A servant intercepted her half-way. "Madam--"

"Kemp, from here when I look down in the lower hall, all them ferns look

yellow on top. I want you should please cut them!"

"Yes, madam. Mrs. Fischlowitz, madam, has been waiting down in the side

hall for you."

"Mrs. Fischlowitz! For why you keep her waiting in the side hall?"

"Therese said madam was occupied."

"Bring her right up, Kemp, in the elevator. Her foot ain't so good.

Right away, Kemp."

"Yes, madam."

Into Mrs. Meyerburg's room of many periods, its vastness so emphasized

by the ceiling after Paolo Veronese, its fluted yellow-silk bed canopy

reaching up to that ceiling stately and theatric enough to shade

the sleep of a shah, limped Mrs. Fischlowitz timidly and with the

uncertainty with which the callous feet of the unsocialistic poor tread

velvet.

"How-do, Mrs. Fischlowitz?"

"Mrs. Meyerburg, I didn't want you to be disturbed except I want to

explain to you why I'm late again this month."

"Sit down! I don't want you should even explain, Mrs.

Fischlowitz--that's how little I thought about it."

Mrs. Meyerburg was full of small, pleased ways, drawing off her guest's

decent black cape, pulling at her five-fingered mittens, lifting the

nest-like bonnet.

"So! And how's the foot?"

"Not so good and not so bad. And how is the sciatica with you, Mrs.

Meyerburg?"

"Like with you, Mrs. Fischlowitz. It could be better and it could be

worse. Sometimes I got a little touch yet up between my ribs."

"If it ain't one thing, Mrs. Meyerburg, it's another. What you think why

I'm late again with the rent, Mrs. Meyerburg? If last week my Sollie

didn't fall off the delivery-wagon and sprain his back!"

"You don't say so!"

"That same job as you got him two years ago so good he's kept, and now

such a thing has to happen. _Gott sei dank_, he's up and out again, but

I tell you it was a scare!"

"I should say so. And how is Tillie?"

"Mrs. Meyerburg, you should just see for yourself how that girl has got

new color since that certified milk you send her every day. Like a

new girl so pretty all of a sudden she has grown. For to-morrow, Mrs.

Meyerburg, a girl what never before had a beau in her life, if Morris

Rinabauer, the young foreman where she works, 'ain't invited her out for

New-Year's Day."

"You got great times down by Rivington Street this time of year. Not? I

remember how my children used to like it with their horns _oser_ like it

was their own holiday."

"Ja, it's a great _gedinks_ like always. Sometimes I say it gets so

tough down there I hate my Tillie should come home from the factory

after dark, but now with Morris Rinabauer--"

"Mrs. Fischlowitz, I guess you think it's a sin I should say so, but I

tell you, when I think of that dirty little street down there and your

flat what I lived in the seventeen happiest years of my life with my

husband and babies--when I think back on my years in that little flat

I--I can just feel myself tremble like all over. That's how happy we

were down there, Mrs. Fischlowitz."

"I can tell you, Mrs. Meyerburg, when I got a place like this, at

Rivington Street I wouldn't want I should ever have to look again."

"It's a feeling, Mrs. Fischlowitz, what you--you can't understand

until--until you live through so much like me. I--I just want some day

you should let me come down, Mrs. Fischlowitz, and visit by you in the

old place, eh?"

"Ach, Mrs. Meyerburg, I can tell you the day what you visit on me down

there I am a proud woman. How little we got to offer you know, but if I

could fix for you Kaffeeklatsch some day and Kuchen and--"

"In the kitchen you still got the noodle-board yet, Mrs. Fischlowitz,

where you can mix Kuchen too?"

"I should say so. Always on it I mix my doughs."

"He built it in for me himself, Mrs. Fischlowitz. On hinges so when I

was done, up against the wall out of the way I could fold it."

"'Just think,' I say to my children, 'we eat noodles off a board what

Simon Meyerburg built with his own hands.' On the whole East Side it's a

curiosity."

"Sometimes when I come down by your flat, Mrs. Fischlowitz, I show you

how I used to make them for him. Wide ones he liked."

"Ach, Mrs. Meyerburg, like you could put your hands in dough now!"

"'Mamma,' he used to say--standing in the kitchen door when he came home

nights and looking at me maybe rocking Becky there by the stove and

waiting supper for him--'Mamma,' he'd say, clapping his hands at me,

'open your eyes wide so I can see what's in 'em.'"

"That such a big man should play like that!"

"'Come in, darling,' I'd say; 'you can't guess from there what we got.'"

"Just think, like just married you were together."

"'Noodles!' he'd holler, and all the time right in back of me, spread

out on the board, he could see 'em. I can see him yet, Mrs. Fischlowitz,

standing there in the kitchen doorway, under the horseshoe what he found

when we first landed."

"I can tell you, Mrs. Meyerburg, in that flat we 'ain't had nothing but

luck, neither, with you so good to us."

"Ach, now, Mrs. Fischlowitz, for an old friend like you, what I lived

next door to so many years and more as once gave my babies to keep for

me when I must go out awhile, I shouldn't do a little yet."

"'Little,' she calls it. With such low rent you give us I'm ashamed to

bring the money. Five weeks in the country and milk for my Tillie, until

it's back from the grave you snatched her. Even on my back now every

stitch what I got on I got to thank you for. Such comfort I got from

that black cape!"

"I was just thinking, Mrs. Fischlowitz, with your rheumatism and on such

a cold day a cape ain't so good for you, neither. Right up under it the

wind can get."

"Warm like toast it is, Mrs. Meyerburg."

"I got a idea, Mrs. Fischlowitz! In that chest over there by the wall I

got yet a jacket from Rivington Street. Right away it got too tight for

me. Like new it is, with a warm beaver collar. At auction one day he got

it for me. Like a top it will fit you, Mrs. Fischlowitz."

"No, no, please, Mrs. Meyerburg. It just looks like every time what

I come you got to give me something. Ashamed it makes me. Please you

shouldn't."

But in the pleasant frenzy of sudden decision Mrs. Meyerburg was on her

knees beside a carved chest, burrowing her arm beneath folded garments,

the high smell of camphor exuding.

"Only yesterday in my hand I had it. There! See! Just your size!" She

held the creased garment out from her by each shoulder, blowing the nap

of the beaver collar.

"Please, no, Mrs. Meyerburg. Such a fine coat maybe you can wear it

yourself. No, I don't mean that, when you got such grander ones; but for

me, Mrs. Meyerburg, it's too fine to take. Please!"

Standing there holding it thrust enthusiastically forward, a glaze

suddenly formed over Mrs. Meyerburg's eyes and she laid her cheek to the

brown fur collar, a tear dropping to it.

"You'm right, Mrs. Fischlowitz, I--I can't give this up. I--he--a coat

he bought once for me at auction when--he _oser_ could afford it. I--you

must excuse me, Mrs. Fischlowitz."

"That's right, Mrs. Meyerburg, for a remembrance you should keep it."

Then brightening: "But I got in the next room, Mrs. Fischlowitz, a coat

better as this for you. Lined all in squirrel-skin they call it. One day

by myself I bought it, and how my Becky laughs and won't even let me

wear it in automobile. I ain't stylish enough, she says."

With an inarticulate medley of sounds Mrs. Fischlowitz held up a hand of

remonstrance. "But--"

"Na, na, just a minute." And on the very wings of her words Mrs.

Meyerburg was across the room, through the ornate door of an ornate

boudoir, and out presently with the garment flung across her arm. "Na,

here put it on."

"Ach, such a beau-tiful coat!"

"So! Let me help!"

They leaned together, their faces, which the years had passed over

none too lightly, close and eager. Against the beaver collar Mrs.

Fischlowitz's hand lay fluttering.

"Put your hands in the pockets, Mrs. Fischlowitz. Deep, eh?"

"Finer you can believe me as I ever had in my life before. I can tell

you, Mrs. Meyerburg, a woman like you should get first place in heaven

and you should know how many on the East Side there is says the same.

I--I brought you your rent, Mrs. Meyerburg. You must excuse how late,

but my Sollie--"

"Ja, ja."

Eleven! Twelve! Twelve-fifty! Mrs. Fischlowitz counted it out carefully

from a small purse tucked in her palm, snapping it carefully shut over

the remaining coins.

"Thank you, Mrs. Fischlowitz. You should never feel hurried. Mr.

Oppenheimer will mail you a receipt."

"I guess now I must be going, Mrs. Meyerburg--to-night I promised my

Sollie we have cheese-Kuchen for supper."

"Always I used to make it with a short crust for my Isadore. How he

loved it!"

"Just again, Mrs. Meyerburg, I want you should let me say how--how this

is the finest present what I ever had in my life. I can tell you from

just how soft it is on me, I can tell how it must feel to ride in

automobile."

A light flashed in brilliance up into Mrs. Meyerburg's face. "Mrs.

Fischlowitz!"

"Ja, Mrs. Meyerburg?"

"I tell you what! I--this afternoon my Becky, Mrs. Fischlowitz, she--she

ain't so well and like always can't take with me a ride in the Park.

Such--such a cold that girl has got. How I should like it, Mrs.

Fischlowitz, if you would be so kind to--to take with me my drive in--in

your new coat."

"I--"

"Ja, ja, I know, Mrs. Fischlowitz, cheese Kuchen should first get cold

before supper, but if you could just an hour ride by me a little? If you

would be so kind, Mrs. Fischlowitz!"

Diffidence ran trembling along Mrs. Meyerburg's voice, as if she dared

not venture too far upon a day blessed with tasks. "I got always so--so

much time to myself now'days, Mrs. Fischlowitz, sometimes I--I get maybe

a--a little lonesome."

"Ach, Mrs. Meyerburg, you don't want to be bothered with such--such a

person like me when you ride so grand through the Park."

"Fit like a fiddle it will make you feel, Mrs. Fischlowitz. Button up

tight that collar and right away we start. Please, right next to you,

will you press that third button? That means we go right down and find

outside the car waiting for us."

"But, Mrs. Meyerburg--"

"See, just like you, I put on a coat on the inside fur. This way, Mrs.

Fischlowitz. Careful, your foot!"

In the great lower hall full of Tudor gloom the carved stone arches

dropping in rococo stalactites from the ceiling, and a marble staircase

blue-veined as a delicate woman's hand winding up to an oriole window,

a man-servant swung back two sets of trellised doors; bowed them

noiselessly shut again.

The quick cold of December bit them at the threshold. Opposite lay the

Park, its trees, in their smooth bark whipped bare, and gray as nuns,

the sunlight hard against their boles. More sunlight lay cold and

glittering down the length of the most façaded avenue in the world and

on the great up-and-down stream of motor-cars and their nickel-plated

snouts and plate-glass sides.

Women, with heads too haughty to turn them right or left, moved past in

closed cars that were perfumed and upholstered like jewel-boxes; the

joggly smartness of hansom cabs, their fair fares seeing and being seen

behind the wooden aprons and their frozen laughter coming from their

lips in vapor! On the broad sidewalks women in low shoes that defied

the wind, and men in high hats that the wind defied; nursemaids trim as

deaconesses, and their charges the beautiful exotic children of pure

milk and pure sunshine!

One of these deaconess-like nursemaids, walking out with a child whose

black curls lay in wide sprays on each shoulder, detached herself from

the up-town flow and crossed to the trellised threshold.

"Good afternoon, Madam Meyerburg. Mademoiselle, _dites bonjour à madame

votre grand'maman_."

"_Bonjour, grand'maman_."

In the act of descending her steps, Mrs. Meyerburg's hands flew outward.

"Ach, du little Aileen. Come, Aileen, to grandma. Mrs. Fischlowitz, this

is Felix's little girl. You remember Felix--such a beautiful bad little

boy he was what always used to fight your Sollie underneath the sink."

"_Gott in Himmel_, so this is Felix's little girl!"

"Ja, this is already his second. Come, Aileen, to grandma and say good

afternoon to the lady."

The maid guided the small figure forward by one shoulder. "_Dites

bonjour à madame, Mademoiselle Aileen_."

"_Bonjour, madame_."

"Not a word of English she can speak yet, Mrs. Fischlowitz. I tell you

already my grandchildren are so smart not even their language I can

understand. _Aber_ for why such a child should only talk so in her own

country she can't be understood, I don't know."

"I guess, Mrs. Meyerburg, it's style now'days that you shouldn't know

your own language."

"Come by grandma to-morrow, Aileen, and upstairs I got in the little box

sweet cakes like grandma always keeps for you. Eh, baby?"

"Say thank you, grandmother."

"_Merci bien, grand'maman_."

And they were off into the stream again, the small white leggings at a

smart trot.

At the curb a low-bodied, high-power car, with the top flung back and

the wind-shield up, lay sidled against the coping.

"Get right in, Mrs. Fischlowitz. Burk, put under Mrs. Fischlowitz's both

feet a heater."

A second man, in too-accentuated livery of mauve and astrakhan, flung

open the wide door. A glassed-in chauffeur, in more mauve and astrakhan,

threw in his clutch. The door slammed. Mrs. Fischlowitz breathed deep

and grasped the nickel-plated door handle. Mrs. Meyerburg leaned out,

her small plumes wagging.

"Burk, since Miss Becky ain't along to-day, I don't want in front no

second man."

"Yes, madam."

"I want instead you should take the roadster and call after Mrs.

Weinstein. You know, down by Twenty-third Street, the fourth floor

back."

"Yes, madam."

"I want you should say, Burk, that Mrs. Meyerburg says her and her

daughter should take off from their work an hour for a drive wherever

they say you should take them. And tell her, Burk, she should make for

me five dozens more them paper carnations. Right away I want you should

go."

"Yes, madam."

They nosed slowly into the stream of the Avenue.

"Always Becky likes there should be two men stuck up in front there.

I always say to look only at the backs of my servants I don't go out

riding for."

Erect and as if to the fantastic requirements of the situation sat

Mrs. Fischlowitz, her face of a thousand lines screwed to maintain the

transiency of a great moment.

"That I should live, Mrs. Meyerburg, to see such a sight like this! In

the thirty years I been in this country not but once have I walked up

Fifth Avenue--that time when my Tillie paraded in the shirtwaist strike.

I--I can tell you I'm proud to live to see it this way from automobile."

"Lean back, Mrs. Fischlowitz, so you be more comfortable. That's all

right; you can't hurt them bottles. My Becky likes to have fancy touches

all over everything. Gold-tops bottles she has to have yet by her. I can

tell you, though, Mrs. Fischlowitz, if I do say it myself, when that

girl sits up in here like a picture she looks. How they stare you should

see."

"Such a beau-ti-ful girl! I can tell you for her a prince ain't good

enough. Ach, what a pleasure it must be, Mrs. Meyerburg, for a mother to

know if her child wants heaven she can nearly get it for her. I can tell

you that must be the greatest pleasure of all for you, Mrs. Meyerburg,

to give to your daughter everything just like she wants it."

"Ja, ja," said with little to indicate mental ferment.

They were in the Park, with the wind scampering through the skeins of

bare tree branches. The lake lay locked in ice, skaters in the ecstasy

of motion lunging across it. Beneath the mink lap-robe Mrs. Fischlowitz

snuggled deeper and more lax.

"_Gott in Himmel_, I tell you this is better as standing over my cheese

Kuchen."

"Always I used to let my cheese drip first the night before. Right

through a cheese-cloth sack hung from a nail what my husband drove in

for me under the window-sill."

"Right that same nail is there yet, Mrs. Meyerburg. _Oser_ we should

touch one thing!"

"I can tell you it's a great comfort, Mrs. Fischlowitz, I got such a

tenant as you in there."

"When you come to visit me, Mrs. Meyerburg, right to the last nail like

you left it you find it. Not even from the kitchen would I let my Sollie

take down the old clothes-line what you had stretched across one end."

"Ach, how many times in rainy days I used that line. It's a good little

line I bet yet. Not?"

"Ja." But with no corresponding kit of emotions in Mrs. Fischlowitz's

voice. She was still breathing deep the buoyant ether of the moment, and

beneath the ingratiating warmth of fur utterly soothed. "_Gott_," she

said, "I wish my sister-in-law, Hanna, with all her fine airs up where

she lives on One Hundred and Twenty-ninth Street, could see me now.

_Oser_ she could stare and stare, and bow and bow, and past her I would

roll like--like a rolling-pin."

From the gold-topped bottle nearest her came a long insidious whiff of

frangipani. She dared to lean toward it, sniffing.

"Such a beautiful smell." And let her eyes half close.

"You market your meat yet on Fridays down by old Lavinsky's, Mrs.

Fischlowitz?"

"Ja, just like always, only his liver ain't so good like it used to be.

I can tell you that's a beau-ti-ful smell."

An hour they rode purringly over smooth highways and for a moment

alongside the river, but there the wind was edged with ice and they were

very presently back into the leisurely flow of the Avenue. From her

curves Mrs. Fischlowitz unbent herself slowly.

"No, no, Mrs. Fischlowitz--you stay in."

"Ach, I get out here at your house, too, and take the street-cars. I--"

"No, no. James takes you all the way home, Mrs. Fischlowitz. I get out

because my Becky likes I should get home early and get dressed up for

dinner."

"But Mrs. Meyerburg--"

"No, no. Right in you stay. 'Sh-h-h, just don't mention it. Enough

pleasure you give me to ride by me. Take good care your foot. Good-by,

Mrs. Fischlowitz. All the way home you should take her, James."

Once more within the gloom of her Tudor hall, Mrs. Meyerburg hurried

rearward and toward the elevator. But down the curving stairway the

small maid on stilts came, intercepting her.

"Madame!"

"Ja."

"Madame will please come. Mademoiselle Betty this afternoon ees not so

well. Three spells of fainting, madame."

"Therese!"

"Oui, not serious, madame, but what I would call hysteeria and

mademoiselle will not have doctor. Eef madame will come--"

With a great mustering of her strength Mrs. Meyerburg ran up the first

three of the marble steps, then quite as suddenly stopped, reaching out

for the balustrade. The seconds stalked past as she stood there, a fine

frown sketched on her brow, and the small maid anxious and attendant.

"Madame?"

When Mrs. Meyerburg spoke finally it was as if those seconds had been

years, sapping more than their share of life from her. "I--now I don't

go up, Therese. After a while I come, but--but not now. I want, though,

you should go right away up to Miss Becky with a message."

"Oui, madame."

"I want you should tell her for me, Therese, that--that to-morrow

New-Year's dinner with the family all here, I--I want she should invite

the Marquis Rosencrantz. That everything is all right. Right away I want

you should go and tell her, Therese!"

"Oui, madame."

Up in her bedroom and without pause Mrs. Meyerburg walked directly

to the small deal table there beside her bed and still littered with

half-curled blue-prints. These she gathered into a tight roll, snapping

a rubber band about it. She rang incisively the fourth of the row of

bells. A man-servant responded almost immediately with a light rap-a-tap

at the door. She was there and waiting.

"Kemp, I want you should away take down this roll to Goldfinger's office

in the Syndicate Building. Just say Mrs. Meyerburg says everything is

all right--to go ahead."

"Yes, madam." And he closed the door after him, holding the knob a

moment to save the click.

* * * * *

In a Tudor dining-hall, long as the banquet-room of a thane, faced in

thrice-weathered oak and designed by an architect too eminent to endure

interference--except when Miss Meyerburg had later and at her own

stealthy volition installed a Pompeian colored window above the high

Victorian fireplace--the wide light of a brilliant New-Year's day lay

against leaded window-panes, but shut out by thick hangings.

Instead, the yellow light from a ceiling sown with starlike bulbs lay

over that room. At each end of the table, so that the gracious glow fell

full upon the small figure of Mrs. Meyerburg at one end and upon the

grizzled head of Mr. Ben Meyerburg at the other, two braces of candles

burned softly, crocheting a flickering design upon the damask.

From the foot of that great table, his place by precedence of years, Mr.

Ben Meyerburg rose from his Voltairian chair, holding aloft a wineglass

like a torch.

"_Masseltov_, ma," he said, "and just like we drank to the happy couple

who have told us the good news to-day, so now I drink to the grandest

little mother in the world. _Masseltov_, ma." And he drained his glass,

holding it with fine disregard back over one shoulder for refilling.

Round that table Mrs. Meyerburg's four remaining sons, towering almost

twice her height, rose in a solemn chorus that was heavier than their

libations of wine.

"_Masseltov_, ma."

"Ach, boys, my sons, _ich--ich--danke_." She was quivering now in the

edge of tears and grasped tightly at the arms of her chair.

"_Masseltov_, ma," said Rebecca Meyerburg, raising her glass and

her moist eyes shining above it. The five daughters-in-law followed

immediate suit. At Miss Meyerburg's left the Marquis Rosencrantz, with

pointed features and a silhouette sharp as a knife edge, raised his

glass and his waxed mustache and drank, but silently and over a deep

bow.

"Mamma--mother dear, the marquis drinks to you."

Mrs. Meyerburg turned upon him with a great mustering of amiability and

safely withdrawn now from her brink of tears. "I got now six sons what

can drink to my health--not, Marquis?"

"She says, Marquis," translated Miss Meyerburg, ardently, to the sharp

profile, "that now she has six sons to drink to her health."

_"Madame me fait trop d'honneur."_

"He says, mamma, that it is too great an honor to be your son."

From her yesterday's couch of mental travail Miss Meyerburg had risen

with a great radiance turping out its ravages. She was Sheban in

elegance, the velvet of her gown taken from the color of the ruby on her

brow, and the deep-white flesh of her the quality of that same velvet

with the nap raised.

"He wants to kiss your hand, ma. Give it to him. No, the right one,

dearie."

"I--I'm much obliged, Marquis. I--well, for one little old woman like

me, I got now six sons and six daughters, each one big enough to carry

me off under his arm. Not?"

She was met with immediate acclaim from a large blond daughter-in-law,

her soft, expansive bosom swathed in old lace caught up with a great

jeweled lizard.

"Little old nothing, ma. I always say to Isadore you've got more energy

yet than the rest of the family put together."

"Ach, Dora, always you children like to make me think I been young yet."

But she was smilingly tremulous and pushed herself backward in her heavy

throne-like chair. A butler sprang, lifting it gently from her.

Immediately the great, disheveled table, brilliantly littered with

crystal, frumpled napkins, and a great centerpiece of fruits and

flowers, was in the confusion of disorganization.

Daughters-in-law and husbands moved up toward a pair of doors swung

heavily backward by two servants.

Mrs. Isadore Meyerburg pushed her real-lace bodice into place and

adjusted the glittering lizard. "Believe me," she said, exuding a sigh

and patting her bosom on the swell of that deep breath, "I ate too much,

but if I can't break my diet for the last engagement in the family, and

to nobility at that, when will I do it?"

"I should say so," replied Mrs. Rudolph Meyerburg, herself squirming to

rights in an elaborate bodice and wielding an unostentatious toothpick

behind the cup of her hand; "like I told Roody just now, if I take on a

pound to-day he can blame his sister."

"Say, I wish you'd look at the marquis kissing ma's hand again, will

you?"

"Look at ma get away with it too. You've got to hand it to them French,

they've got the manners all right. No wonder our swell Trixie tags after

them."

"Say, Becky shouldn't get manners yet with her looks and five hundred

thousand thrown in. I bet, if the truth is known, and since ma is going

to live over there with them, that there's a few extra thousand tacked

on too."

"Not if the court knows it! Like I told Roody this morning, she's

bringing a title into the family, but she's taking a big wad of the

Meyerburg money out of the country too."

"It is so, ain't it?"

Around her crowded Mrs. Meyerburg's five sons.

"Come with us, ma. We got a children's party up in the ballroom for

Aileen this afternoon, and then Trixie and I are going to motor down to

Sheepshead for the indoor polo-match. Come, ma."

"No, no, Felix. I want for myself rest this afternoon. All you children

go and have your good times. I got home more as I can do, and maybe

company, too."

"Tell you what, ma, come with Dora and me and the kids. She wants to go

out to Hastings this afternoon to see her mother. Come with us, ma. The

drive will do you good."

"No, no, Izzy. When I ride too much in the cold right away up in my ribs

comes the sciatica again."

Miss Meyerburg bent radiant over her parent. "Mother," she whispered,

her throat lined with the fur of tenderness, "it's reception-day out at

that club, and all the cliques will be there, and I want--"

"Sure, Becky, you and the marquis should drive out. Take the big car,

but tell James he shouldn't be so careless driving by them curves out

there by the golf-links."

"But, ma dear, you come, too, and--"

"No, no, Becky; to-day I got not time."

"But, ma--ma, you ain't mad at me, dear? You can see now for yourself,

can't you, dear, what a big thing it is for the family and how you--"

"Yes, yes, Becky. Look, go over by your young man. See how he stands

there and not one word what Ben is hollering so at him can he

understand."

Across the room, alongside a buffet wrought out of the powerful Jacobean

period, Mr. Ben Meyerburg threw a violent contortion.

"Want to go up in the Turkish room and smoke?" he shouted, the

apoplectic purple of exertion rushing into his face and round to the

roll of flesh overhanging the rear of his collar.

_"Pardon?"_

"Smoke? Do you smoke? Smokez-vous? Cigarez-vous? See, like this. Fume.

Blow. Do you smoke? Smokez-vous?"

_"Pardon?"_ said the marquis, bowing low.

* * * * *

In the heavy solitude of Mrs. Meyerburg's bedchamber, the buzz of

departures over, silence lay resumed, but with a singing quality to it

as if an echo or so still lingered.

Before the plain deal table, and at her side two files bulging their

contents, Mrs. Meyerburg sat with her spatulate finger conning in among

a page of figures. After a while the finger ceased to move across the

page, but lay passive midway down a column. After another while she

slapped shut the book and took to roaming up and down the large room

as if she there found respite from the spirit of her which nagged and

carped. Peering out between the heavy curtains, she could see the tide

of the Avenue mincing, prancing, chugging past. Resuming her beat up and

down the vistas of the room, she could still hear its voice muffled and

not unlike the tune of quinine singing in the head.

The ormolu clock struck, and from various parts of the house musical

repetitions. A French tinkle from her daughter's suite across the hall;

from somewhere more remote the deep, leisurely tones of a Nuremberg

floor clock. Finally Mrs. Meyerburg dropped into the overstuffed chair

beside her window, relaxing into the attitude her late years had brought

her, head back, hands stretched out along the chair sides, and full of

rest. An hour she sat half dozing, and half emerging every so often with

a start, then lay quietly looking into space, her eyes quiet and the

erstwhile brilliancy in them gone out like a light.

Presently she sat forward suddenly, and with the quick light of

perception flooding up into her face; slid from her chair and padded

across the carpet. From the carved chest alongside the wall she withdrew

the short jacket with the beaver collar, worked her shoulders into it.

From the adjoining boudoir she emerged after a time in a small bonnet

grayish with age and the bow not perky. Her movements were brief and

full of decision. When she opened her door it was slyly and with a

quick, vulpine glance up and down the grave quiet of the halls. After a

cocked attitude of listening and with an incredible springiness almost

of youth, Mrs. Meyerburg was down a rear staircase, through a rear

hallway, and, unseen and unheard, out into the sudden splendor of a

winter's day, the side street quiet before her.

"Gott!" said Mrs. Meyerburg, audibly, breathing deep and swinging into

a smart lope eastward. Two blocks along, with her head lifted and no

effort at concealment, she passed her pantry-boy walking out with a

Swedish girl whose cheeks were bursting with red. He eyed his mistress

casually and without recognition.

At Third Avenue she boarded a down-town street-car, a bit winded from

the dive across cobbles, but smiling. Within, and after a preliminary

method of paying fare new and confusing to her, she sat back against the

rattly sides, her feet just lifted off the floor. She could hardly keep

back the ejaculations as old streets and old memories swam into view.

"Look at the old lay-dee talking to her-sel-uph," sang an urchin across

the aisle.

"Shut up," said the mother, slapping him sidewise.

At one of the most terrific of these down-town streets Mrs. Meyerburg

descended. Beneath the clang and bang of the Elevated she stood confused

for the moment and then, with her sure stride regained, swung farther

eastward.

Slitlike streets flowed with holiday copiousness, whole families abroad

on foot--mothers swayback with babies, and older children who ran ahead

shouting and jostling. Houses lean and evil-looking marched shoulder to

shoulder for blocks, no gaps except intersecting streets. Fire-escapes

ran zigzag down the meanest of them. Women shouted their neighborhood

jargon from windows flung momentarily open. Poverty scuttled along close

to the scant shelter of these houses. An old man, with a beard to his

chest, paused in a doorway to cough, and it was like the gripe-gripe of

a saw with its teeth in hard wood. A woman sold apples from a stoop, the

form of a child showing through her shawl. Yet Mrs. Meyerburg smiled as

she hurried.

Midway in one of these blocks and without a pretense of hesitancy she

turned into a black mouth of an entrance and up two flights. On each

landing she paused more for tears than for breath. At a rear door

leading off the second landing she knocked softly, but with insistence.

It opened to a slight crack, then immediately swung back full span.

"_Gott in Himmel_, Mrs. Meyerburg! Mrs. Meyerburg! _Kommen Sie herein_.

Mrs. Meyerburg, for why you didn't let me know? To think not one of my

children home and to-day a holiday, my place not in order--"

"Now, now, Mrs. Fischlowitz, just so soon you go to one little bit of

trouble, right away I got no more pleasure. Please, Mrs. Fischlowitz.

Ach, if you 'ain't got on your pantry shelfs just the same paper edge

like my Roody used to cut out for me."

"Come, come, Mrs. Meyerburg, in parlor where--"

"Go way mit you. Ain't the kitchen where I spent seventeen years, the

best years in my life, good enough yet? Parlor yet she wants to take

me."

An immediate negligée of manner enveloped her like an old wrapper.

A certain tulle of bewilderment had fallen. She was bold, even

dictatorial.

"Don't fuss round me so much, Mrs. Fischlowitz. Just like old times

I want it should seem. Like maybe I just dropped in on you a lump of

butter to borrow. No, no, don't I know where to hang mine own bonnet in

mine own house? Ach, the same coat nails what he drove in himself!"

"To think, Mrs. Meyerburg, all my children gone out for a good time this

afternoon, my Tillie with Morris Rinabauer, who can't keep his eyes off

her--"

"How polished she keeps her stove, just like I used to."

"Right when you knocked I was thinking, well, I clean up a bit. Please,

Mrs. Meyerburg, let me fix you right away a cup coffee--"

"Right away, Mrs. Fischlowitz, just so soon you begin to make fuss over

me, I don't enjoy it no more. Please, Mrs. Fischlowitz, right here in

this old rocker-chair by the range let me, please, sit quiet a minute."

In the wooden rocker beside the warm stove she sat down quietly, lapping

her hands over her waist-line.

_"Gott in Himmel,"_ sitting well away from the chair-back and letting

her eyes travel slowly about the room, "just like it was yesterday; just

like yesterday." And fell to reciting the phrase softly.

"Ja, ja," said Mrs. Fischlowitz, concealing an unwashed litter of dishes

beneath a hastily flung cloth. "I can tell you, Mrs. Meyerburg, my house

ain't always this dirty; only to-day not--"

"Just like it was yesterday," said Mrs. Meyerburg, musing through a

tangle of memories. She fell to rocking. A narrow band of sunshine lay

across the bare floor, even glinted off a pan or two hung along the wall

over the sink. Along that same wall hung a festoon of red and green

peppers and a necklace of garlic. Toward the back of the range a pan

of hot water let off a lazy vapor. Beside the scuttle a cat purred and

fought off sleep.

"Already I got the hot water, Mrs. Meyerburg, to make you a cup coffee

if--"

"Please, Mrs. Fischlowitz, let me rest like this. In a minute I want you

should take me all through in the children's room and--"

"If I had only known it how I could have cleaned for you."

"Ach, my noodle-board over there! How grand and white you keep it."

"Ja, I--"

"Mrs. Fischlowitz!"

"Yes, Mrs. Meyerburg?"

"Mrs. Fischlowitz, if you want to--to give me a real treat I tell you

what. I tell you what!"

"Ja, ja, Mrs. Meyerburg; anything what I can do I--"

"I want you should let me mix you on that old board a mess noodles!"

"Ach, Mrs. Meyerburg, your hands and that grand black-silk dress!"

"For why not, Mrs. Fischlowitz? Wide ones, like he used to like. Just

for fun, please, Mrs. Fischlowitz. To-morrow I send you two barrels

flour for what I use up."

"But, Mrs. Meyerburg, I should make for you noodles, not you for me--"

"It's good I should learn, Mrs. Fischlowitz, to get back my hand in

such things. Maybe you don't believe me, but I ain't so rich like I was

yesterday when you seen me, Mrs. Fischlowitz. To-day I'm a poor woman,

Mrs. Fischlowitz, with--"

Mrs. Fischlowitz threw out two hands in a liberal gesture. "Such a good

woman she is! In my house where I'm poor she wants, too, to play like

she's a poor woman. That any one should want to play such a game with

themselves! Noodles she wants to make for me, instead I should wait on

her like she was a queen."

"It takes me back, Mrs. Fischlowitz, to old times. Please, Mrs.

Fischlowitz, to-morrow I send you two barrels."

"Like you ain't welcome to everything what I got in the house. All

right, noodles you should make and always I keep 'em for remembrance.

Just let me run down to cellar and bring you up flour. No, no, you

set there and let me fold down the board for you. Rock there, Mrs.

Meyerburg, till I come up with the flour. Eggs plenty I got."

"And a little butter, Mrs. Fischlowitz, the size of an egg, and always a

pinch of salt."

"The neighbors should see this! Mrs. Simon Meyerburg making for me

noodles in my kitchen!" She was off and down a small rear stairway, a

ribbon of ejaculations trailing back over one shoulder.

In her chair beside the warm range Mrs. Meyerburg sat quiescent, her

head back against the rest, eyes half closed, and slanting toward the

kitchen door. Against the creaking floor her chair swayed rhythmically.

Tears ran down to meet the corners of her mouth, but her lips were

looped up in a smile.

The cat regarded her through green eyes slit down their middle. Toward

the rear of the stove the pan of water seethed.

Suddenly Mrs. Meyerburg leaned forward with a great flash across her

face. "Simon," she cried, leaning to the door and stretching forward

quavering arms. "Simon, my darling!" She leaned further, the rims of her

eyes stretched wide. "Simon--come, my darling. Simon!"

Into the opposite doorway, smirched with flour and a white pail of it

dangling, flashed Mrs. Fischlowitz, breathing hard from her climb.

"What, Mrs. Meyerburg, you want something?"

"Simon," cried Mrs. Meyerburg, her voice lifted in a paean of welcome;

"come, my darling, come in. Come!" And she tried to rise, but sat back,

quivering, her brow drenched in sudden sweat.

Raucous terror tore through Mrs. Fischlowitz's voice, and she let fall

her pail, a white cloud rising from off the spill. "Mrs. Meyerburg,

there ain't nobody there. Mrs. Meyerburg, he ain't there. Mrs.

Meyerburg!"

"Simon!"

"Mrs. Meyerburg, he ain't there. Nobody's there!

Ach--help--doctor--Tillie!"

Back against Mrs. Fischlowitz's frenzied arms lay Mrs. Meyerburg, very

gray, her hand against her left breast and down toward the ribs.

"Gott! Gott! Please, Mrs. Meyerburg--Mrs. Meyerburg!" dragging back

one of the weary eyelids and crying out at what she saw there. "Help

doctor--Tillie--quick--quick--"

She could not see, poor dear, that into those locked features was

crystallized the great ecstasy of reunion.

Every Soul Hath Its Song · 第 37 / 62 题