4. The authority citation for part 202 is revised to read as
follows:
Authority: 17 U.S.C. 702.
5. A new Sec. 202.12 is added to read as follows:
Sec. 202.12 Restored copyrights.
(a) General. This section prescribes rules pertaining to the
registration of foreign copyright claims which have been restored to
copyright protection under section 104A of 17 U.S.C., as amended by the
Uruguay Round Agreements Act, Public Law 103-465.
(b) Definitions. (1) For the purposes of this section, restored
work and source country, have the definition given in the URAA and
Sec. 201.33(b) of this chapter.
(2) Descriptive statement for a work embodied solely in machine-
readable format is a separate written statement giving the title of the
work, nature of the work (for example: computer program, database,
videogame, etc.), plus a brief description of the contents or subject
matter of the work.
(c) Registration. (1) General. Application, deposit, and filing fee
for registering a copyright claim in a restored work under section
104A, as amended, may be submitted to the Copyright Office on or after
January 1, 1996. The application, filing fee, and deposit should be
sent in a single package to the following address: URAA/GATT, NIEs and
Registration, P.O. Box 72400, Southwest Station, Washington, DC 20024,
USA.
(2) GATT Forms. Application for registration for single works
restored to copyright protection under URAA should be made on Form
GATT. Application for registration for a group of works published under
a single series title and published within the same calendar year
should also be made on Form GATT. Application for a group of at least
two and up to ten individual and related works as described in
paragraph (c)(5)(ii) of this section should be made on Form GATT/GRP.
GATT/URAA forms may be obtained by writing or calling the Copyright
Office Hotline at (202) 707-9100. In addition, legible photocopies of
these forms are acceptable if reproduced on good quality, 8\1/2\ by 11
inch white paper, and printed head to head so that page two is printed
on the back of page one.
(3) Fee.
(i) Amount. The filing fee for registering a copyright claim in a
restored work is 20 U.S. dollars. The filing fee for registering a
group of multiple episodes under a series title under paragraph
(c)(5)(i) of this section is also $20. The filing fee for registering a
group of related works under paragraph (c)(5)(ii) of this section is 10
U.S. dollars per individual work.
(ii) Method of payment.
(A) Checks, money orders, or bank drafts. The Copyright Office will
accept checks, money orders, or bank drafts made payable to the
Register of Copyrights. Remittances must be redeemable without service
or exchange fees through a United States institution, must be payable
in United States dollars, and must be imprinted with American Banking
Association routing numbers. In addition, international money orders,
and postal money orders that are negotiable only at a post office are
not acceptable. CURRENCY WILL NOT BE ACCEPTED.
(B) Copyright Office Deposit Account. The Copyright Office
maintains a system of Deposit Accounts for the convenience of those who
frequently use its services. The system allows an individual or firm to
establish a Deposit Account in the Copyright Office and to make advance
deposits into that account. Deposit Account holders can charge
copyright fees against the balance in their accounts instead of sending
separate remittances with each request for service. For information on
Deposit Accounts please write: Register of Copyrights, Copyright
Office, Library of Congress, Washington, DC 20559, and request a copy
of Circular 5, ``How to Open and Maintain a Deposit Account in the
Copyright Office.''
(C) Credit cards. For URAA registrations the Copyright Office will
accept VISA and MasterCards, and American Express. Debit cards cannot be
accepted for payment. With the registration
[[Page 50423]]
application, an applicant using a credit card must submit a separate
cover letter stating the name of the credit card, the credit card
number, the expiration date of the credit card, the total amount
authorized and a signature authorizing the Office to charge the fees to
the account. To protect the security of the credit card number, the
applicant must not write the credit card number on the registration
application.
(4) Deposit.
(i) General. The deposit for a work registered as a restored work
under the amended section 104A, except for those works listed in
paragraphs (c)(4)(ii) through (iv) of this section, should consist of
one copy or phonorecord which best represents the copyrightable content
of the restored work. In descending order of preference, the deposit
should be:
(A) The work as first published;
(B) A reprint or re-release of the work as first published;
(C) A photocopy or identical reproduction of the work as first
published; or
(D) A revised version which includes a substantial amount of the
copyrightable content of the restored work with an indication in
writing of the percentage of the restored work appearing in the
revision.
(ii) Previously registered works. No deposit is needed for works
previously registered in the Copyright Office.
(iii) Works embodied solely in machine-readable format. For works
embodied only in machine-readable formats, the deposit requirements are
as follows:
(A) One machine-readable copy and a descriptive statement of the
work; or
(B) Representative excerpts of the work, such as printouts; or, if
the claim extends to audiovisual elements in the work, a videotape of
what appears on the screen.
(iv) Pictorial, graphic and sculptural works. With the exception of
3-dimensional works of art, the general deposit preferences specified
under paragraph (c)(4)(i) of this section shall govern. For 3-
dimensional works of art, the preferred deposit is one or more
photographs of the work, preferably in color.
(v) Special relief. An applicant who is unable to submit any of the
preferred deposits may seek an alternative deposit under special relief
(37 CFR 202.20(d)). In such a case, the applicant should indicate in
writing why the deposit preferences cannot be met, and submit
alternative identifying materials clearly showing some portion of the
copyrightable contents of the restored work which is the subject of
registration.
(vi) Motion pictures. If the deposit is a film print (16 or 35 mm),
the applicant should contact the Performing Arts Section of the
Examining Division for delivery instructions. The telephone number is:
(202) 707-6040; the telefax number is: (202) 707-1236.
(5) Group registration. Copyright claims in more than one restored
work may be registered as a group in the following circumstances:
(i) Single series title. Works published under a single series
title in multiple episodes, installments, or issues during the same
calendar year may be registered as a group, provided the owner of U.S.
rights is the same for all episodes, installments, or issues. The Form
GATT should be used and the number of episodes or installments should
be indicated in the title line. The filing fee for registering a group
of such works is $20. In general, the deposit requirements applicable
to restored works will be applied to the episodes or installments in a
similar fashion. In the case of a weekly or daily television series,
applicants should first contact the Performing Arts Section of the
Examining Division. The telephone number is (202) 707-6040; the telefax
number is (202) 707-1236.
(ii) Group of related works. A group of related works may be
registered on the Form GATT/GRP, provided the following conditions are
met: the author(s) is the same for all works in the group; the owner of
all United States rights is the same for all works in the group; all
works must have been published in the same calendar year; all works fit
within the same subject matter category, i.e., literary works, musical
works, motion pictures, etc.; and there are at least two and not more
than ten individual works in the group submitted. Applicants
registering a group of related works must file for registration on the
Form GATT/GRP. The filing fee for registering a group of related works
is ten dollars per individual work.
(d) Works excluded. Works which are not copyrightable subject
matter under title 17 of the U.S. Code, other than sound recordings
fixed before February 15, 1972, shall not be registered as restored
copyrights.
Dated: September 25, 1995.
Marybeth Peters,
Register of Copyrights.
Approved by:
James H. Billington,
The Librarian of Congress.
[FR Doc. 95-24244 Filed 9-28-95; 8:45 am]
***9/29/95***
*****
U.S. Copyright Office, WIPO Copyright Treaty
WIPO COPYRIGHT TREATY
adopted by the Diplomatic Conference on December 20, 1996
Contents
Preamble
Article 1: Relation to the Berne Convention
Article 2: Scope of Copyright Protection
Article 3: Application of Articles 2 to 6 of the Berne Convention
Article 4: Computer Programs
Article 5: Compilations of Data (Databases)
Article 6: Right of Distribution
Article 7: Right of Rental
Article 8: Right of Communication to the Public
Article 9: Duration of the Protection of Photographic Works
Article 10: Limitations and Exceptions
Article 11: Obligations concerning Technological Measures
Article 12: Obligations concerning Rights Management Information
Article 13: Application in Time
Article 14: Provisions on Enforcement of Rights
Article 15: Assembly
Article 16: International Bureau
Article 17: Eligibility for Becoming Party to the Treaty
Article 18: Rights and Obligations under the Treaty
Article 19: Signature of the Treaty
Article 20: Entry into Force of the Treaty
Article 21: Effective Date of Becoming Party to the Treaty
Article 22: No Reservation to the Treaty
Article 23: Denunciation of the Treaty
Article 24: Languages of the Treaty
Article 25: Depositary
Preamble
The Contracting Parties,
Desiring to develop and maintain the protection of the rights of authors
in their literary and artistic works in a manner as effective and
uniform as possible,
Recognizing the need to introduce new international rules and clarify
the interpretation of certain existing rules in order to provide
adequate solutions to the questions raised by new economic, social,
cultural and technological developments,
Recognizing the profound impact of the development and convergence of
information and communication technologies on the creation and use of
literary and artistic works,
Emphasizing the outstanding significance of copyright protection as an
incentive for literary and artistic creation,
Recognizing the need to maintain a balance between the rights of authors
and the larger public interest, particularly education, research and
access to information, as reflected in the Berne Convention,
Have agreed as follows:
Article 1
Relation to the Berne Convention
(1) This Treaty is a special agreement within the meaning of Article 20
of the Berne Convention for the Protection of Literary and Artistic
Works, as regards Contracting Parties that are countries of the Union
established by that Convention. This Treaty shall not have any
connection with treaties other than the Berne Convention, nor shall it
prejudice any rights and obligations under any other treaties.
(2) Nothing in this Treaty shall derogate from existing obligations that
Contracting Parties have to each other under the Berne Convention for
the Protection of Literary and Artistic Works.
(3) Hereinafter, "Berne Convention" shall refer to the Paris Act of July
24, 1971 of the Berne Convention for the Protection of Literary and
Artistic Works.
(4) Contracting Parties shall comply with Articles 1 to 21 and the
Appendix of the Berne Convention.
Article 2
Scope of Copyright Protection
Copyright protection extends to expressions and not to ideas,
procedures, methods of operation or mathematical concepts as such.
Article 3
Application of Articles 2 to 6 of the Berne Convention Contracting
Parties shall apply mutatis mutandis the provisions of Articles 2 to 6
of the Berne Convention in respect of the protection provided for in
this Treaty.
Article 4
Computer Programs
Computer programs are protected as literary works within the meaning of
Article 2 of the Berne Convention. Such protection applies to computer
programs, whatever may be the mode or form of their expression.
Article 5
Compilations of Data (Databases)
Compilations of data or other material, in any form, which by reason of
the selection or arrangement of their contents constitute intellectual
creations, are protected as such. This protection does not extend to the
data or the material itself and is without prejudice to any copyright
subsisting in the data or material contained in the compilation.
Article 6
Right of Distribution
(1) Authors of literary and artistic works shall enjoy the exclusive
right of authorizing the making available to the public of the original
and copies of their works through sale or other transfer of ownership.
(2) Nothing in this Treaty shall affect the freedom of Contracting
Parties to determine the conditions, if any, under which the exhaustion
of the right in paragraph (1) applies after the first sale or other
transfer of ownership of the original or a copy of the work with the
authorization of the author.
Article 7
Right of Rental
(1) Authors of:
(i) computer programs;
(ii) cinematographic works; and
(iii) works embodied in phonograms as determined in the national law of
Contracting Parties,
shall enjoy the exclusive right of authorizing commercial rental to the
public of the originals or copies of their works.
(2) Paragraph (1) shall not apply:
(i) in the case of computer programs where the program itself is not the
essential object of the rental; and
(ii) in the case of cinematographic works, unless such commercial rental
has led to widespread copying of such works materially impairing the
exclusive right of reproduction.
(3) Notwithstanding the provisions of paragraph (1), a Contracting Party
that, on April 15, 1994, had and continues to have in force a system of
equitable remuneration of authors for the rental of copies of their
works embodied in phonograms may maintain that system provided that the
commercial rental of works embodied in phonograms is not giving rise to
the material impairment of the exclusive rights of reproduction of
authors.
Article 8
Right of Communication to the Public
Without prejudice to the provisions of Articles 11(1)(ii), 11bis(1)(i)
and (ii), 11ter(1)(ii), 14(1)(ii) and 14bis(1) of the Berne Convention,
authors of literary and artistic works shall enjoy the exclusive right
of authorizing any communication to the public of their works, by wire
or wireless means, including the making available to the public of their
works in such a way that members of the public may access these works
from a place and at a time individually chosen by them.
Article 9
Duration of the Protection of Photographic Works In respect of
photographic works, the Contracting Parties shall not apply the
provisions of Article 7(4) of the Berne Convention.
Article 10
Limitations and Exceptions
(1) Contracting Parties may, in their national legislation, provide for
limitations of or exceptions to the rights granted to authors of
literary and artistic works under this Treaty in certain special cases
that do not conflict with a normal exploitation of the work and do not
unreasonably prejudice the legitimate interests of the author.
(2) Contracting Parties shall, when applying the Berne Convention,
confine any limitations of or exceptions to rights provided for therein
to certain special cases that do not conflict with a normal exploitation
of the work and do not unreasonably prejudice the legitimate interests
of the author.
Article 11
Obligations concerning Technological Measures
Contracting Parties shall provide adequate legal protection and
effective legal remedies against the circumvention of effective
technological measures that are used by authors in connection with the
exercise of their rights under this Treaty or the Berne Convention and
that restrict acts, in respect of their works, which are not authorized
by the authors concerned or permitted by law.
Article 12
Obligations concerning Rights Management Information
(1) Contracting Parties shall provide adequate and effective legal
remedies against any person knowingly performing any of the following
acts knowing or, with respect to civil remedies having reasonable
grounds to know, that it will induce, enable, facilitate or conceal an
infringement of any right covered by this Treaty or the Berne
Convention:
(i) to remove or alter any electronic rights management information
without authority;
(ii) to distribute, import for distribution, broadcast or communicate to
the public, without authority, works or copies of works knowing that
electronic rights management information has been removed or altered
without authority.
(2) As used in this Article, "rights management information" means
information which identifies the work, the author of the work, the owner
of any right in the work, or information about the terms and conditions
of use of the work, and any numbers or codes that represent such
information, when any of these items of information is attached to a
copy of a work or appears in connection with the communication of a work
to the public.
Article 13
Application in Time
Contracting Parties shall apply the provisions of Article 18 of the
Berne Convention to all protection provided for in this Treaty.
Article 14
Provisions on Enforcement of Rights
(1) Contracting Parties undertake to adopt, in accordance with their
legal systems, the measures necessary to ensure the application of this
Treaty.
(2) Contracting Parties shall ensure that enforcement procedures are
available under their law so as to permit effective action against any
act of infringement of rights covered by this Treaty, including
expeditious remedies to prevent infringements and remedies which
constitute a deterrent to further infringements.
Article 15
Assembly
(1)
(a) The Contracting Parties shall have an Assembly.
(b) Each Contracting Party shall be represented by one delegate who may
be assisted by alternate delegates, advisors and experts.
(c) The expenses of each delegation shall be borne by the Contracting
Party that has appointed the delegation. The Assembly may ask the World
Intellectual Property Organization (hereinafter referred to as "WIPO")
to grant financial assistance to facilitate the participation of
delegations of Contracting Parties that are regarded as developing
countries in conformity with the established practice of the General
Assembly of the United Nations or that are countries in transition to a
market economy.
(2)
(a) The Assembly shall deal with matters concerning the maintenance
and development of this Treaty and the application and operation of this
Treaty.
(b) The Assembly shall perform the function allocated to it under
Article 17(2) in respect of the admission of certain intergovernmental
organizations to become party to this Treaty.
(c) The Assembly shall decide the convocation of any diplomatic
conference for the revision of this Treaty and give the necessary
instructions to the Director General of WIPO for the preparation of such
diplomatic conference.
(3)
(a) Each Contracting Party that is a State shall have one vote and
shall vote only in its own name.
(b) Any Contracting Party that is an intergovernmental organization may
participate in the vote, in place of its Member States, with a number of
votes equal to the number of its Member States which are party to this
Treaty. No such intergovernmental organization shall participate in the
vote if any one of its Member States exercises its right to vote and
vice versa.
(4) The Assembly shall meet in ordinary session once every two years
upon convocation by the Director General of WIPO.
(5) The Assembly shall establish its own rules of procedure, including
the convocation of extraordinary sessions, the requirements of a quorum
and, subject to the provisions of this Treaty, the required majority for
various kinds of decisions.
Article 16
International Bureau
The International Bureau of WIPO shall perform the administrative tasks
concerning the Treaty.
Article 17
Eligibility for Becoming Party to the Treaty
(1) Any Member State of WIPO may become party to this Treaty.
(2) The Assembly may decide to admit any intergovernmental organization
to become party to this Treaty which declares that it is competent in
respect of, and has its own legislation binding on all its Member States
on, matters covered by this Treaty and that it has been duly authorized,
in accordance with its internal procedures, to become party to this
Treaty.
(3) The European Community, having made the declaration referred to in
the preceding paragraph in the Diplomatic Conference that has adopted
this Treaty, may become party to this Treaty.
Article 18
Rights and Obligations under the Treaty
Subject to any specific provisions to the contrary in this Treaty, each
Contracting Party shall enjoy all of the rights and assume all of the
obligations under this Treaty.
Article 19
Signature of the Treaty
This Treaty shall be open for signature until December 31, 1997, by any
Member State of WIPO and by the European Community.
Article 20
Entry into Force of the Treaty
This Treaty shall enter into force three months after 30 instruments of
ratification or accession by States have been deposited with the
Director General of WIPO.
Article 21
Effective Date of Becoming Party to the Treaty
This Treaty shall bind
(i) the 30 States referred to in Article 20, from the date on which this
Treaty has entered into force;
(ii) each other State from the expiration of three months from the date
on which the State has deposited its instrument with the Director
General of WIPO;
(iii) the European Community, from the expiration of three months after
the deposit of its instrument of ratification or accession if such
instrument has been deposited after the entry into force of this Treaty
according to Article 20, or, three months after the entry into force of
this Treaty if such instrument has been deposited before the entry into
force of this Treaty;
(iv) any other intergovernmental organization that is admitted to become
party to this Treaty, from the expiration of three months after the
deposit of its instrument of accession.
Article 22
No Reservations to the Treaty
No reservation to this Treaty shall be admitted.
Article 23
Denunciation of the Treaty
This Treaty may be denounced by any Contracting Party by notification
addressed to the Director General of WIPO. Any denunciation shall take
effect one year from the date on which the Director General of WIPO
received the notification.
Article 24
Languages of the Treaty
(1) This Treaty is signed in a single original in English, Arabic,
Chinese, French, Russian and Spanish languages, the versions in all
these languages being equally authentic.
(2) An official text in any language other than those referred to in
paragraph (1) shall be established by the Director General of WIPO on
the request of an interested party, after consultation with all the
interested parties. For the purposes of this paragraph, "interested
party" means any Member State of WIPO whose official language, or one of
whose official languages, is involved and the European Community, and
any other intergovernmental organization that may become party to this
Treaty, if one of its official languages is involved.
Article 25
Depositary
The Director General of WIPO is the depositary of this Treaty.
U.S. Copyright Office