So as he drew near it, he saw a crowd upon its wall. And when he was

distant from it but a little way, suddenly its great gate's mouth was

thrown open, and a stream of people shot from it like a long tongue,

and rapidly came towards him, so that he said to himself: Ha! then, as

it seems, I am expected by the citizens of this delightful city, who

are as eager to come to me as I am to get to them. And they came

closer, clamouring and buzzing as it were like bees; and he looked, and

lo! they were all women, and there was not a man among them all. And

as he wondered, they ran up, and reached him, and threw themselves upon

him like a wave of the sea, laughing and crying, and drowning him in

their embraces: and they took him as it were captive, and swept him

away towards the city, all talking at once, and deafening him with

their joyful exclamations, paying not the least attention to anything

that he tried to say. And Aja let himself go, carried away by all

those women like a leaf in a rushing stream. And he said to himself,

in astonishment: What is this great wonder? For all these women fight

for me, as if they had never seen a man in their lives before. Where

then can the men be, to whom they must belong? Or can it be that I

have come to a city composed of women without a man? Have I escaped

the desert only to be drowned in a sea of women? For what is the use

of a single man in an ocean of the other sex? Or are they dragging me

away to offer me up to the Mother,[4] having sacrificed all their own

husbands already? Or have I really died in the desert, and is all this

only a dream of the other world? Can these be the heavenly Apsarases,

come in a body to fetch me away, as if I had fallen in battle? Surely

they are, for some of them are sufficiently beautiful even for Indra's

hall. And anyhow, it is better to be torn to pieces by beautiful

women, even if there are far too many, than to die in the desert, all

alone.

So as they bore him along, chattering on like jays and cranes, he said

again to the women next him: Fair ones, who are you, and where are you

taking me, and why in the world are you so greatly delighted to see me?

And then at last, they replied: O handsome stranger, ask nothing: very

soon thou shalt know all, for we are carrying thee away to our King.

And Aja said to himself: Ha! So, then, there is a King. These women

have, after all, a King. Truly, I am fain to see him, this singular

King of a female city. And weak as he was, he began to laugh, as they

all were laughing: and so they all surged on like a very sea of

laughter, through the gates of the city, and along the streets within,

till they came at last to the King's palace. And all the way, Aja

looked, and there was not to be seen so much as the shadow of a man in

all the streets, which overflowed with women like the channel of a

river in the rainy season.

Then the guards of the palace doors, who were also women, took him, and

led him in; and all the women who had brought him crowded in behind.

And they mounted stairs, and after a while, they entered at last a

great hall, whose pillars of alabaster were reflected in its dark green

crystal floor, giving it the semblance of a silent pool in which a

multitude of colossal swans had buried their necks beneath the water.

And there Aja found himself in the presence of the King.

And instantly, all the women screamed together: Victory to thee,

Maharájá! for here have we brought thee another husband for thy lovely

daughter. And Aja started. And he said to himself: Another husband!

How many husbands, then, has this strange King's daughter got already?

Has she an insatiable thirst for husbands, whose number I am brought to

swell? So as he stood reflecting, the King leaped from his throne, and

came towards him. And as Aja looked at him, he was seized with

amazement greater than before. For the King resembled a very

incarnation of the essence of grief, yet such that it was difficult to

behold him without laughter, as if the Creator had made him to exhibit

skill in combining the two. For his long thin hair was pure white, as

if with sorrow, and his eyes were red, as if with weeping, and great

hollow ruts were furrowed in his sunk and withered cheeks, as if the

tears had worn themselves channels in which to run. And though he was

tall, he was bent and old, as if bowed down by a load of care. And he

tried, as if in vain, to smile, as he said in a mournful voice that

quavered and cracked: O man, whoever thou art, long have I waited for

thee, and glad indeed I am to see thee, and inclined to dance like a

peacock at the sight of a rainy cloud.

And as he gazed upon the King, Aja was seized with sudden laughter that

would not be controlled, saying within himself: Much in common they

have between them, a dancing happy peacock, and this doleful specimen

of a weeping King! And he laughed till tears ran down his cheeks also,

as if in imitation of those of the King. And when at last he could

speak, he said: O King, forgive me. For I am very weak, and have come

within a little of dying in the desert. And I laughed from sheer

exhaustion, and for joy to see in thy person as it were the warrant of

my escape from death. Give me food, and above all, water, if thou

wouldst not have me die at thy feet. And afterwards, show me, if thou

wilt, thy daughter, to whom, as it seems, I am to be married whether I

will or no. And the King said: O thou model of the Creator's cunning

in the making of man, thy hilarity is excused. Food thou shalt have,

and water, and everything else thou canst require, and that

immediately. But as for my daughter, there she is before thee. And

she could teach dancing even to Tumburu himself.[5]

[1] The _Lokapálas_, or regents of the world, often thus appealed to,

are eight: Kubera, Isha, Indra, Agni, Yama, Niruti, Waruna, and Wayu:

and they ride on a horse, a bull, an elephant, a ram, a buffalo, a man,

a "crocodile," and a stag.

[2] When she was lost in the gambling match, and Duhshásana tried to

strip her, as he pulled off one dress, another appeared below it,

refusing to leave her naked.

[3] Still the name of Marwar.

[4] Durgá or Párwatí.

[5] A Ghandarwa, or heavenly musician, and the dancing master of the

Apsarases. [Pronounce tum- to rhyme with _room_, rather short.]

III

And then, as the laughter surged again in Aja's soul, saying within

himself: Out on this pitiable old scarecrow of a King, whose only

thought is dancing! the King turned, and stood aside. And Aja looked,

and instantly, the laughter died out of his heart, which ceased as it

were to beat. And he murmured to himself: Ha! this is the most

wonderful thing of all. King and women and desert and all vanished out

of his mind, as if the sentiment that suddenly seized it filled it so

completely as to leave room for nothing else. And he stood still

gazing, feeling as though he were spinning round, though he was

standing still as death. For there before him stood this enigmatical

King's daughter. And like her father, she also seemed an incarnation

of the soul of grief, not as in his case ignominious and an object of

derision, but rather resembling a heavenly drug compounded of the

camphor of the cold and midnight moon, that had put on a fragrant form

of feminine and fairy beauty to drive the world to sheer distraction,

half with love and half with woe. For like the silvery vision of the

new-born streak of that Lord of Herbs, she was slender and pale and

wan, formed as it seemed of some new strange essence of pure clear ice

and new dropt snow, and she loomed on the soul of Aja out of the

blackness of his trance like a large white drooping lily, just seen in

the gloom of an inky night. And her hair and brow were the colour of a

thunder-cloud in the month of Chaitra,[1] and like that cloud, the

heavy sorrow hung in her great dark mournful eyes, drenching him as it

were with a shower of dusky dreamy dewy beauty, and drawing him down

bewitched and lost like the victim of a haunted pool into the snaky

eddy of their silent unfathomable recess. And yet her deep red lips

trembled, as it were on the very border of a smile, as if they were

hinting against their will of a mine of laughter and subtle snares that

they were not allowed to use. And she had risen up to come and meet

him, yet was hanging back as if reluctant, and so she stood, all

reflected in the polished floor, with her head thrown back to look at

him, for she was very small, like one on the very point of imploring

help, yet shrinking, as if too proud to ask it from a stranger,

balanced as it were between reliance on her own pure and pleading

beauty and doubtfulness of its reception. So she halted irresolute,

with glorious throat that was hovering still over the swell of her

lifted breasts, poised as it were on the very verge of tumultuous

oscillation, like that of Rati, preparing with timidity to cast herself

at the feet of the three-eyed God, to beg back the body of her

burned-up husband in a passion of love-lorn tears.

And Aja stood before her, like the sea when the digit of the moon rises

suddenly over its waves, stirred with a tumult of strange emotions, and

yet lit by a heavenly ray, a mass of agitated darkness mixed with

dancing, trembling light; all unaware that he was himself to the King's

daughter exactly what she was to him, a weapon of bewilderment in the

hands of the cunning god of the flowery bow, who shot him suddenly at

her, like an arrow of intoxication, and pierced her through the very

middle of the soft lotus of her heart.

So they two stood awhile in silence. And all at once, Aja spoke, not

knowing that he spoke aloud. And he said, very slowly: How many

husbands, then, have already had this lustrous beauty, who looks for

all as pure and pale and undefiled as a new young delicate jasmine bud?

And instantly, as if roused from sleep by his reproach, he saw the

colour leap up into her cheek, and spread like dawn flushing over her

burning throat and brow. And she drew a sudden breath, and her bosom

heaved abruptly as if with a sob of shame. And at that moment, the

voice of the King her father broke harshly into Aja's dream, saying:

Alas! alas! Never a husband has had her yet, though she is now long

past sixteen, and could even teach Tumburu dancing.

And then, as if the King's words had suddenly lifted a weight from his

soul, Aja burst into a shout of laughter. And he tottered, as if to

fall. And he caught at the old King's arm, and gripped it so that he

almost screamed, exclaiming amid his laughter: Ha! King, I am also the

son of a King: and now I will be thy son-in-law. And she shall have a

husband at last, and teach him, if she pleases, dances that even

Tumburu does not know. And with that, he fell into such a paroxysm of

laughter, that weak as he was, he could not stand, but fell: and his

laughing turned to sobbing. Then the King's daughter turned to her

father, with an angry flush on her brow. And she said, with strong

emotion: O father, wilt thou delay for ever to send for food and water?

Dost thou not see that this King's son, great and powerful though he

be, is weak, and it may be, perishing, before thy face, of hunger and

thirst, having escaped by a miracle out of the desert to die by thy

neglect?

And she clapped her hands, stamping her foot in indignation. Then the

women ran, and took up Aja, and carried him away. And they bathed him,

and tended him, and fed him till he was recovered: and after a while,

they brought him back, into the presence of the King.

[1] April.

IV

So he came once more into that hall, looking like another man. And he

seemed in the eyes of the King like the rising sun of his daughter's

marriage, but in those of his daughter like the very God of Love, newly

risen from his own ashes. And he said joyously: O King, now I am again

myself: and my reason and my strength have both again returned to me.

And if in their absence, I behaved strangely and without good manners,

it behoves thee to lay the blame rather on the desert of sand that

surrounds thy city, than on myself. For I was like one delirious, and

half distracted by wonder and other feelings coming to the aid of

hunger and thirst. Then he told the King his name and family, and all

his story, looking all the while at the King's daughter, as she did all

the while at him, with glances that resembled sighs. But as he watched

her, Aja said to himself in wonder: What has happened to her, since I

saw her first, and what is the matter with her, now? For her quiet

grief has abandoned her, and she looks like one in a burning fever; and

two red spots, like suns, burn and blaze upon her cheeks, and her great

eyes shine and glow, as if there were a fire within her soul. So when

he had finished his own tale, he said: Now, then, O King, I have told

thee all that I have to tell. And now it is thy turn to speak.

Explain to me all this wonder; for I seem to move in a maze of

extraordinary events. Why are there, in thy city, no men, but only

women? And what is the cause of thy grief? And, greatest wonder of

all, how comes it that thou hast found a difficulty in finding a

husband for this thy daughter? For, as for myself, know that, make any

terms thou wilt, I am ready to marry her, blindfold, on any conditions

whatever: nay, would she only be my wife, I should consider the fruit

of my birth attained.

And then, to his amazement, that strange old King began to weep once

more. And tears flowed down his cheeks like rain, as he said: Alas!

alas! O son-in-law that would be, so fine a man art thou, that I am

distressed indeed to see thee, and to hear thee so eagerly proposing to

take my daughter for thy wife. For all that have preceded thee, and

they were many hundreds, have said the very same: and yet all without

exception have come to a miserable end: and there she is, unmarried

still.[1] And yet this is no fault of hers, unless indeed it be a fault

to be beautiful beyond compare. Nor has her maiden purity been sullied

in the least degree by ever a suitor of them all. But all this has

come about by reason of a fault of mine, itself, beyond a doubt, the

bitter fruit of the tree of crimes committed in a former birth. For

know that long ago, when I was young, I conquered the entire earth, and

brought it all, from sea to sea, under the shadow of one umbrella. So

when I was reposing, after my exertions, one day there came to see me

Nárada and another _rishi_. And Nárada entered first. And when he

complimented me, as the chosen husband of the earth, I said to myself:

Now, I must make him some suitable return. And accordingly, I

presented him with the whole earth. Then he replied: O King, what is

the use of the earth to me? And he gave it back to me, with his

blessing, saying: Obtain an incomparably beautiful offspring![2] and so

he went away. And then the other great _rishi_ entered, and

congratulated me also. And I presented him also with the entire earth.

Then that _rishi_ looked at me with eyes that were red with anger. And

he said slowly: What! Is my merit utterly despised? Dost thou presume

to offer me only the leavings of another? Thou shalt indeed obtain

offspring, but only of the female sex. And beautiful it shall be

indeed: but little shall that beauty profit either thyself or her. So

having uttered his curse,[3] he laughed, and instantly went away,

refusing to be propitiated or to throw any light upon the future. And

thereafter in due time there was born to me, not the nectar of a son,

but this lump of grief in the form of a daughter. And as if her sex

were not enough,[4] her almost inconceivable beauty and accomplishments

have only added to my calamity: nay, they are the very root of it, and

the essence of its sting. For all has come to pass, exactly as that

testy old _rishi_ said. For though she is, as thou seest, beautiful as

the moon, and like it, full of arts,[5] and above all, a dancer that

would turn even Tumburu green with envy, all this nectar has become

poison by the curse of that old ascetic, and the very perfection of her

beauty has become the means of undoing us both. For about two years

ago, as we were walking together at midnight, on the terrace of the

palace, that forms the edge of the city wall, enjoying the cold camphor

of the moon after the heat of a burning day, suddenly, out of the

desert, we heard as it were the rush of wings. And as we stood and

listened, there arose in the air a sound of voices, like those of a man

and woman in vehement dispute. But though we could distinguish the

tones, we could not understand the meaning, for the language was

unknown to us. And then, after a while, those two invisible air-goers

appeared all at once before our eyes, seated on the battlements, in the

form of a pair of vultures.[6] And immediately, the male vulture spoke

with a human voice, saying: O King, give me now this daughter of thine

to wife. And instantly I answered rashly: Never will I bestow my

daughter on a bird of ill-omen such as thou art. Thereupon that

evil-minded suitor laughed like a hyæna: and instantly my daughter fell

into a swoon. And as she lay in the moonlight, she looked so

indescribably and unutterably beautiful that even that loathsome bird

was moved. And he said to his companion: Daughter, I was right, and

thou wert wrong. Look, and see, and allow, that she is far more

beautiful than even thou art. Thereupon that _gridhri_[7] laughed

also, and she said: Time shall show. Listen, King. This is

Kírttisena, a nephew of Wásuki, King of the Snakes, and I am his only

daughter. For this form of vulture was assumed by us, only to converse

with thee. Now he maintained thy daughter to be more beautiful than I

am. Thereupon I vowed vengeance. But I agreed to leave her

unmolested, if thou didst give her to him for a wife. So to preserve

her from my vengeance, he asked her of thee in marriage. Now, then,

since thou hast rejected his suit, despising him hastily for his

outward form, and since my own beauty has been slighted by his

comparison, ye two shall be punished, she for her beauty, and thou for

thine insolence, and through the means of that very beauty, on account

of which my father and I have become contemptible. See, O thou who

despisest a suitor, whether thou canst easily procure another. This

shall be the condition of thy daughter's marriage. Whatever suitor

shall lay claim to her, thou shalt send up to this terrace alone at

night. And if he claims, and does not come, we will swallow thy city

whole, houses and all. Then those two vultures disappeared. And not

long afterwards, hearing that my daughter was to be given in marriage,

suitors arrived like swarms of bees from every quarter of the world,

attracted by her fame. For she is called Yashowatí, because the fame

of her fills the world. Then all those suitors followed one another,

like the days of the year in which they went, up upon the terrace of

the city wall: and like those days, not one of them all has ever

returned, but they have vanished utterly, none knows how, or where.

And when all the distant suitors were exhausted, and all the

neighbouring kings, then, in my ardent desire to get her married, no

matter how, to no matter whom, I offered her to the men of my own city,

showing her to them from the palace windows. And every man that saw

her ran to win her; and one by one, the men of the city followed after

her former suitors, till they grew few in the city. Thereupon the

women banded together, and took their husbands and their sons and

everything in the shape of a man, and hid them: and now as thou seest,

there is not a man to be seen or found, in the whole city. But every

stranger that comes to the city, they catch, and bring him straight to

me, as they have done in thy case also. And the mere sight of my

daughter always makes him not only willing, but, as thou art, even

eager, to marry her at any cost. And yet they have all utterly

vanished, like stones dropped, one after another, into a well without a

floor. And there is my daughter, maiden and unmarried still. And I

can see my ancestors wringing their hands for grief: knowing well that

as soon as I myself am dead, it is all over with their race. For who

will offer them water, since the fatal beauty of my only daughter has

set a term to my ancient line?

So as Aja stood, lost in wonder at the old King's story, his daughter

suddenly rose to her feet with a shrill cry. And she exclaimed: O son

of a King, fly quickly! Hence! away! back with thee even into the

desert, and leave me and my father and this miserable city to our

inevitable fate. And she sank down in a swoon, and would have fallen

to the ground, but that Aja sprang quickly forward and caught her as

she fell.

So as he stood, holding her in his arms, and wishing that her swoon

might last for ever, so only that he held her, for she stole away his

senses with the seduction of her fragrance and proximity, her father

exclaimed, in dismay: Ha! this is something new, and a thing that has

never occurred before. And what can be the matter now? O son of a

King! she must have fallen in love with thee, as well indeed she might,

for thy beauty and thy youth. And doubtless it has grieved her soul,

to think of thy approaching end. But alas! alas! this is worse than

all. For now, if thou fallest a victim, as cannot fail to be the case,

like all thy predecessors, she will herself not survive thee: and then,

indeed, there is an end of all. For as long as she was left to be

married, there was still a shadow of hope behind.

And he began to ramble about, wringing his hands for grief. But Aja

said to himself, with joy: Ha! this was all I wanted, if only it be

true. And he said to the King: O King, it will be time enough to

afflict thyself for her death or for mine when we have actually died.

But count me, in the meantime, as thy son-in-law: and be under no

anxiety as to the fate of thy ancestors. For I will guarantee their

good condition: and this very night, I will rid thee of the evil demon

that molests her. And tomorrow, I will take this hand, and lead her

round the fire.[8]

And he took her hand, as she lay in his arms, and touched it with his

lips.

[1] It may not be superfluous to remind the English reader that,

according to Hindoo ideas, there is no disgrace like that of possessing

an unmarried daughter. Hence the practice, among the Rajpoots and

adjacent peoples, of destroying the female infants, to avoid it.

[2] Intending, of course, a son. Unfortunately he employed a word of

indeterminate gender: hence the lamentable _dénouement_. For in

ancient India, as in ancient Rome, the spoken word, the letter,

determined everything.

[3] Nothing in Hindoo mythology is more absurd than the implacable fury

of the most holy men for the most trifling slights, unless it be the

accuracy with which their most dreadful imprecations are literally

fulfilled. This was, I believe, characteristic also of the saints of

Erin.

[4] An English lady having called, not long ago, at the house of a

Hindoo lady, to enquire how she was, after an interesting event, and

_what was the result_, received for answer: Alas, _memsahib, nothing at

all_: a girl. Had she been a partisan of "woman's rights," she would

probably never have recovered from the shock.

[5] A play on words, not transferable to English.

[6] It is a very bad omen, in India, for a vulture to settle on a house.

[7] A female vulture. I retain the original word, because it seems to

be peculiarly expressive of the thing.

[8] That is, marry her.

V

And instantly, as though his kiss had been to her like sandal and like

palm-leaf fans, she came back to herself. And when she saw who held

her, she started up, and stood, blushing the colour of her own lips,

with eyes cast upon the ground. And the King said: O daughter, what is

this? Does it become a high caste maiden outwardly to exhibit her

inward feelings, and abandon the straight line of virgin modesty by

behaviour that betrays her heart?

And then, Yashowatí sighed deeply. And she looked for a while in

silence, first at her father, and then at Aja: and all at once, she

stood erect, like one seized by sudden resolution, and she clapped her

hands together, and exclaimed, in a voice that shook and quivered with

emotion: Ha! who can hide a forest fire by covering it over with a

little straw, or what does maiden conduct matter, in the ruin of the

three worlds! Aye! the fire of grief consumed me, to see this noble

son of a king, and to think that he escaped the desert only to meet his

death from me. Now has my punishment come upon me in the form of this

tall and splendid youth. For I grieved for the fate of my former

suitors, and yet I saw them for all that go, one by one, to their

useless doom, and still myself remained alive. Long ago, beyond a

doubt, I ought myself to have left the body, and perished of my own

accord, rather than consent to live, the cause of death to so many

others: and by putting myself to death, I should have cut in two the

fatal chain of their succession, and saved their lives by the

substitute of my own. And now, instead, I have been as it were their

murderess, and a death to them all in female form. And now the Deity

has avenged them, by sending to me at last the God of Love in human

shape, whose death will be a grief to me a hundred fold more awful than

any death I could have died. And I myself shall not survive him. Then

why waste time in chiding one who has but one more day to live? For as

soon as night arrives, he must go like the rest to meet his doom: and

certain it is, that I shall not live to see the sun rise again without

him.

A Draught of the Blue, together with An Essence of the Dusk · 第 5 / 8 段