cried out in great anger, ‘What thief has been here

in broad day? Bring back my clothes, quick.’ She then perceived

Ming-ling-tzŭ and threw herself on the ground before him. He began to

scold her and asked her why she came and fouled his water? to which she

replied that both the pine tree and the well were made by the Creator

for the use of all. The farmer entered into conversation with her and

pointed out that fate evidently intended her to be his wife as he

absolutely refused to give up her clothes, while without them she could

not get away. The result was that they were married. She lived with him

for ten years and bore him a son and a daughter. At the end of that

time her fate was fulfilled, she ascended a tree during the absence of

her husband and having bidden her children farewell glided off on a

cloud and disappeared.” I can find no trace of any similar story in

China proper, though one may exist, and the reappearance of the Keltic

legend in a group of islands in the China sea is a noteworthy

phenomenon. The German and Persian versions are in some sense links in

the chain of connection; but if the theory of a simultaneous eastward

and westward spread of legend from an Aryan source be correct, the fact

is not less striking that in this case it has appeared to leave no

trace in so many of the intermediate countries through which it has

passed to its Ultima Thule on either hand.

Stories in which the example of Penelope is imitated by wives long

deserted by their lawful husbands are sufficiently common. The

following will serve as a specimen:—In the time of the Chow dynasty

there lived a man named Pak-li-shi who was one of those unsettled

adventurers ever longing to enjoy fresh experiences. After being

married a few years to his wife, who gave birth to a son, he one day

disappeared without intimating his intended route. Time passed away

until over thirty years had elapsed, the runaway having meantime risen

to be prime minister in a neighbouring state, while the wife and son

wandered over the country in search of the missing husband and father.

One day his son (who had of course arrived at man’s estate) was

attracted by a proclamation issued in what appeared to be his father’s

name. He informed his mother, who had been compelled by poverty to

become an itinerant sempstress, and they at once devised a means of

obtaining access to his house. Reaching the town where he resided the

mother assumed the rôle of a wandering vocalist and contrived to scrape

acquaintance with some of his servants, from whom she learned that

their master was liable to fits of deep dejection on account of his

being unable to find his family, of whom he had lost sight for many

years. She suggested that some of her songs might soothe his regret and

was accordingly introduced, the denouement being of course a

recognition and reconciliation. Another Chinese story bearing on the

marriage relations, and recalling several well-known tales of home

origin, relates how a military man leaves his mother and wife for the

scene of war and is compelled to remain absent many years. When at

length able to return, he espies at a short distance from his house a

woman who he believes is his wife. Foolishly anxious to test her

fidelity he accosts her (she not recognizing him) and introduces

himself as a friend of her long absent husband. Presently his manner

becomes decidedly warmer than their supposed relations justify, and the

woman, far from any aid, seizes a handful of sand or mud and throws it

in his eyes, availing herself of his temporary inconvenience to escape

to her house. Shortly afterwards, having cleansed his eyes, he likewise

enters the house and makes himself known to his mother, who joyfully

sends to tell her daughter-in-law that the son has returned. The wife

comes out and seeing him to be the man who, pretending to be a

stranger, had offered her violence, begins to upbraid him, and finally

rushing from the room hangs herself. She is, however, cut down in time

and at length suffers herself to be reconciled to her husband.

The still commoner story referred by Mr. Henderson to the “Genœva root”

is as prominent in Chinese as in Western household lore. One native

version relates how a son leaves his young wife and step-mother to look

for employment at a distance from home. The latter hates the wife and

in the absence of her stepson makes her perform the most menial work,

crowning her evil deeds by accusing the poor girl on her husband’s

return of unfaithfulness. The husband, who exaggerates the Chinese

sentiment that the mother’s wishes or assertions rank before those of

the wife, believes his step-mother, and orders his wife to commit

suicide. Before the deed is consummated, however, the wicked

step-mother is killed by lightning. This, in view of the wife’s

protestations of innocence, is accepted as a divine judgment, and the

husband is reconciled to his wife.

Wives of supernatural race are reputed to be acquired in other ways

than that mentioned above (see the Lewchewan story of stealing the

dress). The gods are at times so pleased with the good conduct of

individual mortals that they give him one of the female genii to wife.

A man named Tung Yung was thus favoured and the union was a very happy

one. But as in the previous case the wife’s liking for mortal life

could not outlast a certain term, and, on her husband reaching the

highest rank to which he could aspire, she committed their son to his

care and reascended to the ranks of the genii.

The classic myths relating to children being suckled by animals closely

resemble similar tales from Chinese sources; but the tiger here plays

the part assigned elsewhere to the wolf, &c. A well-known native story

recounts how a husband and wife with their infant child fled during one

of the many rebellions into a desert. While setting up their encampment

a tiger suddenly made his appearance and so scared the parents that,

forgetting the child, they incontinently fled, and were shortly

afterward captured and put to death. The tiger picked up the infant and

bore it to its cave, where (the legend says not how) it was duly

nourished and in time became a well-grown young man. The tiger having

taken a great fancy to its singular nursling led him to some villagers

who at once took charge of him, his foster mother thenceforth

disappearing. The hero lived to avenge his parents’ wrongs and

eventually rose to high office.

Following the example of Mr. Henderson in tabulating the “Story

radicals” illustrated by his interesting work, I arrange hereunder

those to which the foregoing pages have referred. To assume that they

do more than indicate the direction in which further research will

doubtless discover most interesting matter, would be absurd. But the

list, slight as it is, may serve as the basis for a more complete

illustration of the subject at a future day.

STORY RADICALS.

I. RELATING TO HUSBAND AND WIFE.

1.—PENELOPE ROOT.

The husband leaves his wife at home;

She awaits his arrival in fidelity;

They are reconciled after some trouble.

2.—GENŒVA ROOT.

The man goes away leaving his wife at home.

A false charge is brought against her and he orders her death.

Before she dies he discovers his mistake.

They are reconciled.

(Variant.)

The man leaves his wife as before.

He attempts to test her fidelity;

It results in her death, or

It nearly results in her death, but they are reconciled.

3.—SVANHVIT ROOT.

A man sees a woman bathing with her charm dress on the shore.

He steals the dress and she falls into his power.

After some years she recovers the dress and escapes.

He is unable to recover her.

(Variant.)

A man is wedded to a woman of supernatural race.

After some years she becomes tired of earth and escapes.

He cannot recover her.

II. RELATING TO PARENTS AND CHILDREN.

4.—JUDGMENT OF SOLOMON ROOT.

Two mothers have a dispute about offspring;

They refer it to the wisest official they can find:

He tests their bona fides.

The rightful party triumphs.

5.—RHEA SYLVIA ROOT.

Children are exposed by accident or design;

They are suckled by a wild beast;

They eventually rejoin their countrymen, and

Are finally raised to high honour.

III. MEN AND THE UNSEEN WORLD.

6.—ACHERUSIAN ROOT.

A place accessible to mortals affords an entry to the lower world;

Spirits enter and repass;

A mortal visits it and learns secrets of the hereafter.

7.—CITY OF SILENCE ROOT.

Genii are imprisoned in vessels of metal or earthenware by mortals;

They are released by accident or design.

(a) They revenge themselves on those who imprisoned them, or

(b) They accept their release with thankfulness.

8.—MAGICAL CONFLICT ROOT.

Two persons with supernatural powers test them against one another.

They pass through various transformations;

The better or more powerful one overcomes the other.

(See chapter on Serpents, Dragons &c. for illustration).

9.—HERCULES CUP ROOT.

A mortal is presented by a supernatural being with a cup;

The mortal uses it as a means of transport;

If pursued the pursuers abandon the chase on perceiving his magic

cup.

10.—ALI BABA ROOT.

A mysterious cave opens and shuts at the command of a master

endowed with magic powers.

A stranger learns and uses the pass-word.

He acquires riches or advantages from his knowledge, but,

Some one is sacrificed to ensure his good fortune.

IV. MEN IN CONFLICT WITH NATURAL INFLUENCES.

11.—MAGIC TOMB ROOT.

A tomb possesses magnetic powers;

An attempt is made to open or enter it;

The attempt wholly or partially fails.

V. MAN MATCHED WITH MAN.

12.—QUEEN DIDO ROOT.

Strangers visit a new country;

By cunning they induce the natives to grant what they do not intend

to the newcomers.

[Chinese Chronicles assert that the Dutch when they first settled in

Formosa adopted a ruse similar to that of Queen Dido. The classic story

is more accurately reproduced in the Ming-shi, containing accounts of

foreign countries, in which the Spaniards, who arrived in the

Philippines about 1574, are narrated to have presented the native chief

with valuable gifts, begging in return the privilege of occupying for

building as much land as could be covered by the hide of an ox.—See

China Review, Vol. iv. p. 386. At all events the story, however

imported or originated, is perfectly well known to the Chinese and as

such is included in my list.]

VI. MEN PERFORM EXTRAORDINARILY HEROIC ACTS.

13.—MARCUS CURTIUS ROOT.

(a) Human life must be sacrificed to close a chasm, or,

(b) Human blood must be infused into a casting to ensure its

success.

(Many variants).

(c) A person sacrifices him or herself accordingly, or,

(d) A person is compelled to do so by force. A successful

result ensues.

VII. MEN AND BEASTS.

14.—BIRD, BEAST AND FISH ROOT, OR “ONE GOOD TURN DESERVES ANOTHER”

ROOT.

A man is asked to aid an animal to escape from confinement, to

recover from sickness &c.

He aids it with good humour.

The man falls into trouble,

The animal aids him in the nick of time.

VIII. PLANTS &C. SPRINGING FROM A PORTION OF THE BODY.

15.—SOMA-BRINGING FALCON ROOT.

A being undertakes extraordinary work.

By its own act or that of others a portion of its body is cleft to

the earth;

The portion taking root, produces a plant;

The plant is thereafter venerated.

Necessarily brief as the foregoing illustrations of the subject under

notice have been they will, it is hoped, suffice to demonstrate the

general resemblance of Chinese vulgar legends to those in vogue

elsewhere. Both in motive and in detail they remind us of the tales

formerly told by our own firesides, and demonstrate the

fact—theoretically admitted by most people, but often practically

ignored—that a common humanity claims the Chinese and the Saxon. And I

may take this opportunity of referring to the objections which are

raised by some sinologues to treating Chinese “old wives tales” as

matters worth serious record and discussion. To those who share those

objections I cannot do better than quote the words of Mr. Henderson.

“It is,” he says, “only of late years that household tales have been

regarded as of interest by men of learning. For long they were thought

to be ‘milk for babes’ but to have nothing in them which could repay a

moment’s study by one who had emerged from childhood. But the great

Grimm saw that in these stories for children lay fragments of ancient

mythology, and he learned to trace them from land to land and thus to

prove them to be precious heirlooms derived from our primeval ancestors

before they parted into separate nationalities.” Without asserting that

all the Chinese versions of the legends above noted can be referred to

a common parentage with those of Europe, and leaving what has here been

dealt with in a single chapter to be further elucidated by more

competent scholars, the instances given of agreement between Western

and Chinese tales are I imagine sufficient to arrest attention. To a

charge of having but slightly discriminated between legends properly so

called and household tales I must plead guilty. But as no purpose was

to be served by observing a strict distinction, the matter may pass.

XIII.—FABLES AND PROVERBIAL LORE.

The use of fables to convey some homely truth or enforce the point of

some moral apothegm, to those who might turn from abstract argument

with indifference, is as familiar to the household world of China as to

that of the West. Strangely enough, however, it does not appear that

the Chinese possess (with two exceptions to be presently mentioned) any

collections of fables properly so called, though their literature

abounds with them as isolated tales. The literati indeed affect to

rather despise them in the abstract, as fit only for the perusal of

women and children, though they do not disdain to employ them at times

with considerable effect. One cause of the supercilious attitude thus

assumed is, very probably, that the only known collections in the

language (forming the exceptions above noted) are translations from

Sanscrit Buddhistic sources, and hence exotic to Chinese thought. Your

true Confucianist—the believer in the dry bones of a system (if system

it be) which, its worldly ethics aside, is the least satisfying of all

known beliefs—scorns Buddhistic fables as he scorns Buddhistic prayers.

Few of the better-read natives will own to any but the most distant

acquaintance with the two works which form almost the sole repositories

of Indo-Chinese fable—the Fa-yuan-chu-lin [183] and the Yu-lin, which

are avowedly adopted from the Pali. But besides this, the officials of

the Empire have a wholesome dread of the satire which a fable may

point, and it is more than probable that any popular collection of the

sort would bring its authors and publishers into trouble. In 1837–38

the late Mr. R. Thom translated eighty-one of Æsop’s fables into

Chinese. We give the result in his own words:—

“When first published in Canton their reception by the Chinese was

extremely flattering. They had their run of the public Courts and

offices until the Mandarins, taking offence at seeing some of their

evil customs so freely canvassed, ordered the work to be suppressed. It

is not the first time that we have elucidated a disputed point by

referring to one of these fables having analogy to the matter in hand;

nay, we remember once stopping the mouths of a party of mandarins, who

insisted that England wanted to quarrel with China, by reciting the

story of the goose that laid the golden eggs. The application was at

once perceived and the justice of the remark admitted immediately. It

will thus be seen that the Chinese officials evince no lack of

appreciation about such matters.” But the power found sufficient to

suppress what is deemed an objectionable brochure is of course unable

to touch the numerous fables which, partly in the much-revered

literature of the Empire and partly by oral relation, have been handed

down to the existing generation of Chinese. To disinter an entire

collection would indeed be a herculean task; but it is easy to cite

some of the best known in illustration of the contention that the

Chinese mind manifests much the same characteristics as that of other

and, as we deem, more civilized races.

The earliest known specimen of a Chinese fable is noticed by Mr. Mayers

in his Manual (p. 282). In the Narratives of the Contending States,

Su-tai, counsellor of the prince of Chao, is said to have related the

following by way of illustrating the necessity of unity amongst those

opposed to or by a common enemy. “A mussel was sunning itself on the

river bank when a bittern came by and pecked at it. The mussel closed

its shell and nipped the bird’s beak. Hereupon the bittern said, ‘If

you don’t let me go to-day, if you don’t let me go to-morrow, there

will be a dead mussel.’ The shell fish answered, ‘If I don’t come out

to-day, if I don’t come out to-morrow, there will surely be a dead

bittern.’ Just then a fisherman came by and seized the pair of them.”

The date of this utterance is given as about B.C. 315, and, if this be

correct, it certainly boasts a respectable antiquity. It is not, of

course, often possible to fix the precise dates of literary invention,

but it does not appear that the claims of Æsop (B.C. 620) as the father

of Western fable need yield in point of antiquity to those of his

Chinese representative, whoever he may have been. The latter, like the

Grecian humourist, most probably contented himself with reciting his

fables, but, less fortunate in his countrymen, has not had his name

handed down to posterity by those who thought his witty or wise sayings

worth preservation in writing. On the other hand, Chinese literature

justly claims preëminence as regards the publication of written fables.

Socrates is indeed alleged to have versified some of Æsop’s fables when

in prison, shortly before his death; but the earliest known Western

collection is dated 150–100 B.C.

A fable tolerably well known (though undoubtedly of Buddhistic origin)

is that of the Cat and the Mice. The most popular version relates how

an old cat was sitting up mewing with half-closed eyes when two mice

happened to see her. Astonished that their old enemy should be taking

things so easily they said to each other, “Puss is evidently reformed;

she is saying her prayers. We need have no fear.” So they began to play

about without noticing her. No sooner had they got within reach,

however, than the cat sprang upon one and devoured him. His companion

rushed home and remarked, “Who would have thought that a cat which shut

her eyes and said her prayers would act like that?” The Indian version

is slightly different. A man had put a rosary round his cat’s neck, for

fun, and the mice, taking this to be a sign of a religious mind on the

part of the cat, congratulated each other and began to make merry. In a

very short time the cat had caught and eaten several of the mice: upon

which the survivors said, “We thought he was praying to Buddha, but his

piety was a mere comedy.” The moral is that those who make a show of

devotion are least to be trusted; or, as others have it, that “some

pray and do bad actions; others don’t pray, but don’t do evil.” Another

favourite fable has given rise to a popular saying. Pigs in Corea, it

avers, are generally black; but a white one having once made its

appearance the king thought it worth offering to the Chinese Emperor,

and accordingly sent ambassadors to present it. When they reached

Peking, however, so many white pigs were to be seen that the

ambassadors saw it would be ridiculous to carry out their mission.

Hence “to offer a white pig to the Emperor” is equivalent to our

“carrying coals to Newcastle.”

Our own (or rather Æsop’s) fable, in which the man who nursed a frozen

snake was bitten for his pains, becomes curiously inverted in the

Chinese version; the snake rewarding its benefactor in a rather more

agreeable manner. Snakes figure in two other well-known fables. In one

a man is represented as having struck a cobra on the head, whereupon

the reptile attacked him with its tail. Striking its tail, the head

forthwith assailed him, and the man then belabouring its middle, both

head and tail went at the assailant. The moral of this is “Never say

die,” or as the Chinese word it “There’s help for everything.” In the

other case we find a reminder of the well-known story of the stomach

and the hands, wherein the latter refuse to work for ever to satisfy an

organ which does nothing to earn its living:—The head and the tail of a

snake quarrelled, the latter averring that it had as good a right to

direct the creature’s movements as had the former, which moreover got

all the enjoyment of eating and drinking. So the tail was allowed to

take charge, and began to move backwards. Unprovided with eyes,

however, it very soon brought both ends to grief, as the snake fell

into a wet ditch whence there was no means of egress, and was drowned.

The well-known French sinologue, Professor Julien, has translated from

the Chinese some forty-five fables derived from Indian sources. The

majority of these are so obviously foreign to Chinese customs that they

cannot be cited as examples of native fable. Five of them only seem to

be at all popularly known, one being that of the snake’s head and tail

above noticed. Of the others the Ass in the Lion’s skin is probably the

most familiar. The Ass takes, in another fable, the place occupied by

the ambitious frog. Desirous of becoming an ox he first of all adopts

the same food. After a time, satisfied that he is going on well, he

essays to change his usual bray for the deep-toned low of his horned

companions. Indignant at the insult they rush upon him and gore him to

death.

Tigers are such favourite subjects of Chinese superstition that it is

natural to find them frequently introduced into fable. The following is

found in the collection translated by Mons. Julien, and is consequently

of Indian origin. A tiger having seized a monkey was about to devour

him; but the monkey, bethinking himself of some means of escape,

suggested that he was too small to make a good meal for a tiger and

offered to conduct his captor to a neighbouring hill where a far more

noble prey might be captured. This was a stag, who, rightly assuming

that the tiger had come for a most unfriendly purpose, concluded that

his only chance was to put a bold face upon the matter, and accordingly

addressed the monkey as follows: “How is this? you promised me ten

tiger-skins but you have only brought one; you still owe me nine.” The

tiger hearing this became alarmed and instantly decamped, vowing that

he never thought the monkey could be so treacherous. Two other fables

in which the tiger figures are, however, purely Chinese. In one case he

is about to attack an ass, but hearing his tremendous bray becomes

alarmed supposing that so much noise can only proceed from one of the

bravest of animals. The ass, however, shewing no inclination to fight,

the tiger advances, and presently hears another bray as loud as the

first. Convinced at last that he has nothing to fear, he rushes on the

ass and devours him. The moral of course is that people who put forth

the greatest pretensions are not most to be dreaded. The second fable

teaches how sagacity is more valuable than strength. A tiger was about

to devour a fox, when the latter demanded exemption on the ground that

he was superior to all other beasts. “If you doubt my word, come with

me and see,” said the fox: so the two set forth in company. Every

animal of course fled at their approach, and the tiger, too stupid to

see that he himself was the cause of their terror, conceived a high

respect for his crafty companion and did not dare to attack him. The

foregoing is one of the many fables recorded in Chinese history as

having been used to point a moral when a ready-witted man was

interrogated by his sovereign.

The fable of the Geese and the Tortoise introduced into China from

Sanscrit sources is essentially the same as the well-known European

version. A couple of geese lived in friendship with a tortoise by the

side of a pond. During the hot weather the pond began to dry up, and

the geese, anxious that their friend should not suffer from want of

water, offered to transport him to some other place where the precious

fluid was abundant. They directed him to seize in the middle, with his

mouth, a stick which they had provided, engaging to carry it by its

ends to the place indicated. “But be sure,” they added, “not to speak

while we are carrying you.” The tortoise promised compliance, and the

three started on their adventurous journey. Some little boys viewing

the novel sight began to shout, “Look at the geese carrying a

tortoise!” and continued shouting so long that the tortoise at last

lost his temper. “What’s that to you!” he retorted. But alas, in giving

vent to his feelings he lost his hold of the stick and falling

downwards to the ground was dashed to pieces. Another fable, which

teaches the moral that people should avoid unsuitable agreements, tells

how two brothers bought a pair of boots between them, it being arranged

that each should wear them in turn. The elder however forgot to

stipulate as to hours and the younger accordingly wore them during the

working part of each day. Afraid to claim his rights, but anxious not

to be wholly “done” the elder brother got up every night to get his

share of the bargain, and between them the boots were soon worn out.

Upon the younger brother proposing that they should buy another pair

the elder said “Not unless you will let me sleep at night.” The satire

upon unequally yoked fellows is clear enough, though some European

readers have failed to see it.

The following fable undoubtedly owes its origin to Hindoo sources, but

is interesting (in view of its being tolerably well known in China) on

account of its obvious derivation from a root which has furnished not

merely fables but “historical” anecdotes to many Western nations.

Stories in which the hero presents himself to the enemies of the

countrymen in a condition arguing that he has been grossly maltreated

by his friends, and from motives of revenge seeks to be received by and

give aid to those to whom he is naturally opposed, are to be found in

the records of nearly all races. The fable of the crows and the owls

adheres to the usually-received texts. Two colonies of crows and owls

respectively lived in close proximity to and hated each other in the

most neighbourly way. As the crows slept by night and the owls by day

each in turn attacked the other when most defenceless, and the

slaughter on either side was great. At length an intelligent crow

remarked that this would never do; some plan of exterminating their

enemies must be hit upon if they were ever to dwell in peace. On being

asked what plan he proposed he told his fellow crows to peck him badly

and pull out a number of his feathers, promising, if that were done, to

effect the destruction of the owls. In this sorry plight he presented

himself at the owl’s domicile, complaining bitterly of the treatment to

which he had been subjected. The owls coming out to see what was the

matter he explained that he had fled to them for shelter, and one of

the owls pitying his hard lot received him into his nest. For a while

all went well, until at length, his feathers having grown again, he set

to work to pile large quantities of brushwood round the owls’ hole,

explaining in answer to their enquiries that he was endeavouring to

return their kindness by heaping up for them a barrier against the cold

winds. Shortly after, a snowstorm came on and all the owls crowded into

the nest to escape it. Watching his opportunity the crow plucked a

firebrand from the fire of some neighbouring peasants and setting light

to the brushwood smothered the owls to death. The moral, “never trust a

renegade,” is obvious enough, and is one which, had it been kept in

mind, might have saved the China of a former age from not a few

revolutions. The difficulty of overcoming evil habits is also well

illustrated in the same collection as that from which the foregoing is

derived. A certain king possessed by a spirit of a false economy gave

orders that all the horses used by his cavalry should in time of peace

be employed in mills. So long as the country was at peace the

arrangement worked admirably. But no sooner were the troops called out

for war than the cavalry found that their horses would only go in a

circular direction and they accordingly fell an easy prey to their

antagonists. It is a pity that no one with sufficient influence to make

himself heard ventures to apply this fable to the so-called “troops”

which compose the major part of the native army.

A very fair satire upon the habit common to some people of “borrowing

trouble” is contained in the following:—A certain rich man who had

lived to an extreme age had assembled all his sons and grandsons to do

honour to his birthday. Despite their felicitations however he wore a

troubled face, until at length some one asked him what was amiss.

“Nothing particular,” he replied; “I was only thinking what trouble I

should have in inviting my guests when my two-hundredth birthday came

round.” To take overmuch thought for the morrow is a common Chinese

failing, and the moral embodied in the foregoing is keenly appreciated

by the populace. Two other fables remind us of old friends in our

schoolboy days, though they are, I believe, purely Chinese. In one a

party of robbers are related to have attacked a village and to have

killed all the inhabitants, save two—one so blind that he was unable to

even grope his way about, and the other so lame that by no possibility

could he manage to run away. But “heaven helps those that help

themselves.” After a deal of trouble the blind man managed to get the

lame man on his back and piloted by his eyes the pair reached a place

where they were charitably provided for. The system of mutual

dependence, so essentially a Chinese virtue, is herein aptly

illustrated. Not bad either is another entitled “The folly of avarice.”

A rich priest had hoarded a fine collection of jewels to which he was

constantly adding, and of which he was inordinately proud. Upon shewing

them one day to a friend, the latter feasted his eyes for some time,

and on taking leave thanked his host for the jewels. “How,” cries the

priest, “I have not given them to you! Why do you thank me?” “Well,”

rejoined his friend, “I have at least had as much pleasure from seeing

them as you can have; and the only difference between us, that I can

see, is that you have the trouble of watching them.”

Despite therefore the fact that popular collections of Chinese fables

are unknown, at all events to all the literary natives to whom the

writer has access—fables themselves are in common use and are of much

the same character as those popular amongst ourselves, doubtless indeed

owning a common origin.

Turning from fables to proverbs a very different state of affairs is

found to prevail. Not only are the Chinese spoken languages richer in

proverbial lore than that of any Western race, but their literature

abounds with that description of short pithy saying so well defined as

“the wisdom of many expressed by the wit of one.” I would here mention

that when this series of chapters on Chinese folklore was first

projected the admirable work of Mr. Scarborough, “A Collection of

Chinese Proverbs,” had not been published, and Mr Lister’s highly

interesting article in the China Review, “Chinese Proverbs and their

Lessons,” [184] was almost the only essay on the subject which had up

to that period appeared in the language. Most works on China indeed

give more or less full lists of common sayings, but Mr Lister was the

first who endeavoured to direct attention to the coincidences of

Chinese thought with that of other peoples. Mr Scarborough’s work has

so amply supplemented all that was previously available respecting

Chinese proverbs, while his introductory essay gives so comprehensive a

view of the whole subject that students of the subject may well be

referred to the volume in question. Dealing, however, strictly with the

matter of comparison between Chinese and Western proverbs, there is

still room for comment. And for this purpose I shall avail myself of Mr

Scarborough’s handy collection.

Out of some 2,700 proverbs and popular sayings which he has brought

together, about one hundred are either word-for-word, or in sense, the

same as common proverbs in use amongst ourselves. Occasionally of

course we find an odd inversion of thought, but in the main they

coincide with curious accuracy. The instances of agreement might be

trebled or perhaps quadrupled if popular quotations from well-known

writers and Biblical texts were also compared. But in the above

estimate I speak merely of proverbs properly so called. On the first

page we have the equivalent of our “Much cry and little wool”—It

thunders loudly, and rains very little, another proverb equivalent to

“Lots of fuss for small profit” containing a hit at the class of small

mandarins. A little further on we find our “Nothing venture nothing

have” transformed into If you don’t enter a tiger’s den you cannot get

his cubs, and the well-known saying “A man is known by the company he

keeps” becomes, Near vermilion one gets stained red, near ink black; a

more vulgar version having it that Near putrid fish you will stink,

near the epidendrum you will be fragrant. That “One swallow doesn’t

make a summer” is taught by A single strand of silk doesn’t make a

thread, or a solitary tree a grove. “Practice makes perfect” is in one

Chinese version, The boxer must not rest his fist or the singer his

mouth, while exactly the same words as our own are also in use, and

“What you do, do well” becomes, If you kill a pig kill him thoroughly.

The Chinese have a number of proverbs implying “More haste less speed,”

which may account for the deliberate way in which, as a nation, they

ignore anything like hurry. In hurry is error; Done leisurely done

well; Slow work fine goods, and What is done hastily is not done well,

may be quoted as examples. But on the other hand they have a hit at

procrastination “the thief of time” in precisely our own words. Another

proverb has it,—Wait till the Yellow River is clear, and how old will

you be? Our “Too many cooks spoil the broth” finds its most literal

rendering in A thousand artizans a thousand plans, but two or three

other proverbs to the same effect are to be found in the collection.

The Chinese have numerous proverbs relating to animals, but the only

one that strikes me as exactly reproducing a Western idea—“Dog doesn’t

eat dog”—is, The heron doesn’t eat heron’s flesh. On no subject are

their sayings more plentiful than trade. Every Chinaman is said to be a

born cook and a born trader, and their most popular proverbs certainly

give colour to the latter part of the assertion. “Use a sprat to catch

a whale” finds its representatives in Throw a brick to allure a gem,

and If a little cash does not go, much cash will not come. “There’s a

time for all things” becomes a business proverb in China, There’s a

time to fish and a time to dry nets. “Take care of the pence &c.” is

not unlike the Chinese Count cash as if it were gold and so avoid the

least mistake; while “There are tricks in all trades” is more politely

expressed by Every trade has its ways. “A penny saved is a penny

gained” is inculcated by Never spend a farthing uselessly. One is

strongly tempted to quote some of the other numerous proverbs relating

to trade and commerce such as Cheap things are not good: good things

are not cheap &c., but the limits imposed of verbal or at least direct

comparison forbid.

The advantages of dealing for ready cash and the inconvenience of debt

are as strongly insisted on in China as in Europe. “A bird in the hand

is worth two in the bush,” say we. The Chinese put it more directly,

Better take eight hundred than give credit for a thousand cash, Better

twenty per cent in ready money than thirty on credit; to which by the

way, our “A nimble nine-pence is better than a slow shilling” is

perhaps the most literal parallel. “He that goes a borrowing goes a

sorrowing” is enforced on the Chinese mind by an ingenious pun in one

of the words of the proverb—a practice sufficiently common in China to

be worth explanation. The word Chʻien debt is thus written:—欠,—the

lower half of the character being 人 jén, signifying a man. The proverb

runs “Debt presses on the head of a man,” the chʻien being supported by

jén. Our assertion that a man “Robs Peter to pay Paul” is expressed in

Chinese by, He tears down the Eastern to repair the Western wall.

The Chinese equivalent of “A bad carpenter quarrels with his tools” is:

All unskilful fools quarrel with their tools,—not a quite literal but

sufficiently accurate rendering. “Cobbler stick to your last” has

several equivalents, such as The teacher should not leave his books or

the poor man his pigs; Better be master of one than jack of all trades;

Separate hongs (mercantile houses) are like separate hills, and The

river does not overflow the well. “Two of a trade never agree” is

essentially a Chinese saying, and so is our well-known aphorism that

“Dress makes the man,” the native version being that Dress makes the

Gentleman or Lady, varied to the form That as a house needs man to set

it off, so man needs clothes. Household affairs come in for a full

share of Chinese proverbial philosophy. “Early to bed &c.” is

represented by Three days’ rising gains one day’s work. “To wash your

dirty linen at home” is advised in the more prosaic Don’t spread abroad

domestic foibles, and the well-known saying, (hardly a proverb perhaps)

“Alas ’tis easier far to rule a kingdom than a wife” is but the English

version of the Chinese It is easier to rule a kingdom than to regulate

a family. “A man’s a man for a’ that” finds exact reproduction in the

Chinese saying that A stick’s a stick whether long or short; A man’s a

man whether great or small; and our popular saying that “There are as

good fish in the sea as ever came out of it” is aptly paralleled by, If

there’s no light in the East there will be in the West.

The idea expressed in our “Breaking a butterfly on the wheel” is

familiarized in China by the saying He fells a tree to catch a

blackbird and He shoots a sparrow with a cannon, as is that of

“Carrying coals to Newcastle” by Offering the filial classic for sale

at the door of Confucius; while the Chinaman who “Buys a pig in a poke”

is said To buy a cat in a bag. We say “Shutting the stable door when

the horse is stolen.” The Chinese put it, Fighting the wall when the

robbers have gone, equally illustrative of useless effort when the

danger is over. The principle that leads the world to “Give to him that

hath” is evidently no stranger to Chinese practice. Mr. Scarborough

versifies the native proverb as follows:

“A lucky man is stout and fair

And men lend him service as much as he wants.

A luckless man is burnt and spare

And he asks for a loan which no man grants.”

“To kill two birds with one stone” is pretty closely followed in the

native version “To accomplish two things at one effort.” Our “All roads

lead to Rome” is literally the same, the word Peking alone being

substituted for that of Rome. A more verbose version of the proverb

implies the same truth. “Strike while the iron is hot” is another

instance of word-for-word agreement; and “There’s a time for

everything” is reproduced in Where it’s a time for drinking wine drink

it, When the place is suitable cry aloud. Our well-known “Lookers-on

see most of the game” differs but slightly from Men in the game are

blind to what lookers-on see clearly. “It’s of no use crying over spilt

milk” is very like the Chinese, Spilt water can’t be gathered up again.

Happiness and misery furnish as fruitful a source for proverbs amongst

the Chinese as amongst Western nations, some of their sayings being

extremely terse and to the point. They assert that Happinesses never

come in pairs; calamities never come single, a belief not confined to

the inhabitants of the Middle Kingdom. Life and death, of course, come

in for their share of wise (or unwise) sayings, though the former

certainly predominate. When Shakespeare wrote that “all the world’s a

stage” he was unconsciously plagiarizing the Chinese, Man’s life is

nought but theatrical performance. That men are apt to discover secrets

when under the influence of liquor (“When the wine’s in the wit’s out,”

In vino veritas, &c.,) the Chinese know as well as we do. Wine, they

say, is a discoverer of secrets, and they have numerous sayings of the

same kind. We assert moreover that “Walls have ears,” and so do they.

The recommendation to “Do in Rome as the Romans do” is paraphrased,

Meeting men or devils talk as they do, a proverb eminently in

accordance with Chinese caution. So too they adhere to the principle

expressed in “What every one says must be true,” the native version

being almost the same.

Blind leadership is satirized in the identical words of the evangelist

“If the blind lead the blind, &c.” A similar reproduction of language

applies to the proverb “The boy is father to the man,” the Chinese

saying You may see the man in the boy. “Good wine needs no bush” is

equally well expressed by A good-looking woman needs no rouge. Some of

the proverbs about women, by the way, are more pungent than polite. A

greedy fellow is characterized in the same language in both English and

Chinese as some one with his eyes bigger than his belly. “Every man for

himself” is another cynical saying common to both countries. “Cheap and

nasty” is expressed in Chinese by If you buy cheap firewood, you burn

the bottom of your copper. So too “Cut your coat according to your

cloth” becomes with a slight revision, Cut your cloth according to your

measure. “Once bitten twice shy” is another instance of verbal

agreement, except that the Chinese saying is less terse.

Most nations have a saying to the effect that the wearer knows best

where the shoe pinches. The Chinese mean the same when they say Rats

know Rats’ ways. “Let sleeping dogs lie” is a worldly-wise saying which

the Chinese fully appreciate, only they apply it to tigers instead of

dogs. “A chip of the old block” or “Like father like son” is expressed

by Dragons give birth to Dragons and Phœnixes hatch Phœnixes. Nor has

the Wise King’s saying “Spare the rod, and spoil the child” been

ignored in China, the same idea exactly underlying a proverb in which

the effects of due correction and spoiling are contrasted. “Two heads

are better than one” is equally acknowledged in the saying, One man’s

plan is short; two men’s plan is long.

Chinese proverbs regarding “Heaven” as the supreme arbiter of human

affairs are more numerous than one would expect to find amongst a

people so idol-ridden as the Chinese. It is noteworthy that in this

connection “Heaven” is invariably used as we use it in popular sayings

to imply “the one great Cause.” Thus, as we say, “Man proposes, God

disposes” the Chinese say A thousand human schemes may be wrecked by

one scheme of heaven. [185] Similar sayings are so numerous, that they

suggest an as yet (apparently) unrecognized belief in a one

all-powerful cause. Every student of Chinese is of course acquainted

with the popular acceptation of the term. But it would almost seem (if

the collection of proverbs before us is to be accepted as a guide) that

the word more nearly expresses the Christian idea of the Creator than

any other in the Chinese vocabulary.

“Murder will out” say we. The Chinese intimate that a Body buried in

the snow is sure to be eventually discovered. Our estimate of the value

of time, again, is reproduced in words that match with the proverb

already quoted respecting prevarication: An inch of time is like an

inch of gold. It is perhaps scarcely accurate to quote “Mens sana in

corpore sano” as a proverb. But at all events the Chinese reproduce it

in A calm mind makes a cool body. “The poor have no friends” is another

very literal rendering of a Chinese proverb, and “Money makes the world

wag” is very fairly rendered by In the presence of money all quarrels

expire, or Money hides many offences; while as a concluding specimen I

may quote the well-known “First come first served” expressed in Chinese

by, The first who comes becomes prince, the second minister.

It cannot of course be pretended that the foregoing is by any means an

exhaustive summary of the various proverbs which imply similar

intentions on the part of their inventors, European or Asiatic. But it

will suffice to show how striking are the agreements on certain

well-defined subjects, and, it is hoped, to support the general

principle laid down in these pages that Chinese thought is, at bottom,

very similar to our own. It may well be that proverbs relating to

temporal welfare only, spring up spontaneously and independently in

each country. But what are we to make of the monotheistic spirit

pervading the numerous sayings in which the “Heaven” of the Chinese

answers to the “God” of Christian Europe or the “Jehovah” of the chosen

race? Is this too the spontaneous invention of an isolated people, or

is it the surviving trace of a long-forgotten worship, when the

ancestors of the Chinaman and the Semite worshipped at the same shrine?

This is not the place to discuss such a question, but it nevertheless

suggests itself, and is worth a more careful investigation than has yet

been accorded to it by the enthusiastic champions of Shang-ti and Shên.

In the opinion of many, sufficient reason has not yet been adduced to

justify a refusal to adopt the only phrase acknowledged by the Chinese

to convey the idea expressed by our word “Creator” or “Almighty.”

In concluding these hasty sketches of the various departments of

Chinese folk-lore, the writer cannot but express a hope that each

division of the subject will before long receive fuller elucidation

from competent pens. Conscious of the superficial character of much

that is here written he can only regret that time and opportunity have

not allowed him to deal more satisfactorily with the information at

command. To those who look upon the folk-lore of a people as affording

a key to many curious problems concerning its origin and progress, the

foregoing chapters may afford useful hints. Many subjects might be

dealt with more advantageously in special volumes than within the brief

limits of a single chapter. The writer will however be satisfied if his

efforts tend in any way to bridge the existing gulf between the two

peoples, by illustrating, even to a limited degree, the Chinese

assertion that “Men of the four seas are (after all) brothers.”

THE END.

NOTES

[1] Luther himself believed in the existence of a stone (the ætita),

which superstition gave out was to be found in eagle’s nests, and which

possessed the power of detecting thieves! It is not, we imagine,

generally known that Luther was grossly superstitious—but he was. It

is, we think, in the Colloquia Mensalia, edited by Lauterbach, that

Luther is said to have expressed his belief in, among other traditions,

the following—that three toads spitted on a stick extracted poison from

wounds; that the swan sang sweetly before death; that the electors of

Germany could touch for the scrofula, and that the 38th year of man’s

life was one of peculiar danger to him.—Englishman.

[2] See Report N. C. B. R. A. S., 1873.

[3] Wade’s Wen ta pien, Ch. XVIII.

[4] Kelly’s Indo-European Traditions and Folk-lore, Preface, p. IX.

[5] 如意.

[6] Marriage of the Emperor of China: By L. M. F., p. 25.

[7] Children born between midnight and dawn are thought by the North

country folk to be endowed with a sort of second sight, “so that they

see spirits,” or, as a nurse puts it, “are bairns that see more than

other folk.”—See Henderson’s Notes on Folk-lore, p. 3.

[8] If the Chinese lay great stress on the hour of birth, we no less

attribute to the day a talismanic influence over the future of the

newborn child; as witness the goodwives’ rhyme:—

Monday’s child is fair of face,

Tuesday’s child is full of grace,

Wednesday’s child is full of woe,

Thursday’s child has far to go,

Friday’s child is loving and giving,

Saturday’s child works hard for its living,

But the child that is born on the Sabbath day

Is blythe and bonnie, and good and gay.

Or, as another version has it:—

Born on a Sunday a gentleman,

Born on a Monday fair of face,

Born on a Tuesday full of grace,

Born on a Wednesday sour and glum,

Born on a Thursday welcome home,

Born on a Friday free in giving,

Born on a Saturday work hard for your living.

[9] Doolittle’s Social Life of the Chinese, Vol. I., p. 117.

[10] The ring of the door is bound with a white linen cloth in

Holland—See Brand’s Pop. Antiq., vol. 2, p. 72. This appears to have

had a superstitious origin quite distinct from the practice into which

it has degenerated in England of “muffling” the knocker, so that its

use may not disturb the mother and child.

[11] The Romans admired the number 3, and numerous Western

superstitions are based on its being regarded as a “lucky number.”—See

Predictions Realized, by H. Welby, p. 15.

[12] Doolittle’s Social Life of the Chinese, p. 121. Mr. Doolittle

refers the tying of the wrists to a different motive. “It is,” he says,

“thought that such a tying will tend to keep the child from being

troublesome in after life and from meddling with what does not belong

to it, just as though he or she was bound. When boys or girls are

naughty or troublesome they are often asked if their mammas did not

bind their wrists? Implying that if their wrists had been properly

bound when an infant they would have been restrained from misconduct in

subsequent life.” I am disposed, however, to refer the origin of the

custom to the belief I have stated in the text, though the Chinese of

to-day may look upon it rather as symbolical than efficacious as regard

demons.

[13] Brand’s Pop. Antiq., vol. II. p. 73.

[14] The modern Greeks entertain a similar belief referring to the

first eight days of a child’s life.

[15] Social Life of the Chinese, vol. I. p. 127.

[16] The first verse of a fragment given in Henderson’s Folk-lore of

the Northern Counties says:—

“Oh rock not the cradle when the baby’s not in,

For this by old women is counted a sin,

It’s a crime so inhuman it may na’ be forgi’en,

And they that would do it ha’e lost sight of heaven.”

[17] Social Life of the Chinese, Vol. II. p. 120.

[18] Ibid.

[19] Henderson’s Folk-lore of the Northern Counties, p. 6.

[20] Brand’s Popular Antiquities, Vol. III. pp. 288–89.

[21] Social Life of the Chinese, Vol. I. p. 134.

[22] See Notes and Queries on China and Japan, Vol. IV. pp. 12, 13.

[23] Henderson’s Notes on the Folk-lore of the Northern Counties, p.

22.

[24] In some parts of England wheat was cast on the head of the

newly-made bride. The same practice obtains in Sicily. This was also a

Hebrew custom. In Russia, when the priest has tied the nuptial knot at

the altar, his clerk or sexton throws upon the bride’s head a handful

of hops, wishing she may prove as fruitful as the plant thus scattered.

[25] Ovid notes the month of May as unlucky for marriages, and the old

Roman Calendars forbade them on Feb. 11, June 2, Nov. 2, Dec. 1, &c.

For much curious information on this subject see Brand’s Popular

Antiq., Vol. 2, p. 168.

“If you marry in Lent

You will live to repent,”

says an old English north-country rhyme, and numerous are our other

sayings about fortunate days for the all-important ceremony.

[26] Social Life of the Chinese, Vol. I. p. 74.

[27] Ibid., Vol. I. p. 94.

[28] Social Life of the Chinese, Vol. I. p. 86.

[29] Popular Antiquities, Vol. III. p. 95.

[30] The Jews also used lamps and torches in their marriage ceremonies

or rather when the bridegroom came to conduct home the bride by night.

See Kitto’s Cyclopædia of Biblical Literature, Art. “Lamp.”—Hymen, the

god of marriage, was always figured as bearing a torch, and there are

numerous references to the use of torches at marriages in the classical

poets. Homer, Euripides and Virgil refer to it, and Lane in his Modern

Egypt, I. 201, notices a similar custom in vogue amongst the Egyptians.

Apropos of lamps and lanterns, it is interesting to note that the

“Feast of lanterns” is not peculiar to China. The Egyptians had a

“Feast of Lamps,” as had also the Jews. Josephus states that the latter

was founded by Judas Maccabæus in celebration of the restoration of the

Temple worship. Other Oriental nations also observe a similar festival.

[31] Middle Kingdom, Vol. II. p. 59.

[32] Platt’s Customs of Nations, p. 278.

[33] Brand’s Pop. Antiq., Vol. II. p. 169.

[34] Thorpe’s Mythology, Vol. II. p. 108.

[35] Social Life of the Chinese, Vol. I. p. 88.

[36] “It’s all very well to say that ‘the two are made one’—the

question is, which one.”—American paper.

[37] “If you change the name and not the letter,

You change for the worse and not for the better.”

Henderson’s Folk-lore of the Northern Counties, p. 26.

As a specimen of the absurd stories connected with weddings which

obtain credence amongst the Chinese, I copy the following from a

Shanghai Evening Courier of a few months back:—In some district of

Chekiang, name and time not stated, a bride, long betrothed, on

attaining the age of 18 made the usual preparations for marriage. At

length the bridal chair arrived to convey her to her future home. Her

friends went before her to open the door of the chair, but on doing so

they started, screamed and ran away, saying there was a large snake in

the chair. The bride, possibly thinking they were only in jest, went

herself and looked into the chair, and saw, not a snake, but a large

sheathed knife. Nothing daunted, she took the knife, put it in the box

containing the lighter portions of her trousseaux, and ordered the

chair-coolies to proceed. The marriage ceremonies being in due time

completed, the young couple retired, and the bridegroom then observed

that his bride had a moody and terrified look. Questioning her as to

the cause, she told him the incident of the chair, the snake and the

knife. He asked to see the knife: she gave it to him. He drew it from

its sheath, but he had no sooner done so than his head fell off! The

bride raised an alarm; the family crowded in. She told what had

happened; they refused to believe her, and declared that she herself

was the murderess. The Magistrate was sent for; he came, and on hearing

the bride’s story, asked to see the knife, and, as in the husband’s

case, when he drew it from the sheath, his head at once fell on the

floor. The newly-made widow was then told to see whether she could

wield the knife with safety. She took it, and approaching a large tree

made a cut at it. It was cut through by that single blow, while the

woman remained unharmed. Here the legend ends abruptly, as

inconsequential in its finish as it is grotesque in texture. Yet it is

astonishing what excitement was caused in the teashops of the City and

Settlement for some days by the telling and hearing of the story.

[38] A recent home paper contains the following:—In a village not far

from Berlin, an old couple lived very quietly upon their little

property. Both had carefully purchased their coffins some years ago, as

is often the case among country folks. The coffins were placed in a

stable, and were used as receptacles for different things, especially

for storing up baked fruit, and other articles to be kept for winter

use. Not long ago the man died suddenly. The son, who was a soldier

quartered at Berlin, hastened at the summons to pay the last respects

to his father’s remains. In the meantime, the mother had, with the help

of another son who lived with her, put all the articles together in one

of the coffins, and in the other had duly placed the mortal remains of

her husband. By some mischance the first-named coffin was buried, and

the mistake was only discovered after the funeral, which, to the great

distress of the family, had to be repeated.

[39] Two or three amusing stories are told of Yorkshire people who kept

their coffins ready for use. One of these relates to a man with a

projecting Roman nose, who had a place cut away in the coffin-lid to

fit it: and another case was that of an old lady who had two holes cut

in the sides to let his Satanic Majesty have free egress should he

happen to get inside.

[40] A cat was not permitted to come near a corpse in Scotland. Brand’s

Antiquities, Vol. II. p. 233. “All fire is extinguished where a corpse

is kept, and it is reckoned so ominous for a dog or a cat to pass over

it, that the poor animal is killed without mercy.”—Pennant’s Tour in

Scotland.

[41] We know an old lady, as blithe a body as ever lived in this world,

who, years ago, prepared becoming garments ready for her last journey.

David Garrick’s widow religiously preserved her wedding-sheets, that

they might serve her for a shroud. In 1763 a young married lady was, at

her express desire, buried in all her wedding finely, consisting of a

white negligée and petticoats, quilted into a mattress, pillow, and

lining for her coffin; her wedding-shift was her winding-sheet, and she

wore a fine point-lace tucker, handkerchief, ruffles, and apron, and a

lappethead of the same costly materials. Diamond earrings were placed

in her ears, gemmed rings on her fingers, and a valuable necklace round

her neck; white silk stockings, and silver-spangled shoes with stone

buckles completed her costume. A Norfolk gentleman preserved such a

happy recollection of matrimonial life, that when, at the age of

ninety-one, he lay on his death-bed, he gave instructions that he

should be buried in his wedding-shirt, which he had carefully kept for

the purpose; that garment being supplemented with his best suit of

clothes, his best wig, his silver-buckled shoes, black wrist ribbons,

and his favorite walking-cane. Margaret Coosins, who was buried in

Cuxton Churchyard, Kent, in 1683, ordered her body to be attired in

scarlet satin, put in a mahogany coffin having a loose lid, and placed

upon trestles in a vault under a pyramidal monument, the glass doors of

the vault being covered with green silk curtains. Another example of

vanity strong in death was afforded us a few years ago, when a wealthy

court milliner left strict injunctions behind her that her body should

be enfolded in point-lace.—Chambers’ Journal.

[42] Moresin says a candle was an Egyptian hieroglyphic for

life.—Brand’s Antiquities, Vol. II. p. 236.

[43] Middle Kingdom, Vol. II. p. 262. This superstition appears to be

perhaps the most wide-spread of any connected with death. When a death

takes place, in many parts of Europe, all the doors and windows should

be unfastened, as it is thought that the first pains of purgatory are

inflicted by the soul squeezing through the closed doors. We have

something like this in Swift’s “Journey from this World to the Next,”

where the spirits, conversing on their way to the throne of “Micros,”

relate to each other how they had to wait till an open door or window

in the house in which the death had taken place, enabled them to get

free from it. There is a curious superstition in Devonshire that the

departure of life is delayed where any lock is closed in the dwelling

or any bolt shot. See Popular Antiquities, Vol. II. p. 231.

[44] The following extract from the same journal merits

reproduction:—“In many parts of the Highlands it is believed to this

day that the last person buried has to perform the duty of sentinel

over the churchyard, and that to him the guardianship of the spirits of

those buried before is in some degree committed. This post he must

occupy until a tenant of the tomb releases him. It is not esteemed an

enviable position, but one to be escaped if possible; consequently, if

two neighbors die on the same day, the surviving relations make great

efforts to be first in closing the grave over their friend. I remember

an old nurse, who was mourning the death of a sweet girl she had

reared, exclaiming with joy, when she heard, on the day after her

funeral, of the death of a parishioner; ‘I thank God my dear darling

will have to watch the graves no longer!’ A ludicrous but striking

illustration of this strange notion occurred some years ago in the

parish of A——. An old man and an old woman, dwelling in the same

township, but not on terms of friendship—for the lady, Kate Ruadh, was

more noted for antipathies than attachments—were both at the point of

death. The good man’s friends began to clip his nails, an office always

performed just as a person is dying. He, knowing that his amiable

neighbor was, like himself, on the verge of the grave, roused himself

to a last effort and exclaimed ‘Stop, stop; you know not what use I may

have for all my nails in compelling Kate Ruadh to keep Faire Chlaidth

in place of doing it myself.’” In the statistical account of Scotland,

xiv., 210, Parishes of Kilfinichen and Kilviceuen, County of Argyle, we

read: “The inhabitants are by no means superstitious, yet they still

retain some opinions handed down by their ancestors, perhaps from the

time of the Druids. It is believed by them that the spirit of the last

person buried watches round the churchyard till another one is buried,

to whom he delivers his charge.” In the same work, xxi., 114, it is

said: “In one division of the country, where it is believed that the

ghost of the person last buried kept the gate of the churchyard till

relieved by the next victim of death, a singular scene occurred when

two burials were to take place on the same day. Both parties staggered

forward as fast as possible, to consign their respective friend in the

first place to the dust. If they met at the gate, the dead was thrown

down until the living decided by blows whose ghost should be condemned

to porter it.” It was the duty of the last person interred to stand

sentry at the graveyard gate from sunset until the crowing of the cock

every night until regularly relieved. This, sometimes, in

thinly-inhabited parts of the country, happened to be a tedious and

severe duty; and the duration of the “Faire Chlaidth” gave the

deceased’s surviving friends much uneasiness.

[45] Ethnological Review, Vol. II. No. 3, p. 231.

[46] In Madagascar as amongst the natives of the Carribbees, New Guinea

and Kergistan, it is believed that the dead can use the things

destroyed as offerings to their manes, such as guns, &c., &c.

[47] For much here given I am indebted to the Social Life of the

Chinese, Vol. I. p. 188 et seq. Mr. Chris. T. Gardner, of H. B. M.

Consulate, Canton, has also kindly furnished me with several useful

notes and memoranda.

[48] See Eitel’s Fung-shuey.

[49] Pop. Antiq., Vol. II. p. 282.

[50] Why is Death commonly harbingered by apparitions in female shape,

according to the superstitions of the East and the North, as well as of

classical antiquity? The Greeks held that human life was controlled by

the Fates. The Northmen had their Valkyriur, or female choosers of the

slain. The companions of Anastasius in the prison at Constantinople saw

“the frightful hag, the harbinger of the plague, hovering with her

bat’s wings over their drear abode, and with her hooked talons

numbering one by one her intended victims.” And now we are told that

the thieves of our Indian cities have found out a way of utilizing this

weird fancy. Some “old offenders,” in female disguise, go about the

streets of Madras exactly at twelve at night and knock at the doors of

houses inhabited by natives. “There is a strange belief among the

uneducated natives that the she-devil Dengue (the name of the

prevailing epidemic) raps at their door at that hour of the night, and

that if any inmate opens he will be struck dead by her.” The

unsuspecting natives—forgetting the hour—open, see the ominous figures,

and “many of them drop down in a fainting fit.” The visitors make the

best of the occasion.—Pall Mall Gazette.

[51] I find the following paragraph in an old newspaper, but cannot

verify its statements:—The least mortality is during the mid-day hours,

mainly from 10 to 3 o’clock. About one-third of the total deaths noted

were children under five years of age, and they show the influence of

the latter still more strikingly. At all the hours from 10 in the

morning until midnight the deaths are at or below the mean; the hours

from 10 to 11 A.M., 4 to 5 and 9 to 10 P.M., being minima, but the hour

after midnight being the lowest maximum; at all the hours from 2 to 10

A.M. the deaths are above the mean, attaining their maximum at from 5

to 6 P.M., when it is 45½ per cent. above.

[52] Dion Cassius, who wrote in the third century of our era, gives the

explanation of the nature of the Egyptian week, and of the method in

which the arrangement was derived from their system of astronomy. It is

a noteworthy point that neither the Greeks nor Romans in his time used

the week, which was a period of strictly Oriental origin. The Romans

only adopted the week in the time of Theodosius, toward the close of

the fourth century, and the Greeks divided the months into periods of

ten days [as the Chinese do also]; so that, for the origin of the

arrangement connecting the days of the week with the planets, we must

look to the source indicated by Dion Cassius. It is a curious

illustration of the way in which traditions are handed down, not only

from generation to generation, but from nation to nation, that the

Latin and Western nations, receiving the week along with the doctrines

of Christianity, should nevertheless have adopted the nomenclature in

use among astrologers.—Contemporary Review.

[53] It must not however be supposed that in the “Good old Times” our

ancestors were one whit better than the Chinese, and I quote the

following in full from “Predictions Realized” as giving a good means of

comparison between the belief of “Christian England” and “Heathen

China” in the 17th century.

In an old MS., the writer, after stating that the most learned

mathematicians have decided that the 1st of August, the 4th of

September, and the 11th of March, are most injudicious to let blood;

and that philosophers have settled that the 10th of August, 1st of

December, and 6th of April are perilous to those who surfeit themselves

in eating and drinking,—continues as follows assigning reasons why

certain days should be marked as infelicitous:—

“I will repeat unto you certain days yet be observed by some old

writers, chiefly the ancient astrologians who did allege that there

were 28 dayes in the yeare which were revealed by the Angel Gabriel to

the good Joseph, which ever have been remarked to be very fortunate

dayes either to purge, let bloud, cure wounds, use marchandises, sow

seed, plant trees, build houses, or taking journies, in long or short

voyages, in fighting or giving of battaile, or skirmishing. They also

doe alledge that children who were borne in any of these dayes could

never be poore; and all children who were put to schooles or colledges

in those dayes should become great schollars, and those who were put to

any craft or trade in such dayes should become perfect Artificers and

rich, and such as were put to trade in Marchandize should become most

wealthy, the dayes be these: the 3d and 13th of January, ye 5th and

28th of Feb., ye 3d, 22d, and 30th of March, the 5th, 22d, and 29th of

April, ye 4th and 28th of May, ye 3d and 8th of June, the 12th, 13th

and 15th of July, ye 12th of August, ye 1st, 7th, 24th and 28th of

September, the 4th and 15th of October, ye 13th and 19th of November,

ye 23d and 26th of December. And thus much concerning ye dayes which

are by ye most curious part of ye learned remarked to be good and

evill.”

In the Book of Knowledge, we find the following “Evil Days:”—

“Astronomers say that six days of the year are perilous of death; and

therefore they forbid men to let blood of them, or take any drink; that

is to say, Jan. 3, July 1, October 2, the last of April, August 4, the

last day going out of December. These six days with great diligence

ought to be kept, but namely [? mainly] the latter three, for all the

veins are then full. For then, whether man or beast be knit in them

within seven days, or certainly within fourteen days, he shall die, And

if they take any drinks within fifteen days, they shall die; and if

they eat any goose in these three days, within forty days they shall

die; and if any child be born in these three latter days, they shall

die a wicked death. Astronomers and astrologers say that in the

beginning of March, the seventh night, or the fourteenth day, let the

blood of the right arm; and in the beginning of April, the 11th day, of

the left arm; and in the end of May, 3d or 5th day, on whether arm thou

wilt; and thus, of all the year, thou shalt orderly be kept from the

fever, the falling gout, the sister gout, and loss of thy sight.”

A Book of Presidents (precedents), published in London in 1616,

contains a Calendar, many of the days in which have the letter B

affixed: “which signifieth such dayes as the Egyptians note to be

dangerous to begin or take anything in hand, as to take a journey or

any such like thing.” The days thus marked are:—

January 1, 2, 4, 5, 10, 15, 17, 19.

February 7, 10, 17, 27, 28.

March 15, 16, 28.

April 7, 10, 16, 20, 21.

May 7, 15, 20.

June 4, 10, 22.

July 15, 20.

August 1, 19, 20, 29, 30.

September 3, 4, 6, 7, 21, 22.

October 4, 16, 24.

November 5, 6, 28, 29.

December 6, 7, 9, 15, 17, 22.

[54] We often hear the warning given by old dames to young people never

to go courting on Friday; but, on the other hand, Good Friday is stated

to be the best day in the whole year to begin weaning children.

[55] One of the cardinal principles of astrology was this: That every

hour and every day is ruled by its proper planet. Now, in the ancient

Egyptian astronomy there were seven planets; two, the sun and moon,

circling round the earth, the rest circling round the sun. The period

of circulation was apparently taken as the measure of each planet’s

dignity, probably because it was judged that the distance corresponded

to the period. We know that some harmonious relations between the

distances and periods was supposed to exist. When Kepler discovered the

actual law, he conceived that he had in reality found out the mystery

of Egyptian astronomy, or, as he expressed it, that he had “stolen the

golden vases of the Egyptians.” Whether they had ideas as to the nature

of this relation or not, it is certain that they arranged the planets

in order (beginning with the plants of longest period), as follows.

1—Saturn.

2—Jupiter.

3—Mars.

4—The Sun.

5—Venus.

6—Mercury.

7—The Moon.

The hours were devoted in continuous succession to these bodies; and as

there were twenty-four hours in each Chaldean or Egyptian day, it

follows that with whatever planet the day began, the cycle of seven

planets (beginning with that one) was repeated three times, making

twenty-one hours, and then the first three planets of the cycle

completed the twenty-four hours, so that the fourth planet of the cycle

(so begun) ruled the first hour of the next day. Suppose, for instance,

the first hour of any day was ruled by the Sun—the cycle for the next

day would therefore be the Sun, Venus, Mercury, the Moon, Saturn,

Jupiter, and Mars, which, repeated three times, would give twenty-one

hours; the twenty-second, twenty-third, and twenty-fourth hours would

be ruled respectively by the Sun, Venus, and Mercury, and the first

hour of the next day would be ruled by the Moon. Proceeding in the same

way through this second day, we find that the first hour of the third

day would be ruled by Mars. The first hour of the fourth day would be

ruled by Mercury; the first hour of the fifth day by Jupiter; of the

sixth by Venus, and of the seventh by Saturn. The seven days in order,

being assigned to the planet ruling their first hour, would therefore

be—

1. The Sun’s day (Sunday.)

2. The Moon’s day (Monday, Lundi.)

3. Mars’ day (Tuesday, Mardi.)

4. Mercury’s day (Wednesday, Mercredi.)

5. Jupiter’s day (Thursday, Jeudi.)

6. Venus’ day (Friday, Veneris dies, Vendredi.)

7. Saturn’s day (Saturday, Ital. il Sabbato.)

—Contemporary Review.

[56] In some parts of England certain days are chosen for cutting a

baby’s nails; Friday is the most unlucky which can be selected.

[57] A recent article in a home Magazine on North Country folk-lore

says:—Never allow a female to enter the house first on Christmas Day:

it is an ill omen, and will cause loss and calamity to the family. Burn

all the Christmas decorations in the shape of holly and ivy by the

twelfth day, or your house will be haunted with evil spirits all the

year.

[58] This falls with us on July 15.

[59] There is a rule generally believed in, in South Germany, that if

no snow fall at Christmas there will be snow at Easter, and vice versa;

the rule being “Weisse Weihnacht grüne Ostern, grüne Weihnacht weisse

Ostern.”

[60] Social Life of the Chinese, Vol. II., p. 328.—The Æthiopians

regarded the dog as a portentous animal.

[61] Social Life of the Chinese, Vol. II., p. 328.

[62] Popular Antiquities, Vol. III., p. 188.

[63] Pop. Antiq., Vol. III. p. 170.

[64] See Notes and Queries on China and Japan, Vol. III. p. 22; and

Treaty Ports, &c., p. 169.

[65] Confucius himself was not above his countrymen in this respect,

for in the Due Medium he remarks:—“The reason of perfect ones enables

them to foreknow things; if a nation be about to flourish there will be

happy omens, and unlucky ones if it totter to its fall. These will

appear in the divining herb sz’, in the tortoise, and in the airs and

motions of the four members. When either happiness or misery is about

to come sages will foreknow both the good and the evil. So that the

supremely sincere are equal with the gods.”—Middle Kingdom, II. 276.

See Ante, page 6. This inferentially encourages a resort to “wise men”

to learn future events, but can scarcely have been intended to pass

approval on fortune-tellers.

[66] I quote this with some slight alterations from a home magazine

article, as I could hardly improve on the description.

[67] Number three is greatly in favor for luck; school-boys insist that

the third time will be fair, or will result in success. There is an old

superstition or maxim, call it which we may, that three handfuls of

sand on a dead body are as good as a funeral.—Chambers’ Journal.—

Falstaff, in The Merry Wives of Windsor, is entrapped a third time in

the belief that “there is luck in odd numbers.”

[68] The Japanese believe that some women are liable, while sound

asleep and dreaming, to have their heads leave their body and roam

about. It is dangerous to arouse them till the head returns!

[69] The following is a résumé of the article in question:—

During sleep the thoughts wander into various channels and are not

within the control of the dreamer. There is an old Chinese book called

“Shin-rai” which contains an account of an official named “Sen mu” who

divined fortunes from dreams, therefore in ancient times dreams must

have been deemed of importance.

Dreams are divided into five classes.

First,—are dreams of Gods and Idols, Ancients, Ancestors &c., and olden

times.

Second.—Dreams of matters unthought of in waking hours; but these

dreams are usually complete, and perfectly remembered upon awaking.

This class of dreams is that from which fortunes are usually divined.

Third.—Dreams in accordance with daily thoughts and events past or

present. These are not real dreams of fancy, but merely the thoughts of

our waking hours continued in sleep.

Fourth.—Dreams of impossibilities. These originate from a wearied mind

or body and are useless for divination.

Fifth.—This class contains miscellaneous dreams, such as receiving

gifts, outwitting opponents, or being guilty of “sharp practices.”

There are various spells, charms and other means to avert the evil

influences of unlucky dreams. One of these is to write certain Chinese

characters on a piece of paper and paste it on the ceiling of a

sleeping room; Shu ya jin, the god of night, (the Morpheus of Japan) is

herein addressed.

The Tapir is said to “eat dreams.” If sketched on screens, or on the

paper wrapper of the pillows, or used as a design in the patterns of

the bed quilts, dreams will be warded off. Those who awake in a state

of fright after horrible dreams are to call out, “Tapir come eat, Tapir

come eat.”

The following are of good portent to dream of. Those mentioned in the

text are not included.

A summer scene with green Wistaria.—In the first dream of the new year

to see a hawk (or falcon) or to see egg plant (Nasubi.)—To dream of

fine weather succeeding a storm.—Placing large stones in a

garden.—Climbing cliffs.—To be buried in the earth, dead or alive.—Of

planting trees.—Digging drains.—Of land slips.—Of being in a

cave.—Trees growing from the mats of a room.—Crossing the sea.—Chewing

unboiled rice.—Having one’s hair dressed.—Praying at a Shrine.—The hair

growing white.—Seeing no bori (flags on bamboo poles.)—Sitting in an

elevated room.—One’s own body giving forth radiance.—To have side-arms

at hand (swords &c.)—Removing to a newly-built house.—Wearing a hat of

hemp mino gasa or kasa.—Women wearing a sword.—Wearing a Kamori (head

dress).—Cleaning out a well.—Of rice bags.—Of spitting out gold and

silver.—Seeing a looking-glass.—Of sweeping away cobwebs.—A ship in

full sail.—Riding in carriages.—Travelling on a wide road.—Crossing a

bridge.—Drinking milk.—Of a funeral.—Of archery (targets, bows and

arrows.)—Collecting wild flowers.—Rice raining from the skies.—Drinking

water from a valley.—Of Torii (perches at Shintô shrines.)—Of rainy

weather.—Receiving a present of a fan.—Being in prison.—Scattering

seed.—Climbing hills.—Gathering dragon flies.—Being stung by a

centipede.—Horsemanship.—Cats and rats.—Bathing.

The following are unlucky subjects to dream of:—

Frosty weather.—Black lowering clouds.—Mulberry trees broken.—Eating

persimmons.—Giving a friend a sword.—The hair falling out.—Perspiring

violently.—Catching cold, or coughing.—Eating wheat flour jelly

(ame.)—Playing on tsusumi (small drum).—Meeting a crowd of

people.—Using a walking stick.

Females who dream of swallowing the sun or moon bring forth children

who become remarkable characters in history. The mother of Nichi ren

sho nin dreamed she swallowed the sun, hence the boy’s name.—The mother

of Hideyoshi, when enceinte, had a similar dream, from which the child

was named Hideyoshi maro.

To dream of the Ni-ô-son or of folding up screens is a sign of old

age.—Dreaming of running water is an emblem of family happiness, (peace

between husband and wife.)—If the outer shutters are split, it is an

indication that the servants are faithless and will desert the

dreamer’s service.—To dream of getting wet from a sudden shower of

rain, foretells an invitation to a feast.

[70] Amongst the Japanese, in order to produce dreams of an absent

friend or lover, it is recommended to turn the sleeves of the bed-quilt

to the foot of the bed.

[71] Popular Antiquities, Vol. III. p. 268.

[72] Journal of the N. C. B. Royal Asiatic Society, 1869–70, p. 78.

[73] China Mail, Sept. 19, 1872.

[74] Journal N. C. B. R. A. S. 1853–54, pp. 34 et seq.

[75] Lancashire Folk-lore, p. 256.

[76] Chinese Repository, Vol. VII., p. 393.

[77] Social Life of the Chinese, Vol. II., p. 313.

[78] Notes and Queries on China and Japan, Vol. III., p. 98.

[79] Mr. Alabaster, in his work on Siamese Buddhism, “The Wheel of the

Law,” gives the number of diagrams as 108.

[80] Curious Myths of the Middle Ages, Art. “Thor’s Hammer.”

[81] Social Life of the Chinese, Vol. 2, p. 311.

[82] Not long ago a native said to me, “Would you like A to hate B?”

speaking of a bad man who had a very evil influence over a good honest

man. Without thinking, I replied, “Yes; it would be the best thing that

ever happened.” He only answered me by a gesture of the hand, which

literally means, “Leave it to me.” The next day he secured a bit of the

bad man’s hair, and sewed it into the coat of the good man. Strange

enough, as chance fell out, that day an event happened which opened the

eyes of the latter to his friend’s character, and they parted company.

Of course nothing would persuade the native that it was not the effect

of his charm.—The Inner Life of Syria, by Isabel Burton.

[83] In France, an old woman told me to take a small piece of hair

exactly at the top of my head and twist round a little slip of wood

tightly, to cure a relaxed uvula, or sore throat.—Correspondent, Notes

and Queries.

[84] The Hakkas are a separate, and it is believed older, race than the

Cantonese. They speak a different dialect.

[85] Popular Antiquities, Vol. III., p. 259.

[86] Social Life of the Chinese, Vol. II. p. 308.

[87] Louis Napoleon in his will emphasizes the solemn declaration:

“With regard to my son, let him keep as a talisman the seal I used to

wear attached to my watch.” This piece of fetishism would appear to

have formed yet another link between the imperial exile that has passed

from our midst, and those Latin races whose cause he affected to

represent, whose superstition he certainly shared.—Chambers’ Journal.

[88] Social Life of the Chinese, Vol. II. p. 314.

[89] correspondent of the Indian Pioneer says that, among the articles

taken as fines from the Dufflas are certain gongs supposed to be very

ancient, and which they appear to regard with the greatest reverence.

For the edification of readers curious in such matters, we may observe

that gongs, or bells, are also among the holy paraphernalia, or

fetishes, of the Neilgherry Todas. A Duffla Chief would sooner part

with half his kingdom than with his gong.

[90] Kitto’s Cyclopædia of Bib. Lit., Art. Bell.

[91] While these pages are passing through the press I come across the

following paragraph in the Paris correspondence of a leading London

Journal. The rumour it gives may be entirely untrue, but I quote it as

a specimen of ordinary newspaper gossip in 1875 on the subject under

notice:—“It is now known that the Napoleonic talisman is safe; and, so

long as that talisman remains in the Bonapartist family, the tradition

is that, however much the eagle’s wings may be clipped, the imperial

bird will soar at last. On the afternoon of September 4, 1870, as the

Empress Eugenie was flying from her apartments to the dentist’s cab

which was to take her out of Paris, she pointed to several large boxes

containing important papers, and to a small but extremely heavy metal

casket, and said to M. Thelen, one of the few faithful servants that

remained with her to the last—‘Save those papers, but above all save

that casket, and preserve it as you would your own soul.’ In that

mysterious casket, doubly and trebly locked, the Napoleonic talisman

lay. M. Thelen had the boxes and casket thus confided to him

transferred with all possible speed to the house of his sister in one

of the quietest suburbs of Paris. But the September 4 Government soon

got wind of the affair, and their emissaries were not long before

making a descent at the house of M. Thelen’s sister. They found and

carried off the papers, but the casket containing the talisman escaped

them. It had been concealed in a hole in the wall behind a small map

representing the seat of war. In due time the talisman was conveyed to

Chiselhurst, where it now is; and so long as it remains in the keeping

of the Imperial family, it will be safe to bet on the restoration of

Napoleon IV. As the curious reader would, perhaps, like to know in what

the talisman consists, I may inform him that it is a large sapphire

which Napoleon I. cribbed from the crown of Charlemagne when he took

the indecent liberty of having that monarch’s coffin opened up at

Aix-la-Chapelle.”

[92] I speak in the text of writers in the English language. But Du

Halde gives some interesting details in his well-known work. Colonel

Yule, in his Marco Polo, Vol. I., p. 290, draws attention to this fact

in a note upon the Taosse (Taoists), whom he defines as “worshippers of

the mystic cross Swasti. Apparently they had at their command the whole

encyclopædia of modern spiritualism. Du Halde mentions amongst their

sorceries the act of producing by their invocations the figures of the

Laotseu and their divinities in the air, and of making a pencil to

write answers to questions without anybody touching it.” This is

evidently a Chinese version of Mr. Daniel Home’s alleged powers, and

the coincidence is more than strange.

[93] 機筆靈靈日有精神我今取爾用事指明.

[94] 妙奪天機.

[95] (大王菩薩.)

[96] (雲遊大仙.)

[97] 成.

[98] 是也.

[99] 見笑.

[100] 蒙諸君厚禮我今要請別而去.

[101] 請去.

[102] (曉迷魂法者).

[103] (仙婆).

[104] (司命灶君).

[105] (大學).

[106] (七姊).

[107] (織女星).

[108] (昴星).

[109] (七姑星).

[110] 蠱毒.

[111] 咒.

[112] Gibbon (Decline and Fall of the Roman Empire) says: “This mode of

divination by accepting as an omen the first sacred words which in

particular circumstances should be presented to the eye or ear was

derived from the Pagans, and the Psalter or Bible was substituted for

the poems of Homer or Virgil. From the fourth to the fourteenth century

these sortes sanctorum, as they are styled, were repeatedly condemned

by the decrees of councils, and repeatedly practised by Kings, Bishops

and Saints.”

[113] 女.

[114] Pop. Antiquities, Vol. III., p. 350.

[115] Ibid., Vol. III., p. 357.

[116] 爾雅.

[117] N. & Q. C. & J., Vol. II., p. 69.

[118] Handbook of Chinese Buddhism, p. 107.

[119] Predictions Realised, p. 87.

[120] Folk-lore of the Northern Counties, p. 166 et seq.

[121] Pop. Antiquities, Vol. III., p. 160 et seq.

[122] Alexander, if we may credit the account given by Quintus Curtius,

was terrified by blood flowing from inside his soldiers’ bread during

the siege of Tyre in 332 B.C. His seer, Aristanda, foresaw in this

crimson efflux of the vital stream out of the commissariat a happy

issue for the Macedonian; and the warriors thus never took Tyre. From

the year 1004, the alarming spectacle of the bleeding host and bread,

as well as the bewitched bloody milk, several times in each century,

gave simple folk a scare. But the victims of superstition have the bump

of casualty remarkably developed, and, in 1410, thirty-eight Jews were

burnt to ashes because they had tortured the consecrated host until it

bled.—Chambers’ Journal.

[123] The object of the ceremony is, according to the myth, to cleanse

the Jewish race in general, and the participators of the rite in

particular, from the guilt of Calvary. It does not appear that the

Chinese Jews have any legend of similar import.

[124] A correspondent of Notes and Queries writes: “Wife-beating, to

the effusion of blood, may be a novel method of securing luck in

herring-fishery, but to draw blood is practised in some of the fishing

villages on the north-east coast of Scotland, under the belief that

success follows the act. The act must be performed on New Year’s day,

and the fortune is his only who is the first to shed blood. If the

morning of the New Year is such as to allow the boats of the village to

put to sea, there is quite a struggle as to which boat will reach the

ground first, so as to gain the coveted prize, the first to shed blood

of the year. If the weather is unfavorable for fishing, those in

possession of guns—and a great many of the fishermen’s houses possess

one—are out, gun in hand, along the shore, before daybreak, in search

of some bird or wild animal, no matter how small, that they may draw

blood, and thus make sure of one year’s good fortune.”

Mr. Latouche in his Travels in Portugal (1875) narrates a story

illustrative of the national belief in the wehr wolf (lobis-homem), in

which a Portuguese “wise woman” is reported as saying that “if a lobis

homem can murder and drink the blood of a newly born child, the

enchantment ceases and she is a lobis-homem no longer.”

[126] Lady Fanshaw, visiting the head of an Irish sept in his moated

baronial grange, was made aware that banshees are not peculiar to

Scotland. Awakened at midnight by an awful, unearthly scream, she

beheld by the light of the moon a female form at the window of her

room, which was too far from the ground for any woman of mortal mold to

reach. The creature owned a pretty, pale face, and red, dishevelled

hair, and was clad in the garb of old—very old—Ireland. After

exhibiting herself some time, the interesting spectre shrieked twice

and vanished. When Lady Fanshaw told her host what she had seen he was

not at all surprised. “A near relation,” said he, “died last night in

this castle. We kept our expectation of the event from you lest it

should throw a cloud over the cheerful reception which was your due.

Now, before such an event happens in the family and castle, the female

spectre you saw always becomes visible. She is believed to be the

spirit of a woman of inferior rank, whom one of my ancestors married,

and whom he afterward caused to be drowned in the moat, to expiate the

dishonor done to our race.”—All the Year Round.

[127] Chalmers.

[128] 雷峰塔 Lüi-fung Tă, “Thunder-Peak Pagoda,” or “The Story of Han-wăn

and the White Serpent,” Translated from the Chinese by H. C.,

Interpreter in Her Majesty’s Civil Service in China.

[129] Chinese Readers’ Manual, p. 6.

[130] Chinese Readers’ Manual, p. 284.

[131] The Aymara Indians believe that witches make waxen images of

those they wish to injure, and stick thorns in them. They dislike any

one having in his possession a portion of their body, hair, &c., such

ownership conferring on the possessor the power of injuring the

original owner. An Indian will pay a large sum to get back hair or

other substances, which have thus passed into other hands. See Eth.

Review, Vol. II., No. 3, p. 236.—The Chinese superstition, based on a

similar belief, is that amputated limbs, &c., should be buried or

burned.

[132] The quotations which here follow are from Mr. Gardner’s article.

I have however taken the liberty of occasionally altering the text.

[133] Che-wan-luk, Sec. xviii.

[134] “The Pʻoh of drought is doing mischief.”—The Pʻoh is the Shên of

drought. In the South there is a man of two or three feet high, naked

and having his eyes in the top of his head. He runs like wind. His name

is Pʻoh. Where he appears there is drought. Another name is “the Mother

of Drought.” It belongs to the class of elves.—Book of Poetry, Ta Ya.

When the shên of mountains and rivers caused floods or drought or

pestilence they made a special sacrifice to drive them away. This was

called Ying.—Tso-chuen.

[135] Do you remember the German story of the lad who travelled “um das

gruseln zu lernen” (to learn how to tremble)? Well, I, who never

gruselte (quaked) before, had a touch of it a few evenings ago. I was

sitting here quietly drinking tea and four or five men were present,

when a cat came to the door. I called “bis, bis,” and offered milk, but

puss, after looking at us, ran away. “Well dost thou, lady,” said a

quiet sensible man, a merchant here, “to be kind to the cat, for I dare

say he gets little enough at home; his father, poor man, cannot cook

for his children every day.” And then, in an explanatory tone to the

company, “That is Alee Nasseeree’s boy Yussuf—it must be Yussuf,

because his fellow twin Ismaeen is with his mule at Negadeh.” Mir

gruselte (I shivered), I confess; not but what I have heard things

almost as absurd from gentlemen and ladies in Europe; but an

“extravagance” in a kuftan has quite a different effect from one in a

tail-coat. “What! my butcher’s boy who brings the meat—a cat!” I

gasped. “To be sure, and he knows well where to look for a bit of good

cookery, you see. All twins go out as cats at night, if they go to

sleep hungry; and their own bodies lie at home like dead meanwhile, but

no one must touch them, or they would die. When they grow up to ten or

twelve they leave it off. Why, your own boy Achmet does it. Oh,

Achmet!” Achmet appears. “Boy, don’t you go out as a cat at night?”

“No,” said Achmet, tranquilly, “I am not a twin—my sister’s sons do.” I

inquired if people were not afraid of such cats. “No, there is no fear,

they only eat a little of the cookery; but if you beat them they will

tell their parents, next day, ‘So and so beat me in his house last

night,’ and show their bruises. No, they are not Afreets; they are beni

Adam; only twins do it, and if you give them a sort of onion broth and

camel’s milk the first thing when they are born, they don’t do it at

all.” Omar professed never to have heard it, but I am sure he had, only

he dreads being laughed at. One of the American missionaries told me

something like it, as belonging to the Copts, but it is entirely

Egyptian, and common to both religions. I asked several Copts, who

assured me it was true, and told it just the same. Is it a remnant of

the doctrine of transmigration? However, the notion fully accounts for

the horror the people feel at the idea of killing a cat.—Lady Duff

Gordon’s Last Letters.

[136] Chalmers.

[137] 談徵 (tʻan chêng.) Sec. IV.

[138] 述異記 Shuh E Ké.

[139] Chinese Readers’ Manual, p. 61.

[140] A specimen of the still pervading superstition respecting the

Fox, comes from Minatomura, in Ibaraki Ken, Japan. A man found a fox’s

hole in his garden. At the same time his wife dreamt that she had seen

a fox whom she was satisfied was none other than Inari-sama. Full of

dread, the man put this and that together, and came to the conclusion

that the hole must be the abode of Inari-sama, and he forthwith had a

small temple put up over it. He then called for the Shinto priest; and

after much ado, the matter got abroad, and crowds came to worship at

this temple. At last the Saibansho officials of the Ken heard of what

was going on, and sent for the man and his wife. The interview must

have been somewhat disappointing to them, for the judges told them such

superstitions now became criminal; and the punishment due for such

follies was 40 days’ imprisonment. As, however, in this instance, it

was clearly the result of extreme ignorance on the part of the

interesting pair, they were let off with a fine of 3 yen.

[141] Brand’s Antiquities, Vol. II., p. 499, quoted from Randolph’s

Amyntas.

[142] Mercutio’s speech, Romeo and Juliet.

[143] Brand’s Antiquities, Vol. II., p. 476.

[144] Quoted in Sir J. Bowring’s Flowery Scroll, p. 27.

[145] Ch. Reader’s Manual, p. 289.

[146] Ibid., p. 239.

[147] See Kitto’s Cyclopædia of Biblical Literature, Art. Serpents, too

long for transcription in this place, but giving a most interesting

sketch of serpent worship. Briefly summarized, it touches on the Naga

Kings of Hinduism; the astronomical fables of the serpent Ananta, or

the Milky Way, and the sun-and-moon-devouring dragons; the Scandinavian

legend of the kater serpent of the deep; the Celtic, Basque and Asiatic

legends of the dragon guardian of riches. “These fables were a residue

of that antique dragon worship which had its temples from High Asia and

Colchis to the North of Great Britain and once flourished both in

Greece and Northern Africa—structures with avenues of upright stones of

several miles in length whereof the ruins may still be traced at Carnak

in Brittany, Abury in Wiltshire and Redruth in Cornwall.”... The author

refers to the sect of Christian heretics known as Ophitæ or Ophiani,

who were professed serpent worshippers; and he gives some curious

details of the Egyptian Python worship, emblems of which have even been

discovered in British Archæology.

[148] F. Porter Smith’s Chinese Materia Medica, Art. Snakes.

[149] Lei-fung-ta,—Chinese & Japanese Repository, Feb. 1864.

[150] Henderson’s Folk-Lore of the Northern Counties, p. 255.

[151] Ibid., p. 257.

[152] N. & Q. on C. & J., Vol. III., p. 74.

[153] Note on the San Chieh Miao: Notes & Queries on China & Japan,

Vol. III., p. 76, by W. F. Mayers.

[154] Mr. Waring quotes from the “Plutus” of Aristophanes a passage

which alludes to the keeping of tame snakes in the Greek temples. The

author thinks that it “was regarded rather as a symbol of Power,

Wisdom, and Life, than as an actual deity.”

[155] Notes and Queries on China and Japan, Vol. II., p. 130.

[156] Notes and Queries on China and Japan, Vol. III., p. 34.

[157] 龍從雲虎從風.

[158] Notes and Queries on China and Japan, Vol. I., p. 148.

[159] Middle Kingdom, I. p. 266.

[160] Whilst writing the above my attention has been directed to the

following interesting paragraph in the Calcutta Englishman:—“A long

discussion is being carried on in the last papers received from the

Cape as to the existence or non-existence of the unicorn. Mr. G. R.

Blanche, who has travelled extensively in Namaqualand, mentions that in

some large stone-caves on the banks of a river called Makapwe, he saw

pictures drawn by Bush-men, which included elephants, rhinoceroses,

unicorns, and gemsboks, and one old Bushman told him that he had

actually seen the animal alive, and that it was very fierce. None,

however, had been seen for some years. The Macacas stated that to the

north of their town, on the river Teoga, large numbers of unicorns are

still to be seen, and Mr. Blanche considers that in the vast region of

unexplored territory between the Zambesi and Lebaby’s country they may

still be in existence. Mr. Thomas Baines, another well-known African

traveller and naturalist, says that the existence of such an animal has

never been disproved, and that it might be found in this unexplored

country, for else where did the bush-men obtain the subject for the

pictures they have drawn?”

[161] Dr. Legge’s Chinese Classics, Vol. III., pt. I. pref., p. 108.

[162] Transactions N. C. B. R. A. S., 1853, p. 36.

[163] N. &. Q. on C. & J., Vol. III., p. 123.

[164] Curious Myths of the Middle Ages, 1st Series, p. 191. Mayers’

Chinese Readers’ Manual, pp. 95, 219, 288. Eitel’s Handbook of Chinese

Buddhism, Art. Sakchi.

[165] Chinese Readers’ Manual, p. 75.

[166] Percival’s Tamil Proverbs.

[167] Lei-chau, (thunder district) is a long mountainous peninsula in

Canton province opposite the island of Hainan, and is celebrated

throughout China for several myths respecting its thunder-storms, which

doubtless reverberate through the alpine regions of that latitude in a

manner which awakens awe and superstition. Standard Encyclopædias,

quoting from various authors on the subject, inform us, that after

thunder-storms black stones are found emitting light and a sonorous

sound on being struck. At times, also, hatchet-shaped things are picked

up which are useful amulets. The fields are often furrowed by thunder

as if they had been ploughed. In a temple consecrated to the “Thunder

Duke,” the people annually place a drum, drawn thither on a carriage

purposely constructed, which it is supposed he beats during a storm;

and it is said that since a drum covered with paper has been

substituted for one covered with leather, the peals of thunder have

been less severe. Formerly the drum was placed on the top of a

mountain, and a boy left there as an attendant on the thunderer—a sort

of sacrifice to him.—Dr. Macgowan, in Journal N. C. B. R. A. S., 1853.

[168] See Dr. Edkins’ “Taoist Mythology” in N. C. B. R. A. S. Journal

for 1859, p. 311. A North American Indian superstition is to the effect

that thunder is caused by an immense bird, whose outspread wings darken

the heavens. It is named “Then-cloots.” The lightning is caused by a

serpent-like fish of immense size, with head as sharp as a knife. When

he puts out his tongue it makes the lightning. Its name is

“Ha-hake-to-ak,” and the thunder-bird catches it for food. The bird is

in shape like an Indian, but of great proportions and strength. It

lives on the top of the mountains. An Indian once found the nest of a

thunder-bird and got one of its feathers which was over 200 feet

long!—American Magazine.

[169] Mayers’ Chinese Readers’ Manual, p. 283.

[170] “The Tidal King Temple is near Hangchow. Its shên (or god) was an

official, who in 828 A.D. undertook the restoration of a dyke, which an

Eagre of unusual violence had overthrown; and failing in the

construction of the foundation, drowned himself from chagrin. He

afterwards became a shên and three centuries later, on the occasion of

a combat between the people and rebels, who were attempting to capture

Hangchau, his name was seen inscribed on a streamer in the darkened

sky, where also unearthly noises were heard. The enemy instantly

succumbed.”

[171] See Dr. Macgowan’s article, before alluded to.

[172] Curious Myths of the Middle Ages, first series, p. 197.

[173] Indo-European Tradition and Folk-lore, p. 216.

[174] Legends of Iceland, p. 140.

[175] China Review, Vol. II., p. 226.

[176] Servian Folk-lore, p. 295.

[177] C. & J. Repository, Vol. I., p. 345.

[178] See N. & Q. on China & Japan, Vol. I., p. 140.

[179] Eitel’s Handbook of Buddhism, Art. Bodhidharma.

[180] Translated by G. Phillips, Esq., of H.B.M. Consular Service in

China.

[181] Indo-European Traditions & Folk-lore, p. 158.

[182] Mr. T. Sampson in N. & Q. on China & Japan, Vol. III. p. 147.

[183] See Wylie’s Notes on Chinese Literature, p. 166.

[184] China Review, Vol. III., No. 3, p. 129.

[185] Dr. Williams renders Tʻien, “Providence Nature, Heaven, the

overruling power; and though without definite personality, employed

more than any other term to indicate God.”

The folk-lore of China · 第 13 / 13 章