The stranger stopped at the door of the room, and displayed his form and

face completely. He wore a dark-coloured cloth cloak, which was short

and full, not falling quite to the knees; his legs were cased in dark

purple silk stockings, and his shoes were adorned with roses of the same

colour. The opening of the cloak in front showed the under-suit to

consist of some very dark, perhaps sable material, and his hands were

enclosed in a pair of heavy leather gloves which ran up considerably

above the wrist, in the manner of a gauntlet. In one hand he carried his

walking-stick and his hat, which he had removed, and the other hung

heavily by his side. A quantity of grizzled hair descended in long

tresses from his head, and its folds rested upon the plaits of a stiff

ruff, which effectually concealed his neck.

So far all was well; but the face!--all the flesh of the face was

coloured with the bluish leaden hue which is sometimes produced by the

operation of metallic medicines administered in excessive quantities;

the eyes were enormous, and the white appeared both above and below the

iris, which gave to them an expression of insanity, which was heightened

by their glassy fixedness; the nose was well enough, but the mouth was

writhed considerably to one side, where it opened in order to give

egress to two long, discoloured fangs, which projected from the upper

jaw, far below the lower lip; the hue of the lips themselves bore the

usual relation to that of the face, and was consequently nearly black.

The character of the face was malignant, even satanic, to the last

degree; and, indeed, such a combination of horror could hardly be

accounted for, except by supposing the corpse of some atrocious

malefactor, which had long hung blackening upon the gibbet, to have at

length become the habitation of a demon--the frightful sport of satanic

possession.

It was remarkable that the worshipful stranger suffered as little as

possible of his flesh to appear, and that during his visit he did not

once remove his gloves.

Having stood for some moments at the door, Gerard Douw at length found

breath and collectedness to bid him welcome, and, with a mute

inclination of the head, the stranger stepped forward into the room.

There was something indescribably odd, even horrible about all his

motions, something undefinable, something unnatural, unhuman--it was as

if the limbs were guided and directed by a spirit unused to the

management of bodily machinery.

The stranger said hardly anything during his visit, which did not exceed

half an hour; and the host himself could scarcely muster courage enough

to utter the few necessary salutations and courtesies: and, indeed, such

was the nervous terror which the presence of Vanderhausen inspired, that

very little would have made all his entertainers fly bellowing from the

room.

They had not so far lost all self-possession, however, as to fail to

observe two strange peculiarities of their visitor.

During his stay he did not once suffer his eyelids to close, nor even to

move in the slightest degree; and further, there was a death-like

stillness in his whole person, owing to the total absence of the heaving

motion of the chest caused by the process of respiration.

These two peculiarities, though when told they may appear trifling,

produced a very striking and unpleasant effect when seen and observed.

Vanderhausen at length relieved the painter of Leyden of his

inauspicious presence; and with no small gratification the little party

heard the street door close after him.

"Dear uncle," said Rose, "what a frightful man! I would not see him

again for the wealth of the States!"

"Tush, foolish girl!" said Douw, whose sensations were anything but

comfortable. "A man may be as ugly as the devil, and yet if his heart

and actions are good, he is worth all the pretty-faced, perfumed puppies

that walk the Mall. Rose, my girl, it is very true he has not thy pretty

face, but I know him to be wealthy and liberal; and were he ten times

more ugly--"

"Which is inconceivable," observed Rose.

"These two virtues would be sufficient," continued her uncle, "to

counterbalance all his deformity; and if not of power sufficient

actually to alter the shape of the features, at least of efficacy enough

to prevent one thinking them amiss."

"Do you know, uncle," said Rose, "when I saw him standing at the door,

I could not get it out of my head that I saw the old, painted, wooden

figure that used to frighten me so much in the church of St. Laurence at

Rotterdam."

Gerard laughed, though he could not help inwardly acknowledging the

justness of the comparison. He was resolved, however, as far as he

could, to check his niece's inclination to ridicule the ugliness of her

intended bridegroom, although he was not a little pleased to observe

that she appeared totally exempt from that mysterious dread of the

stranger, which, he could not disguise it from himself, considerably

affected him, as it also did his pupil Godfrey Schalken.

Early on the next day there arrived from various quarters of the town,

rich presents of silks, velvets, jewellery, and so forth, for Rose; and

also a packet directed to Gerard Douw, which, on being opened, was found

to contain a contract of marriage, formally drawn up, between Wilken

Vanderhausen of the Boom-quay, in Rotterdam, and Rose Velderkaust of

Leyden, niece to Gerard Douw, master in the art of painting, also of the

same city; and containing engagements on the part of Vanderhausen to

make settlements upon his bride far more splendid than he had before led

her guardian to believe likely, and which were to be secured to her use

in the most unexceptionable manner possible--the money being placed in

the hands of Gerard Douw himself.

I have no sentimental scenes to describe, no cruelty of guardians or

magnanimity of wards, or agonies of lovers. The record I have to make is

one of sordidness, levity, and interest. In less than a week after the

first interview which we have just described, the contract of marriage

was fulfilled, and Schalken saw the prize which he would have risked

anything to secure, carried off triumphantly by his formidable rival.

For two or three days he absented himself from the school; he then

returned and worked, if with less cheerfulness, with far more dogged

resolution than before; the dream of love had given place to that of

ambition.

Months passed away, and, contrary to his expectation, and, indeed, to

the direct promise of the parties, Gerard Douw heard nothing of his

niece or her worshipful spouse. The interest of the money, which was to

have been demanded in quarterly sums, lay unclaimed in his hands. He

began to grow extremely uneasy.

Mynher Vanderhausen's direction in Rotterdam he was fully possessed of.

After some irresolution he finally determined to journey thither--a

trifling undertaking, and easily accomplished--and thus to satisfy

himself of the safety and comfort of his ward, for whom he entertained

an honest and strong affection.

His search was in vain, however. No one in Rotterdam had ever heard of

Mynher Vanderhausen.

Gerard Douw left not a house in the Boom-quay untried; but all in vain.

No one could give him any information whatever touching the object of

his inquiry; and he was obliged to return to Leyden, nothing wiser than

when he had left it.

On his arrival he hastened to the establishment from which Vanderhausen

had hired the lumbering, though, considering the times, most luxurious

vehicle which the bridal party had employed to convey them to Rotterdam.

From the driver of this machine he learned, that having proceeded by

slow stages, they had late in the evening approached Rotterdam; but that

before they entered the city, and while yet nearly a mile from it, a

small party of men, soberly clad, and after the old fashion, with peaked

beards and moustaches, standing in the centre of the road, obstructed

the further progress of the carriage. The driver reined in his horses,

much fearing, from the obscurity of the hour, and the loneliness of the

road, that some mischief was intended.

His fears were, however, somewhat allayed by his observing that these

strange men carried a large litter, of an antique shape, and which they

immediately set down upon the pavement, whereupon the bridegroom, having

opened the coach-door from within, descended, and having assisted his

bride to do likewise, led her, weeping bitterly and wringing her hands,

to the litter, which they both entered. It was then raised by the men

who surrounded it, and speedily carried towards the city, and before it

had proceeded many yards the darkness concealed it from the view of the

Dutch chariot.

In the inside of the vehicle he found a purse, whose contents more than

thrice paid the hire of the carriage and man. He saw and could tell

nothing more of Mynher Vanderhausen and his beautiful lady. This mystery

was a source of deep anxiety and almost of grief to Gerard Douw.

There was evidently fraud in the dealing of Vanderhausen with him,

though for what purpose committed he could not imagine. He greatly

doubted how far it was possible for a man possessing in his countenance

so strong an evidence of the presence of the most demoniac feelings to

be in reality anything but a villain; and every day that passed without

his hearing from or of his niece, instead of inducing him to forget his

fears, tended more and more to intensify them.

The loss of his niece's cheerful society tended also to depress his

spirits; and in order to dispel this despondency, which often crept upon

his mind after his daily employment was over, he was wont frequently to

prevail upon Schalken to accompany him home, and by his presence to

dispel, in some degree, the gloom of his otherwise solitary supper.

One evening, the painter and his pupil were sitting by the fire, having

accomplished a comfortable supper. They had yielded to that silent

pensiveness sometimes induced by the process of digestion, when their

reflections were disturbed by a loud sound at the street-door, as if

occasioned by some person rushing forcibly and repeatedly against it.

A domestic had run without delay to ascertain the cause of the

disturbance, and they heard him twice or thrice interrogate the

applicant for admission, but without producing an answer or any

cessation of the sounds.

They heard him then open the hall door, and immediately there followed a

light and rapid tread upon the staircase. Schalken laid his hand on his

sword, and advanced towards the door. It opened before he reached it,

and Rose rushed into the room. She looked wild and haggard, and pale

with exhaustion and terror; but her dress surprised them as much even as

her unexpected appearance. It consisted of a kind of white woollen

wrapper, made close about the neck, and descending to the very ground.

It was much deranged and travel-soiled. The poor creature had hardly

entered the chamber when she fell senseless on the floor. With some

difficulty they succeeded in reviving her, and on recovering her senses

she instantly exclaimed, in a tone of eager, terrified impatience,--

"Wine, wine, quickly, or I'm lost!"

Much alarmed at the strange agitation in which the call was made, they

at once administered to her wishes, and she drank some wine with a haste

and eagerness which surprised him. She had hardly swallowed it, when she

exclaimed with the same urgency,--

"Food, food, at once, or I perish!"

A considerable fragment of a roast joint was upon the table, and

Schalken immediately proceeded to cut some, but he was anticipated; for

no sooner had she become aware of its presence than she darted at it

with the rapacity of a vulture, and, seizing it in her hands, she tore

off the flesh with her teeth and swallowed it.

When the paroxysm of hunger had been a little appeased, she appeared

suddenly to become aware how strange her conduct had been, or it may

have been that other more agitating thoughts recurred to her mind, for

she began to weep bitterly, and to wring her hands.

"Oh! send for a minister of God," said she; "I am not safe till he

comes; send for him speedily."

Gerard Douw despatched a messenger instantly, and prevailed on his niece

to allow him to surrender his bedchamber to her use; he also persuaded

her to retire to it at once and to rest; her consent was extorted upon

the condition that they would not leave her for a moment.

"Oh that the holy man were here!" she said; "he can deliver me. The dead

and the living can never be one--God has forbidden it."

With these mysterious words she surrendered herself to their guidance,

and they proceeded to the chamber which Gerard Douw had assigned to her

use.

"Do not--do not leave me for a moment," said she. "I am lost for ever if

you do."

Gerard Douw's chamber was approached through a spacious apartment, which

they were now about to enter. Gerard Douw and Schalken each carried a

wax candle, so that a sufficient degree of light was cast upon all

surrounding objects. They were now entering the large chamber, which,

as I have said, communicated with Douw's apartment, when Rose suddenly

stopped, and, in a whisper which seemed to thrill with horror, she

said,--

"O God! he is here--he is here! See, see--there he goes!"

She pointed towards the door of the inner room, and Schalken thought

he saw a shadowy and ill-defined form gliding into that apartment. He

drew his sword, and raising the candle so as to throw its light with

increased distinctness upon the objects in the room, he entered the

chamber into which the figure had glided. No figure was there--nothing

but the furniture which belonged to the room, and yet he could not be

deceived as to the fact that something had moved before them into the

chamber.

A sickening dread came upon him, and the cold perspiration broke out in

heavy drops upon his forehead; nor was he more composed when he heard

the increased urgency, the agony of entreaty, with which Rose implored

them not to leave her for a moment.

"I saw him," said she. "He's here! I cannot be deceived--I know him.

He's by me--he's with me--he's in the room. Then, for God's sake, as you

would save, do not stir from beside me!"

They at length prevailed upon her to lie down upon the bed, where she

continued to urge them to stay by her. She frequently uttered incoherent

sentences, repeating again and again, "The dead and the living cannot be

one--God has forbidden it!" and then again, "Rest to the wakeful--sleep

to the sleep-walkers."

These and such mysterious and broken sentences she continued to utter

until the clergyman arrived.

Gerard Douw began to fear, naturally enough, that the poor girl, owing

to terror or ill-treatment, had become deranged; and he half suspected,

by the suddenness of her appearance, and the unseasonableness of the

hour, and, above all, from the wildness and terror of her manner, that

she had made her escape from some place of confinement for lunatics, and

was in immediate fear of pursuit. He resolved to summon medical advice

as soon as the mind of his niece had been in some measure set at rest

by the offices of the clergyman whose attendance she had so earnestly

desired; and until this object had been attained, he did not venture to

put any questions to her, which might possibly, by reviving painful or

horrible recollections, increase her agitation.

The clergyman soon arrived--a man of ascetic countenance and venerable

age--one whom Gerard Douw respected much, forasmuch as he was a veteran

polemic, though one, perhaps, more dreaded as a combatant than beloved

as a Christian--of pure morality, subtle brain, and frozen heart. He

entered the chamber which communicated with that in which Rose reclined,

and immediately on his arrival she requested him to pray for her, as for

one who lay in the hands of Satan, and who could hope for deliverance

only from Heaven.

That our readers may distinctly understand all the circumstances of the

event which we are about imperfectly to describe, it is necessary to

state the relative positions of the parties who were engaged in it.

The old clergyman and Schalken were in the ante-room of which we have

already spoken; Rose lay in the inner chamber, the door of which was

open; and by the side of the bed, at her urgent desire, stood her

guardian; a candle burned in the bedchamber, and three were lighted in

the outer apartment.

The old man now cleared his voice, as if about to commence; but before

he had time to begin, a sudden gust of air blew out the candle which

served to illuminate the room in which the poor girl lay, and she with

hurried alarm, exclaimed:

"Godfrey, bring in another candle; the darkness is unsafe."

Gerard Douw, forgetting for the moment her repeated injunctions in the

immediate impulse, stepped from the bedchamber into the other, in order

to supply what she desired.

"O God! do not go, dear uncle!" shrieked the unhappy girl; and at the

same time she sprang from the bed and darted after him, in order, by her

grasp, to detain him.

But the warning came too late, for scarcely had he passed the threshold,

and hardly had his niece had time to utter the startling exclamation,

when the door which divided the two rooms closed violently after him, as

if swung to by a strong blast of wind.

Schalken and he both rushed to the door, but their united and desperate

efforts could not avail so much as to shake it.

Shriek after shriek burst from the inner chamber, with all the piercing

loudness of despairing terror. Schalken and Douw applied every energy

and strained every nerve to force open the door; but all in vain.

There was no sound of struggling from within, but the screams seemed to

increase in loudness, and at the same time they heard the bolts of the

latticed window withdrawn, and the window itself grated upon the sill

as if thrown open.

One last shriek, so long and piercing and agonized as to be scarcely

human, swelled from the room, and suddenly there followed a death-like

silence.

A light step was heard crossing the floor, as if from the bed to the

window; and almost at the same instant the door gave way, and yielding

to the pressure of the external applicants, they were nearly

precipitated into the room. It was empty. The window was open, and

Schalken sprang to a chair and gazed out upon the street and at the

canal below. He saw no form, but he beheld, or thought he beheld, the

waters of the broad canal beneath settling ring after ring in heavy

circular ripples, as if a moment before disturbed by the immersion of

some large and heavy mass.

No trace of Rose was ever after discovered, nor was anything certain

respecting her mysterious wooer detected or even suspected; no clue

whereby to trace the intricacies of the labyrinth, and to arrive at a

distinct conclusion was to be found. But an incident occurred, which,

though it will not be received by our rational readers as at all

approaching to evidence upon the matter, nevertheless produced a strong

and a lasting impression upon the mind of Schalken.

[Illustration: THE WATERS OF THE BROAD CANAL BENEATH SETTLING RING AFTER

RING IN HEAVY CIRCULAR RIPPLES.]

Many years after the events which we have detailed, Schalken, then

remotely situated, received an intimation of his father's death, and

of his intended burial upon a fixed day in the church of Rotterdam. It

was necessary that a very considerable journey should be performed by

the funeral procession, which, as it will readily be believed, was not

very numerously attended. Schalken with difficulty arrived in Rotterdam

late in the day upon which the funeral was appointed to take place. The

procession had not then arrived. Evening closed in, and still it did not

appear.

Schalken strolled down to the church--he found it open; notice of the

arrival of the funeral had been given, and the vault in which the body

was to be laid had been opened. The official who corresponds to our

sexton, on seeing a well-dressed gentleman, whose object was to attend

the expected funeral, pacing the aisle of the church, hospitably invited

him to share with him the comforts of a blazing wood fire, which as was

his custom in winter time upon such occasions, he had kindled on the

hearth of a chamber which communicated by a flight of steps with the

vault below.

In this chamber Schalken and his entertainer seated themselves; and

the sexton, after some fruitless attempts to engage his guest in

conversation, was obliged to apply himself to his tobacco-pipe and can

to solace his solitude.

In spite of his grief and cares, the fatigues of a rapid journey of

nearly forty hours gradually overcame the mind and body of Godfrey

Schalken, and he sank into a deep sleep, from which he was awakened by

some one shaking him gently by the shoulder. He first thought that the

old sexton had called him, but _he_ was no longer in the room.

He roused himself, and as soon as he could clearly see what was around

him, he perceived a female form, clothed in a kind of light robe of

muslin, part of which was so disposed as to act as a veil, and in her

hand she carried a lamp. She was moving rather away from him, and

towards the flight of steps which conducted towards the vaults.

Schalken felt a vague alarm at the sight of this figure, and at the same

time an irresistible impulse to follow its guidance. He followed it

towards the vaults, but when it reached the head of the stairs, he

paused; the figure paused also, and turning gently round, displayed, by

the light of the lamp it carried, the face and features of his first

love, Rose Velderkaust. There was nothing horrible, or even sad, in the

countenance. On the contrary, it wore the same arch smile which used to

enchant the artist long before in his happy days.

A feeling of awe and of interest, too intense to be resisted, prompted

him to follow the spectre, if spectre it were. She descended the

stairs--he followed; and, turning to the left, through a narrow passage

she led him, to his infinite surprise, into what appeared to be an

old-fashioned Dutch apartment, such as the pictures of Gerard Douw have

served to immortalize.

Abundance of costly antique furniture was disposed about the room, and

in one corner stood a four-post bed, with heavy black cloth curtains

around it. The figure frequently turned towards him with the same arch

smile; and when she came to the side of the bed, she drew the curtains,

and by the light of the lamp which she held towards its contents, she

disclosed to the horror-stricken painter, sitting bolt upright in the

bed, the livid and demoniac form of Vanderhausen. Schalken had hardly

seen him when he fell senseless upon the floor, where he lay until

discovered, on the next morning, by persons employed in closing the

passages into the vaults. He was lying in a cell of considerable size,

which had not been disturbed for a long time, and he had fallen beside

a large coffin which was supported upon small stone pillars, a security

against the attacks of vermin.

To his dying day Schalken was satisfied of the reality of the vision

which he had witnessed, and he has left behind him a curious evidence of

the impression which it wrought upon his fancy, in a painting executed

shortly after the event we have narrated, and which is valuable as

exhibiting not only the peculiarities which have made Schalken's

pictures sought after, but even more so as presenting a portrait, as

close and faithful as one taken from memory can be, of his early love,

Rose Velderkaust, whose mysterious fate must ever remain matter of

speculation.

[Illustration: SHE DREW THE CURTAINS.]

The picture represents a chamber of antique masonry, such as might be

found in most old cathedrals, and is lighted faintly by a lamp carried

in the hand of a female figure, such as we have above attempted to

describe; and in the background, and to the left of him who examines the

painting, there stands the form of a man apparently aroused from sleep,

and by his attitude, his hand being laid upon his sword, exhibiting

considerable alarm; this last figure is illuminated only by the expiring

glare of a wood or charcoal fire.

The whole production exhibits a beautiful specimen of that artful and

singular distribution of light and shade which has rendered the name

of Schalken immortal among the artists of his country. This tale is

traditionary, and the reader will easily perceive, by our studiously

omitting to heighten many points of the narrative, when a little

additional colouring might have added effect to the recital, that we

have desired to lay before him, not a figment of the brain, but a

curious tradition connected with, and belonging to, the biography of

a famous artist.

[Illustration]

The Fortunes of Sir Robert Ardagh.

"The earth hath bubbles as the water hath--

And these are of them."

The Watcher, and other weird stories · 第 8 / 14 段