SECTION I.

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The Art

OF

PERFUMERY,

AND METHOD OF OBTAINING

THE ODORS OF PLANTS.

[Illustration: DRYING HOUSE FOR HERBS.]

From the rafters of the roof of the Drying House are suspended in

bunches all the herbs that the grower cultivates. To accelerate the

desiccation of rose leaves and other petals, the Drying House is fitted

up with large cupboards, which are slightly warmed with a convolving

flue, heated from a fire below.

The flower buds are placed upon trays made of canvas stretched upon a

frame rack, being not less than twelve feet long by four feet wide. When

charged they are placed on shelves in the warm cupboards till dry.

THE ART OF PERFUMERY,

AND METHOD OF OBTAINING THE ODORS OF PLANTS,

WITH INSTRUCTIONS FOR THE MANUFACTURE OF PERFUMES FOR THE HANDKERCHIEF,

SCENTED POWDERS, ODOROUS VINEGARS, DENTIFRICES, POMATUMS, COSMETIQUES,

PERFUMED SOAP, ETC.

WITH AN APPENDIX ON THE COLORS OF FLOWERS, ARTIFICIAL FRUIT ESSENCES,

ETC. ETC.

[Illustration]

BY G.W. SEPTIMUS PIESSE,

AUTHOR OF THE "ODORS OF FLOWERS," ETC. ETC.

* * * * *

PHILADELPHIA:

LINDSAY AND BLAKISTON.

1857.

PRINTED BY C. SHERMAN & SON,

19 St. James Street.

Preface.

By universal consent, the physical faculties of man have been divided

into five senses,--seeing, hearing, touching, tasting, and smelling. It

is of matter pertaining to the faculty of Smelling that this book mainly

treats. Of the five senses, that of smelling is the least valued, and,

as a consequence, is the least tutored; but we must not conclude from

this, our own act, that it is of insignificant importance to our welfare

and happiness.

By neglecting to tutor the olfactory nerve, we are constantly led to

breathe impure air, and thus poison the body by neglecting the warning

given at the gate of the lungs. Persons who use perfumes are more

sensitive to the presence of a vitiated atmosphere than those who

consider the faculty of smelling as an almost useless gift.

In the early ages of the world the use of perfumes was in constant

practice, and it had the high sanction of Scriptural authority.

The patrons of perfumery have always been considered the most civilized

and refined people of the earth. If refinement consists in knowing how

to enjoy the faculties which we possess, then must we learn not only how

to distinguish the harmony of color and form, in order to please the

sight, the melody of sweet sounds to delight the ear; the comfort of

appropriate fabrics to cover the body, and to please the touch, but the

smelling faculty must be shown how to gratify itself with the

odoriferous products of the garden and the forest.

Pathologically considered, the use of perfumes is in the highest degree

prophylactic; the refreshing qualities of the citrine odors to an

invalid is well known. Health has often been restored when life and

death trembled in the balance, by the mere sprinkling of essence of

cedrat in a sick chamber.

The commercial value of flowers is of no mean importance to the wealth

of nations. But, vast as is the consumption of perfumes by the people

under the rule of the British Empire, little has been done in England

towards the establishment of flower-farms, or the production of the raw

odorous substances in demand by the manufacturing perfumers of Britain;

consequently nearly the whole are the produce of foreign countries.

However, I have every hope that ere long the subject will attract the

attention of the Society of Arts, and favorable results will doubtless

follow. Much of the waste land in England, and especially in Ireland,

could be very profitably employed if cultivated with odor-bearing

plants.

The climate of some of the British colonies especially fits them for the

production of odors from flowers that require elevated temperature to

bring them to perfection.

But for the lamented death of Mr. Charles Piesse,[A] Colonial Secretary

for Western Australia, I have every reason to believe that flower-farms

would have been established in that colony long ere the publication of

this work. Though thus personally frustrated in adapting a new and

useful description of labor to British enterprise, I am no less sanguine

of the final result in other hands.

Mr. Kemble, of Jamaica, has recently sent to England some fine samples

of Oil of Behn. The Moringa, from which it is produced, has been

successfully cultivated by him. The Oil of Behn, being a perfectly

inodorous fat oil, is a valuable agent for extracting the odors of

flowers by the maceration process.

At no distant period I hope to see, either at the Crystal Palace,

Sydenham, at the Royal Botanical Gardens, Kew, or elsewhere, a place to

illustrate the commercial use of flowers--eye-lectures on the methods of

obtaining the odors of plants and their various uses. The

horticulturists of England, being generally unacquainted with the

methods of economizing the scents from the flowers they cultivate,

entirely lose what would be a very profitable source of income. For many

ages copper ore was thrown over the cliffs into the sea by the Cornish

miners working the tin streams; how much wealth was thus cast away by

ignorance we know not, but there is a perfect parallel between the old

miners and the modern gardeners.

Many readers of the "Gardeners' Chronicle" and of the "Annals of

Pharmacy and Chemistry" will recognize in the following pages much

matter that has already passed under their eyes.

To be of the service intended, such matter must however have a book

form; I have therefore collected from the above-mentioned periodicals

all that I considered might be useful to the reader.

To Sir Wm. Hooker, Dr. Lindley, Mr. W. Dickinson, and Mr. W. Bastick, I

respectfully tender my thanks for the assistance they have so freely

given whenever I have had occasion to seek their advice.

Contents.

PREFACE

SECTION I.

INTRODUCTION AND HISTORY.

Perfumes in use from the Earliest Periods--Origin lost in the Depth of

its Antiquity--Possibly derived from Religious Observances--Incense or

Frankincense burned in Honor of the Divinities--Early Christians put to

Death for refusing to offer Incense to Idols--Use of perfumes by the

Greeks and Romans--Pliny and Seneca observe that some of the luxurious

People scent themselves Three Times a Day--Use of Incense in the Romish

Church--Scriptural Authority for the use of Perfume--Composition of the

Holy Perfume--The Prophet's Simile--St. Ephræm's Will--Fragrant

Tapers--Constantine provides fragrant Oil to burn at the

Altars--Frangipanni--Trade in the East in Perfume Drugs--The Art of

Perfumery of little Distinction in England--Solly's admirable Remarks on

Trade Secrets--British Horticulturists neglect to collect the Fragrance

of the Flowers they cultivate--The South of France the principal Seat of

the Art--England noted for Lavender--Some Plants yield more than one

Perfume--Odor of Plants owing to a peculiar Principle known as Essential

Oil or Otto

SECTION II.

Consumption of Perfumery--Methods of obtaining the Odors:--Expression,

Distillation, Maceration, Absorption

SECTION III.

Steam-Still--Macerating Pan--Ottos exhibited at the Crystal Palace of

1851--SIMPLE EXTRACTS:--Allspice, Almond, Artificial Otto of

Almonds, Anise, Balm, Balsams, Bay, Bergamot, Benzoin, Caraway,

Cascarilla, Cassia, Cassie, Cedar, Cedrat, Cinnamon, Citron, Citronella,

Clove, Dill, Eglantine or Sweet Brier, Elder, Fennel, Flag, Geranium,

Heliotrope, Honeysuckle, Hovenia, Jasmine, Jonquil, Laurel, Lavender,

Lemon-grass, Lilac, Lily, Mace, Magnolia, Marjoram, Meadow-sweet,

Melissa, Mignonette, Miribane, Mint, Myrtle, Neroli, Nutmeg, Olibanum,

Orange, Orris, Palm, Patchouly, Sweet Pea (Theory of Odors), Pineapple,

Pink, Rhodium (Rose yields two Odors), Rosemary, Sage, Santal,

Sassafras, Spike, Storax, Syringa, Thyme, Tonquin, Tuberose, Vanilla,

Verbena or Vervain, Violet, Vitivert, Volkameria, Wallflower,

Winter-green--Duty on Essential Oils--Quantity imported--Statistics,

&c.

SECTION IV.

ANIMAL PERFUMES.

Ambergris--Civet--Musk

SECTION V.

SMELLING SALTS:--Ammonia, Preston Salts, Inexhaustible Salts,

Eau de Luce, Sal Volatile

ACETIC ACID AND ITS USE IN PERFUMERY.--Aromatic Vinegar,

Henry's Vinegar, Vinaigre à la Rose, Four Thieves' Vinegar, Hygienic

Vinegar, Violet Vinegar, Toilet Vinegar, Vinaigre de Cologne

SECTION VI.

BOUQUETS AND NOSEGAYS.

Proposed Use of the Term "Otto" to denote the odoriferous Principle of

Plants

COMPOUND ODORS:--The Alhambra Perfume--The Bosphorus

Bouquet--Bouquet d'Amour--Bouquet des Fleurs du Val

d'Andorre--Buckingham Palace Bouquet--Délices--The Court Nosegay--Eau de

Chypre--The Empress Eugenie's Nosegay--Esterhazy--Ess Bouquet--Eau de

Cologne. (French and English Spirit.) Flowers of Erin--Royal Hunt

Bouquet--Extract of Flowers--The Guards' Bouquet--Italian

Nosegay--English Jockey Club--French Jockey Club. (Difference of the

Odor of English and French Perfumes due to the Spirit of Grape and Corn

Spirit.) A Japanese Perfume--The Kew Garden

Nosegay--Millefleurs--Millefleurs et Lavender--Delcroix's

Lavender--Marechale--Mousselaine--Bouquet de Montpellier--Caprice de la

Mode--May Flowers--Neptune, or Naval Nosegay--Bouquet of all

Nations--Isle of Wight Bouquet--Bouquet du Roi--Bouquet de la Reine

Victoria--Rondeletia. (Odors properly blended produce new Fragrances.)

Bouquet Royal--Suave--Spring Flowers--Tulip Nosegay--The Wood

Violet--Windsor Castle Bouquet--Yacht Club Nosegay

SECTION VII.

The ancient Perfumes were only odoriferous Gums--Abstaining from the Use

of Perfumes a Sign of Humiliation--The Vase at Alnwick Castle--Sachet

Powders--Sachet au Chypre--Sachet à la Frangipanne--Heliotrope

Sachet--Lavender Sachet--Sachet à la

Maréchale--Mousselaine--Millefleur--Portugal Sachet--Patchouly

Sachet--Pot Pourri--Olla Podrida--Rose Sachet--Santal-wood

Sachet--Sachet (without a name)--Vervain Sachet--Vitivert--Violet

Sachet--Perfumed Leather--Russia Leather--Peau d'Espagne--Perfumed

Letter Paper--Perfumed Book-markers--Cassolettes, and Printaniers

Pastils--The Censer--Vase in the British Museum--Method of using the

Censer--Incense for Altar Service--Yellow Pastils--Dr. Paris's

Pastils--Perfumer's Pastils--Piesse's Pastils--Fumigation--The Perfume

Lamp--Incandescent Platinum--Eau à Bruler--Eau pour Bruler--Fumigating

Paper--Perfuming Spills--Odoriferous Lighters

SECTION VIII.

PERFUMED SOAP.

Perfumed Soap--Ancient Origin of Soap--Early Records of the Soap Trade

in England--Perfumers not Soap Makers--Remelting--Primary Soaps--Curd

Soap--Oil Soap--Castile Soap--Marine Soap--Yellow Soap--Palm

Soap--Excise Duty on Soap--Fig Soft Soap--Naples Soft Soap--The

remelting Process--Soap cutting--Soap stamping--Scented Soaps

Almond Soap--Camphor Soap--Honey Soap--White Windsor Soap--Brown Windsor

Soap--Sand Soap--Fuller's Earth Soap--Scenting Soaps Hot--Scenting Soaps

Cold--Colored Soaps:--Red, Green, Blue, Brown Soaps--Otto of Rose

Soap--Tonquin Musk Soap--Orange-Flower Soap--Santal-wood

Soap--Spermaceti Soap--Citron Soap--Frangipanne Soap--Patchouly

Soap--Soft or Potash Soaps--Saponaceous Cream of Almonds--Soap

Powders--Rypophagon Soap--Ambrosial Cream--Transparent soft

Soap--Transparent hard Soap--Medicated Soaps--Juniper Tar Soap--Iodine

Soap--Sulphur Soap--Bromine Soap--Creosote Soap--Mercurial Soap--Croton

Oil Soap--Their Use in Cutaneous Diseases

SECTION IX.

EMULSINES.

Form Emulsions or Milks when mixed with Water--Prone to

Change--Amandine--Olivine--Honey and Almond Paste--Pure Almond

Paste--Almond Meal--Pistachio Nut Meal--Jasmine Emulsion--Violet

Emulsion

SECTION X.

MILKS OR EMULSIONS.

Liebig's notice of Almond Milk--Milk of Roses--Milk of Almonds--Milk of

Elder--Milk of Dandelion--Milk of Cucumber--Essence of Cucumber--Milk of

Pistachio Nuts--Lait Virginal--Extract of Elder Flowers

SECTION XI.

COLD CREAM.

Manipulation--Cold Cream of Almonds--Violet Cold Cream--Imitation Violet

Cold Cream--Cold Cream of various Flowers--Camphor Cold Cream--Cucumber

Cold Cream--Piver's Pomade of Cucumber--Pomade Divine--Almond

Balls--Camphor Balls--Camphor Paste--Glycerine Balsam--Rose Lip

Salve--White Lip Salve--Common Lip Salve

SECTION XII.

POMADES AND OILS.

Pomatum, as its name implies, originally made with Apples--Scentless

Grease--Enfleurage and Maceration process--Acacia, or Cassie

Pomade--Benzoin Pomade and Oil--Vanilla Oil and Pomade--Pomade called

Bear's Grease--Circassian Cream--Balsam of Flowers--Crystallized

Oils--Castor Oil Pomatum--Balsam of Neroli--Marrow Cream--Marrow

Pomatum--Violet Pomatum--Pomade Double, Millefleurs--Pomade à la

Heliotrope--Huile Antique--Philocome--Pomade Hongroise--Hard or Stick

Pomatums--Black and Brown Cosmetique

SECTION XIII.

HAIR DYES AND DEPILATORIES.

Painting the Face universal among the Women of Egypt--Kohhl, the Smoke

of Gum Labdanum, used by the Girls of Greece to color the Lashes and

Sockets of the Eye--Turkish Hair Dye--Rastikopetra Dye--Litharge

Dye--Silver Dye--Hair Dyes, with Mordant--Inodorous Dye--Brown and Black

Hair Dye--Liquid Lead Dye--Depilatory, Rusma

SECTION XIV.

ABSORBENT POWDERS.

Violet Powder--Rose Face Powder--Perle Powder--Liquid Blanc for

Theatrical Use--Calcined Talc--Rouge and Red Paints--Bloom of

Roses--Carmine Toilet Rouge--Carthamus Flowers--Pink Saucers--Crépon

Rouge

SECTION XV.

TOOTH POWDERS AND MOUTH WASHES.

Mialhi's Tooth Powder--Camphorated Chalk--Quinine Tooth Powder--Prepared

Charcoal--Peruvian Bark Powder--Homoeopathic Chalk--Cuttle-Fish

Powder--Borax and Myrrh--Farina Piesse's Dentifrice--Rose Tooth

Powder--Opiate Paste--Violet Mouth Wash--Eau Botot--Botanic

Styptic--Tincture of Myrrh and Borax--Myrrh with Eau de

Cologne--Camphorated Eau de Cologne

SECTION XVI.

HAIR WASHES.

Rosemary Hair Wash--Athenian Water--Vegetable or Botanic Hair

Wash--Astringent Extract of Roses and Rosemary--Saponaceous Wash--Egg

Julep--Bandolines--Rose and Almond Bandoline

Contents of Appendix.

Manufacture of Glycerine

Test for Alcohol in Essential Oils

Detection of Poppy and other drying Oils in Almond and Olive Oil

Coloring matter of Volatile Oils

Artificial Preparation of Otto of Cinnamon

Detection of Spike Oil and Turpentine in Lavender Oil

The Orange Flower Waters of Commerce

Concentrated Elder Water

ARNALL on Spirits of Wine

Purification of Spirits by Filtration

COBB on Otto of Lemons

BASTICK on Benzoic Acid

On the Coloring matters of Flowers

Bleaching Bees' Wax

Chemical Examination of Naples Soap

Manufacture of Soap

How to Ascertain the Commercial Value of Soap

On the Natural Fats

Perfumes as Preventives of Mouldiness

BASTICK on Fusel Oil

BASTICK'S Pine Apple Flavor

WAGNER'S Essence of Quince

Preparation of Rum-ether

Artificial Fruit essences

Volatile Oil of Gaultheria

Application of Chemistry to Perfumery

Correspondence from the Journal of the Society of Arts

Quantities of Ottos yielded by various Plants

French and English Weights and Measures compared

Illustrations.

Drying House, Mitcham, Surrey, (Frontispiece.)

Smelling, from the Dresden Gallery, (Vignette.)

Pipette, to draw off small Portions of Otto from Water

Tap Funnel for separating Ottos from Waters, and Spirits from Oil

The Almond

Styrax Benzoin

Cassie Buds

The Clove

The Jasmine

The Orange

The Patchouly Plant

Santal-Wood

Tonquin

Vanilla

Vitivert

Civet Cat

Musk Pod

Musk Deer

The Censer

Perfume Lamp

Slab Soap Gauge

Barring Gauge

Squaring Gauge

Soap Scoops

Soap Press

Moulds

Soap Plane

Oil Runner

THE ART OF PERFUMERY.

INTRODUCTION AND HISTORY.

SECTION I.

"By Nature's swift and secret working hand

The garden glows, and fills the liberal air

With lavish odors.

There let me draw

Ethereal soul, there drink reviving gales,

Profusely breathing from the spicy groves

And vales of fragrance."--THOMSON.

Among the numerous gratifications derived from the cultivation of

flowers, that of rearing them for the sake of their perfumes stands

pre-eminent. It is proved from the oldest records, that perfumes have

been in use from the earliest periods. The origin of this, like that of

many other arts, is lost in the depth of its antiquity; though it had

its rise, no doubt, in religious observances. Among the nations of

antiquity, an offering of perfumes was regarded as a token of the most

profound respect and homage. Incense, or Frankincense, which exudes by

incision and dries as a gum, from _Arbor-thurifera_, was formerly burnt

in the temples of all religions, in honor of the divinities that were

there adored. Many of the primitive Christians were put to death because

they would not offer incense to idols.

"Of the use of these luxuries by the Greeks, and afterwards by the

Romans, Pliny and Seneca gives much information respecting perfume

drugs, the method of collecting them, and the prices at which they

sold. Oils and powder perfumery were most lavishly used, for even

three times a day did some of the luxurious people anoint and

scent themselves, carrying their precious perfumes with them to

the baths in costly and elegant boxes called NARTHECIA."

In the Romish Church incense is used in many ceremonies, and

particularly at the solemn funerals of the hierarchy, and other

personages of exalted rank.

Pliny makes a note of the tree from which frankincense is procured, and

certain passages in his works indicate that dried flowers were used in

his time by way of perfume, and that they were, as now, mixed with

spices, a compound which the modern perfumer calls _pot-pourri_, used

for scenting apartments, and generally placed in some ornamental Vase.

It was not uncommon among the Egyptian ladies to carry about the person

a little pouch of odoriferous gums, as is the case to the present day

among the Chinese, and to wear beads made of scented wood. The

"bdellium" mentioned by Moses in Genesis is a perfuming gum, resembling

frankincense, if not identical with it.

Several passages in Exodus prove the use of perfumes at a very early

period among the Hebrews. In the thirtieth chapter of Exodus the Lord

said unto Moses: "1. And thou shalt make an altar to burn incense upon;

of Shittim wood shalt thou make it." "7. And Aaron shall burn thereon

sweet incense every morning; when he dresseth the lamps he shall burn

incense upon it." "34. Take unto thee sweet spices, stacte, and onycha,

and galbanum; these sweet spices with pure frankincense: of each shall

there be a like weight." "35. And thou shalt make it a perfume, a

confection after the art of the apothecary, tempered together pure and

holy." "36. And thou shalt beat some of it very small, and put of it

before the testimony in the tabernacle of the congregation, where I will

meet with thee; it shall be unto you most holy." "37. And as for the

perfume which thou shalt make, ye shall not make to yourselves according

to the composition thereof; it shall be unto thee holy for the Lord."

"38. Whosoever shall make like unto that to smell thereto, shall even be

cut off from his people."

"It was from this religious custom, of employing incense in the

ancient temples, that the royal prophet drew that beautiful simile

of his, when he petitioned that his prayers might ascend before

the Lord like incense, Luke 1:10. It was while all the multitude

was praying without, at the hour of incense, that there appeared

to Zachary an angel of the Lord, standing on the right side of the

altar of incense. That the nations attached a meaning not only of

personal reverence, but also of religious homage, to an offering

of incense, is demonstrable from the instance of the Magi, who,

having fallen down to adore the new-born Jesus, and recognized his

Divinity, presented Him with gold, myrrh and frankincense. The

primitive Christians imitated the example of the Jews, and adopted

the use of incense at the celebration of the Liturgy. St. Ephræm,

a father of the Syriac Church, directed in his will that no

aromatic perfumes should be bestowed upon him at his funeral, but

that the spices should rather be given to the sanctuary. The use

of incense in all the Oriental churches is perpetual, and almost

daily; nor do any of them ever celebrate their Liturgy without it,

unless compelled by necessity. The Coptic, as well as other

Eastern Christians, observe the same ceremonial as the Latin

Church in incensing their altar, the sacred vessels, and

ecclesiastical personages."--DR. ROCK'S _Hierurgia_.

Perfumes were used in the Church service, not only under the form of

incense, but also mixed in the oil and wax for the lamps and lights

commanded to be burned in the house of the Lord. The brilliancy and

fragrance which were often shed around a martyr's sepulchre, at the

celebration of his festival, by multitudes of lamps and tapers, fed with

aromatics, have been noticed by St. Paulinus:--

"With crowded lamps are these bright altars crowned,

And waxen tapers, shedding perfume round

From fragrant wicks, beam calm a scented ray,

To gladden night, and joy e'en radiant day."

DR. ROCK'S _Hierurgia_.

Constantine the Great provided fragrant oils, to be burned at the altars

of the greater churches in Rome; and St. Paulinus, of Nola, a writer of

the end of the fourth and beginning of the fifth century, tells us how,

in his times, wax tapers were made for church use, so as to shed

fragrance as they burned:--

"Lumina cerates adolentur odora papyris."

A perfume in common use, even to this day, was the invention of one of

the earliest of the Roman nobles, named Frangipani, and still bears his

name; it is a powder, or sachet, composed of every known spice, in equal

proportions, to which is added ground iris or orris root, in weight

equal to the whole, with one per cent. of musk or civet. A liquid of the

same name, invented by his grandson Mercutio Frangipani, is also in

common use, prepared by digesting the Frangipane powder in rectified

spirits, which dissolves out the fragrant principles. This has the merit

of being the most lasting perfume made.

"The trade for the East in perfume-drugs caused many a vessel to

spread its sails to the Red Sea, and many a camel to plod over

that tract which gave to Greece and Syria their importance as

markets, and vitality to the rocky city of Petra. Southern Italy

was not long ere it occupied itself in ministering to the luxury

of the wealthy, by manufacturing scented unguents and perfumes. So

numerous were the UNGUENTARII, or perfumers, that they

are said to have filled the great street of ancient

Capua."--HOFMANN.

As an art, in England, perfumery has attained little or no distinction.

This has arisen from those who follow it as a trade, maintaining a

mysterious secrecy about their processes. No manufacture can ever become

great or important to the community that is carried on under a veil of

mystery.

"On the subject of trade mystery I will only observe, that I am

convinced that it would be far more to the interest of

manufacturers if they were more willing to profit by the

experience of others, and less fearful and jealous of the supposed

secrets of their craft. It is a great mistake to think that a

successful manufacturer is one who has carefully preserved the

secrets of his trade, or that peculiar modes of effecting simple

things, processes unknown in other factories, and mysteries beyond

the comprehension of the vulgar, are in any way essential to skill

as a manufacturer, or to success as a trader."--PROFESSOR

SOLLY.

If the horticulturists of England were instructed how to collect the

odors of flowers, a new branch of manufacture would spring up to vie

with our neighbors' skill in it across the Channel.

Of our five senses, that of SMELLING has been treated with

comparative indifference. However, as knowledge progresses, the various

faculties with which the Creator has thought proper in his wisdom to

endow man will become developed, and the faculty of Smelling will meet

with its share of tuition as well as Sight, Hearing, Touch, and Taste.

Flowers yield perfumes in all climates, but those growing in the warmer

latitudes are most prolific in their odor, while those from the colder

are the sweetest. Hooker, in his travels in Iceland, speaks of the

delightful fragrance of the flowers in the valley of Skardsheidi; we

know that winter-green, violets, and primroses are found here, and the

wild thyme, in great abundance. Mr. Louis Piesse, in company with

Captain Sturt, exploring the wild regions of South Australia, writes:

"The rains have clothed the earth with a green as beautiful as a

Shropshire meadow in May, and with flowers, too, as sweet as an English

violet; the pure white anemone resembles it in scent. The Yellow Wattle,

when in flower, is splendid, and emits a most fragrant odor."

Though many of the finest perfumes come from the East Indies, Ceylon,

Mexico, and Peru, the South of Europe is the only real garden of utility

to the perfumer. Grasse and Nice are the principal seats of the art;

from their geographical position, the grower, within comparatively short

distances, has at command that change of climate best fitted to bring to

perfection the plants required for his trade. On the seacoast his Cassiæ

grows without fear of frost, one night of which would destroy all the

plants for a season; while, nearer the Alps, his violets are found

sweeter than if grown in the warmer situations, where the orange tree

and mignionette bloom to perfection. England can claim the superiority

in the growth of lavender and peppermint; the essential oils extracted

from these plants grown at Mitcham, in Surrey, realize eight times the

price in the market of those produced in France or elsewhere, and are

fully worth the difference for delicacy of odor.

The odors of plants reside in different parts of them, sometimes in the

roots, as in the iris and vitivert; the stem or wood, in cedar and

sandal; the leaves, in mint, patchouly, and thyme; the flower, in the

roses and violets; the seeds in the Tonquin bean and caraway; the bark,

in cinnamon, &c.

Some plants yield more than one odor, which are quite distinct and

characteristic. The orange tree, for instance, gives three--from the

leaves one called _petit grain_; from the flowers we procure _neroli_;

and from the rind of the fruit, essential oil of orange, _essence of

Portugal_. On this account, perhaps, this tree is the most valuable of

all to the operative perfumer.

The fragrance or odor of plants is owing, in nearly all cases, to a

perfectly volatile oil, either contained in small vessels, or sacs

within them, or generated from time to time, during their life, as when

in blossom. Some few exude, by incision, odoriferous gums, as benzoin,

olibanum, myrrh, &c.; others give, by the same act, what are called

balsams, which appear to be mixtures of an odorous oil and an inodorous

gum. Some of these balsams are procured in the country to which the

plant is indigenous by boiling it in water for a time, straining, and

then boiling again, or evaporating it down till it assumes the

consistency of treacle. In this latter way is balsam of Peru procured

from the _Myroxylon peruiferum_, and the balsam of Tolu from the

_Myroxylon toluiferum_. Though their odors are agreeable, they are not

much applied in perfumery for handkerchief use, but by some they are

mixed with soap, and in England they are valued more for their medicinal

properties than for their fragrance.

The Art of Perfumery, and Methods of Obtaining the Odors of Plants With Instructions for the Manufacture of Perfumes for the Handkerchief, Scented Powders, Odorous Vinegars, Dentifrices, Pomatums, Cosmetics, Perfumed Soap, Etc., to which is Added an Appendix on Preparing Artificial Fruit-Essences, Etc. · 第 1 / 16 章