CHAPTER XII.

THE MAGICIAN.

No more brilliant spectacle than this masked ball could be

imagined. Among other _salons_ and galleries, thrown open, was

the enormous perspective of the "Grande Galerie des Glaces,"

lighted up on that occasion with no less than four thousand wax

candles, reflected and repeated by all the mirrors, so that the

effect was almost dazzling. The grand suite of _salons_ was

thronged with masques, in every conceivable costume. There was

not a single room deserted. Every place was animated with music,

voices, brilliant colours, flashing jewels, the hilarity of

extemporized comedy, and all the spirited incidents of a cleverly

sustained masquerade. I had never seen before anything, in the

least, comparable to this magnificent _fête_. I moved along,

indolently, in my domino and mask, loitering, now and then, to

enjoy a clever dialogue, a farcical song, or an amusing

monologue, but, at the same time, keeping my eyes about me, lest

my friend in the black domino, with the little white cross on his

breast, should pass me by.

I had delayed and looked about me, specially, at every door I

passed, as the Marquis and I had agreed; but he had not yet

appeared.

While I was thus employed, in the very luxury of lazy amusement,

I saw a gilded sedan chair, or, rather, a Chinese palanquin,

exhibiting the fantastic exuberance of "Celestial" decoration,

borne forward on gilded poles by four richly-dressed Chinese; one

with a wand in his hand marched in front, and another behind; and

a slight and solemn man, with a long black beard, a tall fez,

such as a dervish is represented as wearing, walked close to its

side. A strangely-embroidered robe fell over his shoulders,

covered with hieroglyphic symbols; the embroidery was in black

and gold, upon a variegated ground of brilliant colours. The robe

was bound about his waist with a broad belt of gold, with

cabalistic devices traced on it, in dark red and black; red

stockings, and shoes embroidered with gold, and pointed and

curved upward at the toes, in Oriental fashion, appeared below

the skirt of the robe. The man's face was dark, fixed, and

solemn, and his eyebrows black, and enormously heavy--he carried

a singular-looking book under his arm, a wand of polished black

wood in his other hand, and walked with his chin sunk on his

breast, and his eyes fixed upon the floor. The man in front waved

his wand right and left to clear the way for the advancing

palanquin, the curtains of which were closed; and there was

something so singular, strange, and solemn about the whole thing,

that I felt at once interested.

I was very well pleased when I saw the bearers set down their

burthen within a few yards of the spot on which I stood.

The bearers and the men with the gilded wands forthwith clapped

their hands, and in silence danced round the palanquin a curious

and half frantic dance, which was yet, as to figures and

postures, perfectly methodical. This was soon accompanied by a

clapping of hands and a ha-ha-ing, rhythmically delivered.

While the dance was going on a hand was lightly laid on my arm,

and, looking round, a black domino with a white cross stood

beside me.

"I am so glad I have found you," said the Marquis; "and at this

moment. This is the best group in the rooms. _You_ must speak to

the wizard. About an hour ago I lighted upon them, in another

_salon_, and consulted the oracle, by putting questions. I never

was more amazed. Although his answers were a little disguised it

was soon perfectly plain that he knew every detail about the

business, which no one on earth had heard of but myself, and two

or three other men, about the most cautious persons in France. I

shall never forget that shock. I saw other people who consulted

him, evidently as much surprised, and more frightened than I. I

came with the Count St. Alyre and the Countess."

He nodded toward a thin figure, also in a domino. It was the

Count.

"Come," he said to me, "I'll introduce you."

I followed, you may suppose, readily enough.

The Marquis presented me, with a very prettily-turned allusion to

my fortunate intervention in his favour at the Belle Etoile; and

the Count overwhelmed me with polite speeches, and ended by

saying, what pleased me better still:

"The Countess is near us, in the next _salon_ but one, chatting with her

old friend the Duchesse d'Argensaque; I shall go for her in a few

minutes; and when I bring her here, she shall make your acquaintance;

and thank you, also, for your assistance, rendered with so much courage

when we were so very disagreeably interrupted."

"You must, positively, speak with the magician," said the Marquis

to the Count de St. Alyre, "you will be so much amused. _I_ did

so; and, I assure you, I could not have anticipated such answers!

I don't know what to believe."

"Really! Then, by all means, let us try," he replied.

We three approached, together, the side of the palanquin, at

which the black-bearded magician stood.

A young man, in a Spanish dress, who, with a friend at his side,

had just conferred with the conjuror, was saying, as he passed us

by:

"Ingenious mystification! Who is that in the palanquin. He seems

to know everybody."

The Count, in his mask and domino, moved along, stiffly, with us,

toward the palanquin. A clear circle was maintained by the

Chinese attendants, and the spectators crowded round in a ring.

One of these men--he who with a gilded wand had preceded the

procession--advanced, extending his empty hand, palm upward.

"Money?" inquired the Count.

"Gold," replied the usher.

The Count placed a piece of money in his hand; and I and the

Marquis were each called on in turn to do likewise as we entered

the circle. We paid accordingly.

The conjuror stood beside the palanquin, its silk curtain in his

hand; his chin sunk, with its long, jet-black beard, on his

chest; the outer hand grasping the black wand, on which he

leaned; his eyes were lowered, as before, to the ground; his face

looked absolutely lifeless. Indeed, I never saw face or figure so

moveless, except in death.

The first question the Count put, was--

"Am I married, or unmarried?"

The conjuror drew back the curtain quickly, and placed his ear

toward a richly-dressed Chinese, who sat in the litter; withdrew

his head, and closed the curtain again; and then answered--

"Yes."

The same preliminary was observed each time, so that the man with

the black wand presented himself, not as a prophet, but as a

medium; and answered, as it seemed, in the words of a greater

than himself.

Two or three questions followed, the answers to which seemed to

amuse the Marquis very much; but the point of which I could not

see, for I knew next to nothing of the Count's peculiarities and

adventures.

"Does my wife love me?" asked he, playfully.

"As well as you deserve."

"Whom do I love best in the world?"

"Self."

"Oh! That I fancy is pretty much the case with every one. But,

putting myself out of the question, do I love anything on earth

better than my wife?"

"Her diamonds."

"Oh!" said the Count.

The Marquis, I could see, laughed.

"Is it true," said the Count, changing the conversation

peremptorily, "that there has been a battle in Naples?"

"No; in France."

"Indeed," said the Count, satirically, with a glance round. "And

may I inquire between what powers, and on what particular

quarrel?"

"Between the Count and Countess de St. Alyre, and about a

document they subscribed on the 25th July, 1811."

The Marquis afterwards told me that this was the date of their

marriage settlement.

The Count stood stock-still for a minute or so; and one could

fancy that they saw his face flushing through his mask.

Nobody, but we two, knew that the inquirer was the Count de St.

Alyre.

I thought he was puzzled to find a subject for his next question;

and, perhaps, repented having entangled himself in such a

colloquy. If so, he was relieved; for the Marquis, touching his

arm, whispered--

"Look to your right, and see who is coming."

I looked in the direction indicated by the Marquis, and I saw a

gaunt figure stalking toward us. It was not a masque. The face

was broad, scarred, and white. In a word, it was the ugly face of

Colonel Gaillarde, who, in the costume of a corporal of the

Imperial Guard, with his left arm so adjusted as to look like a

stump, leaving the lower part of the coat-sleeve empty, and

pinned up to the breast. There were strips of very real

sticking-plaster across his eyebrow and temple, where my stick

had left its mark, to score, hereafter, among the more honourable

scars of war.

In a Glass Darkly, v. 2/3 · 第 12 / 23 章