NO. III.

It is with the greatest possible pleasure that _Mr. Punch_ presents

to his readers the following example of the New Poetry. It is taken

from a collection entitled "_Rhymes of the Ropes_" These Rhymes are

intended to illustrate the everyday life of the British prize-fighter,

his simple joys, his manly sorrows, his conversational excellences,

and his indomitable pluck. The author has never been a prize-fighter

himself, but he claims for these Rhymes the merit of absolute truth

in every detail. In any case it is quite certain that every critic

who reviews the volume will say of it, that no previous book has

ever presented to us, with such complete fidelity, the British

prize-fighter as he lives and moves, and has his being--not the gaudy,

over-dressed and over-jewelled creature whom the imagination of the

public pictures as haunting the giddy palaces of pleasure, and adored

by the fairest of the fair, but the rough, uncouth, simple creature

to whom we Britons owe our reputation for pluck and stamina. How the

critic knows this, never having been a prize-fighter himself, and

never having associated with them, is a question which it might be

difficult to answer. But, nevertheless, the critic will guarantee the

"_Rhymes of the Ropes_."

If some of _Mr. Punch's_ readers, while recognising the force and go

of the lines, shall think them _tant soit peu_ coarse and brutal, the

fault must not be ascribed to _Mr. Punch_, but to the brilliant young

author. Moreover, _Mr. Punch_ begs leave to say, that squeamishness

of that kind is becoming more and more absurd every day under the

influence of the New Poetry and its professors. Here then is--

Punch, or the London Charivari, Volume 103, July 16, 1892 · 第 6 / 24 题