CHAPTER I

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THE LIFE OF BRET HARTE

[Illustration: Bret Harte]

The Gale Library of Lives and Letters American Writers Series

THE LIFE OF BRET HARTE

WITH SOME ACCOUNT OF THE CALIFORNIA PIONEERS

BY HENRY CHILDS MERWIN

WITH PORTRAITS AND OTHER ILLUSTRATIONS

BOSTON AND NEW YORK

HOUGHTON MIFFLIN COMPANY

The Riverside Press Cambridge

1911

REPUBLISHED BY GALE RESEARCH COMPANY, BOOK TOWER, DETROIT, 1967

COPYRIGHT, 1911, BY HENRY CHILDS MERWIN

ALL RIGHTS RESERVED

_Published September 1911_

Library of Congress Card Number: 67-23887

TO Anne Amory Merwin THIS BOOK IS AFFECTIONATELY INSCRIBED

PREFACE

It is a pleasure for the Author of this book to record his indebtedness to

others in preparing it. Mrs. T. Edgar Pemberton, and Messrs. C. Arthur

Pearson, Limited, the publishers of Pemberton's Life of Bret Harte, have

kindly consented to the quotation from that interesting book of several

letters by Mr. Harte that throw much light upon his character. Similar

permission was given by Mr. Howells and his publishers, the Messrs. Harper

and Brothers, to make use of Mr. Howells' account of Bret Harte's visit to

him at Cambridge; and of this permission the Author has availed himself

with a freedom which the Reader at least will not regret.

Professor Raymond Weeks, President of the American Dialect Society,

Professor C. Alphonso Smith, Mr. Albert Matthews, and others whose names

are mentioned on page 326, have lent their aid in regard to the Pioneer

language, and Ernest Knaufft, Bret Harte's nephew, has not only furnished

the Author with some information about his uncle's early life, but he has

also read the proofs, and has made more than one valuable suggestion which

the Author was glad to adopt. It is only fair to add that Mr. Knaufft does

not in all respects agree with the Author's estimate of Bret Harte's

character. Another critic, Prescott Hartford Belknap, has put his fine

literary taste at the service of the book, and has saved its writer from

some mistakes which he now shudders to contemplate.

Most of all, however, the Author is indebted to his accomplished friend,

Edwin Munroe Bacon, who, though much engaged with important literary work

of his own, has read the book twice, once in MS. and once in print,--a

signal, not to say painful proof of friendship which the Author

acknowledges with gratitude, and almost with shame.

H. C. M.

CONTENTS

I. BRET HARTE'S ANCESTRY 1

II. BRET HARTE'S BOYHOOD 13

III. BRET HARTE'S WANDERINGS IN CALIFORNIA 18

IV. BRET HARTE IN SAN FRANCISCO 32

V. THE PIONEER MEN AND WOMEN 53

VI. PIONEER LIFE 85

VII. PIONEER LAW AND LAWLESSNESS 120

VIII. WOMEN AND CHILDREN AMONG THE PIONEERS 140

IX. FRIENDSHIP AMONG THE PIONEERS 157

X. GAMBLING IN PIONEER TIMES 168

XI. OTHER FORMS OF BUSINESS 181

XII. LITERATURE, JOURNALISM AND RELIGION 192

XIII. BRET HARTE'S DEPARTURE FROM CALIFORNIA 214

XIV. BRET HARTE IN THE EAST 220

XV. BRET HARTE AT CREFELD 251

XVI. BRET HARTE AT GLASGOW 266

XVII. BRET HARTE IN LONDON 274

XVIII. BRET HARTE AS A WRITER OF FICTION 293

XIX. BRET HARTE AS A POET 308

XX. BRET HARTE'S PIONEER DIALECT 321

XXI. BRET HARTE'S STYLE 330

INDEX 347

ILLUSTRATIONS

BRET HARTE (PHOTOGRAVURE) _Frontispiece._

From a photograph by Hollyer taken in 1896.

BERNARD HART, BRET HARTE'S GRANDFATHER 6

From a painting in the possession of Messrs.

Arthur Lipper & Co., New York.

SAN FRANCISCO, NOVEMBER, 1844 24

After a sketch by J. C. Ward.

BRET HARTE IN 1861 32

The facsimile of Bret Harte's handwriting is taken

from the back of the photograph in the possession

of Miss Elizabeth Benton Fremont.

STORESHIP APOLLO, USED AS A SALOON 40

After a drawing by W. Taber.

GRAND PLAZA, SAN FRANCISCO, 1852 60

From an old print.

THE FIRST HOTEL AT SAN FRANCISCO 86

After a drawing by W. Taber.

MINERS' BALL 94

After a drawing by A. Castaigne.

THE TWO OPPONENTS CAME NEARER 114

After a drawing by Frederic Remington illustrating

"The Iliad of Sandy Bar."

SACRAMENTO CITY IN 1852 120

From an old print.

THE POST-OFFICE, SAN FRANCISCO, 1849-50 144

After a drawing by A. Castaigne.

HE LOOKED CURIOUSLY AT HIS REFLECTION 166

After a drawing by E. Boyd Smith, illustrating "Left

Out on Lone Star Mountain."

DENNISON'S EXCHANGE, AND PARKER HOUSE, DECEMBER,

1849, BEFORE THE FIRE 178

After a drawing by W. Taber.

MAIN STREET, NEVADA CITY, 1852 196

From a photograph in the possession of Colonel

Thomas L. Livermore.

THE BELLS, SAN GABRIEL MISSION 212

From a photograph.

I THOUGHT YOU WERE THAT HORSE-THIEF 248

After a drawing by Denman Fink, illustrating

"Lanty Foster's Mistake."

THE HOME OF "TRUTHFUL JAMES," JACKASS FLAT, TUOLUMNE

COUNTY, CALIFORNIA 310

From a photograph.

THE LIFE OF BRET HARTE

BRET HARTE

CHAPTER I

BRET HARTE'S ANCESTRY

Francis Brett Harte was born at Albany in the State of New York, on August

twenty-fifth, 1836. By his relatives and early friends he was called

Frank; but soon after beginning his career as an author in San Francisco

he signed his name as "Brett," then as "Bret," and finally as "Bret

Harte." "Bret Harte," therefore, is in some degree a _nom de guerre_, and

it was commonly supposed at first, both in the Eastern States and in

England, to be wholly such. Our great New England novelist had a similar

experience, for "Nathaniel Hawthorne" was long regarded by most of his

readers as an assumed name, happily chosen to indicate the quaint and

poetic character of the tales to which it was signed. Bret Harte's father

was Henry Hart;[1] but before we trace his ancestry, let us endeavor to

see how he looked. Fanny Kemble met him at Lenox, in the year 1875, and

was much impressed by his appearance. In a letter to a relative she wrote:

"He reminded me a good deal of our old pirate and bandit friend,

Trelawney, though the latter was an almost orientally dark-complexioned

man, and Mr. Bret Harte was comparatively fair. They were both tall,

well-made men of fine figure; both, too, were handsome, with a peculiar

expression of face which suggested small success to any one who might

engage in personal conflict with them."

In reality Bret Harte was not tall, though others beside Mrs. Kemble

thought him to be so; his height was five feet, eight and a half inches.

His face was smooth and regular, without much color; the chin firm and

well rounded; the nose straight and rather large, "the nose of generosity

and genius"; the under-lip having what Mr. Howells called a "fascinating,

forward thrust."

The following description dates from the time when he left California: "He

was a handsome, distinguished-looking man, and although his oval face was

slightly marred by scars of small-pox, and his abundant dark hair was

already streaked with gray, he carried his slight, upright figure with a

quiet elegance that would have made an impression, even when the

refinement of face, voice and manner had not been recognized."

Mr. Howells says of him at the same period: "He was, as one could not help

seeing, thickly pitted, but after the first glance one forgot this, so

that a lady who met him for the first time could say to him, 'Mr. Harte,

aren't you afraid to go about in the cars so recklessly when there is this

scare about small-pox?' 'No! madam!' he said, in that rich note of his,

with an irony touched by pseudo-pathos, 'I bear a charmed life.'"

Almost every one who met Bret Harte was struck by his low, rich,

well-modulated voice. Mr. Howells speaks of "the mellow cordial of a voice

that was like no other." His handwriting was small, firm and graceful.

Chance acquaintances made in England were sometimes surprised at Bret

Harte's appearance. They had formed, writes Mme. Van de Velde, "a vague,

intangible idea of a wild, reckless Californian, impatient of social

trammels, whose life among the Argonauts must have fashioned him after a

type differing widely from the reality. These idealists were partly

disappointed, partly relieved, when their American writer turned out to

be a quiet, low-voiced, easy-mannered, polished gentleman, who smilingly

confessed that precisely because he had roughed it a good deal in his

youth he was inclined to enjoy the comforts and avail himself of the

facilities of an older civilization, when placed within his reach."

Bret Harte's knowledge of these disappointed expectations may have

suggested the plot of that amusing story _Their Uncle from California_,

the hero of which presents a similar contrast to the barbaric ideal which

had been formed by his Eastern relatives.

The photographs of Bret Harte, taken at various periods in his life,

reveal great changes, apart from those of age. The first one, at

seventeen, shows an intellectual youth, very mature for his age, with a

fine forehead, the hair parted at one side, and something of a rustic

appearance. In the next picture, taken at the age of thirty-five or

thereabout, we see a determined-looking man, with slight side-whiskers, a

drooping mustache, and clothes a little "loud." Five years afterward there

is another photograph in which the whiskers have disappeared, the hair

seems longer and more curly, the clothes are unquestionably "loud," and

the picture, taken altogether, has a slight tinge of Bohemian-like

vulgarity. In the later photographs the hair is shorter, and parted in the

middle, the mustache subdued, the dress handsome and in perfect taste, and

the whole appearance is that of a refined, sophisticated, aristocratic man

of the world, dignified, and yet perfectly simple, unaffected and free

from self-consciousness.

In a measure Bret Harte seems to have undergone that process of

development which Mr. Henry James has described in "The American." The

Reader may remember how the American (far from a typical one, by the way)

began with sky-blue neckties and large plaids, and ended with clothes and

adornments of the most chastened, correct and elegant character. Actors

are apt to go through a similar process. The first great exponent of the

"suppressed emotion" school began, and in California too, as it happened,

by splitting the ears of the groundlings and sawing the air with both

arms.

Bret Harte had something of a Hebrew look, and not unnaturally so, for he

came of mixed English, Dutch and Hebrew stock. To be exact, he was half

English, one quarter Dutch, and one quarter Hebrew. The Hebrew strain also

was derived from English soil, so that with the exception of a Dutch

great-grandmother, all his ancestors emigrated from England, and not very

remotely.

The Hebrew in the pedigree was his paternal grandfather, Bernard Hart. Mr.

Hart was born in London, on Christmas Day, 1763 or 1764, but as a boy of

thirteen he went out to Canada, where his relatives were numerous. These

Canadian Harts were a marked family, energetic, forceful, strong-willed,

prosperous, given to hospitality, warm-hearted, and pleasure-loving. One

of Bernard Hart's Canadian cousins left behind him at his death no less

than fourteen families, all established in the world with a good degree of

comfort, and with a sufficient degree of respectability. Now the

impropriety, to say nothing about the extravagance, of maintaining

fourteen separate families is so great that no Reader of this book (the

author feels confident) need be warned against it; and yet it indicates a

large, free-handed, lordly way of doing things. It was no ordinary man,

and no ordinary strain of blood that could produce such a record.

Bernard Hart remained but three years in Canada, and in 1780 moved to New

York where, although scarcely more than a boy, he acted as the business

representative of his Canadian kinsfolk. The Canadian Harts had many

commercial and social relations with the metropolis, and there was much

"cousining," much going back and forth between the two places. Bernard

Hart lived in New York for the rest of his life, and attained a high rank

in the community. "Towering aloft among the magnates of the city of the

last and present century," writes a local historian, "is Bernard Hart." He

was successful in business, very active in social and charitable affairs,

and prominent in the synagogue. In 1802 he formed a partnership with

Leonard Lispenard, under the name of Lispenard and Hart. They were

commission merchants and auctioneers, and did a large business. In 1803

the firm was dissolved, and Mr. Hart continued in trade by himself. In

1831 he became Secretary to the New York Stock Exchange Board, and held

that office for twenty-two years, resigning at the age of eighty-nine. In

1795, the year of the yellow fever plague, Bernard Hart rendered heroic

service, as is testified by a contemporary annalist. "Mr. Hart and Mr.

Pell, who kept store at 108 Market Street, a few doors from Mr. Hart, were

unceasing in their exertions. Night and day, hardly giving themselves time

to sleep or eat, they were among the sick and dying, relieving their

wants. They were angels of mercy in those awful days of the first great

pestilence."

Bernard Hart was also a military man, and in 1797 became quartermaster of

a militia regiment, composed wholly of citizens of New York. That he was a

"clubable" man, too, is very apparent. It was an era of clubs, and Bernard

Hart founded the association known as "The Friary." It met on the first

and third Sundays of every month at 56 Pine Street. He was also President

of The House of Lords, a merchants' club, which met at Baker's City Tavern

every week-day night, at 7 o'clock, adjourning at 10 o'clock. Each member

was allowed a limited quantity of liquor, business was discussed,

contracts were made, and sociability was promoted. He was, too, a member

of the St. George Society, and is said, also, to have been a Mason,

belonging to Holland Lodge No. 8, of which John Jacob Astor was master in

1798. Bernard Hart was a devout Jew, and his name frequently appears in

the records of the Spanish and Portuguese Synagogue, known as the

Congregation Shearith Israel, the first synagogue established in New York.

He lived in various houses,--at 86 Water Street, at 24 Cedar Street, at 12

Lispenard Street, at 20 Varick Street, and finally at 23 White Street. A

picture of him still hangs in the counting-room of Messrs. Arthur Lipper

and Co., in Broad Street.

How came it that this orthodox Jew, this pillar of the synagogue, married

a Christian woman? The romance, if there was one, is imperfectly preserved

even in the family traditions. It is known only that in 1799 Bernard Hart

married Catharine Brett, a woman of good family; that after living

together for a year or less, they separated; that there was one son, Henry

Hart, born February 1, 1800, who lived with his mother, and who became the

father of Bret Harte.

A few years later, in 1806, Bernard Hart married Zipporah Seixas, one of

the sixteen children, eight sons and eight daughters, born to Benjamin

Mendez Seixas. These young women were noted for their beauty and

amiability, and so strong was the impression which they produced that it

lasted even until the succeeding generation. The marriage ceremony was

performed by Gershom Mendez Seixas, a brother of the bride's father, and

rabbi of the synagogue already mentioned. From this marriage came numerous

sons and daughters, whose careers were honorable. Emanuel B. Hart was a

merchant and broker, an alderman, a member of Congress in 1851 and 1852,

and Surveyor of the Port of New York from 1859 to 1861. Benjamin I. Hart

was a broker in New York. David Hart, a teller in the Pacific Bank, fought

gallantly at the battle of Bull Run and was badly wounded there. Theodore

and Daniel Hart were merchants in New York.

[Illustration: BERNARD HART

Bret Harte's Grandfather]

One of Bernard Hart's sons by the Hebrew wife was named Henry. He was born

in 1817, and died of consumption in his father's house in White Street on

November 16, 1850. He was unmarried. Bernard Hart himself died in 1855, at

the age of ninety-one. His wife was then living at the age of

seventy-nine.

None of his descendants on the Hebrew side knew of his marriage to

Catharine Brett or of the existence of his son, the first Henry Hart,

until some years after Bret Harte's death. It seems almost incredible that

this Hebrew merchant, prominent as he was in business and social life, in

clubs and societies, in the militia and the synagogue, should have been

able to keep the fact of his first marriage so secret that it remained a

secret for a hundred years; it seems very unlikely that a woman of good

English birth and family should in that era have married a Jew; it is

highly improbable that a father should give to a son by a second marriage

the same name already given to his son by a former marriage. And yet all

these things are indisputable facts. There are members of Bret Harte's

family still living who remember Bernard Hart, and his occasional visits

to the family of Henry Hart, his son by Catharine Brett, whom he assisted

with money and advice so long as he lived. Bret Harte himself remembered

being taken to the New York Stock Exchange by his father, who there

pointed out to him his grandfather, Bernard Hart. It may be added that

between the descendants of Bernard Hart and Catharine Brett and those of

Bernard Hart and Zipporah Seixas there is a marked resemblance.

How far was the venerable Jew from suspecting that the one fact in his

life which he was so anxious to conceal was the very fact which would

rescue his name from oblivion, and preserve it so long as English

literature shall exist! Even if the marriage to Catharine Brett, a

Christian woman, had been known it would not, according to Jewish law,

have invalidated the second marriage, but it would doubtless have

prevented that marriage. What rendered the long concealment possible was,

of course, the deep gulf which then separated Jew from Gentile. Catharine

Brett had been warned by her father that he would cast her off if she

married the Jew; and this threat was fulfilled. Thenceforth, she lived a

lonely and secluded life, supported, it is believed, by her husband, but

having no other relation with him. The marriage was so improbable, so

ill-assorted, so productive of unhappiness, and yet so splendid in its

ultimate results, that it seems almost atheistic to ascribe it to chance.

Is the world governed in that haphazard manner!

But who was this unfortunate Catharine Brett? She was a granddaughter of

Roger Brett, an Englishman, and, it is supposed, a lieutenant in the

British Navy, who first appears in New York, about the year 1700, as a

friend of Lord Cornbury, then Governor of the Province. The coat of arms

which Roger Brett brought over, and which is still preserved on a pewter

placque, is identical with that borne by Judge, Sir Balliol Brett, before

his elevation to the peerage as Viscount Esher. Roger Brett was a

vestryman of Trinity Church from 1703 to 1706. In November, 1703, he

married Catharyna Rombout, daughter of Francis Rombout, who was one of the

early and successful merchants in the city of New York. Her mother, Helena

Teller, daughter of William Teller, a captain in the Indian wars, was

married three times, Francis Rombout being her third husband. Schuyler

Colfax, once Vice-President of the United States, was descended from her.

Francis Rombout was born at Hasselt in Belgium, and came to New Amsterdam

while it still belonged to the Dutch. He was an elder in the Dutch Church,

served as lieutenant in an expedition against the Swedes, was Schepen

under the Dutch municipal government, alderman under the reorganized

British government, and, in 1679, became the twelfth Mayor of New York.

Francis Rombout left to his daughter, Roger Brett's wife, an immense

estate on the Hudson River, which included the Fishkills, and consisted

chiefly of forest land. There, in 1709, the young couple built for their

home a manor house, which is still standing and is occupied by a

descendant of Roger Brett, to whom it has come down in direct line through

the female branch. A few years later, at least before 1720, Roger Brett

was drowned at the mouth of Fishkill Creek in the Hudson River. Catharyna,

his widow, survived him for many years. She was a woman of marked

character and ability, known through all that region as Madame Brett. She

administered her large estate, leased and sold much land to settlers,

controlled the Indians who were numerous, superintended a mill to which

both Dutchess County and Orange County sent their grist, owned the sloops

which were the only carriers between this outpost of the Colony and the

city of New York, and was one of the founders of the Fishkill Dutch

Church. In that church, a tablet to her memory was recently erected by the

Rombout-Brett Association, formed a few years ago by her descendants. The

tablet is inscribed as follows:--

_In memory of Catharyna Brett, widow of Lieutenant Roger Brett, R.N.,

and daughter of Francis Rombout, a grantee of Rombout patent, born in

the city of New York 1687, died in Rombout Precinct, Fishkill, 1764.

To this church she was a liberal contributor, and underneath its

pulpit her body is interred. This tablet was erected by her

descendants and others interested in the Colonial history of

Fishkill, A. D. 1904._

Roger Brett had four sons, of whom two died young and unmarried, and two,

Francis and Robert, married, and left many children. Whether the Catharine

Brett who married Bernard Hart was descended from Francis or from Robert

is not certainly known. Francis Brett's wife was a descendant of Cornelius

Van Wyck, one of the earliest settlers on Long Island. Robert Brett's wife

was a Miss Dubois.

Such was the ancestry of Bret Harte's paternal grandmother. Her son, Henry

Hart,[2] lived with her until, on May 5, 1817, he entered Union College,

Schenectady, as a member of the class of 1820. He remained in college

until the end of his Senior year, and passed all his examinations for

graduation, but failed to receive his degree because a college bill

amounting to ninety dollars had not been paid. The previous bills were

paid by his mother, "Catharine Hart." Alas! the non-payment of this bill

was an omen of the future. Henry Hart and his illustrious son were both

the reverse of thrifty or economical. Money seemed to fly away from them;

they had no capacity for keeping it, and no discretion in spending it.

Unpaid bills were the bane of their existence. Henry Hart's improvidence

is ascribed, in part, by those who knew him, to the irregular manner in

which his father supplied him with money, Bernard Hart being sometimes

very lavish and sometimes very parsimonious with his son.

Henry Hart was a well-built, athletic-looking man, with rather large

features, and dark hair and complexion. His height was five feet ten

inches, and his weight one hundred and seventy pounds. He was an

accomplished scholar, speaking French, Spanish and Italian, and being well

versed in Greek and Latin. He passed his short life as school-teacher,

tutor, lecturer and translator.

On May 16, 1830, he married Elizabeth Rebecca, daughter of Henry Philip

Ostrander, an "upstate" surveyor and farmer, who belonged to a prominent

Dutch family which settled at Kingston on the Hudson in 1659. It will be

remembered that the hero of Bret Harte's story, _Two Americans_, is Major

Philip Ostrander. The mother of Elizabeth Ostrander, Henry Hart's wife,

was Abigail Truesdale, of English descent. Henry Hart was brought up by

his mother in the Dutch Reformed faith, but soon after leaving college,

owing to what influence is unknown, he became a Catholic, and remained

such until his death. His wife was an Episcopalian, and his children were

of that, if of any persuasion.

In 1833 we find Henry Hart at Albany, and there he remained until 1836,

the year of Bret Harte's birth. In 1833 and 1834, he was instructor in the

Albany Female Academy, a girls' school, famous in its day, where he taught

reading and writing, rhetoric and mathematics. Early in 1835 he left the

Academy, and for two years he conducted a private school of his own at 15

Columbia Street, but this appears not to have been successful, for he

ceased to be a resident of the city in the latter part of 1836, or early

in 1837. One event in Henry Hart's life at Albany is significant. In

December, 1833, a meeting was held in the Mayor's Court Room to organize a

Young Men's Association, which proved to be a great success, and which has

played an important part in the life of the city down to the present day.

Henry Hart, though a comparative stranger in Albany, was chosen to explain

the objects of the Association at this meeting, and at the next meeting he

was elected one of the Managers. When Bret Harte came East from

California, he went to Albany and addressed the Association, upon the

invitation of its members.

After leaving Albany the family led an unsettled, uncomfortable life,

going from place to place, with occasional returns to the home of an

Ostrander relative in Hudson Street in the city of New York. The late Mr.

A. V. S. Anthony, the well-known engraver, was a neighbor of Bret Harte in

Hudson Street, and played and fought with him there, when they were both

about seven or eight years old. Afterward they met in California, and

again in London. From Albany the Henry Hart family went to Hudson, where

Mr. Hart acted as principal of an academy; and subsequently they lived in

New Brunswick, New Jersey; in Philadelphia; in Providence, Rhode Island;

in Lowell, Massachusetts; in Boston and elsewhere.

A few years before her death Mrs. Hart read the life of Bronson Alcott,

and when she laid down the book she remarked that the troubles and

privations endured by the Alcott family bore a striking resemblance to

those which she and her children had undergone. Some want of balance in

Henry Hart's character prevented him, notwithstanding his undoubted

talents, his enthusiasm, and his accomplishments, from ever obtaining any

material success in life, or even a home for his family and himself. But

he was a man of warm impulses and deep feeling. When Henry Clay was

nominated for the Presidency in 1844, Henry Hart espoused his cause almost

with fury. He gave up all other employment to electioneer in behalf of the

Whig candidate, and the defeat of his idol was a crushing blow from which

he never recovered. It was the first time that a really great man, as Clay

certainly was, had been outvoted in a contest for the Presidency by a

commonplace man, like Polk; and Clay's defeat was regarded by his

adherents not only as a hideous injustice, but as a national calamity. It

is not given to every one to take any impersonal matter so seriously as

Henry Hart took the defeat of his political chieftain; and his death a

year later, in 1845, may justly be regarded as a really noble ending to a

troubled and unsuccessful life.

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