CHAPTER XXIII.

A CUP OF COFFEE.

The room was carpetless. On the floor were a quantity of

shavings, and some score of bricks. Beyond these, on a narrow

table, lay an object, which I could hardly believe I saw aright.

I approached and drew from it a sheet which had very slightly

disguised its shape. There was no mistake about it. It was a

coffin; and on the lid was a plate, with the inscription in

French:

PIERRE DE LA ROCHE ST. AMAND.

AGÉE DE XXIII ANS.

I drew back with a double shock. So, then, the funeral after all

had not yet left! Here lay the body. I had been deceived. This,

no doubt, accounted for the embarrassment so manifest in the

Countess's manner. She would have done more wisely had she told

me the true state of the case.

I drew back from this melancholy room, and closed the door. Her

distrust of me was the worst rashness she could have committed.

There is nothing more dangerous than misapplied caution. In

entire ignorance of the fact I had entered the room, and there I

might have lighted upon some of the very persons it was our

special anxiety that I should avoid.

These reflections were interrupted, almost as soon as begun, by

the return of the Countess de St. Alyre. I saw at a glance that

she detected in my face some evidence of what had happened, for

she threw a hasty look towards the door.

"Have you seen anything--anything to disturb you, dear Richard?

Have you been out of this room?"

I answered promptly, "Yes," and told her frankly what had

happened.

"Well, I did not like to make you more uneasy than necessary.

Besides, it is disgusting and horrible. The body _is_ there; but

the Count had departed a quarter of an hour before I lighted the

coloured lamp, and prepared to receive you. The body did not

arrive till eight or ten minutes after he had set out. He was

afraid lest the people at Père la Chaise should suppose that the

funeral was postponed. He knew that the remains of poor Pierre

would certainly reach this to-night although an unexpected delay

has occurred; and there are reasons why he wishes the funeral

completed before to-morrow. The hearse with the body must leave

this in ten minutes. So soon as it is gone, we shall be free to

set out upon our wild and happy journey. The horses are to the

carriage in the _porte-cochère_. As for this _funeste_ horror

(she shuddered very prettily), let us think of it no more."

She bolted the door of communication, and when she turned, it was

with such a pretty penitence in her face and attitude, that I was

ready to throw myself at her feet.

"It is the last time," she said, in a sweet sad little pleading,

"I shall ever practise a deception on my brave and beautiful

Richard--my hero? Am I forgiven."

Here was another scene of passionate effusion, and lovers'

raptures and declamations, but only murmured, lest the ears of

listeners should be busy.

At length, on a sudden, she raised her hand, as if to prevent my

stirring, her eyes fixed on me, and her ear toward the door of

the room in which the coffin was placed, and remained breathless

in that attitude for a few moments. Then, with a little nod

towards me, she moved on tip-toe to the door, and listened,

extending her hand backward as if to warn me against advancing;

and, after a little time, she returned, still on tip-toe, and

whispered to me, "They are removing the coffin--come with me."

I accompanied her into the room from which her maid, as she told

me, had spoken to her. Coffee and some old china cups, which

appeared to me quite beautiful, stood on a silver tray; and some

liqueur glasses, with a flask, which turned out to be noyeau, on

a salver beside it.

"I shall attend you. I'm to be your servant here; I am to have my

own way; I shall not think myself forgiven by my darling if he

refuses to indulge me in anything." She filled a cup with

coffee, and handed it to me with her left hand, her right arm she

fondly, passed over my shoulder, and with her fingers through my

curls caressingly, she whispered, "Take this, I shall take some

just now."

It was excellent; and when I had done she handed me the liqueur,

which I also drank.

"Come back, dearest, to the next room," she said. "By this time

those terrible people must have gone away, and we shall be safer

there, for the present, than here."

"You shall direct, and I obey; you shall command me, not only

now, but always, and in all things, my beautiful queen!" I

murmured.

My heroics were unconsciously, I daresay, founded upon my ideal

of the French school of lovemaking. I am, even now, ashamed as I

recall the bombast to which I treated the Countess de St. Alyre.

"There, you shall have another miniature glass--a fairy glass--of

noyeau," she said, gaily. In this volatile creature, the funereal

gloom of the moment before, and the suspense of an adventure on

which all her future was staked, disappeared in a moment. She ran

and returned with another tiny glass, which, with an eloquent or

tender little speech, I placed to my lips and sipped.

I kissed her hand, I kissed her lips, I gazed in her beautiful

eyes, and kissed her again unresisting.

"You call me Richard, by what name am I to call my beautiful

divinity?" I asked.

"You call me Eugenie, it is my name. Let us be quite real; that

is, if you love as entirely as I do."

"Eugenie!" I exclaimed, and broke into a new rapture upon the

name.

It ended by my telling her how impatient I was to set out upon

our journey; and, as I spoke, suddenly an odd sensation overcame

me. It was not in the slightest degree like faintness. I can find

no phrase to describe it, but a sudden constraint of the brain;

it was as if the membrane in which it lies, if there be such a

thing, contracted, and became inflexible.

"Dear Richard! what is the matter?" she exclaimed, with terror in

her looks. "Good Heavens! are you ill. I conjure you, sit down;

sit in this chair." She almost forced me into one; I was in no

condition to offer the least resistance. I recognised but too

truly the sensations that supervened. I was lying back in the

chair in which I sat without the power, by this time, of uttering

a syllable, of closing my eyelids, of moving my eyes, of stirring

a muscle. I had in a few seconds glided into precisely the state

in which I had passed so many appalling hours when approaching

Paris, in my night-drive with the Marquis d'Harmonville.

Great and loud was the lady's agony. She seemed to have lost all

sense of fear. She called me by my name, shook me by the

shoulder, raised my arm and let it fall, all the time imploring

of me, in distracting sentences, to make the slightest sign of

life, and vowing that if I did not, she would make away with

herself.

These ejaculations, after a minute or two, suddenly subsided. The

lady was perfectly silent and cool. In a very business-like way

she took a candle and stood before me, pale indeed, very pale,

but with an expression only of intense scrutiny with a dash of

horror in it. She moved the candle before my eyes slowly,

evidently watching the effect. She then set it down, and rang a

hand-bell two or three times sharply. She placed the two cases (I

mean hers containing the jewels) and my strong box, side by side

on the table; and I saw her carefully lock the door that gave

access to the room in which I had just now sipped my coffee.

END OF THE SECOND VOLUME.

In a Glass Darkly, v. 2/3 · 第 23 / 23 章