UNLIKE PARTS LIKE PARTS

c- at

m- at

b- at

th- at

More ambitious teachers, and those who emphasize phonics earlier in

the reading process, may wish to continue this analysis of words even

further, by separating each word into three or more parts, having the

child give the sound of each letter, thus,

c a t, m a t, b a t

m a t

b a t

The jingles lend themselves to both treatments. But it will be more in

keeping with modern pedagogy if the separation of words is limited at

this stage to analyzing words into phonetic families, as, for instance,

the family of “at,” the family of “ap,” etc. This treatment is advised

for primer work.

Mother Goose rimes may be read later in the book where several of them

are given. Before they are read by the children the rimes should be

memorized and then dramatized in the simple childlike way in which the

young actors in the book are represented as playing Jack and Jill. A

short phonic drill is then deduced from the Mother Goose rime in much the

same way as from the phonic jingles.

When the children have learned to sound _cat_, _mat_, _hit_, _sit_,

etc. (pages 51 and 68), and to find, from these words, the stems _at_

and _it_, the teacher should reverse the process, leading the children

to build words from such stems as _an_, _am_, _and_, _end_, _in_, _on_,

_up_, _all_, _is_, _as_, etc.

an

can

man

pan

tan

Dan

am

dam

ram

and

hand

sand

end

bend

mend

in

pin

thin

shin

up

cup

pup

sup

on

con

Don

pond

all

ball

call

fall

wall

tall

stall

small

Next the children should be required to build lists of words that are

similar in sound and spelling to other words that are known at sight.

lad

glad

had

sad

bad

did

hid

rid

lid

slid

him

dim

rim

swim

vim

hen

men

pen

when

wren

bed

red

fed

led

sled

went

bent

lent

sent

but

cut

nut

shut

hum

drum

gum

chum

pitch

ditch

hitch

witch

catch

match

hatch

scratch

During the first school year the effect of the final _e_ on the preceding

vowel should be taught by means of words already well known to the

children, thus:

cat

fat

fate

mat

mate

hat

hate

lad

glad

glade

fad

fade

mad

made

can

fan

fane

pan

pane

van

vane

sap

cap

cape

nap

nape

tap

tape

it

bit

bite

quit

quite

whit

white

did

hid

hide

rid

ride

him

dim

dime

rim

rime

in

pin

pine

shin

shine

got

not

note

cot

cote

stop

hop

hope

pop

pope

but

cut

cute

rub

cub

cube

dub

tub

tube

jet

pet

Pete

bet

met

mete

All this work may be given from the blackboard.

Some teachers will probably prefer to have the child read through the

primer before attempting to apply the knowledge of letter sounds and

phonic analysis that he has gained. Such teachers will rightly consider

it as more important than anything else that the child be led to regard

the book as a storehouse of attractive stories, and each sentence as

expressing a thought which he can get and express again. But when this

object is attained the teacher will be wise to let the child find out

how he may help himself to the thought getting by the power the initial

letter gives him of “feeling for” the new word, and later by the power

the jingles give him of “making sure” of the words.

The author has found that a vocabulary limited in quantity is a

sufficient impediment to writing interesting stories for young children.

She has, therefore, eschewed in the text any such sacrifice of sense to

sound as would limit her vocabulary in quality also. She has, however,

realized the value, in giving independence, of introducing simple phonics

early. She has, therefore, taken advantage of the natural tendency of

children to make and to repeat alliterations and rimes. In the interest

of veracity, all attempts to beguile the child into believing that

“Wag the rag in the bag” is either an interesting or an instructive

“story” are avoided; it is frankly acknowledged _to the child_ that the

alliterations and rimes in this book are “nonsense-jingles” from the side

of reason, though capable of affording enjoyment on the side of musical

appreciation.

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