CHAPTER XX

AT MICKLE STREET

The presidential election of the autumn of 1884 brought the long

Republican _régime_ to an end. During the twenty-four years of its

continuance the old party cries had become almost meaningless, and

the parties themselves ineffective, while political life had grown

increasingly corrupt from top to bottom.[676] The only practical demand

of the hour was for a good government, and this required a change of

party. Whitman, with a number of independent Republicans known as

"Mugwumps," supported the Democrat, Mr. Grover Cleveland. With his

return to the White House the South may be said to have returned to the

Union, after a generation of bitter estrangement.

In the following summer Whitman had a slight sun-stroke, which rendered

walking much more difficult.[677] For several months he was a good deal

confined to his little house, but his friends promptly came to the

rescue with a horse and light American waggon.[678]

He was overcome with gratitude for the gift--driving, as we have seen,

was one of his delights--and he promptly began to make full use of his

new toy. He soon disposed of the quiet steed, thoughtfully provided,

and substituted one of quicker paces, which he drove furiously along

the country roads at any pace up to eighteen miles an hour.[679] Rapid

movement brought him exhilaration, and he displayed admirable nerve

upon emergency.

[Illustration: FAC-SIMILE OF PORTION OF LETTER FROM WHITMAN TO THE LATE

MR. R. PEARSALL SMITH, MAR. 4, 1884]

Though he was getting old, his capacity for enjoyment was as great

as ever. He enjoyed everything, especially now that at sixty-five he

was, for the first time in his life, a householder; he enjoyed his

quarters, his friends, his food, and in a grim way his very suffering.

"Astonishing what one can stand when put to one's trumps,"[680]

he wrote on a black day. While he could rattle along the roads in

his waggon, he was naturally happy enough, and he encouraged all

opportunities for pleasure. He enjoyed his food, and he now relaxed

some of the stricter rules of temperance which hitherto he had followed.

During periods of his life, as a young man and through the years at

Washington, he was practically a total abstainer, and till he was sixty

he only drank an occasional toddy, punch, or glass of beer. After that

he followed the doctor's advice and his own taste, enjoying the native

American wines, and at a later period, champagne.

Stories of heavy drinking were circulated by the gossips, and were

tracked at last to the habits of a local artist, who imitated Whitman

in his garb, and somewhat resembled him.[681] Walt's head was

remarkably steady, and it need hardly be said that he was always most

jealous of anything which could dispute with him his self-control.

In 1885 and several subsequent years[682] a popular caterer on the

river-side, a mile or two below Camden, opened the summer season, about

the end of April, with a dinner to some of his patrons, and Whitman was

one of those who did fullest justice to his planked shad and champagne.

For the latter he would smilingly admit an "incidental weakness".[683]

His temperance had given him a keen relish for fine flavours, and he

enjoyed all the pleasures of the senses without disguise, and with a

frank, childlike response to them. This responsiveness, more almost

than any other thing, kept his physical nature supple and young.

His consciousness was never imprisoned in his brain, among stale

memories and thoughts whose freshness had faded; it was still clean and

sensitive to its surroundings, and found expression in the noticeably

fresh, rich texture of his skin.

* * * * *

It was well that he should practise these simple pleasures, for

apart from his own ailments, which increased with time, he was still

troubled with financial difficulties. The purchase of the house had

not been exactly prudent, as it added considerably to his expenses,

and the success of the Philadelphia edition was not long continued.

The royalty receipts soon dwindled to a very little stream, and his

other earnings--though he was well paid for such contributions as the

magazines accepted, and was retained on the regular staff of the _New

York Herald_--were not large.[684]

Word went round among his friends, both in America and in England, that

the old man was hard up again, and a second time there was a hearty

response. A fund, promoted by the _Pall Mall Gazette_ at the end of

1886, brought him a New Year's present of £80,[685] and individual

friends on both sides of the sea frequently sent thank-offerings to him.

Some Boston admirers attempted at this time to secure for him

a Government pension of £60 a year,[686] in recognition of his

hospital work. But Whitman disliked the plan, and though it was

favourably reported upon by the Pensions Committee of the House of

Representatives, he wrote gratefully but peremptorily refusing to

become an applicant for such a reward, saying quite simply, "I do not

deserve it".[687] His services in the Attorney-General's Department

seem to have been adequately paid, and one is glad the matter was not

pressed. The hospital ministry could not have been remunerated by an

"invalid pension"; it was given as a free gift, and now it will always

remain so.

[Illustration: MICKLE STREET, CAMDEN IN 1890: THE LITTLE HOUSE ON

THE RIGHT IS WHITMAN'S]

From time to time special efforts were made by his friends to remove

any immediate pressure of financial anxiety. Whitman, who was on the

one hand generous to a fault, and on the other not without a pride

which consented with humiliation to receive some of the gifts bestowed,

manifested a boyish delight in money of his own earning, and it did his

friends good to see his merriment over the dollars taken--six hundred

of them[688]--at his Lincoln lecture of 1886 in the Chestnut Street

Opera House. By way of profit-sharing he insisted on presenting each of

the theatre attendants with two dollars.

The repetition of the lecture in New York the following spring, at the

Madison Square Theatre, before a brilliant company of distinguished

people, including Mr. James Russell Lowell, "Mark Twain," Mr. Stedman,

and Whitman's staunch admirer, Mr. Andrew Carnegie, brought him a

similar sum;[689] while Colonel Ingersoll's lecture for his benefit in

1890 was yet more productive, and the birthday dinners also contributed

something to his funds. But the mention of these financial matters must

not be construed into a pre-occupation with the subject in the old

man's later years; it troubled his friends far more than it troubled

him.

After the gift of the horse and waggon, Mr. W. S. Kennedy and others

planned to provide Whitman with a cottage at Timber Creek.[690] The

idea delighted him; he craved for the pure air and the living solitude

of the woods. But his health became too uncertain for the realisation

of the scheme, and the remainder of his days was spent in Camden.

* * * * *

The little house in quiet, grassy Mickle Street,[691] standing modestly

between its taller neighbours, with the brass plate, "W. Whitman," on

the door, and the mounting-stone opposite, was becoming a place of

frequent pilgrimage, and it has often been lovingly described.

During the earlier years, Walt's favourite seat was at the left-hand

lower window, and there the children would call out to him, and

he would answer brightly as they went by to school. The walls and

mantel-shelf were covered with portraits, and as to the books and

papers, so long as he used the room, it was beyond the wit of any woman

to keep them within bounds. But it was afterwards, when he was more

confined to his bedroom, that they fairly broke loose.

He seems to have enjoyed this native disorder, for in the big, square,

three-windowed upper room they occupied not only the shelves and chairs

and table but the floor itself. "His boots," says a friend--who, when

Mrs. Davis was out, used to effect an entrance at the window to save

her host descending the stairs--"his boots would be standing on piles

of manuscript on a chair, a half-empty glass of lemonade or whiskey

toddy on another, his ink-bottle on still another, his hat on the

floor, and the whole room filled with an indescribable confusion of

scraps of paper scrawled over with his big writing, with newspapers,

letters and books. He was not at all eager to have order restored, and

used to grumble in a good-natured way when I insisted upon clearing

things up a bit for him."[692]

He liked to think and speak of the room as his den or cabin; it was

his own place, and bustling with his own affairs.[693] Here were his

old-time companionable books: the complete Scott of his youth, and a

volume of poets which he used in the hospitals; his friend Mr. E. C.

Stedman's _Library of American Literature_; studies of Spanish and

German poets, and Felton's _Greece_; translations of Homer, Dante,

Omar Khayyam, Hafiz, Saadi; Mr. Rolleston's _Epictetus_--a constant

friend--Marcus Aurelius and Virgil; with Ossian, Emerson, Tennyson and

Carlyle, and some novels, especially a translation of George Sand's

_Consuelo_; and last, and best read of all, Shakespeare and the Bible.

The book of Job was one of his prime favourites in the beloved volume

which was always by him in later years.

Perilously mingled with the papers was wood for his stove, over whose

crackling warmth he would sit in the cold weather, ensconced in his

great rattan-seated, broad-armed rocker, with the wolf-skin over it;

his keen scent relishing the odour of oak-wood and of the printer's ink

on the wet proofs which surrounded him.

Visitors usually waited in the room below for his slow and heavy step

upon the stairs. There the canary sang its best, as though to be

caged in Whitman's house was not confinement after all; and a bunch

of fragrant flowers stood on the window-sill. A kitten romped about

the premises, which were inhabited besides by a parrot, a robin, and a

spotted "plum-pudding" dog; not to mention Mrs. Davis, and eventually

her two stepsons. One of these, Warren Fritzinger, who had been a

sailor and three times round the world, afterwards became Walt's nurse,

while his brother Harry called his first child Walt Whitman, to the old

man's delight.

Among the visitors was a young Japanese journalist, who

afterwards published an amusing but ill-advised record of their

conversations,[694] a document which seems to the English mind somewhat

more injudicious than other Whitmanite publications, which certainly

do not err on the side of reticence. After his first visit, Mr.

Hartmann maintains that Walt shouted after him, "come again," and this

injunction from time to time he fulfilled, naïvely recording his own

desperate attempts to cope with the long silences which threatened

to overwhelm his forlorn sallies into all conceivable regions of

conversation.

The older man would sit absent-mindedly, replying with an ejaculation

or abruptly clipped phrase, or impossible sentence; but chiefly with

his monosyllabic "Oy! oy?" which served, with a slight inflection, for

almost any purpose of response. They say that Whitman grew garrulous,

or at least less laconic, in his old age;[695] but Mr. Hartmann hardly

found him so.

One day, when Mrs. Davis was absent, they lunched together on "canned

lobster" and Californian claret in the kitchen. The sun shone on the

grass in the little back garden, on the pear-tree half-smothered in its

creeper, and the high boarded fence; and on the hens, poking in and out

through the open door, and recalling the old farm life at West Hills.

Whitman talked of the West, and of Denver, his queen-city of the West.

Over another similar meal, he declared his love for the _Heart of

Midlothian_, and his distaste for the gloomy poets from Byron to

Poe. They discussed music among their many topics. Mr. Hartmann

declared himself a Wagnerian, but Whitman confessed his ignorance of

the "music of the future"; Mendelssohn, of course, he knew; and in

later life he had discovered Beethoven as a new meaning in music, and

had been carried out of himself, as he says, seeing, absorbing many

wonders.[696] But he was brought up on the Italians; it was from Verdi

and his predecessors, interpreted by Alboni, Bettini and others, that

he had learnt the primal meanings of music, and they always retained

his affection.

* * * * *

About the middle of May,[697] 1887, a sculptor, who had already studied

Whitman in the Centennial year, came on from Washington to Mickle

Street. Mrs. Davis sided some of the litter in the parlour; and the old

man sat for him there as amiably as ten years before in the improvised

studio on Chestnut Street.

They talked much of the President, on a portrait of whom Mr. Morse

had been working. Whitman had a high opinion of Mr. Cleveland, and

displayed a lively interest in all the personal details his friend

could supply.

During the sittings Herbert Gilchrist arrived from England, where his

mother had died of a painful disease some eighteen months earlier; and

he set up his easel also. Callers came from far and near; while dozens

of children entered with a word or message from the street, and older

folk looked in at the window.

Whitman was not very well even for him, and he missed his solitude. But

he was a delightful and courteous host. The three men often lunched

together, while several English visitors--taking Whitman on their tour

even though they missed Niagara[698]--sat down to a bite of beef, a

piece of apple-pie, and a cup of tea poured out by the reverend host in

the hot little kitchen.

Good Mrs. Davis watched her old charge and friend with some anxiety,

as this constant stream of visitors flowed in and out; but she herself

rose more than equal to every emergency. She had for lieutenant a

coloured char-woman, born the same day as Whitman, who felt herself

for that reason responsible in no ordinary degree for the general

appearance of the premises. The sculptor and she often found themselves

in conflict. As for his clay, she disdained it along with the whole

genus of "dirt". She succeeded in white-washing the delightful

moss-covered fence, and would, he felt sure, have liked to treat both

him and his work in the same summary fashion. They debated theological

problems together, to Whitman's amusement, and he would have it that

Aunt Mary came out of these encounters better than the artist.

"How does your Satan get work to do," the latter would ask, "if God

doeth all?"

"Never you fear for _him_," she retorted. "He's allers a-prowlin'

around lookin' fer a chance when God's back is turned. There ain't a

lazy hair on _his_ head. I wish," she added significantly, "I could say

as much for some others."[699]

Beside Aunt Mary other characters appear upon the pages of his friends'

journals; notably a garrulous, broad-brimmed Georgian farmer, who had

served in the Confederate army. He was the father of a large family,

which he had brought up on the _Leaves_. As for himself, he had the

book by heart, and was never so happy as when reciting his favourite

passages at Sunday School treat or Church meeting. He knew Emerson's

writings with almost equal intimacy, but complained that these set his

soul nagging after him, while Whitman's were soothing to it. With Walt

he declared that he loafed and invited his soul; with Waldo, his soul

became importunate and invited him.[700]

Meanwhile, he admitted, his farm ran more to weeds than it should.

Doubtless, during his pilgrimage the weeds prospered exceedingly; for

he stayed long, and sad to say, in the end he went away a "leetle

disappointed". "I have to sit and admire him at a distance," he

complained, "about as I did at home before I came." Walt liked him,

and was amused by his talk, but his advice, his criticism and his

interpretations to boot, were overmuch for a weary man.

There came one day a "labour agitator," who required an introduction

or testimonial of some sort from Whitman; and he also went away

disappointed. In answer to all his loud-flowing, self-satisfied

declarations, Whitman merely ejaculated his occasional colourless

monosyllable; and when at last the discomfited man took his leave,

the poet's absent-minded "Thanks!" was more ludicrously and baldly

opportune than intentional.[701]

Humorous as they appeared at the time, there was another side to

interviews of this character; for it began to be noised about that

Whitman was quite spoilt by his rich friends, and had lost his interest

in and sympathy with the American working-man. This was due, of course,

to a complete misunderstanding. The old fellow who lived in his "little

shack" on Mickle Street, and dined in Germantown in his cardigan

jacket, might have a world-reputation, but he was not forgetful of the

people from among whom he sprang and to whom he always belonged.

At the same time it is true, as we saw, that he did not himself profess

to understand or to approve the party organisation of labour. He was

rather inclined to sit in his corner and have faith, and to listen

to what the younger men had to say. In any case, he saw no remedy for

present troubles in the exploitation of class feeling; he could see no

help in urging the battle between two forms of selfishness.

Generosity and manhood were his constant watchwords, whether for labour

or for the nation. No circumstances, he would say, sitting in his room

broken by the suffering of years, can deprive a hero of his manhood.

But he would add his conviction that the Republic must be in peril as

long as any of her sons were being forced to the wall, and his wish

that each "should have all that is just and best for him".

* * * * *

The sculptor and his sitter had many a long evening chat together, the

shadows of the passers-by cast by the street light and moving across

the blind. The old man's mellow and musical, but somewhat uncertain,

voice filled at these times with a confidential charm.

One night he wrote out a tentative statement of his general views,

declaring for Free-trade, and for the acknowledgment of the full

human and political equality of women with men. He regarded the world

as being too much governed, but he was not against institutions in

the present stage of evolution, for he said that he looked on the

family and upon marriage as the basis of all permanent social order.

He seems to have disliked and even condemned the practices of the

American Fourierist "Free-lovers,"[702] though Love's real freedom is

always cardinal in his teachings. Anything like a laxity in fulfilling

obligations, but especially the ultimate obligations of the soul, was

abhorrent to him.

He was not a critic of institutions; and he accepted the work of the

churches and of rationalism as alike valuable to humanity. He added to

his statement various personal details; saying, half-interrogatively,

that he thought if he was to be reported at all, it was right that

he should be reported truthfully. This feeling was undoubtedly very

strong with him from the day when he wrote anonymous appreciations of

the _Leaves_ in the New York press.[703]

Talk turned sometimes to the Washington days, to Lincoln's yearning

passion for the South, to the affectionate admiration felt by the

Union veterans for the men and boys who fought under Lee, and to the

terrible rigidity of the Southern pride. Such talk would often end in

reminiscences of the hospitals; and Whitman told his friend that he

would like him to cut a bas-relief showing Walt seated by a soldier's

cot in the wards. It had been his most characteristic pose, if one may

use the word; and such a study would have shown him at his own work,

the work in which he was most at home, surrounded by the boys who were

his flesh and blood.[704]

FOOTNOTES:

[676] _Camb. Mod. Hist._, 651.

[677] Kennedy, 17.

[678] Donaldson, Kennedy, and MSS. Diary.

[679] MSS. Diary.

[680] Kennedy, 64.

[681] Donaldson, 61.

[682] Kennedy, 15, 53; MSS. Diary.

[683] _In re_, 129.

[684] Donaldson, MSS. Diary.

[685] Kennedy, 24.

[686] Donaldson, 170; Kennedy, 23, 24.

[687] MSS. Kennedy.

[688] Donaldson, 109; Kennedy, 6.

[689] Kennedy, 29.

[690] _Ib._, 54.

[691] Johnson, 18; Kennedy; Donaldson; _Comp. Prose_, 520.

[692] MSS. Berenson (_a_).

[693] _In re_, 137, etc.

[694] _Conversations with W. W._, by "Sadakichi," 1895.

[695] Johnston, 92, 93.

[696] _Comp. Prose_, 151; _cf._ Camden, xxxiii.

[697] _In re_, 367.

[698] _In re_, 374.

[699] _Ib._, 375, 376.

[700] _In re_, 376, 377.

[701] _Ib._, 379.

[702] MSS. Johnston.

[703] See _supra_, 109.

[704] _In re_, 390.

A Life of Walt Whitman · 第 20 / 23 章