in English was a translation. Caxton was both the translator and printer
of the Destruction of Troye; a book which, in that infancy of learning,
was considered as the best account of the fabulous ages, and which,
though now driven out of notice by authors of no greater use or value,
still continued to be read in Caxton's English to the beginning of the
present century.
Caxton proceeded as he began, and, except the poems of Gower and
Chaucer, printed nothing but translations from the French, in which the
original is so scrupulously followed, that they afford us little
knowledge of our own language: though the words are English, the phrase
is foreign.
As learning advanced, new works were adopted into our language, but I
think with little improvement of the art of translation, though foreign
nations and other languages offered us models of a better method; till
in the age of Elizabeth we began to find that greater liberty was
necessary to elegance, and that elegance was necessary to general
reception; some essays were then made upon the Italian poets, which
deserve the praise and gratitude of posterity.
But the old practice was not suddenly forsaken: Holland filled the
nation with literal translation; and, what is yet more strange, the same
exactness was obstinately practised in the versions of the poets. This
absurd labour of construing into rhyme was countenanced by Jonson in his
version of Horace; and whether it be that more men have learning than
genius, or that the endeavours of that time were more directed towards
knowledge than delight, the accuracy of Jonson found more imitators than
the elegance of Fairfax; and May, Sandys and Holiday, confined
themselves to the toil of rendering line for line, not indeed with equal
felicity, for May and Sandys were poets, and Holiday only a scholar and
a critick.
Feltham appears to consider it as the established law of poetical
translation, that the lines should be neither more nor fewer than those
of the original; and so long had this prejudice prevailed, that Denham
praises Fanshaw's version of Guarini as the example of a _new and noble
way_, as the first attempt to break the boundaries of custom, and assert
the natural freedom of the Muse.
In the general emulation of wit and genius which the festivity of the
Restoration produced, the poets shook off their constraint, and
considered translation as no longer confined to servile closeness. But
reformation is seldom the work of pure virtue or unassisted reason.
Translation was improved more by accident than conviction. The writers
of the foregoing age had at least learning equal to their genius; and,
being often more able to explain the sentiments or illustrate the
allusions of the ancients, than to exhibit their graces and transfuse
their spirit, were, perhaps, willing sometimes to conceal their want of
poetry by profusion of literature, and, therefore, translated literally,
that their fidelity might shelter their insipidity or harshness. The
wits of Charles's time had seldom more than slight and superficial
views; and their care was to hide their want of learning behind the
colours of a gay imagination; they, therefore, translated always with
freedom, sometimes with licentiousness, and, perhaps, expected that
their readers should accept sprightliness for knowledge, and consider
ignorance and mistake as the impatience and negligence of a mind too
rapid to stop at difficulties, and too elevated to descend to
minuteness.
Thus was translation made more easy to the writer, and more delightful
to the reader; and there is no wonder if ease and pleasure have found
their advocates. The paraphrastick liberties have been almost
universally admitted; and Sherbourn, whose learning was eminent, and who
had no need of any excuse to pass slightly over obscurities, is the only
writer who, in later times, has attempted to justify or revive the
ancient severity.
There is undoubtedly a mean to be observed. Dryden saw very early that
closeness best preserved an author's sense, and that freedom best
exhibited his spirit; he, therefore, will deserve the highest praise,
who can give a representation at once faithful and pleasing, who can
convey the same thoughts with the same graces, and who, when he
translates, changes nothing but the language[1].
[1] Much research on this branch of literature is exhibited in Lord
Woodhouselee's Principles of Translation.
No. 70. SATURDAY, AUGUST 18, 1759.
Few faults of style, whether real or imaginary, excite the malignity of
a more numerous class of readers, than the use of hard words.
If an author be supposed to involve his thoughts in voluntary obscurity,
and to obstruct, by unnecessary difficulties, a mind eager in pursuit of
truth; if he writes not to make others learned, but to boast the
learning which he possesses himself, and wishes to be admired rather
than understood, he counteracts the first end of writing, and justly
suffers the utmost severity of censure, or the more afflictive severity
of neglect.
But words are hard only to those who do not understand them; and the
critick ought always to inquire, whether he is incommoded by the fault
of the writer or by his own.
Every author does not write for every reader; many questions are such as
the illiterate part of mankind can have neither interest nor pleasure in
discussing, and which, therefore, it would be an useless endeavour to
level with common minds, by tiresome circumlocutions or laborious
explanations; and many subjects of general use may be treated in a
different manner, as the book is intended for the learned or the
ignorant. Diffusion and explication are necessary to the instruction of
those who, being neither able nor accustomed to think for themselves,
can learn only what is expressly taught; but they who can form
parallels, discover consequences, and multiply conclusions, are best
pleased with involution of argument and compression of thought; they
desire only to receive the seeds of knowledge which they may branch out
by their own power, to have the way to truth pointed out, which they can
then follow without a guide.
The Guardian directs one of his pupils, "to think with the wise, but
speak with the vulgar." This is a precept specious enough, but not
always practicable. Difference of thoughts will produce difference of
language. He that thinks with more extent than another will want words
of larger meaning; he that thinks with more subtilty will seek for terms
of more nice discrimination; and where is the wonder, since words are
but the images of things, that he who never knew the original should not
know the copies?
Yet vanity inclines us to find faults any where rather than in
ourselves. He that reads and grows no wiser, seldom suspects his own
deficiency; but complains of hard words and obscure sentences, and asks
why books are written which cannot be understood?
Among the hard words which are no longer to be used, it has been long
the custom to number terms of art. "Every man," says Swift, "is more
able to explain the subject of an art than its professors; a farmer will
tell you, in two words, that he has broken his leg; but a surgeon, after
a long discourse, shall leave you as ignorant as you were before." This
could only have been said, by such an exact observer of life, in
gratification of malignity, or in ostentation of acuteness. Every hour
produces instances of the necessity of terms of art. Mankind could never
conspire in uniform affectation; it is not but by necessity that every
science and every trade has its peculiar language. They that content
themselves with general ideas may rest in general terms; but those,
whose studies or employments force them upon closer inspection, must
have names for particular parts, and words by which they may express
various modes of combination, such as none but themselves have occasion
to consider.
Artists are indeed sometimes ready to suppose that none can be strangers
to words to which themselves are familiar, talk to an incidental
inquirer as they talk to one another, and make their knowledge
ridiculous by injudicious obtrusion. An art cannot be taught but by its
proper terms, but it is not always necessary to teach the art.
That the vulgar express their thoughts clearly, is far from true; and
what perspicuity can be found among them proceeds not from the easiness
of their language, but the shallowness of their thoughts. He that sees a
building as a common spectator, contents himself with relating that it
is great or little, mean or splendid, lofty or low; all these words are
intelligible and common, but they convey no distinct or limited ideas;
if he attempts, without the terms of architecture, to delineate the
parts, or enumerate the ornaments, his narration at once becomes
unintelligible. The terms, indeed, generally displease, because they are
understood by few; but they are little understood, only because few that
look upon an edifice examine its parts, or analyze its columns into
their members.
The state of every other art is the same; as it is cursorily surveyed or
accurately examined, different forms of expression become proper. In
morality it is one thing to discuss the niceties of the casuist, and
another to direct the practice of common life. In agriculture, he that
instructs the farmer to plough and sow, may convey his notions without
the words which he would find necessary in explaining to philosophers
the process of vegetation; and if he, who has nothing to do but to be
honest by the shortest way, will perplex his mind with subtile
speculations; or if he, whose task is to reap and thrash, will not be
contented without examining the evolution of the seed and circulation of
the sap; the writers whom either shall consult are very little to be
blamed, though it should sometimes happen that they are read in vain.
No. 71. SATURDAY, AUGUST 25, 1759.
Celan le selve angui, leoni, ed orsi
Dentro il lor verde. TASSO, L'AMINTA.
Dick Shifter was born in Cheapside, and, having passed reputably through
all the classes of St. Paul's school, has been for some years a student
in the Temple. He is of opinion, that intense application dulls the
faculties, and thinks it necessary to temper the severity of the law by
books that engage the mind, but do not fatigue it. He has, therefore,
made a copious collection of plays, poems, and romances, to which he has
recourse when he fancies himself tired with statutes and reports; and he
seldom inquires very nicely whether he is weary or idle.
Dick has received from his favourite authors very strong impressions of
a country life; and though his furthest excursions have been to
Greenwich on one side, and Chelsea on the other, he has talked for
several years, with great pomp of language and elevation of sentiments,
about a state too high for contempt and too low for envy, about homely
quiet and blameless simplicity, pastoral delights and rural innocence.
His friends, who, had estates in the country, often invited him to pass
the summer among them, but something or other had always hindered him;
and he considered, that to reside in the house of another man was to
incur a kind of dependence inconsistent with that laxity of life which
he had imaged as the chief good.
This summer he resolved to be happy, and procured a lodging to be taken
for him at a solitary house, situated about thirty miles from London, on
the banks of a small river, with corn-fields before it and a hill on
each side covered with wood. He concealed the place of his retirement,
that none might violate his obscurity, and promised himself many a happy
day when he should hide himself among the trees, and contemplate the
tumults and vexations of the town.
He stepped into the post-chaise with his heart beating and his eyes
sparkling, was conveyed through many varieties of delightful prospects,
saw hills and meadows, cornfields and pasture, succeed each other, and
for four hours charged none of his poets with fiction or exaggeration.
He was now within six miles of happiness, when, having never felt so
much agitation before, he began to wish his journey at an end, and the
last hour was passed in changing his posture and quarrelling with his
driver.
An hour may be tedious, but cannot be long. He at length alighted at his
new dwelling, and was received as he expected; he looked round upon the
hills and rivulets, but his joints were stiff and his muscles sore, and
his first request was to see his bed-chamber.
He rested well, and ascribed the soundness of his sleep to the stillness
of the country. He expected from that time nothing but nights of quiet
and days of rapture, and, as soon as he had risen, wrote an account of
his new state to one of his friends in the Temple.
"Dear Frank,
"I never pitied thee before. I am now, as I could wish every man of
wisdom and virtue to be, in the regions of calm content and placid
meditation; with all the beauties of nature soliciting my notice, and
all the diversities of pleasure courting my acceptance; the birds are
chirping in the hedges, and the flowers blooming in the mead; the breeze
is whistling in the wood, and the sun dancing on the water. I can now
say, with truth, that a man, capable of enjoying the purity of
happiness, is never more busy than in his hours of leisure, nor ever
less solitary than in a place of solitude.
I am, dear Frank, &c."
When he had sent away his letter, he walked into the wood, with some
inconvenience, from the furze that pricked his legs, and the briars that
scratched his face. He at last sat down under a tree, and heard with
great delight a shower, by which he was not wet, rattling among the
branches: This, said he, is the true image of obscurity; we hear of
troubles and commotions, but never feel them.
His amusement did not overpower the calls of nature, and he, therefore,
went back to order his dinner. He knew that the country produces
whatever is eaten or drunk, and, imagining that he was now at the source
of luxury, resolved to indulge himself with dainties which he supposed
might be procured at a price next to nothing, if any price at all was
expected; and intended to amaze the rusticks with his generosity, by
paying more than they would ask. Of twenty dishes which he named, he was
amazed to find that scarcely one was to be had; and heard, with
astonishment and indignation, that all the fruits of the earth were sold
at a higher price than in the streets of London.
His meal was short and sullen; and he retired again to his tree, to
inquire how dearness could be consistent with abundance, or how fraud
should be practised by simplicity. He was not satisfied with his own
speculations, and, returning home early in the evening, went a while
from window to window, and found that he wanted something to do.
He inquired for a newspaper, and was told that farmers never minded
news, but that they could send for it from the alehouse. A messenger was
despatched, who ran away at full speed, but loitered an hour behind the
hedges, and at last coming back with his feet purposely bemired, instead
of expressing the gratitude which Mr. Shifter expected for the bounty of
a shilling, said, that the night was wet, and the way dirty, and he
hoped that his worship would not think it much to give him half-a-crown.
Dick now went to bed with some abatement of his expectations; but sleep,
I know not how, revives our hopes, and rekindles our desires. He rose
early in the morning, surveyed the landscape, and was pleased. He walked
out, and passed from field to field, without observing any beaten path,
and wondered that he had not seen the shepherdesses dancing, nor heard
the swains piping to their flocks.
At last he saw some reapers and harvest-women at dinner. Here, said he,
are the true Arcadians; and advanced courteously towards them, as afraid
of confusing them by the dignity of his presence. They acknowledged his
superiority by no other token than that of asking him for something to
drink. He imagined that he had now purchased the privilege of discourse,
and began to descend to familiar questions, endeavouring to accommodate
his discourse to the grossness of rustick understandings. The clowns
soon found, that he did not know wheat from rye, and began to despise
him; one of the boys, by pretending to show him a bird's nest, decoyed
him into a ditch; and one of the wenches sold him a bargain.
This walk had given him no great pleasure; but he hoped to find other
rusticks less coarse of manners, and less mischievous of disposition.
Next morning he was accosted by an attorney, who told him that, unless
he made farmer Dobson satisfaction for trampling his grass, he had
orders to indict him. Shifter was offended, but not terrified; and,
telling the attorney that he was himself a lawyer, talked so volubly of
pettyfoggers and barrators, that he drove him away.
Finding his walks thus interrupted, he was inclined to ride, and, being
pleased with the appearance of a horse that was grazing in a
neighbouring meadow, inquired the owner, who warranted him sound, and
would not sell him, but that he was too fine for a plain man. Dick paid
down the price, and, riding out to enjoy the evening, fell with his new
horse into a ditch; they got out with difficulty, and, as he was going
to mount again, a countryman looked at the horse, and perceived him to
be blind. Dick went to the seller, and demanded back his money; but was
told, that a man who rented his ground must do the best for himself;
that his landlord had his rent though the year was barren; and that,
whether horses had eyes or no, he should sell them to the highest
bidder.
Shifter now began to be tired with rustick simplicity, and on the fifth
day took possession again of his chambers, and bade farewell to the
regions of calm content and placid meditation.
No. 72. SATURDAY, SEPTEMBER 1, 1759.
Men complain of nothing more frequently than of deficient memory; and,
indeed, every one finds that many of the ideas which he desired to
retain have slipped irretrievably away; that the acquisitions of the
mind are sometimes equally fugitive with the gifts of fortune; and that
a short intermission of attention more certainly lessens knowledge than
impairs an estate.
To assist this weakness of our nature, many methods have been proposed,
all of which may be justly suspected of being ineffectual; for no art of
memory, however its effects have been boasted or admired, has been ever
adopted into general use, nor have those who possessed it appeared to
excel others in readiness of recollection or multiplicity of
attainments.
There is another art of which all have felt the want, though
Themistocles only confessed it. We suffer equal pain from the
pertinacious adhesion of unwelcome images, as from the evanescence of
those which are pleasing and useful; and it may be doubted whether we
should be more benefited by the art of memory or the art of
forgetfulness.
Forgetfulness is necessary to remembrance. Ideas are retained by
renovation of that impression which time is always wearing away, and
which new images are striving to obliterate. If useless thoughts could
be expelled from the mind, all the valuable parts of our knowledge would
more frequently recur, and every recurrence would reinstate them in
their former place.
It is impossible to consider, without some regret, how much might have
been learned, or how much might have been invented, by a rational and
vigorous application of time, uselessly or painfully passed in the
revocation of events, which have left neither good nor evil behind them,
in grief for misfortunes either repaired or irreparable, in resentment
of injuries known only to ourselves, of which death has put the authors
beyond our power.
Philosophy has accumulated precept upon precept, to warn us against the
anticipation of future calamities. All useless misery is certainly
folly, and he that feels evils before they come may be deservedly
censured; yet surely to dread the future is more reasonable than to
lament the past. The business of life is to go forwards: he who sees
evil in prospect meets it in his way; but he who catches it by
retrospection turns back to find it. That which is feared may sometimes
be avoided, but that which is regretted to-day may be regretted again
to-morrow.
Regret is indeed useful and virtuous, and not only allowable but
necessary, when it tends to the amendment of life, or to admonition of
errour which we may be again in danger of committing. But a very small
part of the moments spent in meditation on the past, produce any
reasonable caution or salutary sorrow. Most of the mortifications that
we have suffered, arose from the concurrence of local and temporary
circumstances, which can never meet again; and most of our
disappointments have succeeded those expectations, which life allows not
to be formed a second time.
It would add much to human happiness, if an art could be taught of
forgetting all of which the remembrance is at once useless and
afflictive; if that pain which never can end in pleasure could be driven
totally away, that the mind might perform its functions without
incumbrance, and the past might no longer encroach upon the present.
Little can be done well to which the whole mind is not applied; the
business of every day calls for the day to which it is assigned; and he
will have no leisure to regret yesterday's vexations who resolves not to
have a new subject of regret to-morrow.
But to forget or to remember at pleasure, are equally beyond the power
of man. Yet as memory may be assisted by method, and the decays of
knowledge repaired by stated times of recollection, so the power of
forgetting is capable of improvement. Reason will, by a resolute
contest, prevail over imagination, and the power may be obtained of
transferring the attention as judgment shall direct.
The incursions of troublesome thoughts are often violent and
importunate; and it is not easy to a mind accustomed to their inroads to
expel them immediately by putting better images into motion; but this
enemy of quiet is above all others weakened by every defeat; the
reflection which has been once overpowered and ejected, seldom returns
with any formidable vehemence.
Employment is the great instrument of intellectual dominion. The mind
cannot retire from its enemy into total vacancy, or turn aside from one
object but by passing to another. The gloomy and the resentful are
always found among those who have nothing to do, or who do nothing. We
must be busy about good or evil, and he to whom the present offers
nothing will often be looking backward on the past.
No. 73. SATURDAY, SEPTEMBER 8, 1759.
That every man would be rich if a wish could obtain riches, is a
position which I believe few will contest, at least in a nation like
ours, in which commerce has kindled an universal emulation of wealth,
and in which money receives all the honours which are the proper right
of knowledge and of virtue.
Yet, though we are all labouring for gold as for the chief good, and, by
the natural effort of unwearied diligence, have found many expeditious
methods of obtaining it, we have not been able to improve the art of
using it, or to make it produce more happiness than it afforded in
former times, when every declaimer expatiated on its mischiefs, and
every philosopher taught his followers to despise it.
Many of the dangers imputed of old to exorbitant wealth, are now at an
end. The rich are neither waylaid by robbers, nor watched by informers;
there is nothing to be dreaded from proscriptions, or seizures. The
necessity of concealing treasure has long ceased; no man now needs
counterfeit mediocrity, and condemn his plate and jewels to caverns and
darkness, or feast his mind with the consciousness of clouded splendour,
of finery which is useless till it is shown, and which he dares not
show.
In our time, the poor are strongly tempted to assume the appearance of
wealth, but the wealthy very rarely desire to be thought poor; for we
are all at full liberty to display riches by every mode of ostentation.
We fill our houses with useless ornaments, only to show that we can buy
them; we cover our coaches with gold, and employ artists in the
discovery of new fashions of expense; and yet it cannot be found that
riches produce happiness.