CHAPTER I

CARSON OF RED RIVER

BY THE SAME AUTHOR

Carson of Red River The League of the Leopard

Green Timber The Intriguers

The Wilderness Patrol Prescott of Saskatchewan

The Bush-Rancher Ranching for Sylvia

Northwest! The Long Portage

The Man from the Wilds Vane of the Timberlands

Kit Musgrave’s Luck A Prairie Courtship

Lister’s Great Adventure Master of the Wheatlands

The Wilderness Mine The Gold Trail

Wyndham’s Pal Thurston of Orchard Valley

Partners of the Out-Trail The Greater Power

The Buccaneer Farmer Thrice Armed

The Lure of the North By Right of Purchase

The Girl from Keller’s Delilah of the Snows

Carmen’s Messenger For Jacinta

Brandon of the Engineers Winston of the Prairie

Harding of Allenwood The Dust of Conflict

The Secret of the Reef Alton of Somasco

For the Allison Honor The Cattle Baron’s Daughter

CARSON OF RED RIVER

By HAROLD BINDLOSS

Author of “Green Timber,” “The Wilderness

Patrol,” “The Bush-Rancher,” “Northwest!,”

“The Man From the Wilds,” “Kit Musgrave’s

Luck,” “Lister’s Great Adventure,” “The Wilderness

Mine,” “Partners of the Out-Trail,” ETC.

[Illustration]

NEW YORK

FREDERICK A. STOKES COMPANY

MCMXXIV

Copyright, 1924, by

Frederick A. Stokes Company

PUBLISHED IN ENGLAND UNDER THE TITLE, “THE LUTE PLAYER”

All rights reserved

Printed in the United States of America

TABLE OF CONTENTS

I Blake’s Piano

II The Drawing Office

III Netherhall

IV The Call

V Kit Plays Up

VI Kit Takes a Knock

VII Evelyn Conquers

VIII Kit Tunes His Fiddle

IX The Road to the West

X A Rest by the Way

XI The Road Forks

XII Kit Plays for His Supper

XIII The Cook’s Musician

XIV The Water Cure

XV Kit Makes Progress

XVI Kit Goes Visiting

XVII Lost Lake

XVIII Mrs. Austin Meddles

XIX Kit Takes His Cue

XX Austin’s Understudy

XXI Jasper Experiments

XXII Mrs. Haigh Reviews Her Plans

XXIII Blake’s Confession

XXIV A Stolen Excursion

XXV Ledward’s Present

XXVI The Breaking Strain

XXVII Jasper Waits

XXVIII Kit Goes Ahead

XXIX The Storm

XXX Alison Steals Away

XXXI Whinnyates Farm

XXXII Kit Claims His Reward

XXXIII Jasper Wins

CARSON OF RED RIVER

CHAPTER I

BLAKE’S PIANO

The evening was calm, and the window at Blake’s flat by the river

mouth was open. Kit Carson, standing with his back against the

curtains, felt the rather shabby room was homelike, and for long he

had not known a home. When he got a holiday he went to Netherhall, and

after the drawing office, he liked to carry a gun across the moors;

but the big house at the dale head had not the charm that marked

Blake’s cheap flat.

Kit, however, thought the room less shabby than usual. For one thing,

Mrs. Blake had got a new rug and the soft green harmonized with the

brown stained boards. Then a new cottage piano occupied a corner and a

water-color drawing, Kit’s present to Mabel Blake, was on the wall.

Kit had an eye for line and he thought the drawing was not bad.

Perhaps its purchase was something of an extravagance, but Kit was

extravagant and Mabel was his pal’s wife.

Kit felt the charm that marked the flat was really Mabel’s. She was

plucky and cheerful, although her fight was hard. Blake was a sober

fellow, but when he married her had debts, and his pay, like Kit’s,

was small. Kit was his groom, and at the wedding had rather thought to

lose his friend. Instead, he had got another.

Mrs. Blake, carrying a tray, came in, and when Blake took her load,

gave Kit a happy smile.

“The pennies for the meter did not run out, and my birthday feast is

served,” she said, and balancing on an arched foot, as if she meant to

dance, indicated her dress. “But how do you like my new clothes?”

Kit studied her. Mabel Blake was short and light; her figure was

boyish and Kit knew her boyishly alert and happy.

“I can’t judge the material, but the lines are good. One gets a sense

of balance and poise, which, I think, is not altogether the

dressmaker’s art. Anyhow, you can dance, and if the shipyard company

goes broke we’ll try our luck on the road. You will dance for crowded

houses and I will play the lute. Tom, perhaps, might be business

manager.”

Mabel laughed and Blake grinned, for he knew the others knew his money

went.

“Isn’t the lute rather out-of-date?” he inquired.

“Ah,” said Kit, “there’s its attraction! The troubadours used the lute

and your wife has got the joy and confidence people knew in the old

spacious days.”

“I wonder whether those days were joyous,” said Blake. “All the same,

Mabel’s pluck is good. When we married she undertook an awkward job,

but she never grumbles. Anyhow, you’re not a troubadour. Your job’s to

make drawings for modern machines.”

“There’s sober Tom!” Mabel remarked. “But supper will soon get cold.”

They sat down at the little round table, and Mabel, glancing at Kit,

rather thought he ascribed to her qualities that were properly his.

Kit, like her husband, had a post in the drawing office at the

shipbuilding yard. He was thin but athletic, and as a rule his eyes

twinkled. Kit indulged his whimsical imagination and sometimes one did

not know if he joked. Mrs. Blake knew him generous and romantic, but

he was a first-class draftsman and made progress at the office. In the

meantime, Kit, with frank satisfaction, used his knife and fork. At

Netherhall one dined ceremoniously and wore evening clothes, but one

did not get food like the suppers Mabel cooked on the gas stove. By

and by she indicated the piano.

“Sometimes you’re not very keen, Kit. For example, I was forced to

point out I’d got new clothes and ask for a compliment; and now it

looks as if you had not noticed all Tom’s extravagance. But perhaps

you want to be polite?”

“I saw the piano, and after supper I’ll try it. Just now I’m very

happily occupied. All the same, I’m glad to see Tom’s luck has

turned.”

“The piano’s not yet ours and we’ll talk about it again,” said Blake.

“Until Kit has satisfied his appetite you must leave him alone, Mabel.

Although he’s sometimes romantic, he’s frankly flesh and blood.”

“The flesh is not very conspicuous,” Kit rejoined, and gave Mrs. Blake

his plate. “One sees why Tom gets fat. If you’d like a sincere

compliment may I have some more?”

By and by Blake and Kit carried off the plates, and when they came

back Kit turned down the light and signing the others to the window,

pulled the curtain along the rod. The flat was at the top of a tall

building, the night was fine, and one looked down on rows of houses

and the dark river. On the other bank blast-lamps’ flames tossed, and

the trembling illumination touched skeleton ships. Hammers rang with a

rhythmic beat; and at the top of the steep slope steelworks engines

throbbed. In the background a pillar of fire, intense and white, was

reflected by a cloud. The pillar sank and vanished, and by contrast

all was dark.

“Janions’ converter,” said Kit. “If they roll us the plates as they

agreed, you ought soon to run the _Mariposa_ down the launching ways.

I don’t know if her boiler will be ready.”

“Then you’re not satisfied about the circulation?” Blake inquired, and

Kit thought his interest rather keen.

“We are nearly satisfied. Colvin’s hurrying me, and when Mabel has had

enough I must go back to the office: the tube-shop foreman wants some

particulars. Anyhow, we mustn’t bore Mabel. I like your window, madam.

It commands a moving view.”

“The fires and grime of industry?” said Mabel and laughed. “I begin to

doubt if I know you, Mr. Carson. Sometimes you’re the minstrel you

talk about, and sometimes a shipbuilder. Which would you really like

to be?”

“I don’t know. There’s the trouble. Anyhow, I do like your window. It

commands the road to countries not yet modernized—where men beat the

monkey-skin drums and play the pipes, make love by primitive rules and

kill their rivals. For example——”

A whistle shrieked on a high note and dropped to a harmonious chord; a

ruby beam moved across the trembling reflections. Then a funnel and a

vague, long hull stole through the shipyard smoke. The beam faded, the

hull was foreshortened and the ship went round a bend. The wave she

threw off beat the bank and melted in the dark.

“The _Negapatam_, bound for Singapore and the Malay seas,” said Kit.

“But I expect you get cold.”

Blake shut the window and pulled chairs to the small gas fire; and Kit

thought his doing so characteristic. Tom was a very good sort, but he

was sober and, so to speak, rather soft.

“Why must you go back to the office on my birthday?” Mrs. Blake

inquired.

“Well, you see, I get my pay for building ships, and the _Mariposa_

will soon be waiting for her fast-steaming, anti-incrustation boiler.

Our boiler; the very latest thing of the water-tube type!”

“What is a water-tube boiler? And why are you so keen about the

_Mariposa’s_?”

“In an ordinary marine boiler the flame goes through the flues; in the

water-tube pattern the water circulates in tubes and the flame is

outside. The type has some drawbacks I mustn’t bother you about, but

it steams fast and carries a heavy pressure. Well, a foreign

government requires four small, swift, shallow boats for tropical

rivers and has ordered two; one from us, and one from the opposition

yard.”

Mrs. Blake nodded. “The _Mariposa’s_ yours; if she beats the other

boat, you will build the lot?”

“Colvin hopes we’ll do so. The rivers she’ll navigate are muddy, and

in a water-tube boiler mud is awkward. We have been forced to modify

our standard pattern, but if we get the results we expect, we reckon

on beating the other boat. The improvements cannot be patented, and in

consequence we don’t talk about our plans.”

“But if the _Mariposa_ wins, your competitors may bribe somebody to

study her boiler.”

“It’s possible,” Kit agreed. “All the same, the tubes are covered by a

casing, and if the opposition did find out something useful, we’d have

begun to build the fleet. Now you know all about it and we have done

with shipbuilding. Let’s try the new piano!”

He went to the piano and began to play. The others knew his talent,

but they thought the music strange and melancholy. Yet the air was

haunting.

“It is not piano music,” Blake remarked.

“I expect it was first written for the guitar; Spanish music’s Moorish

music. Don’t you hear the strings and the wind in the sand? Can’t you

picture the camel-dung fires in front of the black tents, and smell

the curling smoke. But I’ll try a song. It’s about the King of Spain

who lost Gibraltar, but did not lose all the fellow lost who lost his

heart. Do you hear the guitars tinkle under the lattice window?”

“I do not,” said Blake, smiling. “Still, you see, I’m not a lute

player.”

“Oh, well, the next lot’s blatantly pictorial,” said Kit and pushed

down the pedal. “Shipyard hammers! You can hear that! Now the

_Negapatam’s_ whistle calls in the smoke and fog. She steals down

river; her screw throbs steadily and stops. The pilot’s boat vanishes

and the engines beat a quicker rhythm. The dark water heaves and

splashes at the bows. She steers south for sunshine and the islands of

pearls and spice.”

He shut the piano and swung the revolving stool. “Well, the

instrument’s jolly good and I hope it will soon be yours.”

“The company stipulates for punctual payments,” Blake remarked.

“If you can stand for my bringing my fiddle and Mabel will play, I’ll

meet the next installment. I’ve got some fresh music, but my

landlady’s restive and I imagine she means to be firm.”

“Practise when you like,” said Mabel. “You have talent, Kit, and I

think you know our house is yours.”

“I know you are very kind, and Tom’s a first-class sort. When I joined

up at the yard I was raw and trustful, but he saw me through the

boiler shop and steered me past some awkward pitfalls. At the yard,

he’s old Tom and famous for his staunchness and soberness. Then when

he married I got another friend and now your house is home. Well, I

hope your birthdays will be happy and numerous. Your faithful servant,

ma’am!”

Blake’s look was rather embarrassed, but Mabel’s smile was frank and

kind. She trusted her husband and Tom was altogether her lover. Kit

admitted he had not used much reserve, but Mabel knew his sincerity,

and when he declared he was her servant he did not boast. He owed his

friends much and his habit was to pay his debts. Then Mabel turned her

head, as if she listened, and got up.

“I haven’t yet given you coffee, and I believe the stove is out. Have

you a penny, Tom?”

“Perhaps it’s strange, but I have two shillings, and I don’t know a

stove that cooks like yours,” said Kit. “To-night’s a festival. Let’s

be generous!”

“You don’t keep house,” Mabel rejoined. “So long as the stove is just,

I’m content, but sometimes I doubt.”

She took the penny, and when she went off Blake pulled out his wallet.

“My debt has bothered me, Kit, and to pay is some relief. I’m afraid I

forced you to be frugal.”

Kit left the notes alone. When Blake married he was embarrassed for

money and Kit urged him to use his.

“You must think for Mabel. I don’t want the sum.”

“Take the notes,” said Blake, and indicated the piano. “My luck has

rather obviously begun to turn.”

“I admit I wondered,” Kit remarked.

Blake lighted his pipe and knitted his brows. Kit had recently

imagined Tom’s look was careworn.

“You are entitled to inquire. Not long since I took my model to

Allinson and he was interested. In fact he was willing to help me

experiment.”

“Splendid!” said Kit, for Blake had long experimented on an

improvement for the marine oil-engine. “Allinson’s the man to make the

thing go.”

“If I’d seen him sooner, it would have helped,” Blake remarked, rather

moodily. “Anyhow, he agrees the gear will work, and since he thinks we

can get a patent, he gave me a small sum for an option. It accounts

for the piano, and my paying my debt. The notes are yours. Thank you,

Kit!”

Kit took the notes and soon afterwards Mabel carried in the coffee.

They began to talk about Blake’s invention, but by and by she asked:

“Are you going to Netherhall for your holidays, Kit?”

“I hope to get off after the _Mariposa’s_ trial run.”

Mrs. Blake smiled, a sympathetic smile. “You want to feel you go in

triumph? Well, since you made the boiler drawings, if the _Mariposa_

steams very fast, it will be something of a triumph.”

“I’d like Evelyn to know I made some progress,” Kit admitted modestly.

“You promised to show me her portrait. Have you got it?”

Kit pulled out his pocket-book and Mabel studied the photograph.

Evelyn was obviously young, and Mabel thought her attractive, but she

was not altogether satisfied. Evelyn’s mouth was ominously firm, and

one got a hint of hardness. The girl was perhaps ambitious; she was

not generous....

“She has not yet promised to marry you?”

“Not yet. Our relations know my hopes and I think, on the whole,

approve, but Evelyn is not rich and my poverty is notorious. There’s a

sort of agreement that if I make good and get a proper post, we may

talk about an engagement.”

“But are not your relations rich?”

“My uncle, Alan Carson, was accountable for my premium at the

shipyard,” Kit replied in a thoughtful voice. “He’s a very good sort,

but he’s justified to stop; then, although Netherhall’s a beautiful

old house, the estate is his wife’s. To get me a proper job is my

other uncle’s part, but, so far, I haven’t bothered him, and it does

not look as if he were very keen. Anyhow, if he does get me a post, it

will probably be abroad.”

“Ah,” said Blake, “the power your old, landowning families use is

strange! You command our battleships, you rule the Indian Civil

Service, and you marry American millionaires. But where do you expect

to go?”

Kit smiled. “The Carsons are not landlords, and belong to another lot.

We have nothing to do with India and battleships. Our business is to

hammer iron, and for the most part our investments are in Canada....”

He stopped and getting up, resumed: “Mabel’s tired; I expect you have

had enough, and I must push off for the office.”

Mabel gave him her hand, told him to come back soon, and let him go.

Carson of Red River · 第 1 / 33 章