NELLY HART WOODWORTH.

A marvelous choral is the rare ecstasy song of the ovenbird (see Vol.

III, 126-7). It was first recorded, at a comparatively recent date, by

that versatile writer--poet, essayist, naturalist--Mr. John Burroughs.

After speaking of the bird's easy, gliding walk, it being one of the

few birds that are _walkers_, not _hoppers_, he says its other lark

trait, namely, singing in the air, seems not to have been observed

by any naturalist. Yet it is a well-established characteristic, and

may be verified by any person who will spend a half-hour in the woods

where this bird abounds on some June afternoon or evening. I hear

it frequently after sundown when the ecstatic singer can hardly be

distinguished against the sky. Mounting by easy flights to the top of

the tallest tree, he launches into the air, with a sort of suspended,

hovering flight, and bursts into a perfect ecstasy of song--clear,

ringing, copious, rivaling the goldfinch's in vivacity and the linnet's

in melody. Its descent after the song is finished is rapid, and

precisely like that of the titlark when it sweeps down from its course

to alight on the ground.

The same writer speaks of waking up in the night, just in time to hear

a golden-crowned thrush, the ovenbird, sing in a tree near by. It sang

as loud and cheerily as at midday. My first acquaintance with this rare

overture was at the close of a hot day in July, as I was walking with

a naturalist. A splendor floated in the air like a musical cloud as

strange notes of gladness rang through the twilight with the clearness

of a silver bugle. It came again, a clear, sweet, outpouring song,

which I recklessly attributed to several goldfinches singing, as they

often do, in concert. The trained ear of the naturalist was not so

easily deceived, and when my attention was called to the more gushing

character of the melody I wondered that it could have escaped notice.

It was a very irrigation of song, the bursting of some cloud overhead

that scattered melodious fragments all about, a mating-choral unheard,

probably, after the nesting season is over.

Entering the woods in early summer this bird is sure to shake out its

ordinary, rattling chorus--"Teacher, _Teacher_, TEACHER," the notes

delivered with tremendous force and distinctness and the emphasis

increasing--a vibrant, crescendo chant as unlike the brilliant ecstasy

song as can be imagined.

The ovenbird is also called the golden-crowned thrush, for no

conceivable reason unless it is that the bird is _not_ a thrush, but

classed with the warblers. Or is it that its white breast, thickly

spotted with dusky, resembles the thrush's? There is a peculiar

delicacy in the texture of its olive-green robes, as fine as if woven

in kings' houses, while, set deep in hues of the raven's wing, it wears

that regal appurtenance--a crown of gold.

While watching from a rocky height a pair of hermit thrushes that

were housekeeping in a hemlock beneath, an ovenbird flew from a maple

bough to a high clump of ferns near by. In its beak was a quantity of

dry grass, bulky material that interfered sadly with both walking and

flight. The small burden-bearer managed, however, to progress slowly,

moving its head from side to side to disentangle the grasses and

lifting its little feet in the daintiest manner, until it disappeared

where the ferns were thickest. Pretty soon it came in sight again,

sauntered about with diverting nonchalance, and was off, alighting

upon the same bough to drop down into the same corner of the thicket.

This behavior was not without an inference; it was an advertisement of

future hopes too plainly written to escape notice; I might have been

stone blind and seen straight into the future! The nest must have

been within a circle of a few feet, but with rank greenery above and

underfoot the accumulated leafage of the ages, soft and penetrative

as if placed layer by layer for the bird's special accommodation,

any square foot might have held the treasure and kept the secret of

possession.

Soon after a farmer told me of a strange nest, a curiously covered

house with a low door, within which the sitting bird could be seen.

The bird's flight as it left the nest first attracted his attention,

just in time to prevent his foot from crushing through the roof. He had

never heard of ovenbirds or of roofed-over nests, and was so interested

in this new page of natural history that "once a day when he went for

the cows he went round that way to see how things were getting on

there."

"Every time I went," he said, "I expected to find that the cattle had

spoiled it!"

After describing his interesting tenants he offered to share the

pleasure of their acquaintance, saying most kindly, "I wouldn't mind

leaving the hay field any time to take you there! I've done my share

of haying, I guess; the boys don't want me to work so hard; come up

to-morrow and I'll go with you!"

I was there with to-morrow and was, if possible, more amazed at the

adaptation of the "oven" to its surroundings than with the structure

itself.

The bird was sitting and not at all disposed to leave on our account;

she merely drew in her pretty head, cuddled closer to the ground, and

waited. Both house and tenant were so thoroughly blended in color with

the environing leafage that, when pointed out, it was difficult for

the eye to locate them. Possibly the brave little housekeeper divined

the situation; or did she presume upon a previous acquaintance with

the friendly farmer? The proprietor of the establishment, a little

man-milliner with a bow of orange ribbon in his bonnet, sang through

the fragrant morning as if glad of an opportunity of speaking to a

gracious audience, interlarding his song with rushing over to his

family--_vault_, I was going to say, for being sunken a bit in the

ground and dark within, it suggested a mausoleum. A tiny ledge of

slate, tilted vertically, made a strong wall upon one side of the small

estate; young beeches, kept down by browsing cattle, grew where the

rear-gates should have been, and a maple twig partially screened the

entrance. Evergreen ferns crowded between the "oven" and the wall,

their leaves interlaced, above the roof, with others opposite, the

tips of two being caught down and interwoven with the roofing. The

nest was made of dry leaves, lapped and overlapped, padded and felted

in one compact arch--a veritable arch of triumph! Upon July 15th six

creamy-white eggs, dotted with brown and lilac, lay safe within, these

being duly replaced by a round half-dozen "little ovens," whose mouths

were always open. Indeed, more food was shoved into those open-mouthed

storehouses than would have supplied a village bakeshop, and still

there was room for more. Warm rains soon gave the nest an unyielding

texture; so matted and felted that the full weight of the hand left no

impression, and I questioned whether the foot, set plumply down, would

have crushed it out of shape entirely.

When the young birds had flown I brought home the nest as a unique

souvenir of summer. Removed from the picturesque setting it was no

longer interesting; its charm was that of environment; its beauty the

marvel of adaptation.

So surely does Nature equip each bird with an individuality that

distinguishes it from all others! Not only have they common rules

followed in obedience to the law of instinct, but each species has

special gifts developed according to the law of its nature, a law of

harmony so delicately enforced that the law itself is not perceptible.

Birds and All Nature, Vol. 6, No. 2, September 1899 Illustrated by Color Photography · 第 45 / 51 题