PART 202--REGISTRATION OF CLAIMS TO COPYRIGHT

4. The authority citation for part 202 is revised to read as

follows:

Authority: 17 U.S.C. 702.

5. A new Sec. 202.12 is added to read as follows:

Sec. 202.12 Restored copyrights.

(a) General. This section prescribes rules pertaining to the

registration of foreign copyright claims which have been restored to

copyright protection under section 104A of 17 U.S.C., as amended by the

Uruguay Round Agreements Act, Public Law 103-465.

(b) Definitions. (1) For the purposes of this section, restored

work and source country, have the definition given in the URAA and

Sec. 201.33(b) of this chapter.

(2) Descriptive statement for a work embodied solely in machine-

readable format is a separate written statement giving the title of the

work, nature of the work (for example: computer program, database,

videogame, etc.), plus a brief description of the contents or subject

matter of the work.

(c) Registration. (1) General. Application, deposit, and filing fee

for registering a copyright claim in a restored work under section

104A, as amended, may be submitted to the Copyright Office on or after

January 1, 1996. The application, filing fee, and deposit should be

sent in a single package to the following address: URAA/GATT, NIEs and

Registration, P.O. Box 72400, Southwest Station, Washington, DC 20024,

USA.

(2) GATT Forms. Application for registration for single works

restored to copyright protection under URAA should be made on Form

GATT. Application for registration for a group of works published under

a single series title and published within the same calendar year

should also be made on Form GATT. Application for a group of at least

two and up to ten individual and related works as described in

paragraph (c)(5)(ii) of this section should be made on Form GATT/GRP.

GATT/URAA forms may be obtained by writing or calling the Copyright

Office Hotline at (202) 707-9100. In addition, legible photocopies of

these forms are acceptable if reproduced on good quality, 8\1/2\ by 11

inch white paper, and printed head to head so that page two is printed

on the back of page one.

(3) Fee.

(i) Amount. The filing fee for registering a copyright claim in a

restored work is 20 U.S. dollars. The filing fee for registering a

group of multiple episodes under a series title under paragraph

(c)(5)(i) of this section is also $20. The filing fee for registering a

group of related works under paragraph (c)(5)(ii) of this section is 10

U.S. dollars per individual work.

(ii) Method of payment.

(A) Checks, money orders, or bank drafts. The Copyright Office will

accept checks, money orders, or bank drafts made payable to the

Register of Copyrights. Remittances must be redeemable without service

or exchange fees through a United States institution, must be payable

in United States dollars, and must be imprinted with American Banking

Association routing numbers. In addition, international money orders,

and postal money orders that are negotiable only at a post office are

not acceptable. CURRENCY WILL NOT BE ACCEPTED.

(B) Copyright Office Deposit Account. The Copyright Office

maintains a system of Deposit Accounts for the convenience of those who

frequently use its services. The system allows an individual or firm to

establish a Deposit Account in the Copyright Office and to make advance

deposits into that account. Deposit Account holders can charge

copyright fees against the balance in their accounts instead of sending

separate remittances with each request for service. For information on

Deposit Accounts please write: Register of Copyrights, Copyright

Office, Library of Congress, Washington, DC 20559, and request a copy

of Circular 5, ``How to Open and Maintain a Deposit Account in the

Copyright Office.''

(C) Credit cards. For URAA registrations the Copyright Office will

accept VISA and MasterCards, and American Express. Debit cards cannot be

accepted for payment. With the registration

[[Page 50423]]

application, an applicant using a credit card must submit a separate

cover letter stating the name of the credit card, the credit card

number, the expiration date of the credit card, the total amount

authorized and a signature authorizing the Office to charge the fees to

the account. To protect the security of the credit card number, the

applicant must not write the credit card number on the registration

application.

(4) Deposit.

(i) General. The deposit for a work registered as a restored work

under the amended section 104A, except for those works listed in

paragraphs (c)(4)(ii) through (iv) of this section, should consist of

one copy or phonorecord which best represents the copyrightable content

of the restored work. In descending order of preference, the deposit

should be:

(A) The work as first published;

(B) A reprint or re-release of the work as first published;

(C) A photocopy or identical reproduction of the work as first

published; or

(D) A revised version which includes a substantial amount of the

copyrightable content of the restored work with an indication in

writing of the percentage of the restored work appearing in the

revision.

(ii) Previously registered works. No deposit is needed for works

previously registered in the Copyright Office.

(iii) Works embodied solely in machine-readable format. For works

embodied only in machine-readable formats, the deposit requirements are

as follows:

(A) One machine-readable copy and a descriptive statement of the

work; or

(B) Representative excerpts of the work, such as printouts; or, if

the claim extends to audiovisual elements in the work, a videotape of

what appears on the screen.

(iv) Pictorial, graphic and sculptural works. With the exception of

3-dimensional works of art, the general deposit preferences specified

under paragraph (c)(4)(i) of this section shall govern. For 3-

dimensional works of art, the preferred deposit is one or more

photographs of the work, preferably in color.

(v) Special relief. An applicant who is unable to submit any of the

preferred deposits may seek an alternative deposit under special relief

(37 CFR 202.20(d)). In such a case, the applicant should indicate in

writing why the deposit preferences cannot be met, and submit

alternative identifying materials clearly showing some portion of the

copyrightable contents of the restored work which is the subject of

registration.

(vi) Motion pictures. If the deposit is a film print (16 or 35 mm),

the applicant should contact the Performing Arts Section of the

Examining Division for delivery instructions. The telephone number is:

(202) 707-6040; the telefax number is: (202) 707-1236.

(5) Group registration. Copyright claims in more than one restored

work may be registered as a group in the following circumstances:

(i) Single series title. Works published under a single series

title in multiple episodes, installments, or issues during the same

calendar year may be registered as a group, provided the owner of U.S.

rights is the same for all episodes, installments, or issues. The Form

GATT should be used and the number of episodes or installments should

be indicated in the title line. The filing fee for registering a group

of such works is $20. In general, the deposit requirements applicable

to restored works will be applied to the episodes or installments in a

similar fashion. In the case of a weekly or daily television series,

applicants should first contact the Performing Arts Section of the

Examining Division. The telephone number is (202) 707-6040; the telefax

number is (202) 707-1236.

(ii) Group of related works. A group of related works may be

registered on the Form GATT/GRP, provided the following conditions are

met: the author(s) is the same for all works in the group; the owner of

all United States rights is the same for all works in the group; all

works must have been published in the same calendar year; all works fit

within the same subject matter category, i.e., literary works, musical

works, motion pictures, etc.; and there are at least two and not more

than ten individual works in the group submitted. Applicants

registering a group of related works must file for registration on the

Form GATT/GRP. The filing fee for registering a group of related works

is ten dollars per individual work.

(d) Works excluded. Works which are not copyrightable subject

matter under title 17 of the U.S. Code, other than sound recordings

fixed before February 15, 1972, shall not be registered as restored

copyrights.

Dated: September 25, 1995.

Marybeth Peters,

Register of Copyrights.

Approved by:

James H. Billington,

The Librarian of Congress.

[FR Doc. 95-24244 Filed 9-28-95; 8:45 am]

***9/29/95***

*****

U.S. Copyright Office, WIPO Copyright Treaty

WIPO COPYRIGHT TREATY

adopted by the Diplomatic Conference on December 20, 1996

Contents

Preamble

Article 1: Relation to the Berne Convention

Article 2: Scope of Copyright Protection

Article 3: Application of Articles 2 to 6 of the Berne Convention

Article 4: Computer Programs

Article 5: Compilations of Data (Databases)

Article 6: Right of Distribution

Article 7: Right of Rental

Article 8: Right of Communication to the Public

Article 9: Duration of the Protection of Photographic Works

Article 10: Limitations and Exceptions

Article 11: Obligations concerning Technological Measures

Article 12: Obligations concerning Rights Management Information

Article 13: Application in Time

Article 14: Provisions on Enforcement of Rights

Article 15: Assembly

Article 16: International Bureau

Article 17: Eligibility for Becoming Party to the Treaty

Article 18: Rights and Obligations under the Treaty

Article 19: Signature of the Treaty

Article 20: Entry into Force of the Treaty

Article 21: Effective Date of Becoming Party to the Treaty

Article 22: No Reservation to the Treaty

Article 23: Denunciation of the Treaty

Article 24: Languages of the Treaty

Article 25: Depositary

Preamble

The Contracting Parties,

Desiring to develop and maintain the protection of the rights of authors

in their literary and artistic works in a manner as effective and

uniform as possible,

Recognizing the need to introduce new international rules and clarify

the interpretation of certain existing rules in order to provide

adequate solutions to the questions raised by new economic, social,

cultural and technological developments,

Recognizing the profound impact of the development and convergence of

information and communication technologies on the creation and use of

literary and artistic works,

Emphasizing the outstanding significance of copyright protection as an

incentive for literary and artistic creation,

Recognizing the need to maintain a balance between the rights of authors

and the larger public interest, particularly education, research and

access to information, as reflected in the Berne Convention,

Have agreed as follows:

Article 1

Relation to the Berne Convention

(1) This Treaty is a special agreement within the meaning of Article 20

of the Berne Convention for the Protection of Literary and Artistic

Works, as regards Contracting Parties that are countries of the Union

established by that Convention. This Treaty shall not have any

connection with treaties other than the Berne Convention, nor shall it

prejudice any rights and obligations under any other treaties.

(2) Nothing in this Treaty shall derogate from existing obligations that

Contracting Parties have to each other under the Berne Convention for

the Protection of Literary and Artistic Works.

(3) Hereinafter, "Berne Convention" shall refer to the Paris Act of July

24, 1971 of the Berne Convention for the Protection of Literary and

Artistic Works.

(4) Contracting Parties shall comply with Articles 1 to 21 and the

Appendix of the Berne Convention.

Article 2

Scope of Copyright Protection

Copyright protection extends to expressions and not to ideas,

procedures, methods of operation or mathematical concepts as such.

Article 3

Application of Articles 2 to 6 of the Berne Convention Contracting

Parties shall apply mutatis mutandis the provisions of Articles 2 to 6

of the Berne Convention in respect of the protection provided for in

this Treaty.

Article 4

Computer Programs

Computer programs are protected as literary works within the meaning of

Article 2 of the Berne Convention. Such protection applies to computer

programs, whatever may be the mode or form of their expression.

Article 5

Compilations of Data (Databases)

Compilations of data or other material, in any form, which by reason of

the selection or arrangement of their contents constitute intellectual

creations, are protected as such. This protection does not extend to the

data or the material itself and is without prejudice to any copyright

subsisting in the data or material contained in the compilation.

Article 6

Right of Distribution

(1) Authors of literary and artistic works shall enjoy the exclusive

right of authorizing the making available to the public of the original

and copies of their works through sale or other transfer of ownership.

(2) Nothing in this Treaty shall affect the freedom of Contracting

Parties to determine the conditions, if any, under which the exhaustion

of the right in paragraph (1) applies after the first sale or other

transfer of ownership of the original or a copy of the work with the

authorization of the author.

Article 7

Right of Rental

(1) Authors of:

(i) computer programs;

(ii) cinematographic works; and

(iii) works embodied in phonograms as determined in the national law of

Contracting Parties,

shall enjoy the exclusive right of authorizing commercial rental to the

public of the originals or copies of their works.

(2) Paragraph (1) shall not apply:

(i) in the case of computer programs where the program itself is not the

essential object of the rental; and

(ii) in the case of cinematographic works, unless such commercial rental

has led to widespread copying of such works materially impairing the

exclusive right of reproduction.

(3) Notwithstanding the provisions of paragraph (1), a Contracting Party

that, on April 15, 1994, had and continues to have in force a system of

equitable remuneration of authors for the rental of copies of their

works embodied in phonograms may maintain that system provided that the

commercial rental of works embodied in phonograms is not giving rise to

the material impairment of the exclusive rights of reproduction of

authors.

Article 8

Right of Communication to the Public

Without prejudice to the provisions of Articles 11(1)(ii), 11bis(1)(i)

and (ii), 11ter(1)(ii), 14(1)(ii) and 14bis(1) of the Berne Convention,

authors of literary and artistic works shall enjoy the exclusive right

of authorizing any communication to the public of their works, by wire

or wireless means, including the making available to the public of their

works in such a way that members of the public may access these works

from a place and at a time individually chosen by them.

Article 9

Duration of the Protection of Photographic Works In respect of

photographic works, the Contracting Parties shall not apply the

provisions of Article 7(4) of the Berne Convention.

Article 10

Limitations and Exceptions

(1) Contracting Parties may, in their national legislation, provide for

limitations of or exceptions to the rights granted to authors of

literary and artistic works under this Treaty in certain special cases

that do not conflict with a normal exploitation of the work and do not

unreasonably prejudice the legitimate interests of the author.

(2) Contracting Parties shall, when applying the Berne Convention,

confine any limitations of or exceptions to rights provided for therein

to certain special cases that do not conflict with a normal exploitation

of the work and do not unreasonably prejudice the legitimate interests

of the author.

Article 11

Obligations concerning Technological Measures

Contracting Parties shall provide adequate legal protection and

effective legal remedies against the circumvention of effective

technological measures that are used by authors in connection with the

exercise of their rights under this Treaty or the Berne Convention and

that restrict acts, in respect of their works, which are not authorized

by the authors concerned or permitted by law.

Article 12

Obligations concerning Rights Management Information

(1) Contracting Parties shall provide adequate and effective legal

remedies against any person knowingly performing any of the following

acts knowing or, with respect to civil remedies having reasonable

grounds to know, that it will induce, enable, facilitate or conceal an

infringement of any right covered by this Treaty or the Berne

Convention:

(i) to remove or alter any electronic rights management information

without authority;

(ii) to distribute, import for distribution, broadcast or communicate to

the public, without authority, works or copies of works knowing that

electronic rights management information has been removed or altered

without authority.

(2) As used in this Article, "rights management information" means

information which identifies the work, the author of the work, the owner

of any right in the work, or information about the terms and conditions

of use of the work, and any numbers or codes that represent such

information, when any of these items of information is attached to a

copy of a work or appears in connection with the communication of a work

to the public.

Article 13

Application in Time

Contracting Parties shall apply the provisions of Article 18 of the

Berne Convention to all protection provided for in this Treaty.

Article 14

Provisions on Enforcement of Rights

(1) Contracting Parties undertake to adopt, in accordance with their

legal systems, the measures necessary to ensure the application of this

Treaty.

(2) Contracting Parties shall ensure that enforcement procedures are

available under their law so as to permit effective action against any

act of infringement of rights covered by this Treaty, including

expeditious remedies to prevent infringements and remedies which

constitute a deterrent to further infringements.

Article 15

Assembly

(1)

(a) The Contracting Parties shall have an Assembly.

(b) Each Contracting Party shall be represented by one delegate who may

be assisted by alternate delegates, advisors and experts.

(c) The expenses of each delegation shall be borne by the Contracting

Party that has appointed the delegation. The Assembly may ask the World

Intellectual Property Organization (hereinafter referred to as "WIPO")

to grant financial assistance to facilitate the participation of

delegations of Contracting Parties that are regarded as developing

countries in conformity with the established practice of the General

Assembly of the United Nations or that are countries in transition to a

market economy.

(2)

(a) The Assembly shall deal with matters concerning the maintenance

and development of this Treaty and the application and operation of this

Treaty.

(b) The Assembly shall perform the function allocated to it under

Article 17(2) in respect of the admission of certain intergovernmental

organizations to become party to this Treaty.

(c) The Assembly shall decide the convocation of any diplomatic

conference for the revision of this Treaty and give the necessary

instructions to the Director General of WIPO for the preparation of such

diplomatic conference.

(3)

(a) Each Contracting Party that is a State shall have one vote and

shall vote only in its own name.

(b) Any Contracting Party that is an intergovernmental organization may

participate in the vote, in place of its Member States, with a number of

votes equal to the number of its Member States which are party to this

Treaty. No such intergovernmental organization shall participate in the

vote if any one of its Member States exercises its right to vote and

vice versa.

(4) The Assembly shall meet in ordinary session once every two years

upon convocation by the Director General of WIPO.

(5) The Assembly shall establish its own rules of procedure, including

the convocation of extraordinary sessions, the requirements of a quorum

and, subject to the provisions of this Treaty, the required majority for

various kinds of decisions.

Article 16

International Bureau

The International Bureau of WIPO shall perform the administrative tasks

concerning the Treaty.

Article 17

Eligibility for Becoming Party to the Treaty

(1) Any Member State of WIPO may become party to this Treaty.

(2) The Assembly may decide to admit any intergovernmental organization

to become party to this Treaty which declares that it is competent in

respect of, and has its own legislation binding on all its Member States

on, matters covered by this Treaty and that it has been duly authorized,

in accordance with its internal procedures, to become party to this

Treaty.

(3) The European Community, having made the declaration referred to in

the preceding paragraph in the Diplomatic Conference that has adopted

this Treaty, may become party to this Treaty.

Article 18

Rights and Obligations under the Treaty

Subject to any specific provisions to the contrary in this Treaty, each

Contracting Party shall enjoy all of the rights and assume all of the

obligations under this Treaty.

Article 19

Signature of the Treaty

This Treaty shall be open for signature until December 31, 1997, by any

Member State of WIPO and by the European Community.

Article 20

Entry into Force of the Treaty

This Treaty shall enter into force three months after 30 instruments of

ratification or accession by States have been deposited with the

Director General of WIPO.

Article 21

Effective Date of Becoming Party to the Treaty

This Treaty shall bind

(i) the 30 States referred to in Article 20, from the date on which this

Treaty has entered into force;

(ii) each other State from the expiration of three months from the date

on which the State has deposited its instrument with the Director

General of WIPO;

(iii) the European Community, from the expiration of three months after

the deposit of its instrument of ratification or accession if such

instrument has been deposited after the entry into force of this Treaty

according to Article 20, or, three months after the entry into force of

this Treaty if such instrument has been deposited before the entry into

force of this Treaty;

(iv) any other intergovernmental organization that is admitted to become

party to this Treaty, from the expiration of three months after the

deposit of its instrument of accession.

Article 22

No Reservations to the Treaty

No reservation to this Treaty shall be admitted.

Article 23

Denunciation of the Treaty

This Treaty may be denounced by any Contracting Party by notification

addressed to the Director General of WIPO. Any denunciation shall take

effect one year from the date on which the Director General of WIPO

received the notification.

Article 24

Languages of the Treaty

(1) This Treaty is signed in a single original in English, Arabic,

Chinese, French, Russian and Spanish languages, the versions in all

these languages being equally authentic.

(2) An official text in any language other than those referred to in

paragraph (1) shall be established by the Director General of WIPO on

the request of an interested party, after consultation with all the

interested parties. For the purposes of this paragraph, "interested

party" means any Member State of WIPO whose official language, or one of

whose official languages, is involved and the European Community, and

any other intergovernmental organization that may become party to this

Treaty, if one of its official languages is involved.

Article 25

Depositary

The Director General of WIPO is the depositary of this Treaty.

U.S. Copyright Office

Supplementary Copyright Statutes, US Copy. Office · 第 3 / 3 章