CHAPTER XXI.

JENNY LIND.

ARRIVAL AT ST. LOUIS--SURPRISING PROPOSITION OF MISS LIND’S

SECRETARY--HOW THE MANAGER MANAGED--READINESS TO CANCEL THE

CONTRACT--CONSULTATION WITH “UNCLE SOL.”--BARNUM NOT TO BE HIRED--A

“JOKE”--TEMPERANCE LECTURE IN THE THEATRE--SOL. SMITH--A COMEDIAN,

AUTHOR, AND LAWYER--UNIQUE DEDICATION--JENNY LIND’S CHARACTER AND

CHARITIES--SHARP WORDS FROM THE WEST--SELFISH ADVISERS--MISS LIND’S

GENEROUS IMPULSES--HER SIMPLE AND CHILDLIKE CHARACTER--CONFESSIONS

OF A MANAGER--PRIVATE REPUTATION AND PUBLIC RENOWN--CHARACTER AS A

STOCK IN TRADE--LE GRAND SMITH--MR. DOLBY--THE ANGELIC SIDE KEPT

OUTSIDE--MY OWN SHARE IN THE PUBLIC BENEFITS--JUSTICE TO MISS LIND

AND MYSELF.

According to agreement, the “Magnolia” waited for us at Natchez and

Memphis, and we gave profitable concerts at both places. The concert at

Memphis was the sixtieth in the list since Miss Lind’s arrival in

America, and the first concert in St. Louis would be the sixty-first.

When we reached that city, on the morning of the day when our first

concert was to be given, Miss Lind’s secretary came to me, commissioned,

he said, by her, and announced that as sixty concerts had already taken

place, she proposed to avail herself of one of the conditions of our

contract, and cancel the engagement next morning. As this was the first

intimation of the kind I had received, I was somewhat startled, though I

assumed an entirely placid demeanor, and asked:

“Does Miss Lind authorize you to give me this notice?”

“I so understand it,” was the reply.

I immediately reflected that if our contract was thus suddenly

cancelled, Miss Lind was bound to repay to me all I had paid her over

the stipulated $1,000 for each concert, and a little calculation showed

that the sum thus to be paid back was $77,000, since she had already

received from me $137,000 for sixty concerts. In this view, I could not

but think that this was a ruse of some of her advisers, and, possibly,

that she might know nothing of the matter. So I told her secretary that

I would see him again in an hour, and meanwhile I went to my old friend

Mr. Sol. Smith for his legal and friendly advice.

I showed him my contract and told him how much I had been annoyed by the

selfish and greedy hangers-on and advisers, legal and otherwise, of

Jenny Lind. I talked to him about the “wheels within wheels” which moved

this great musical enterprise, and asked and gladly accepted his advice,

which mainly coincided with my own views of the situation. I then went

back to the secretary and quietly told him that I was ready to settle

with Miss Lind and to close the engagement.

“But,” said he, manifestly “taken aback,” “you have already advertised

concerts in Louisville and Cincinnati, I believe.”

“Yes,” I replied; “but you may take my contracts for halls and printing

off my hands at cost.” I further said that he was welcome to the

assistance of my agent who had made these arrangements, and, moreover,

that I would cheerfully give my own services to help them through with

these concerts, thus giving them a good start “on their own hook.”

My liberality, which he acknowledged, emboldened him to make an

extraordinary proposition:

“Now suppose,” he asked, “Miss Lind should wish to give some fifty

concerts in this country, what would you charge as manager, per

concert?”

“A million dollars each, not one cent less,” I replied. I was now

thoroughly aroused; the whole thing was as clear as daylight, and I

continued:

“Now we might as well understand each other; I don’t believe Miss Lind

has authorized you to propose to me to cancel our contract; but if she

has, just bring me a line to that effect over her signature and her

check for the amount due me by the terms of that contract, some $77,000,

and we will close our business connections at once.”

“But why not make a new arrangement,” persisted the Secretary, “for

fifty concerts more, by which Miss Lind shall pay you liberally, say

$1,000 per concert?”

“Simply because I hired Miss Lind, and not she me,” I replied, “and

because I never ought to take a farthing less for my risk and trouble

than the contract gives me. I have voluntarily paid Miss Lind more than

twice as much as I originally contracted to pay her, or as she expected

to receive when she first engaged with me. Now, if she is not satisfied,

I wish to settle instantly and finally. If you do not bring me her

decision to-day, I shall go to her for it to-morrow morning.”

I met the secretary soon after breakfast next morning and asked him if

he had a written communication for me from Miss Lind? He said he had not

and that the whole thing was a “joke.” He merely wanted, he added, to

see what I would say to the proposition. I asked him if Miss Lind was

in the “joke,” as he called it? He hoped I would not inquire, but would

let the matter drop. I went on, as usual, and gave four more concerts in

St. Louis, and followed out my programme as arranged in other cities for

many weeks following; nor at that time, nor at any time afterwards, did

Miss Lind give me the slightest intimation that she had any knowledge of

the proposition of her secretary to cancel our agreement or to employ me

as her manager.

During our stay at St. Louis, I delivered a temperance lecture in the

theatre, and at the close, among other signers, of the pledge, was my

friend and adviser, Sol. Smith. “Uncle Sol,” as every one called him,

was a famous character in his time. He was an excellent comedian, an

author, a manager and a lawyer. For a considerable period of his life,

he was largely concerned in theatricals in St. Louis, New Orleans and

other cities, and acquired a handsome property. He died at a ripe old

age, in 1869, respected and lamented by all who knew him. I esteem it an

honor to have been one of his intimate friends.

A year or two before he died, he published a very interesting volume,

giving a full account of the leading incidents in his long and varied

career as an actor and manager. He had previously, in 1854, published an

autobiographical work, comprising an account of the “second seven years

of his professional life,” together with sketches of adventure in after

years, and entitled “The Theatrical Journey-Work and Anecdotical

Recollections of Sol. Smith, Comedian, Attorney at Law,” etc. This

unique work was preceded by a dedication which I venture to copy. It was

as follows:

“TO PHINEAS T. BARNUM, PROPRIETOR OF THE AMERICAN MUSEUM, ETC.

“_Great Impressario_: Whilst you were engaged in your grand Jenny Lind

speculation, the following conundrum went the rounds of the American

newspapers:

“‘Why is it that Jenny Lind and Barnum will never fall out?’ Answer:

‘Because he is always for-getting, and she is always for-giving.’

“I have never asked you the question directly, whether you, Mr. Barnum,

started that conundrum, or not; but I strongly suspect that you did. At

all events, I noticed that your whole policy was concentrated into one

idea--to make an angel of Jenny, and depreciate yourself in contrast.

“You may remember that in this city (St. Louis), I acted in one instance

as your ‘legal adviser,’ and as such, necessarily became acquainted with

all the particulars of your contract with the so-called Swedish

Nightingale, as well as the various modifications claimed by that

charitable lady, and submitted to by you after her arrival in this

country; which modifications (I suppose it need no longer be a secret)

secured to her--besides the original stipulation of one thousand dollars

for every concert, attendants, carriages, assistant artists, and a

pompous and extravagant retinue, fit (only) for a European princess--one

half of the profits of each performance. You may also remember the legal

advice I gave you on the occasion referred to, and the salutary effect

of your following it. You must remember the extravagant joy you felt

afterwards, in Philadelphia, when the ‘Angel’ made up her mind to avail

herself of one of the stipulations in her contract, to break off at the

end of a hundred nights, and even bought out seven of that

hundred--supposing that she could go on without your aid as well as with

it. And you cannot but remember, how, like a rocket-stick she dropped,

when your business connection with her ended, and how she ‘fizzed out’

the remainder of her concert nights in this part of the world, and soon

afterwards retired to her domestic blissitude in Sweden.

“You know, Mr. Barnum, if you would only tell, which of the two it was

that was ‘for-getting,’ and which ‘for-giving’; and you also know who

actually gave the larger portion of those sums which you heralded to the

world as the sole gifts of the ‘divine Jenny.’

“Of all your speculations--from the negro centenarina, who didn’t nurse

General Washington, down to the Bearded Woman of Genoa--there was not

one which required the exercise of so much humbuggery as the Jenny Lind

concerts; and I verily believe there is no man living, other than

yourself, who could, or would, have risked the enormous expenditure of

money necessary to carry them through successfully--travelling, with

sixty artists, four thousand miles, and giving ninety-three concerts, at

an actual cost of forty-five hundred dollars each, is what no other man

would have undertaken--you accomplished this, and pocketed by the

operation but little less than two hundred thousand dollars! Mr. Barnum,

you are yourself, alone!

“I honor you, oh! Great Impressario, as the most successful manager in

America or any other country. Democrat, as you are, you can give a

practical lesson to the aristocrats of Europe how to live. At your

beautiful and tasteful residence, ‘Iranistan’ (I don’t like the name,

though,) you can and do entertain your friends with a warmth of

hospitality, only equalled by that of the great landed proprietors of

the old country, or of our own ‘sunny South.’ Whilst riches are pouring

into your coffers from your various ‘ventures’ in all parts of the

world, you do not hoard your immense means, but continually ‘cast them

forth upon the waters,’ rewarding labor, encouraging the arts, and

lending a helping hand to industry in all its branches. Not content with

doing all this, you deal telling blows, whenever opportunity offers,

upon the monster Intemperance. Your labors in this great cause alone,

should entitle you to the thanks of all good men, women and children in

the land. Mr. Barnum, you deserve all your good fortune, and I hope you

may long live to enjoy your wealth and honor.

“As a small instalment towards the debt, I, as one of the community, owe

you, and with the hope of affording you an hour’s amusement (if you can

spare that amount of time from your numerous avocations to read it), I

present you with this little volume, containing a very brief account of

some of my ‘journey-work’ in the south and west; and remain, very

respectfully,

“Your friend, and affectionate uncle,

“SOL. SMITH.

HANG

“CHOUTEAU AVENUE, ST. LOUIS,

“Nov. 1, 1854.”

“Uncle” Sol. Smith must be held solely responsible for his extravagant

estimate of P. T. Barnum, and for his somewhat deprecatory view of the

attributes of the “divine Jenny.” It is true that he derived many of his

impressions of Miss Lind from the annoying circumstances that compelled

me to seek his professional advice and assistance in St. Louis, when

Jenny Lind’s secretary came to me with an assumed authorization from her

to abruptly close our engagement. But when Sol. Smith’s dedication was

first published, there were plenty of people and papers throughout the

land that were eager to catch up and indorse this new view of Miss

Lind’s character. The Athenians were sometimes sick, no doubt, of

hearing Aristides always called “the Just.” Yet, some of the sharp

things which Sol. Smith means to say about Miss Lind, apply rather to

the selfish persons who, unfortunately, were more in her confidence than

I ever aspired to be, and who assumed to advise her and thus easily

perverted her better judgment.

With all her excellent and even extraordinarily good qualities, however,

Jenny Lind was human, though the reputation she bore in Europe for her

many charitable acts led me to believe, till I knew her, that she was

nearly perfect. I think now that her natural impulses were more simple,

childlike, pure and generous than those of almost any other person I

ever met. But she had been petted, almost worshipped, so long, that it

would have been strange indeed if her unbounded popularity had not in

some degree affected her to her hurt, and it must not be thought

extraordinary if she now and then exhibited some phase of human

weakness.

Like most persons of uncommon talent, she had a strong will which, at

times, she found ungovernable; but if she was ever betrayed into a

display of ill-temper she was sure to apologize and express her regret

afterwards. Le Grand Smith, who was quite intimate with her, and who was

my right-hand man during the entire Lind engagement, used sometimes to

say to me:

“Well, Mr. Barnum, you have managed wonderfully in always keeping

Jenny’s ‘angel’ side outside with the public.”

More than one Englishman--I may instance Mr. Dolby, Mr. Dickens’s agent

during his last visit to America--expressed surprise at the confirmed

impression of “perfection” entertained by the general American public in

regard to the Swedish Nightingale. These things are written with none

but the kindest feelings towards the sweet songstress, and only to

modify the too current ideas of superhuman excellence which cannot be

characteristic of any mortal being.

As I have before intimated in giving details of my management of the

enterprise, believing, as I did when I engaged her, in her “angelic”

reputation, I am frank enough to confess that I considered her private

character a valuable adjunct, even in a business point of view, to her

renown as a singer. I admit that I took her charities into account as

part of my “stock in trade.” Whenever she sang for a public or private

charity, she gave her voice, which was worth a thousand dollars to her

every evening. At such times, I always insisted upon paying for the

hall, orchestra, printing, and other expenses, because I felt able and

willing to contribute my full share towards the worthy objects which

prompted these benefits.

This narration would be incomplete if I did not add the following:

We were in Havana when I showed to Miss Lind a paper containing the

conundrum on “for-getting” and “for-giving,” at which she laughed

heartily, but immediately checked herself and said:

“O! Mr. Barnum, this is not fair; you know that you really give more

than I do from the proceeds of every one of these charity concerts.”

And it is but just to her to say that she frequently remonstrated with

me and declared that the actual expenses should be deducted and the thus

lessened sum devoted to the charity for which the concert might be

given; but I always laughingly told her that I must do my part, give my

share, and that if it was purely a business operation, “bread cast upon

the waters,” it would return, perhaps, buttered; for the larger her

reputation for liberality, the more liberal the public would surely be

to us and to our enterprise.

I have no wish to conceal these facts; and I certainly have no desire to

receive a larger meed of praise than my qualified generosity merits.

Justice to myself and to my management, as well as to Miss Lind, seems

to permit, if not to demand, this explanation.

Struggles and Triumphs: or, Forty Years' Recollections of P. T. Barnum · 第 21 / 43 章