"Come, Alice," said Mr. Barbour, "I hear, not the trump of war, but the
soul-inspiring scrape of the banjo. I notice the servants always choose the
warmest nights to dance in. Let us go out and see them."
"We'll go to the arbor," said Alice; "where we will be near enough to see
Uncle Bacchus's professional airs. Ole Bull can't exceed him in that
respect."
"Nor equal him," said Mr. Barbour. "Bacchus is a musician by nature; his
time is perfect; his soul is absorbed in his twangs and flourishes."
"I must come, too," said Mr. Weston. "You are afraid of the night air,
Cousin Janet?"
"Never mind me," said Cousin Janet; "I'll sit here and fan myself."
"And as I prefer music, especially the banjo, at a distance, I will stay
too," said Mrs. Weston.
Aunt Phillis was smoking outside her door, her mind divided between
speculations as to what had become of Jim, and observations on the
servants, as they were collecting from every direction, to join in the
dancing or to find a good seat to look on.
The first sound of the banjo aroused Bacchus the younger from his dreams.
He bounded from his bed on the chest, regardless of the figure he cut in
his very slight dishabille, and proceeded to the front door, _set_, as his
mother would have said, on having his own way.
"Oh, mammy," he said, "dare's de banjo."
"What you doin here?" said Phillis. "Go long to bed this minute, 'fore I
take a switch to you."
"Oh, mammy," said the boy, regardless of the threat in his enthusiastic
state of mind, "jist listen, daddy's gwine to play 'Did you ever see the
devil?'"
"Will any body listen to the boy? If you don't go to bed"--
"Oh, mammy, _please_ lem me go. Dare's Jake, he's gwine to dance. Massa
said I'd beat Jake dancin one o' dese days."
"High," said Phillis; "where's the sore foot you had this morning?"
"Its done got well. It got well a little while ago, while I was asleep."
"Bound for you; go long," said Phillis.
Bacchus was about to go, without the slightest addition to his toilet.
"Come back here," said Phillis, "you real cornfield nigger; you goin there
naked?"
The boy turned back, and thrust his legs in a pair of pants, with twine for
suspenders. His motions were much delayed, by his nervous state of
agitation, the consequence of the music which was now going on in earnest.
He got off finally, not without a parting admonition from his mother.
"Look here," said she, "if you don't behave yourself, I'll skin you."
Allusion to this mysterious mode of punishment had the effect of sobering
the boy's mind in a very slight degree. No sooner was he out of his
mother's sight than his former vivacity returned.
His father, meanwhile, had turned down a barrel, and was seated on it.
Every attitude, every motion of his body, told that his soul, forgetful of
earth and earthly things, had withdrawn to the regions of sound. He kicked
his slippers off keeping time, and his head dodged about with every turn of
the quick tune. A stranger, not understanding the state of mind into which
a negro gets after playing "The devil among the tailors," would have
supposed he was afflicted with St. Vitus's dance. The mistake would soon
have been perceived, for two of the boys having tired themselves out with
manoeuvres of every kind, were obliged to sit down to get some breath,
and Bacchus fell into a sentimental mood, after a little tuning up.
It was uncertain in what strain he would finally go off. First came a bar
that sounded like Auld Lang Syne, then a note or two of Days of Absence,
then a turn of a Methodist hymn, at last he went decidedly into "Nelly was
a lady." The tune of this William had learned from Alice singing it to the
piano. He begged her to teach him the words. She did so, telling him of the
chorus part, in which many were to unite. Bacchus prepared an
accompaniment; a number of them sang it together. William sang the solos.
He had a remarkably good voice and fine taste; he therefore did justice to
the sweet song. When the full but subdued chorus burst upon the ear, every
heart felt the power of the simple strain; the master with his educated
mind and cultivated taste, and the slave with the complete power of
enjoyment with which the Creator has endowed him.
Hardly had the cadence of the last note died away, when "Shout, shout, the
devil's about," was heard from a stentorian voice. Above the peals of
laughter with which the words were received, rose Jake's voice, "Come on,
ole fiddler, play somefin a nigger kin kick up his heels to; what's de use
of singing after dat fashion; dis aint no meetin."
"What'll you have, Jake?" said Bacchus.
"What'll I have? Why, I never dances to but one tune," and Jake started the
first line of "Oh, plantation gals, can't you look at a body," while
Bacchus was giving a prelude of scrapes and twangs. Jake made a circle of
somersets, and come down on his head, with his heels in the air, going
through flourishes that would have astonished an uninitiated observer. As
it was, Jake's audience were in a high condition of enjoyment. They were
in a constant state of expectation as to where he would turn up, or what
would be the nature of the next caper. Now, he cut the pigeon-wing for a
length of time that made the spectators hold their breath; then he would,
so to speak, stand on his hands, and with his feet give a push to the
barrel where Uncle Bacchus was sitting, and nearly roll the old man
underneath. One moment he is dancing with every limb, making the most
curious contortions of his face, rolling out his tongue, turning his eyes
wrong side out. Suddenly, he stretches himself on the grass, snoring to a
degree that might be heard at almost any distance. Starting up, he snaps
his fingers, twirls round, first on one foot, and then on the other, till
feeling the time approaching when he must give up, he strikes up again:
"Shout, shout, the devil's about;
Shut the door and keep him out,"
leaps frog over two or three of the servants' shoulders, disappearing from
among them in an immoderate state of conceit and perspiration.
Bacchus is forced at this crisis to put down the banjo and wipe his face
with his sleeve, breathing very hard. He was thinking he wouldn't get near
so tired if he had a little of the "Oh, be joyful" to keep up his spirits,
but such aspirations were utterly hopeless at the present time: getting
tipsy while his master, and Mr. Barbour, and Alice were looking at him, was
quite out of the question. He made a merit of keeping sober, too, on the
ground of setting a good example to the young servants. He consoled himself
with a double-sized piece of tobacco, and rested after his efforts. His
promising son danced Juba at Mr. Weston's particular request, and was
rewarded by great applause.
A little courting scene was going on at this time, not far distant. Esther,
Phillis's third daughter, was a neat, genteel-looking servant, entirely
above associating with "common niggers," as she styled those who, being
constantly employed about the field, had not the advantage of being called
upon in the house, and were thus very deficient in manners and appearance
from those who were so much under the eye of the family. Esther, like her
mother, was a great Methodist. Reading well, she was familiar with the
Bible, and had committed to memory a vast number of hymns. These, she and
her sister, with William, often sung in the kitchen, or at her mother's
cabin. Miss Janet declared it reminded her of the employment of the saints
in heaven, more than any church music she had ever heard; especially when
they sang, "There is a land of pure delight."
That heart must be steeled against the sweet influences of the Christian
religion, which listens not with an earnest pleasure to the voice of the
slave, singing the songs of Zion. No matter how kind his master, or how
great and varied his comforts, he is a slave! His soul cannot, on earth, be
animated to attain aught save the enjoyment of the passing hour. Why need
he recall the past? The present does not differ from it--toil, toil,
however mitigated by the voice of kindness. Need he essay to penetrate the
future? it is still toil, softened though it be by the consideration which
is universally shown to the feelings and weaknesses of old age. Yet has the
Creator, who placed him in this state, mercifully provided for it. The
slave has not the hopes of the master, but he is without many of his cares.
He may not strive after wealth, yet he is always provided with comfort.
Ambition, with its longings for fame, and riches, and power, never
stimulates his breast; that breast is safe from its disappointments. His
enjoyments, though few, equal his expectations. His occupations, though
servile, resemble the mass of those around him. His eye can see the
beauties of nature; his ear drinks in her harmonies; his soul content
itself with what is passing in the limited world around him. Yet, he is a
slave! And if he is ever elevated above his condition, it is when praising
the God of the white man and the black; when, with uplifted voice, he sings
the songs of the redeemed; when, looking forward to the invitation which he
hopes to receive, "Come in, thou servant of the Lord."
Christian of the South, remember who it was that bore thy Saviour's cross,
when, toiling, and weary, and fainting beneath it, he trod the hill of
Calvary. Not one of the rich, learned, or great; not one of thine
ancestors, though thou mayest boast of their wealth, and learning, and
heroic acts--it was a black man who relieved him of his heavy burden; Simon
of Cyrene was his name.
Christian of the North, canst thou emancipate the Southern slave? Canst
thou change his employments, and elevate his condition? Impossible. Beware
then, lest thou add to his burden, and tighten his bonds, and deprive him
of the simple enjoyments which are now allowed him.
* * * * *
Esther, seated on the steps of a small porch attached to the side of the
house, was mentally treating with great contempt the amusements of the
other servants. She had her mother's disposition, and disliked any thing
like noisy mirth, having an idea it was not genteel; seeing so little of it
in her master's family. She was an active, cheerful girl, but free from any
thing like levity in her manner.
She had a most devoted admirer in the neighborhood; no less a personage
than Mrs. Kent's coachman. His name was Robert, after Mrs. Kent's father.
Assuming the family name, he was known as Robert Carter. Phillis called him
a harmless goose of a fellow, and this gives the best idea of his
character. He understood all about horses, and nothing else, if we except
the passion of love, which was the constant subject of his conversation. He
had made up his mind to court Esther, and with that in view he dressed
himself in full livery, as if he were going to take his mistress an airing.
He asks Mrs. Kent's permission to be married, though he had not the
slightest reason to suppose Esther would accept him, with a confidence and
self-exultation that man in general is apt to feel when he has determined
to bestow himself upon some fortunate fair one. He went his way, passing
the dancers without any notice, and going straight to that part of the
house where he supposed he should find Esther.
Esther received him with politeness, but with some reserve; not having a
chair to offer him, and not intending him to take a seat on the steps
beside her, she stood up, and leaned against the porch.
They talked a little of the weather, and the health of the different
members of their respective families, during which, Robert took the
opportunity to say, "His master, (Mr. Kent) had a bilious attack, and he
wished to the Lord, he'd never get better of it." Finally, he undid one of
the buttons of his coat, which was getting too small for him, and drawing a
long breath, proceeded to lay himself (figuratively) at Esther's feet.
He did not come to the point at once, but drove round it, as if there might
be some impediment in the way, which, though it could not possibly upset
the whole affair, might make a little unnecessary delay. Esther thought he
was only talking nonsense, as usual, but when he waxed warm and energetic
in his professions, she interrupted him with, "Look here, Robert, you're
out of your head, aint you?"
"No deed, Miss Esther, but I'm dying in love with you."
"The best thing you can do, is to take yourself home," said Esther. "I hope
you're sober."
"I was never soberer in my life," said Robert, "but the fact is, Miss
Esther, I'm tired of a bachelor's life; 'pears as if it wasn't
respectable, and so I'm thinking of settling down."
"You want settling down, for true," said Esther.
"I'm mighty happy to hear you say so," said Robert, "and if you'll only
mention what time it'll be agreeable to you to make me the happiest man in
Virginny, I'le speak to Uncle Watty Harkins about performing the ceremony,
without you prefer a white minister to tie the knot."
"Robert," said Esther, "you're a born fool; do you mean to say you want me
to marry you?"
"Certainly, Esther; I shouldn't pay you no attentions, if I didn't mean to
act like a gentleman by you."
"Well, I can tell you," said Esther, "I wouldn't marry you, to save your
life."
"You ain't in earnest, Esther?"
"Indeed I am," said Esther, "so you better not be coming here on any such
fool's errand again."
"Why, Esther," said Robert, reproachfully, "after my walking home from
meeting with you, and thinking and dreaming about you, as I have for this
long time, aint you going to marry me?"
"No, I aint," said Esther.
"Then I'll bid you good night; and look here, Esther, to-morrow, mistress
will lose one of her most valuable servants, for I shall hang myself."
Esther went up the steps, and shut the door on him, internally marvelling
at the impudence of men in general; Robert, with a strong inclination to
shed tears, turned his steps homeward. He told Mrs. Kent, the next morning,
that he had come to the conclusion not to be married for some time yet,
women were so troublesome, and there was no knowing how things would turn
out. Mrs. Kent saw he was much dejected, and concluded there were sour
grapes in the question.
After due consideration, Robert determined not to commit suicide; he did
something equally desperate. He married Mrs. Kent's maid, an ugly,
thick-lipped girl, who had hitherto been his especial aversion. He could
not though, entirely erase Esther's image from his heart--always feeling a
tendency to choke, when he heard her voice in meeting.
Esther told her mother of the offer she had had, and Phillis quite agreed
with her, in thinking Robert was crazy. She charged "Esther to know when
she was well off, and not to bring trouble upon herself by getting married,
or any such foolishness as that."