THE LOST SAGA

Of King Orry himself we learn very little. He was not only the first of

our kings, but also the greatest. We may be sure of that; first, by what

we know; and next, by what we do not know. He was a conqueror, and yet

we do not learn that he ever attempted to curtail the liberties of his

subjects. He found us free men, and did not try to make us slaves. On

the contrary, he gave us a representative Constitution, which has

lasted a thousand years. We might call him our Manx King Alfred, if the

indirections of history did not rather tempt us to christen him our Manx

King Lear. His Saga has never been written, or else it is lost. Would

that we could recover it! Oh, that imagination had the authority of

history to vitalise the old man and his times! I seem to see him as he

lived. There are hints of his character in his laws, that are as stage

directions, telling of the entrances and exits of his people, though the

drama of their day is gone. For example, in that preliminary warning

of the coroner at Tynwald, there is a clause which says that none shall

"bawl or quarrel or lye or lounge or sit." Do you not see what that

implies? Again, there is another clause which forbids any man, "on paine

of life and lyme," to make disturbance or stir in the time of Tynwald,

or any murmur or rising in the king's presence. Can you not read between

the lines of that edict? Once more, no inquest of a deemster, no judge

or jury, was necessary to the death-sentence of a man who rose against

the king or his governor on his seat on Tynwald. Nobody can miss the

meaning of that. Once again, it was a common right of the people to

present petitions at Tynwald, a common privilege of persons unjustly

punished to appeal against judgment, and a common prerogative of outlaws

to ask at the foot of the Tynwald Mount on Tynwald Day for the removal

of their outlawry. All these old rights and regulations came from

Iceland, and by the help of the Sagas it needs no special imagination

to make the scenes of their action live again. I seem to see King Orry

sitting on his chair on the Tynwald with his face towards the east. He

has long given up sea-roving.

His long red hair is become grey or white. But the old lion has the

muscles and fiery eye of the warrior still. His deemsters and barons

are about him, and his people are on the sward below. They are free

men; they mean to have their rights, both from him and from each other.

Disputes run high, there are loud voices, mighty oaths, sometimes blows,

fights, and terrific hurly-burlies. Then old Orry comes down with a

great voice and a sword, and ploughs a way through the fighters and

scatters them. No man dare lift his hand on the king. Peace is restored,

and the king goes back to his seat.

Then up from the valley comes a woe-begone man in tatters, grim and

gaunt and dirty, a famished and hunted wolf. He is an outlaw, has killed

a man, is pursued in a blood-feud, and asks for relief of his outlawry.

And so on and so on, a scene of rugged, lusty passions, hate and

revenge, but also love and brotherhood; drinking, laughing, swearing,

fighting, savage vices but also savage virtues, noble contempt of death,

and magnificent self-sacrifice.

The chapter is lost, but we know what it must have been. King Orry was

its hero. Our Manx Alfred, our Manx Arthur, our Manx Lear. Then room for

him among our heroes! he must stand high.

The Little Manx Nation - 1891 · 第 17 / 70 题