PHOTOGRAPHIC CORRESPONDENCE.

_Mr. Wilkinson's Mode of levelling Cameras._--As you have done me the

honour to notice my simple invention for levelling cameras, which I have

since had an opportunity of trying in the open air for a week, and find to

succeed perfectly, I wish to correct some errors which appeared in the

_Photographic Journal_, from which you copied my remarks, and which arose

from the notes being taken down from my verbal observations. The first part

is perfectly correct but after l. 9. col. 2. "N. & Q." (Vol. vii., p. 462.)

it should read thus:

"The other perpendicular is then sought for; the back or front of the

camera being raised or lowered until the thread cuts the perpendicular

lines drawn upon the sides of the camera. By this means a perfectly

horizontal plane is obtained, as true as with the best spirit-levels, and

in less time. By tying three knots in the silk at twelve inches distance

from the one bullet and from each other, we have a measure for stereoscopic

pictures; and by making the thread thirty-nine inches and two-tenths long

from one bullet to the centre of the other, we obtain a pendulum vibrating

seconds, which is useful in talking portraits; as it will continue

vibrating for ten minutes, if one bullet be merely hung over any point of

suspension."

Thus we obtain a levelling instrument, a chronometer, and a measure of

distances, at a cost considerably under one penny.

The above will more fully explain to your correspondent [Phi]. (Vol. vii.,

p. 505.) my reasons for the length of thread stated; and with respect to

the diagonal lines on the ground glass, it is not material what may be the

distance of the principal object, whether six feet or six hundred: for if

the cross lines, or any other lines drawn on the glass, cut the central

object in the picture at any particular part--for example, the window of

any particular house, or the branch of any tree,--then the camera may be

removed to higher or lower ground, several feet or inches, to the right or

to the left, and the same lines be made to cut the same objects, previously

noted; the elevation will then be the same, which completes all that is

required.

In most stereoscopic pictures, the distances are too wide. For a portrait,

two inches and half to three inches, at nine or twelve feet distant, is

enough; and for landscapes much less is required than is generally given,

for no very great accuracy is necessary. Three feet, at three hundred

yards, is quite enough; and four to six feet, at a mile, will do very well.

Let experiment determine: for every photographer must learn his profession

or amusement; there is no royal road to be depended on. But a small

aperture, a quarter of an inch diameter, may be considered a good practical

size for a lens of three and a quarter inches, depending on light and time:

the smaller the aperture, the longer the time; and no rules can be given by

any one who does not know the size and quality of the lenses employed.

Every one can make a few trials for himself, and find it out; which will be

more satisfactory than any instructions derived from books or

correspondence. I obtain all the information I can from every source, then

try, and judge for myself. At worst, you only spoil a few sheets of paper,

and gain experience.

I perfectly agree with DR. DIAMOND, that it is much better not to wash the

collodion pictures after developing; but pour on about one drachm of sat.

sol. hypo. at once, and then, when clear, plenty of water; and let water

rest on the surface for an hour or more, before setting on edge to dry.

Notes and Queries, Number 190, June 18, 1853 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 73 / 119 题