III.

Ancient Books and their Materials.--Sculptures.--Printing

in China.--Use of Metals.--Seal.--Stencils.--Waxen Tablets.--

Bark, Leaves, Shells.--Papyrus.--Parchments.--Paper.--Palimpsests.

--Books written by Hand.--The Scriptorium.--Copyists and their

Habits.--Illuminations.--Character of Ancient Books.--Scarcity

and Costliness of Books.--Richard de Bury and Library.--Statutes

of St. Mary’s College.--Books Chained.--Abundance of Books in

Modern Times.

Leaving Gutenberg occupied with his experiment, let us glance briefly

at the books of that day, and the modes in which they were made and

given to the world.

The most ancient materials used for recording events were bricks,

tiles, shells, and tables of stone. The modes of writing on these

different substances were various. The tiles and brick were impressed

with a stamp when in a soft state; the shells and tablets of stone were

etched or graven, the figures or characters being cut in their surface,

and in some cases also stained with various colors. It was by the

ancient art of stamping that the walls, palaces, and towers of Babylon

were covered with hieroglyphics, which have but recently been brought

to light from under the immense mounds of Mesopotamia by Layard and

other explorers.

[Illustration: Babylonian Brick.]

The patriarch Job, who is supposed to have lived about 2,300 years

after the creation, exclaimed, “O that my words were now written! O

that they were printed in a book! that they were graven with an iron

pen, and hid in the rock forever!” Stung with the unjust accusation

of his friends, he desires to record his words that the generations

following might see the justice of his cause. The English translation

has given the allusion to printing to the text, the original word

signifying rather to ingrave on a plate, which was doubtless the only

printing known to Job.

Montfauçon purchased at Rome in 1699 an ancient book entirely composed

of lead. It was about four inches long and three inches wide; and not

only were the two pieces that formed the cover, and the leaves, six

in number, of lead, but also the stick inserted through the rings to

hold the leaves together, as well as the hinges and nails. It contained

figures of Egyptian idols, and unintelligible writing.

China, our ancestor in invention, from remote ages had a kind of

stereotyping or printing. It was not, however, as some have supposed,

like our printing, phonetic, or the expression of sound, but, like the

Egyptian, hieroglyphical; being purely of an artificial structure,

denoting every idea by its appropriate sign without any relation to

the utterance, and speaking to the eye like the numerical ciphers of

the Europeans, which every one understands and utters in his own way.

And like most other nations of antiquity, the Chinese were content to

remain without alphabetical writing. It is, however, due to the Chinese

to add, that they led the way in making good printing-paper. When they

invented making it, does not appear, some affirming that they had the

use of it from time immemorial; others that they first discovered it in

the second century of the Christian era.

Brass, as more durable, was used for inscriptions designed to last the

longest, such as treaties, laws, and alliances. Seals, also, were used

by the ancients for impressing soft substances. In the British Museum

there is a stamp of metal with raised letters. On the back of it is a

ring, enabling the owner to wear it as a signet; his name, Caius Julius

Cæcilius Hermias, being engraved in reversed letters upon it.

+-------------+

| CICAECILI |

| HERMIAE.SN. |

+-------------+

Gutenberg, and the Art of Printing · 第 37 / 70 题