THE ENCYCLOPAEDIA

Voltaire was a great stimulator of the French _Encyclopaedia_, a work

designed to convey to the many the information of the few. Here again

the inspiration was English. It was the success of the _Cyclopcedia of

Arts and Sciences_, edited by the Freethinker Ephraim Chambers, in 1728,

which suggested the yet more famous work carried out by Diderot and

D'Alembert, with the assistance of such men as Helvetius, Buffon,

Turgot, and Condorcet. Voltaire took an ardent interest in the work, and

contributed many important articles. The leading contributors were all

Freethinkers, but they were under the necessity of advancing their ideas

in a tentative way on account of the vigilant censorship. Voltaire not

only wrote for the _Encyclopaedia_, but gave valuable hints and

suggestions to Diderot and D'Alembert, as well as much sound advice. He

cautioned them, for instance, against patriotic bias. "Why," he asks

D'Alembert, "do you say that the sciences are more indebted to France

than to any other nation? Is it to the French that we are indebted for

the quadrant, the fire-engine, the theory of light, inoculation, the

seed-sower? _Parbleu!_ you are jesting! We have invented only the

wheelbarrow."

Voltaire wrote the section on History. The first page contained a

Voltairean definition of sacred history which even an ignorant censor

could hardly be expected to pass. "Sacred History is a series of

operations, divine and miraculous, by which it pleased God formerly to

conduct the Jewish nation, and to-day to exercise our faith." The iron

hand beneath the velvet glove was too evident for this to pass the

censorship. Vexatious delay and the enforced excision of important

articles attended the progress of the work.

It was the attempted suppression of _l'Encyclopcedie_ which showed

Voltaire that the time had come for battle.

In 1757 a new edict was issued, threatening with death any one who

wrote, printed, or sold any work attacking religion or the royal

authority. The same edict assigned the penalty of the galleys to whoever

published writings without legal permit. Within six months advocate

Barbier recorded in his diary some terrible sentences. La Marteliere,

verse-writer, for printing clandestinely Voltaire's _Pucelle_ and other

"such" works, received nine years in the galleys; eight printers and

binders employed in the same printing office, the pillory and three

years' banishment. Up to the period of the Revolution nothing could be

legally printed in France, and no book could be imported, without

Government authorisation. Mr. Lecky says, in his _History of England in

the Eighteenth Century_: "During the whole of the reign of Lewis XV.

there was scarcely a work of importance which was not burnt or

suppressed, while the greater number of the writers who were at this

time the special, almost the only, glory of France were imprisoned,

banished, or fined." Voltaire determined to render the bigots odious and

contemptible, and henceforth waged incessant war, continued to the day

of his death. In satire on one of the bigots he issued his _Narrative of

the Sickness, Confession, Death and Reappearance of the Jesuit

Berthier_, as rich a burlesque as that which Swift had written

predicting and describing the death of the astrologer Partridge, in

accordance with the prediction. Every sentence is a hit. A priest of a

rival order is hastily summoned to confess the dying Jesuit, who is

condemned to penance in purgatory for 333,333 years, 3 months, 3 weeks,

and 3 days, and then will only be let out if some brother Jesuit be

found humble and good enough to be willing to apply all his merits to

Father Berthier. Even putting his enemy in purgatory, he only condemned

the Jesuit every morning to mix the chocolate of a Jansenist, read aloud

at dinner a Provincial Letter, and employ the rest of the day in mending

the chemises of the nuns of Port Royal.

From Ferney he poured forth a wasp-swarm of such writings under all

sorts of pen-names, and dated from London, Amsterdam, Berne, or Geneva.

He had sufficient stimulus in the bigotry, intolerance, and atrocious

iniquities perpetrated in the name of religion.

Voltaire, moreover, determined himself to uphold the work of the

_Encyclopaedia_ in more popular form. He put forward first his

_Questions upon the Encyclopaedia_, in which he deals with some

important articles of that work, with others of his own. This was the

foundation of the most important of all his works, the _Philosophical

Dictionary_, which he is said to have projected in the days when he was

with Frederick at Berlin. In this work he showed how a dictionary could

be made the most amusing reading in the world. Under an alphabetical

arrangement, he brought together a vast variety of sparkling essays on

all sorts of subjects connected with literature, science, politics and

religion. Some of his headings were mere stalking-horses, under cover of

which he shot at the enemy. Some are concerned with matters now out of

date; but, on the whole, the work presents a vivid picture of his

versatile genius. An abridged edition, containing articles of abiding

interest, would be a service to Free-thought at the present day.

Here is a slight specimen of his style taken from the article on

Fanaticism: "Some one spreads a rumor in the world that there is a giant

in existence 70 feet high. Very soon all the doctors discuss the

questions what color his hair must be, what is the size of his thumb,

what the dimensions of his nails; there is outcry, caballing, fighting;

those who maintain that the giant's little finger is only an inch and a

half in diameter, bring those to the stake who affirm that the little

finger is a foot thick. 'But, gentlemen, does your giant exist?' says a

bystander, modestly.

"'What a horrible doubt!' cry all the disputants; 'what blasphemy! what

absurdity!' Then they all make a little truce to stone the bystander,

and, after having assassinated him in due form, in a manner the most

edifying, they fight among themselves, as before, on the subject of the

little finger and the nails."

"L'Infame."

Voltaire had other provocations to his attack on the bigots, and as he

greatly concerned himself with these, they must be briefly mentioned. In

1761 a tragedy of mingled judicial bigotry, ignorance, and cruelty was

enacted in Languedoc. On October 13th of that year, Marc Antoine, the

son of Jean Calas, a respectable Protestant merchant in Toulouse, a

young man of dissolute habits, who had lived the life of a scapegrace,

hanged himself in his father's shop while the family were upstairs. The

priestly party got hold of the case and turned it into a religious

crime. The Huguenot parents were charged with murdering their son to

prevent his turning Catholic. Solemn services were held for the repose

of the soul of Marc Antoine, and his body was borne to the grave with

more than royal pomp, as that of a martyr to the holy cause of religion.

In the church of the White Penitents a hired skeleton was exhibited,

holding in one hand a branch of palm, emblem of martyrdom, and in the

other an inscription, in large letters, "abjuration of heresy.'' The

populace, who were accustomed yearly to celebrate with rejoicing the

Massacre of St. Bartholomew's Day, 1572, were excited against the

family. The father, who for sixty years had lived without reproach, was

arrested, with his wife and children. The court before whom the case was

brought, at first was disposed to put the whole family to the torture,

never doubting that the murder would be confessed by one or other of

them. But they ended by only condemning the father to be tortured, in

order to extract a confession of guilt before being broken on the wheel,

after which his body was to be burned and the ashes scattered to the

winds. He was submitted first to the _question ordinaire_. In sight of

the rack he was asked to reveal his crime. His answer was that no crime

had been committed. He was stretched on the rack until every limb was

dislocated and the body drawn out several inches beyond. He was then

subjected to the _question extraordinaire_. This consisted in pouring

water into his mouth from a horn, while his nose was pinched, till his

body was swollen to twice its size, and the sufferer endured the anguish

of a hundred drownings. He submitted without flinching to all the

excruciating agony. Finally, he was placed upon a tumbril and carried

through the howling mob to the place of execution. "I am innocent." he

muttered from time to time. At the scaffold he was exhorted to confess

by a priest: "What!" said he, "you, too, believe a father can kill his

own son!" They bound him to a wooden cross, and the executioner, with an

iron bar, broke each of his limbs in two places, striking eleven blows

in all, and then left him for two hours to die. The executioner

mercifully strangled him at last, before burning the body at the stake.

To the last he persisted in his innocence: he had no confession to make.

By his unutterable agony he saved the lives of his wife and family. Two

daughters were thrown into a convent, and the property was confiscated.

The widow and son escaped, and were provided for by Voltaire.

He spared no time, trouble, or money to arrive at the truth, and that

once reached, he was as assiduous in his search for justice. He went to

work with an energy and thoroughness all his own. He interested the

Pompadour herself in the case. By his own efforts he forced justice to

be heard. "The worst of the worthy sort of people," he said, "is that

they are such cowards. A man groans over his wrong, shuts his lips,

takes his supper, and forgets." Voltaire was not of that fibre. Wrong

went as a knife to his heart. He suffered with the victim, and might

have justly used the words of Shelley, who compared himself unto "a

nerve, o'er which do creep the else unfelt oppressions of the world."

Voltaire had to fire others with his own fervor. He issued pamphlet

after pamphlet in which the shameful story was told with pathetic

simplicity. He employed the best lawyers he could find to vindicate the

memory of the murdered man. For three years he left no stone unturned,

until all that was possible was done to right the foul wrong of those in

authority. During this time no smile escaped him of which he did not

reproach himself as a crime. Carlyle speaks of this as "Voltaire's

noblest outburst, into mere transcendant blaze of pity, virtuous wrath,

and determination to bring rescue and help against the whole world."

He had his pamphlets on the Calas case, seven in number, translated and

published in England and Germany, where they produced a profound effect.

A subscription for the Calas family was headed by the young Queen of

George III. When at length judgment was given, reversing the sentence,

he wrote to Damilaville: "My dear brother, there is, then, justice upon

the earth! There is, then, such a thing as humanity! Men are not all

wicked rascals, as they say! It is the day of your triumph, my dear

brother; you have served the family better than anyone."

It was while the Calas case was pending that Voltaire composed his noble

_Treatise on Toleration_, a work which, besides its great effect in

Europe, caused Catherine II. to promise, if not to grant, universal

religious toleration throughout the vast empire she governed.

This Calas case was scarce ended when another, almost as bad an

exhibition of intolerance, occurred. Sirven, a respectable Protestant

land surveyor, had a Catholic housekeeper, who, with the assent of the

Bishop of Castres, spirited away his daughter for the good of her soul,

and placed her in a convent, with a view to her conversion. She returned

to her parents in a state of insanity, her body covered with the marks

of the whip. She never recovered from the cruelties she had endured at

the convent. One day, when her father was absent on his professional

duties, she threw herself into a well, at the bottom of which she was

found drowned. It was obvious to the authorities that the parents had

murdered their child because she wished to become a Roman Catholic. They

most wisely did not appear, and were sentenced to be hanged when they

could be caught. In their flight the married daughter gave premature

birth to a child, and Madame Sirven died in despair.

It took Voltaire eight years to get this abominable sentence reversed,

and to turn wrong into right. He was now between seventy and eighty

years of age, yet he threw himself into the cause of the Sirvens with

the zeal and energy which has vindicated Calas; appealing to Paris and

Europe, issuing pamphlets, feeing lawyers, and raising a handsome

subscription for the family.

Another case was that of the Chevalier de la Barre. In 1766 a crucifix

was injured--perhaps wantonly, perhaps by accident. The Bishop of Amiens

called for vengeance. Two young officers were accused; one escaped, and

obtained by Voltaire's request a commission in the Prussian service. The

other, La Barre, was tortured to confess, and then condemned to have his

tongue cut out, his hand cut off, and to be burned alive. Voltaire,

seventy years old, devoted himself with untiring energy to save him.

Failing in that, he wrote one of his little pamphlets, a simple, graphic

_Narrative of the Death of Chevalier de la Barre_, which stirred every

humane heart in France. For twelve years this infidel vindicated the

memory of the murdered man and exposed his oppressors. One of the

authorities concerned in this judicial atrocity threatened Voltaire with

vengeance for holding them up to the execration of Europe. Voltaire

replied by a Chinese anecdote. "I forbid you," said a tyrannical emperor

to the historiographer, "to speak a word more of me." The mandarin began

to write. "What are you doing now?" asked the emperor. "I am writing

down the order that your majesty has just given me." Voltaire had sought

to save Admiral Byng. He contended in a similar case at home. Count

Lally had failed to save India from the English, had been taken

prisoner, but allowed to go to Paris to clear his name from charges made

against him. The French people, infuriate at the loss of their

possession, demanded a victim, and Lally, after a process tainted with

every kind of illegality, was condemned to death on the vague charge of

abuse of authority. The murdered man's son, known in the Revolution as

Lally Tollendal, was joined by Voltaire in the honorable work of

procuring revision of the proceedings, and one of the last crowning

triumphs of Voltaire's days was the news brought to him on his dying bed

that his long effort had availed.

"Ecrasez L'infame."

These are samples of what was occuring when Voltaire was exhorting his

friends to _crush the infamous_--a phrase which gave rise to much

misunderstanding, and which priests have even alleged was applied to

Jesus, their idol. A sufficient disproof, if any were needed, is that

Voltaire treats "l'infame" as feminine. _Si vous pouvez ecraser

l'infame, ecrasez-la, et aimez-moi." That oft-repeated phrase was

directed at no person. Nor was it, as some Protestants have alleged,

directed only at Roman Catholicism. As Voltaire saw and said, "fanatic

Papists and fanatic Calvanism are tarred with one brush." "L'infame" was

Christian superstition claiming supernatural authority and enforcing its

claim, as it has ever sought to do, by pains and penalties. He meant by

it the whole spirit of exclusiveness, intolerance, and bigotry,

persecuting and privileged orthodoxy, which he saw-as the outcome of the

divine faith. Practically, as D. F. Strauss justly remarked, "when

Voltaire writes to D'Alembert that he wishes to see the 'Infame' reduced

in France to the same condition in which she finds herself in England,

and when Frederick writes to Voltaire that philosophers flourished

amongst the Greeks and Romans, because their religion had no

dogmas--'*mais les dogmes de notre infame gatent tout_'--it is clear we

must understand by the 'Infame,' whose destruction was the watchword of

the Voltairian circle, the Christian Church, without distinction of

communions, Catholic or Protestant."

The Catholic Joseph de Maistre shrieks: "With a fury without example,

this insolent blasphemer declared himself the personal enemy of the

Savior of men, dared from the depths of his nothingness to give him a

name of ridicule, and that adorable law which the Man-God brought to

earth he called 'l'infame.'" This is a judgment worthy of a bigot, who

dares not look into the reason why his creed is detested. Let us try and

understand this insolent blasphemer to-day.

Voltaire looked deep into the heart of the atrocities that wrung his

every nerve with anguish. They were not new: only the humanity and

courage that assailed them were new. They were the natural outcome of

what had been Christian teaching. It was not simply that, as a matter of

fact, priests and theologians were the opponents of every kind of

rational progress, but their intolerance was the logical result of their

creed. These atrocities could not have been perpetrated had not priests

and magistrates had behind them a credulous and fanatical populace,

whose minds were suborned from childhood to believing that they had

themselves the one and divine faith, and that all heretics were enemies

of God. He saw that to destroy the intolerance he must sap the

superstition from which it sprang. He saw that the core of the Christian

superstition lay in Bibliolatry, and that while Christians believed they

had an exclusive and infallibly divine revelation, they would deem all

opposition to their own beliefs a sin, meriting punishment. Mr. Morley

says, with truth: "If we find ourselves walking amid a generation of

cruel, unjust, and darkened spirits, we may be assured that it is their

beliefs on what they deem highest that have made them so. There is no

counting with certainty on the justice of men who are capable of

fashioning and worshipping an unjust divinity; nor on their humanity, so

long as they incorporate inhuman motives in their most sacred dogma; nor

on their reasonableness, while they rigorously decline to accept reason

as a test of truth."

Voltaire warred on Christian superstition because he keenly felt its

evils. He saw that intolerance naturally flowed from the exclusive and

dogmatic claims which alone differentiated it from other faiths. Its

inducements to right-doing he found to be essentially ignoble, appealing

either to brutal fear of punishment or base expectation of reward, and

in each case alike mercenary. He saw that terrorism engendered

brutality, that a savage will think nothing of slaughtering hundreds to

appease his angry God. He saw that it had been a fine religion for

priests and monks--those caterpillars of the commonwealth, living on the

fat of the land while pretending to hold the keys of heaven, a race of

parasites on the people, who toil not neither do they spin, and whose

direct interest lay in fostering their dupes ignorance and credulity.

The Christian tree was judged, as its founder said it should be, by its

fruits. Men do not gather grapes from thorns, or figs from thistles. He

saw Christianity as Tacitus described it--"a maleficent superstition."

It was a upas tree, to be cut down; and hence he reiterated his terrible

_Delenda est Carthago,_ "Ecrasez l'Infame"--"Destroy the monster."

He wrote to D'Alembert from Ferney: "For forty years I have endured the

outrages of bigots and scoundrels. I have found there is nothing to gain

by moderation, and that it is a deception. I must wage war openly and

die nobly, 'on a crowd of bigots slaughtered at my feet.'" His war was

relentless and unremitting. He assailed "l'Infame" with every weapon

which learning, wit, industry, and indignation could supply.

Frederick wrote to him from the midst of his own wars: "Your zeal burns

against the Jesuits and superstitions. You do well to combat error, but

do you credit that the world will change? The human mind is weak.

Three-fourths of mankind are formed to be the slaves of the absurdest

fanaticism. The fear of the devil and hell is fascinating to them, and

they detest the sage who wishes to enlighten them. I look in vain among

them for the image of God, of which the theologians assure us they carry

the imprint." Madame du Deffand wrote in a similar strain. She assured

him that every person of sense thought as he did; why then continue? No

remonstrance moved him. He had enlisted for the war, and might have said

with Luther: _Hier stehe ich; ich kann nicht anders_.

Much nonsense has been written about Voltaire's employment of ridicule

against religious beliefs. I am reminded of Bishop South's remark to a

dull brother bishop, who reproved him for sprinkling his sermon with

witticisms. "Now, my lord, do you really mean to say that, if God had

given you any wit, you would not have used it?" Voltaire ridiculed what

he esteemed ridiculous. But there is nothing more galling to

superstitionists than to find that others find food for mirth in their

absurdities.

"You mock at sacred things," said the Jesuits to Pascal when he exposed

their casuistry. Doubtless the priests of Baal said the same when Elijah

asked them whether their God was asleep, or peradventure on a journey.

The artifice of inculcating a solemn and reverential manner of treating

absurdities is the perennial recipe for sanctifying and perpetuating

superstition. "Priests of all persuasions," says Oliver Goldsmith, "are

enemies to ridicule, because they know it to be a formidable antagonist

to fanaticism, and they preach up gravity to conceal their own

shallowness of imposture." Approach the mysteries of the faith with

reverence and you concede half the battle. Christian missionaries do not

thus treat the fetishism and sorcery of heathen lands. To overcome it

they must expose its absurdities. Ridicule has been a weapon in the

hands of all the great liberators, Luther, Erasmus, Rabelais, Bruno,

Swift, but none used it more effectively than Voltaire. Buckle well

says; "He used ridicule, not as the test of truth, but as the scourge of

folly." And he adds: "His irony, his wit, his pungent and telling

sarcasms produce more effect than the gravest arguments could have done;

and there can be no doubt he was fully justified in using those great

resources with which nature had endowed him, since by their aid he

advanced the interests of truth, and relieved men from some of their

most inveterate prejudices." Victor Hugo puts the case in poetic fashion

when he declares that Voltaire was irony incarnate for the salvation of

mankind. "Ridicule is not argument"! Well, it is a pointed form of

polemic, the _argumentum ad absurdum_. "Mustapha," said Voltaire, "does

not believe, but he believes that he believes." To shame him out of

hypocrisy, there is nothing better than laughter; and if a true

believer, laughter will best free him from terror of his bogey devil and

no less bogey god. Ridicule can hurt no reality. You cannot make fun of

the multiplication table. The fun begins when the theologians assert

that three times one are one. Shaftesbury, who maintained that ridicule

was a test of truth, remarked with justice, "'tis the persecuting spirit

that has raised the bantering one." Ridicule is the natural retort to

those who seek not to convert but to convict and punish. Ridicule comes

like a stream of sunlight to dissipate the fogs of preconceived

prejudice. A laugh, if no argument, is a splendid preparative. Often, in

Voltaire, ridicule takes an argumentative form. Thus, alluding to a

Monsieur Esprit's book on the Falsity of Human Virtues, he says: "That

great genius, Mons. Esprit, tells us that neither Cato, Aristotle,

Marcus Aurelius, nor Epictetus were good men, and a good reason why,

good men are only found among Christians. Again, among the Christians,

Catholics alone are virtuous, and of the Catholics, the Jesuits, enemies

of the Oratorians, must be excepted. Therefore, there is scarce any

virtue on earth, except among the enemies of the Jesuits."

All his characteristic scorn and ridicule come out when dealing with the

fetish book of his adversaries. The _Philosophical Dictionary_ is full

of wit upon biblical subjects. I content myself with an excerpt from the

less known _Sermon of Fifty_: "If Moses changed the waters into blood,

the sages of Pharoah did the same. He made frogs come upon the land;

this also they were able to do. But when lice were concerned, they were

vanquished; in the matter of lice, the Jews knew more and could do more

than the other nations."

"Finally, Adonai caused every first-born in Egypt to die, in order that

his people might be at their ease. For his people the sea is cloven in

twain; and we must confess it is the least that could be done on this

occasion. All the other marvels are of the same stamp. The Jews wander

in the desert. Some husbands complain of their wives. Immediately water

is found, which makes every woman who has been faithless to her husband

swell and burst. In the desert the Jews have neither bread nor dough,

but quails and manna are rained upon them. Their clothes are preserved

unworn for forty years; as the children grow, their clothes grow with

them. Samson, because he had not undergone the operation of shaving,

defeats a thousand Philistines with the jaw-bone of an ass. He ties

together three hundred foxes, which, as a matter of course, come quite

readily to his hand.

"There is scarcely a page in which tales of this sort are not found. The

ghost of Samuel appears, summoned by the voice of a witch. The shadow of

a dial--as if miserable creatures like the Jews had dials--goes back ten

degrees at the prayer of Hezekiah, who, with great judgment, asks for

this sign. God gives him the choice of making the hour advance or

recede, and the learned Hezekiah thinks that it is not difficult to make

the shadow advance, but very difficult to make it recede. Elijah mounts

to heaven in a chariot of fire; children sing in a hot and raging

furnace. I should never stop if I entered into the detail of all the

monstrous extravagances with which this book swarms. Never was common

sense outraged so vehemently and indecently." Noticing the comparison in

the Song of Solomon, "Her nose is like the tower of Damascus," etc., he

says: "This, I own, is not in the style of the Eclogues of the author of

the AEneid; but all have not a like style, and a Jew is not obliged to

write like Virgil."

This, it may be objected, is caricature and not criticism. But all that

Voltaire sought was that his blows should tell. He did not expect to be

taken _au pied du lettre_. Some of his biblical criticism is faulty, but

it is hard for the reader to recover from the tone of banter and

contempt with which he treats the sacred book. When the idol is

shattered, it is not much use saying its mouth was not quite so big and

ugly as it was represented to be. Priests have never yet been troubled

by dull criticism. They left Tindal and Chubb alone; but when Woolston,

Annet and Paine added liveliness to their infidelity, they loudly called

for the police.

Leslie Stephen well says: "Men have venerated this or that grotesque

monstrosity because they have always approached it with half-shut eyes

and grovelling on their faces in the dust: a single hearty laugh will

encourage them to stand erect and to learn the latest of lessons--that

of seeing what lies before them. And if your holy religion does really

depend upon preserving the credit of Jonah's whale, upon justifying all

the atrocities of the Jews, and believing that a census was punished by

a plague, ridicule is not only an effective but an appropriate mode of

argument."

Voltaire is often sneered at as a mere destructive. The charge is not

true, and, even if it were, he would none the less deserve the

admiration of posterity for his destructive work. It is as necessary for

the gardener to clear away the rubbish and keep down the weeds as to sow

and water. Mr. Morley justly observes: "He had imagination enough and

intelligence enough to perceive that they are the most pestilent of all

the enemies of mankind, the sombre hierarchs of misology, who take away

the keys of knowledge, thrusting truth down to the second place, and

discrowning sovereign reason to be the serving drudge of superstition or

social usuage."

Voltaire was the arch iconoclast of his age, a mere destructive, if you

will. Buckie truly remarks: "All great reforms have consisted, not in

making something new, but in unmaking something old." W. J. Fox

eloquently said: "The destruction of tyranny is political freedom. The

destruction of bigotry is spiritual and mental emancipation. Positive

and negative are mere forms. Creation and destruction, as we call them,

are just one and the same work, the work which man has to do--the

extraction of good from evil."

Much has been made of the pseudonymous character of his attacks on

Christianity, and of the subterfuges and fibs with which he sought to

evade responsibility. One might as well complain of ironclads wearing

armor in warfare.

It was the necessity of his position. He wanted to do his work, not to

become a martyr, leaving it to unknown hands. It should be remembered

that Voltaire had sometimes to bribe publishers to bring out his

writings; and, in such circumstances, the pseudonymity is surely open to

no suspicion of baseness. His poem on _Natural Religion_ was condemned

to the flames by the decree of the Parliament of Paris, 23rd January,

1759. His _Important Examination of the Scriptures_, which he falsely

attributed to Lord Bolingbroke, was condemned with five other of his

pieces by a decree of the Court of Rome, 29th November, 1771. Could the

author have been caught, he would have had a good chance, if not of

sharing the fate of his book, at least of permanent lodgment in the

Bastille, of which he had already sufficient taste. He knew that

although Bolingbroke had no hand in its composition he largely shared

its ideas, and he obtained at once publicity and security by attributing

it to the dead friend who, Morley says, "was the direct progenitor of

Voltaire's opinions in religion." If he stuck at no subterfuge to

achieve his work, his lies injured no one. One of the funniest was the

signing one of his heterodox publications as the Archbishop of

Canterbury, a lie which may remind us of the drunken Sheridan announcing

himself as William Wilberforce. Voltaire had been Bastilled twice, and

verily believed that another taste would end his days. "I am," he said,

"a friend of truth, but no friend at all to martyrdom." Shelter behind

any ambush was necessary in such guerilla warfare as his. Over fifty of

his works were condemned, and placed upon the Index. Voltaire used no

fewer than one hundred and thirty different pen-names, which have

enabled bibliographers to display their erudition.(1) But for this

underground method, he might have been laid by the heels instead of

living to old age, with the satisfaction of seeing the world becoming a

little more humane and tolerant through his efforts. In such warfare the

only test is success, and the fact remains that Voltaire's blows told.

He cleared the course for modern science, and it is not for those who

benefit by his labors to sneer because he did not become a martyr in the

struggle.

1. Special mention should be made of the _Bibliographie

Voltairienne_ of M. L. Querard, and _Voltaire: Bibliographie de

ses OEuvres_, in four volumes, by M. G. Bengesco, 1882- 1890.

Condorcet says: "His zeal against a religion which he regarded as the

cause of the fanaticism which has desolated Europe since its birth, of

the superstition which had burst about it, and as the source of the

mischief which the enemies of human nature still continued to do, seemed

to double his activity and his forces. 'I am tired,' he said one day,

'of hearing it repeated that twelve men were enough to establish

Christianity. I want to show them that one will be enough to destroy

it.'" What one man could do he did. But it took not twelve legendary

apostles, but the labor of countless thousands of men, through many

ages, to build up the great complex of Christianity, and it will need

the labors of as many to destroy it. Voltaire himself came to see this,

and wrote, in the year before his death, "I now perceive that we must

still wait three or four hundred years. One day it cannot but be that

good men will win their cause; but before that glorious day arrives, how

many disgusts have we to undergo, how many dark persecutions, without

reckoning the La Barres of whom they will make an _auto de fe_ from time

to time."

John Morley remarks: "The meaner partisans of an orthodoxy, which can

only make wholly sure of itself by injustice to adversaries, has always

loved to paint the Voltairean school in the characters of demons,

enjoying their work of destruction with a sportive and impish delight.

They may have rejoiced in their strength so long as they cherished the

illusion that those who first kindled the torch should also complete the

long course and bear the lamp to the goal. When the gravity of the

enterprise showed itself before them, they remained alert with all

courage, but they ceased to fancy that courage necessarily makes men

happy. The mantle of philosophy was rent in a hundred places, and bitter

winds entered at a hundred holes; but they only drew it the more closely

around them."

It may remain an inspiration to others, as it assuredly is a proof of

the temperance and moderation of his own life, that much of Voltaire's

best work was done after he had reached his sixtieth year. _Candide_,

his masterpiece, was written at the age of sixty-four. Four years later

he produced his _Sermon of the Fifty_, and he was sixty-nine when he

published his epoch-making _Treatise upon Toleration_, and _Saul_, the

wittiest of his burlesque dramas. At the age of seventy he issued his

most important work, the _Philosophical Dictionary_, and his burlesque

upon existing superstitions, which he entitled _Pot-Pourri_. This was,

indeed, the period of his greatest literary activity against "l'Infame."

His _Questions on the Miracles_, his _Examination of Lord Bolingbroke_,

the _Questions of Zapata_, the _Dinner of Count de Boulainvilliers_ (the

charming _resume_ of Voltaire's religious opinions, which had the honor

to be burnt by the hand of the hangman), the _Canonisation of St.

Cucufin_, the romance of the _Princess of Babylon_, the _A. B. and C._,

the collection of _Ancient Gospels_, and his _God and Men_, all being

issued while he was between seventy and seventy-five. It was at this

time he edited the _Recueil Necessaire avec l'Evangile de la Raison_, a

collection of anti-Christian tracts dated Leipsic and London, but

printed at Amsterdam. He was eighty when he put forth his _White Bull_

(one of the funniest of his pieces, which was translated by Jeremy

Bentham), and his ridiculous skit on Bababec and the Fakirs; eighty-two

when he wrote _The Bible Explained_ and _A Christian against Six Jews_;

and eighty-three when he published his _History of the Establishment of

Christianity_.

It was thus in the last twenty years of his long life that Voltaire did

his best work for the destruction of prejudice and the spread of

enlightenment. At the same time he maintained a large correspondence,

both with the principal sovereigns of Europe, whom he urged in the

direction of tolerance, and with the leading writers, whom he wished to

combine in a great and systematic attempt to sap the creed he believed

to be at the root of superstition and intolerance.

It is in his lengthy and varied correspondence with intimates, extending

over sixty years, that Voltaire most truly reveals himself. He is

therein his own minute biographer, revealing not only his actions, but

their actuation. We see him therein not merely the prince of

_persifleurs_, but the serious sensitive thinker, keenly alive to

friendship, love, and work for the higher interests of humanity. His

letters are among the most varied, interesting, and delightful of any

left by a great man of letters. Like all his other productions, they

display the fertility of his genius. Over ten thousand separate letters

are catalogued by Bengesco. Their very extent prevents their being

widely read, but they reveal the perennial brightness of his mind, his

delight in work, his love of literature and liberty, his constant gaiety

and goodness of heart, with here and there only a flash of indignation

and contempt. They are imbued with the spirit of friendship, abound in

anecdotes and pleasantries, mingled with a passionate earnestness for

the interest of mankind. Constantly we find him endeavoring to elevate

the literary class, to raise the drama, continually seeking to encourage

talent, to relieve suffering, and to defend the oppressed.

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