to win, and apparently he seldom attempted to conceal the fact that
some of his horses were meant to lose.
Possibly this very “ingenuousness” may have led some of his friends,
and a proportion of what we should to-day call the general public, to
believe that he acted honourably and always in good faith.
In justice let it be said, however, that he bred good stock,
also that he was a better judge of a horse than the bulk of his
contemporaries—though that is not high praise. While himself engaged
in roguery in connection with racing he was all the time striving to
purify the Turf. He would, in all probability, have amassed a large
fortune—or what was deemed in those days to be a large fortune—had
he been less addicted to gambling for gambling's sake, for it is
certain that from first to last he won much money by laying against
his own horses as well as by backing some of them. The more amazing,
therefore, is it that certain writers, even in comparatively recent
times, should speak of him in all seriousness as a man of remarkable
integrity.
Queen Elizabeth loved the Turf and apparently was extremely fond
of horses, while in her youth she must have been rather a fine
horsewoman. She kept many riding horses for her own use and many
more for the ladies of her court, and we know that she was extremely
partial to chestnut animals.
There is not, I think, any trustworthy evidence that she ever attended
a race meeting held at Newmarket, but the statement made in at least
one history of her period that she witnessed races at Doncaster
probably is accurate, for we have proofs that a racecourse had been
laid down there or marked out by the year 1600. Also we know that
Elizabeth was fond of gambling and that she squandered vast sums
probably in connection with the turf.
It must be remembered, however, that in the second half of the
sixteenth century gambling was a besetting vice. “In the reign of
Queen Elizabeth,” Mr Clarkson writes, “racing was carried on to such
an excess as to injure the fortunes of many individuals, private
matches being then made between gentlemen, who were generally their
own jockeys and tryers.”
The descriptions of some of these matches are almost as quaint as the
account already given of the race between Blanche Rose and Nicolle
Dex, for the majority of the riders were wont to have recourse to the
worst sort of trickery when they believed it might enable them to win.
Thus an instance is recorded of ground glass being mixed with a mare's
food, the ill-starred animal being in consequence hardly able to cover
the course, on which she died in great agony when the race was over.
This statement is made without comment, and cases somewhat similar are
cited which, if they occurred now, would fire our indignation and lead
swiftly to retribution.
From this we may to some extent infer that the morality of the Turf in
Queen Elizabeth's reign had sunk to a low ebb. Indeed the maxim the
majority of the “tryers,” even of the “gentleman tryers,” apparently
was—“Win honestly if possible—but win.”
In Elizabeth's reign it was not customary to run important races for
cups. Nearly all the “big” races were for “specie,” or else for a
silver bell—sometimes for both. Silver bells awarded as prizes over
three hundred years ago are, it is said, still to be seen in some old
country houses and in some museums, but though I have tried I have not
been able to discover the whereabouts of any of them.
In 1603 the Earl of Essex offered a snaffle made of gold as a prize
to be run for at a race meeting held near Salisbury, and at about the
same time it was proposed that “race gatherings” should take place
near Salisbury at fixed intervals.
The latter suggestion, though strongly resented by “a number of
Salisbury gentlemen” who presumably were under the impression that
to establish a race course near their town must necessarily prove
demoralising to the townsmen, was eventually adopted, the queen
having, so it was said, brought her influence to bear in favour of the
proposal.
We may approximately estimate the value of horses of a particular
stamp at about this time from an inventory that was drawn up in 1572
of the effects of the second Earl of Cumberland of Skipton Castle.
Therein we find a stoned horse called Young Mark Antony valued at
£16; another horse, Grey Clyfford, at £11: Whyte Dacre, at £10;
Sorrell Tempest, £4; White Tempest and Baye Tempest, each at £5; Baye
Myddleton, £1, and so on. Some mares and their followers are also
mentioned, and lastly ten cart horses.
Many fictitious stories have been woven around Suleiman, the favourite
charger of the Earl of Essex, but they are not of sufficient interest
to place on record. In Elizabeth's reign a number of barbs, also many
Spanish horses descended from barbs, were obtained from captured
foreign vessels, and these the queen looked upon for the most part as
her personal perquisites.
Consequently about the middle of her reign an order was issued
that all captured horses must without exception be sent direct to
the queen, the infliction of a severe penalty being threatened if
the order should be disregarded. A number of these animals were
subsequently sent as gifts to the more faithful of her nobles, and all
the recipients sent in return “expressions of extremest gratitude.”
There is a diversity of opinion as to what constituted “the staple
article of food” of horses in the sixteenth century, though of course
hay was used largely. Bishop Hall throws some light upon the subject
when he mentions that thoroughbred stallions when largely in demand
were given eggs and oysters.
Reference to eggs and oysters in this connection is made elsewhere, so
we may conclude that the custom of thus feeding stallions was not an
uncommon one, at any rate in the time of Elizabeth.
Horse bread has already been mentioned, but I have not come upon any
direct allusion to oats being used to feed horses upon at this period.
Several of the writers in Elizabeth's reign openly bemoaned the
development of horse racing, urging that trouble and disaster followed
in its train, but their moans were for the most part stifled in the
clamour of general approbation.
Among those who spoke strongly in condemnation of horse racing was the
rather eccentric Lord Herbert of Cherbury. Late in life he wrote—to
the amusement of his friends and relatives—a complete history of his
own career, in which volume he again reverts to his pet aversion by
declaring that among the exercises of which he disapproved were “the
riding of running horses, there being much cheating in that kind.”
Hunting also he clearly objected to, for he goes on to tell his
readers that he does not like hunting horses, “that exercise taking up
more time than can be spared for a man studious to get knowledge.”
From other of his remarks it becomes obvious that some three centuries
ago the men who devoted the better part of their lives to the sport
of hunting became to such a degree engrossed in it that in time they
could hardly be brought to talk, or indeed to think, of anything else
whatever.
That the same can be said with truth of a proportion of our modern
hunting men is well known, and the question is asked to-day, as
it was asked three hundred or more years ago—How comes it that
over-indulgence in the chase has this odd effect upon us, whereas
over-indulgence in other forms of sport but seldom makes its votaries
shallow-minded to the same degree?
Indeed Lord Herbert of Cherbury, eccentric as he admittedly was, made
many sensible observations upon this and kindred topics; and there can
be no doubt that in decrying the then increasing tendency of men and
women of what were looked upon as the educated classes to squander
their fortunes, he voiced the views held by a vast proportion of the
thinking population of this country.
A contemporary of Lord Herbert's wrote practically to the same effect.
His name was Burton, and he reached his heyday about the time that
Shakespeare's era was drawing to a close. The diatribe he launched
against the increasing spread of gambling upon the Turf has probably
never been surpassed in vigour.
In one of his mildest passages he pronounces horse races to be “the
disport of great men, and good in themselves, though many gentlemen by
such means gallop quite out of their fortunes.”
Shakespeare himself, though rather fond of horses, was hardly less
opposed to the practice of heavy betting. His description of a
thoroughbred's points is good:
“Round-hoof'd, short-jointed, fetlocks shag and long,
Broad breast, full eye, small head, and nostrils wide,
High crest, short ears, straight legs, and passing strong,
Thin mane, thick tail, broad buttock, tender hide.”
It would take long, also it is unnecessary, to describe at length
all the horses of which Shakespeare speaks in his plays. According
to a recent writer, Oliver's steed, Ferrant d'Espagne, or “Spanish
traveller,” has been “bastardised.” What the writer means is, I think,
that the horse has been introduced into works of fiction without
acknowledgment.
Such certainly is the case, and so greatly has the animal been
distorted in some instances that only with difficulty is it
recognisable.
In Shakespeare's time—that is to say during the latter half of the
sixteenth and in the beginning of the seventeenth centuries—the
barbary horse clearly was highly esteemed, for it is referred to
frequently in books and memoirs which bear upon that period.
Shakespeare speaks several times of roan horses too, as for instance
in _I Henry IV._, where we come upon the sentence, “Give the roan
horse a drench.” To bay horses he makes allusion in _King Lear_, in
_Timon_, and elsewhere, and in _Timon_ he refers also to a team of
white horses. These bare allusions make dry reading, but they are
instructive and of interest in connection with the story of the part
the horse played in British history.
More especially is this so when we again bear in mind what has already
been stated at length in the introductory note to this book, and that
is the enormous extent to which automobilism has increased in this
country, and for that matter the world over, since the introduction of
the petrol motor, which makes it obvious that the horse's reign must
be fast drawing to a close.
* * * * *
That we have, as a nation, already to a great extent lost much of
the interest we took only a few years ago in horses, and in all that
appertains to them, is, I think, beyond dispute. The number of men
who keep what must be termed “pleasure” horses decreases year by
year, almost month by month, and indeed it would be possible to name
at off-hand between fifty and sixty well-known men and women fond of
sport who, within the last six months or so, have sold their carriages
and all their harness horses, and whose stables now contain only
hunters, while in other cases even the hunters have been got rid of in
order to make way for automobiles.
And yet, bemoan the change though we may, the gradual transition is
not uninteresting to study. History in the past has for centuries been
both directly and indirectly affected by the horses and horsemanship
of the various races the world over. History in the future is going to
be similarly affected by motor power applied in a variety of ways.
And yet, who knows? Perhaps even half-a-century hence, when the horse
will to all intents be extinct in England, save where he is kept for
racing and in some instances for hunting purposes, interest may still
be taken in Shakespeare's plays and therefore in the stories of such
whimsical characters as the self-satisfied, conceited and generally
grotesque Sir Andrew Aguecheek and his celebrated grey steed, Capilet,
that we find portrayed so admirably in _Twelfth Night_; in Lord Lafeu
of _All's Well that Ends Well_ and his curious bay horse, Curtal, a
name that means literally “the cropped one”; and in Cut, the carrier's
horse of _King Henry IV._,—to name but a few of Shakespeare's
creations that surely must live on for ever.
With regard to barb horses, of which so much has been said and
written, the probability would seem to be that “barbed” is in reality
a corrupt form of the word “barded” that came originally from the
French, _bardé_—that is to say, caparisoned—and therefore it may
signify indirectly a horse in armour. Hence the meaning probably
intended by Shakespeare to be conveyed in the following lines in _King
Richard III._:—
“And now—instead of mounting barbed steeds,
To fright the souls of fearful adversaries,—
He capers nimbly in a lady's chamber,
To the lascivious pleasing of a lute.”
Shakespeare and Bishop Hall, in addition to one or two other writers,
speak of the horse, Marocco, which lived in Elizabeth's reign, and
belonged to a man named Banks, or Bankes, a brother of the first
keeper of the New Warren.
Foaled, so far as one can gather, at Newmarket, Marocco appears to
have been one of the cleverest of the few horses that at that period
had been trained to perform at fairs, and in shows and circuses.
Some of the feats performed by it are described at length in the old
records, and though we read that in those days such feats were deemed
“marvellous past belief,” we should smile if anybody were to-day to
express amazement at seeing a circus horse perform tricks so simple.
That Marocco should be able to walk upright upon his hind legs, for
instance, was considered so astounding that questions were asked in
all seriousness as to whether supernatural aid of some kind had not
been invoked!
In addition to this, Marocco would rear, kneel, sit, or lie down,
when told to do so, and he would indicate amongst the spectators any
individual selected by his trainer.
What was deemed most remarkable of all, however, was a performance in
which Marocco walked backwards, “the while turning in circles,” when
Banks ordered him to do so.
We are told that upon witnessing this performance a proportion of the
audience was so deeply affected that several people dared not remain.
Consequently one is less surprised at reading that when, later, Banks
and his pupil gave a performance in Rome, both man and horse were
pronounced to be in league with the devil and ordered to be publicly
burnt as magicians, which monstrous sentence was duly carried out.
In justice let it be said that this act of barbarity—the direct
outcome of the pitiable ignorance of the age—created intense
indignation in England, while in Italy it stirred up a strong feeling
of resentment.
Attempts were made later to create the impression that political
wirepullers had been at work, and that man and horse had been
sacrificed expressly to make bad blood between the British Court and
the Vatican, if not between England and Italy, but there is no reason
for believing that the agitators achieved their purpose.
Nor, indeed, is it certain that Banks' death sentence was pronounced
by the Pope, or by his order. That the man had come to be looked upon
as a magician, however, in every part of Italy where his horse had
been exhibited, apparently is beyond dispute.
Though strolling players of many sorts were, as we know, plentiful in
Elizabeth's reign, it seems more than likely that the exhibition given
by Marocco may directly have inaugurated in England the practice of
training animals to perform tricks of the same sort for public shows.
Certainly we hear soon after Marocco's tragic end that exhibitions of
performing animals were advertised to take place in different parts
of the country, and from that time onward incidental allusions to
entertainments of the kind that we to-day call circuses are to be
found in some of the old books.
There mention is made of the methods employed in order to train the
animals to their owners' satisfaction, methods barbarous enough, in
all conscience. Yet none took exception to them. For the tendency
of the age, three centuries ago, and down probably to a much later
period, was one of cruelty. The literature of the last three hundred
years makes that but too apparent.
CHAPTER V
King Henry VIII. and Queen Elizabeth passionately fond of
hunting—John Selwyn's remarkable feat in the hunting field;
the monument at Walton-on-Thames—Don Quixote and his steed,
Rosinante; Peter of Provence's wooden horse, Babieca; Clavileno
and the Cid's horse—Mary Queen of Scots' favourite horses—Queen
Elizabeth's retinue of 2400 horses—Arundel, Aquiline,
Brigadore—The horses of Anatolia and Syria—Sir Robert Carey's
historic ride from London to Edinburgh in sixty hours—The horses
of Napoleon I.
So far as hunting was concerned, Henry VIII. was, as we know, a keen
sportsman, and Queen Elizabeth would appear to have been almost an
equally enthusiastic sportsman. Passionately devoted to the chase,
nothing gave her greater pleasure than to see “the quarry broken up
before her.” Statements to this effect are to be found in the works of
three trustworthy writers at least, so we may take it that the records
are approximately accurate. The queen “loved to be on horseback for
its own sake,” and was fond of open air at all times.
It is in connection with Elizabeth's partiality for the chase that the
story is told of a man named John Selwyn, for many years under keeper
of the park at Oaklands, in Surrey, where some of the queen's hunters
were usually stabled during the autumn and winter.
Selwyn must in several ways have been a remarkable character, but
it is with his horsemanship only that we have here to deal. On the
occasion, then, of a great stag hunt which the queen had arranged
should take place in the park at Oaklands, Selwyn was “chief in
attendance”—in other words, huntsman.
Suddenly, as we are told, a stag was started.
When it had been hunted only a short time, a fear was expressed by the
queen that it would escape, “the animal having proved of such unusual
swiftness that it was feared the hounds would not be able to overtake
it.”
Determined that this should not happen, “Selwyn pressed spurs to his
horse, and galloping at an angle, and sideways,” succeeded in coming
alongside the stag as it was about to turn off abruptly.
At once the enthusiasm and excitement of the spectators, especially
of the queen, became intense; nor did it abate when they saw Selwyn,
still galloping at top speed, neck and neck with the stag, suddenly
vault right off his horse's back on to the stag's, “where he kept his
seat gracefully in spite of every effort of the affrighted beast to
throw him off.”
Thus he galloped on for some yards, the queen and all the spectators
wondering what he would do next. They were not kept long in suspense.
Of a sudden Selwyn swiftly but calmly drew out his hunting knife.
Then he began to prod the animal with its point, first on one side of
its neck, then on the other, until at last he succeeded in forcing the
stag to gallop round to a point within a few yards of the very spot
where the queen sat waiting.
At last, when the animal was very near the queen, its rider suddenly
plunged his knife deep into its throat, “so that the blood spurted out
and the beast fell dead just by her feet.”
This display is said to have delighted the queen so greatly that she
soon afterwards granted Selwyn several favours, and on the monument
still to be seen at Walton-on-Thames he is portrayed in the act of
stabbing, in the manner described, the stag slaughtered on that
memorable occasion. Selwyn died on 27th March, 1587.
* * * * *
Of the famous horses of fiction and romance in the sixteenth and
seventeenth centuries, one or two more must be mentioned. Don
Quixote's immortal squire, Sancho Panza, who, it will be remembered,
rode upon an ass named Dapple, was Governor of Barataria.
Though endowed with common sense, and though his proverbs have
become historical, he was wholly devoid of what is sometimes called
“spirituality.”
Nevertheless Don Quixote and his horse, Rosinante—a name that means
literally “formerly a hack”—came gradually to be renowned the world
over.
To this day, indeed, “a perfect Rosinante” is the comment not
infrequently passed upon a horse that is mostly skin and bone.
Peter of Provence's wooden horse, Babieca, is another “creature” whose
name must not be omitted.
“This very day,” we read in Don Quixote, “may be seen in the King's
armoury the identical peg with which Peter of Provence turned his
wooden horse which carried him through the air. It is rather bigger
than the pole of a coach, and stands near Babieca's saddle.”
Don Quixote himself rode astride the wooden horse, Clavileno, on the
occasion when he wished to disenchant the Infanta Antonomasia and her
husband shut up in the tomb of Queen Maguncia, of Candaya, and Peter
of Provence rode it when he made off with beautiful Magalona.
Merlin was the name of its maker, and the horse was so constructed
that it could be governed by turning a wooden peg in its forehead.
The name means “wooden peg.” A comprehensive description of these
incidents may be found in the fourth and fifth chapters of the third
book of “Don Quixote,” but the description is not of sufficient
interest to be quoted here.
The story of the Cid's horse, to date back to an earlier century, is
almost as well known as the story of Rosinante. The Cid's horse died
some two and a half years after its master's death, and during the
whole of that period none rode it, the order having gone forth that
under no circumstances was anybody to mount the animal. At its death
its body was buried near the gate of the monastery at Valencia, two
trees being planted close to the grave to mark its whereabouts.
According to the popular legend, the horse acquired its name through
Rodrigo's having, when told in his youth that he might select a horse,
chosen an almost valueless colt. His godfather, annoyed at this
display of ignorance, at once nicknamed the lad “the dolt,” which
nickname Rodrigo presently conferred upon the horse itself. Literally,
however, “Cid” is Arabic for “lord.”
* * * * *
Among the few traits in the character of Mary Queen of Scots that have
not formed subjects for controversy among the many biographers of that
ill-starred sovereign, her undoubted fondness for animals stands out
prominently.
From first to last I have read many biographies of Mary Queen of
Scots, and it is remarkable that no two coincide consistently in
their statements, from which we are forced to the conclusion that the
majority of such works have been produced by writers who either were
bigoted or deeply prejudiced, or else who had some private axe to
grind.
With regard to Mary's horses, her two chief favourites would appear to
have been Rosabelle—the animal at one time worshipped by a proportion
of the body of minor poets!—and Agnes, called after Agnes of Dunbar, a
countess in her own right. This palfrey—almost all the horses of the
period of Mary Queen of Scots are spoken of as “palfreys”—apparently
came as a gift from her brother, Moray, and though it does not appear
to have been a steed of exceptional quality she was extraordinarily
fond of it. We find it referred to occasionally as Black Agnes.
Then, though all the evidence obtainable tends to convey the
impression that Mary Queen of Scots must have been a clever
horsewoman, she does not appear to have been very fond of hunting, in
consequence of which two at least of her biographers go so far as to
hint that her alleged distaste for the chase tended in a measure to
increase Elizabeth's hostility towards her.
From what early historians tell us, Mary probably looked far better on
a horse than Elizabeth ever did—the slimness alone of Mary's figure by
contrast with Elizabeth's may have been in a measure responsible for
this—and the knowledge must have vexed Elizabeth, who took particular
pride in her riding and was desirous above many other things to be
deemed a finished horsewoman. How vast a number of horses must have
been owned by the nobles and by other persons of wealth who dwelt
scattered over the whole of England may be gathered from the statement
of Ralph Holinshed that Queen Elizabeth alone required, when she
travelled, some 2400 animals, almost all of which had to be provided
by residents in the districts in which she moved.
The majority of these horses were employed to drag the great carts
which contained the queen's baggage, yet we are told that “the ancient
use of somers and sumpter horses” having been “utterly relinquished,
causeth the trains of our princes in their progresses to show far less
than those of the kings of other nations.”
Naturally it must be borne in mind that the weight of the baggage of
persons of rank in the sixteenth century was excessive, especially
when it was added to the weight of the clumsy carts that were used for
the conveyance of such baggage, so that four, six and even more horses
were often enough harnessed to a single cart when it was fully loaded.
Then, too, the roads were for the most part in so bad a state of
repair—many of them could not, properly speaking, be called roads at
all—that frequent changes of horses were necessary.
* * * * *
In Drayton's well-known “Polyolbion” we have a horse that is very
famous in romance. Arundel by name—a name that is said to have been
originally a corruption of the French word, _hirondelle_—it was
“swifter than the swiftest swallow.” This horse belonged to Bevis of
Southampton, “the remarkable knight,” and apparently it had as many
good points as any animal can possess. In the sixteenth century almost
every horse of note actually living, or in romance, took its name from
one or other of its chief characteristics. Thus in Tasso's “Jerusalem
Delivered” we find Raymond's steed, Aquiline, that was bred on the
banks of the Tagus, particularly remarkable for what we should to-day
call a Roman nose.
Aquiline figures largely in “Jerusalem Delivered,” and Raymond, who
was Count of Toulouse and commander of some 4000 infantry, and who,
in addition, was remarkable for his wisdom and coolness in debate, is
shown to have owed a measure of his success to Aquiline's phenomenal
sagacity. Indeed Aquiline probably saved him from destruction upon
more than one occasion.
We come upon other horses in several portions of “Jerusalem
Delivered,” especially in connection with the slaying by Raymond
of Aladine, the cruel old king. The stirring description of this
incident, and of the planting of the Christian standard upon the tower
of David by Raymond, is to be found in the twentieth book; but as we
know that the Holy Land was being ruled by the Caliph of Egypt at the
very time Raymond is supposed to have been attacking King Aladine, it
at once becomes obvious that the narrative must have been fictitious.
* * * * *
“The Faerie Queene” is another classic in which we find interesting
allusions to horses, mostly the horses of romance.
One of the best known of these animals is Brigadore, called sometimes
Brigliadore, which belonged to Sir Guyon, and was remarkable for a
black mark in its mouth, in shape like a horseshoe.
Sir Guyon, who impersonated Temperance or Self-Government, was the
companion of Prudence, and he alludes several times to Brigadore. His
fame, as most scholars will remember, rests in a great measure upon
his destruction of the enchantress, Acrasia, in the bower called the
Bower of Bliss, which was situated in the Wandering Island.
The name Acrasia means self-indulgence, and this witch was
particularly dreaded because of her partiality for transforming her
lovers into monstrous shapes and then keeping them captive.
The story of Sir Guyon's stealthy approach while Acrasia lay
unsuspectingly in her bower, and of the way in which he succeeded in
throwing a net over her, subsequently in binding her firmly in chains
of adamant, then in breaking down “her accursed bower” and burning it
to ashes, is too well known to need description here, and of course it
has no direct bearing upon Brigadore.
So far as we can judge, the horses of Anatolia and Syria must have
been well known in Europe by about the middle of the sixteenth
century, though one or two writers aver that they did not come over
until later.
An artist who died about the year 1603, and whose name was Stradamus,
produced, not long before his death, a series of drawings, and a set
of these was subsequently issued under the title, “Equile Johannis
Ducis Austriaci,” which means, “The Stable of Don John of Austria.”
It is interesting to note in this connection that practically all the
horses and mares imported between the year 1660 and the year 1685 came
from Smyrna, though the renowned Darley Arabian and several more came
from Aleppo.
This is of particular importance in relation to the records of the
horse in England's history, for there can be no doubt that a great
part of our thoroughbred racing stock is descended from these very
early importations.
* * * * *
That remarkable feats of horsemanship were performed in the reign
of Elizabeth is beyond dispute, but unfortunately the particulars
obtainable are extremely meagre.
Of Sir Robert Carey's historic ride upon the death of the queen,
details worth recording are given. No sooner had the queen breathed
her last, we are told, than Sir Robert Carey, notorious sycophant that
he was, who for days and nights had been loitering about the queen's
bed-chamber and displaying the keenest anxiety as to her condition,
set off on horseback to convey to the heir, King James, the news of
her death.
“So great was his desire to bring the news to King James before that
monarch had heard it from any other source,” we read, “that with the
lamentations of the dead queen's women still ringing in his ears
he left the bedside of his kinswoman and benefactress and started
to announce the important tidings to King James, an act quite as
indelicate as it was wholly unauthorised.”
Sir Robert's indelicacy, or alleged indelicacy, however, is no
concern of ours. As a feat of endurance, his ride was truly an
extraordinary one, for he actually galloped the whole distance from
London to Edinburgh, about 400 miles, in less than sixty hours, though
during the journey he had at least one severe fall.
How many horses he rode I have not been able to ascertain, but that
he had made in advance full preparations for this journey is more
than likely, as it is beyond dispute that he had covered the first
160 miles by nightfall on the day after he started. The exact time at
which he set out we are not told.
What made the feat more wonderful still was the condition of nearly
all the roads in England during Elizabeth's reign, with the exception
of the Roman roads and a few besides, some north of Doncaster being
really little more than tracks.
That Sir Robert Carey was well repaid for his enterprise may be
gathered from the statement that King James I. “rewarded him for being
the first to bring him the glad news, by granting him signal favours.”
* * * * *
From about this period onward the horse may be said to have entered
upon the third phase of its career in the history of all nations, but
more especially in the history of our own nation. For, as we have
seen, from very early times down to the period of the Norman Conquest
the nations that had not horses had almost without exception been
forced to take a secondary place in the world's progress.
From the period of the Norman Conquest down to the beginning of the
accession of the House of Stuart—indeed, as we shall see presently,
almost down to the period of the Commonwealth—the improvement and
development of the horse as an “arm” in warfare had gone practically
hand in hand with the improvement in the training of men to fight in
battle. And from then onward, that is to say from the beginning of the
period of the Stuarts and the Commonwealth, down to the present day,
the horse has been connected with history in the capacity of charger
or war horse, hunter or pleasure horse, and thoroughbred or race horse.
Let me state at once, then, that it is not my intention to describe
at length, or even to mention by name, all the more or less famous,
horses that have been owned by the more prominent or distinguished men
at any time within the last three hundred years, for such a collection
of names, or of descriptions, would not be likely to prove of interest
to the modern reader. In addition comparatively few of the records
concerning these animals bear the impress of truth.
As we come to the close of the nineteenth and the opening of the
twentieth centuries historical records increase enormously in volume,
so that now we find ourselves confronted by a mass of reports, many
of which bear directly upon horses that are of no interest whatever,
though they may have belonged to famous men whose names are still
household words.
Thus in a single history of Napoleon I. we find two pages of
descriptive matter to do with a horse of his called Wagram; two pages
about Cyrus, another of his horses; a page about his horse named Emir;
half-a-page about his Coco; three pages about Gongalve; two about
Coquet; three about Tausis, and so on all the way through, while
everything that is said about them could quite easily be condensed
into three or four short sentences.
Indeed the biographers of the majority of our great military leaders
have deemed it necessary to write long and verbose descriptions of the
animals that were owned by these historical celebrities, apparently
for no other reason than that they did belong to celebrities.
When all is said, it is difficult to imagine how or whence they can
have obtained such circumstantial information. Granting, however, the
truth of all the statements—and one cannot say definitely that any
one of them is not true in every detail—was it worth while to tell us
that Piers Gaveston owned a grey, or that Blucher remarked upon some
uninteresting occasion that he had a horse that used to jib?
Yet trivial points of this sort are to be found mentioned in plenty of
the so-called popular biographies of our great men.
Of more interest it would have been had the biographers succeeded in
discovering, and then told us, what sort of bits Napoleon liked to
ride his chargers in, and his reason or reasons for preferring them,
or whether Blucher ever tried his grey in blinkers. Then the horses
described at such weary length might possibly have taught us a lesson
or two worth learning.
PART III
FROM THE STUART PERIOD TO THE PRESENT DAY
CHAPTER I
Arrival of the Markham Arabian, the first Arab imported into
England—Newmarket village founded by James I.—Decline of the
“great horse”—The Royal Studs—James I. organises a race meeting
on the frozen River Ouse—Superstitious beliefs concerning
horses—James I. meets with a grotesque riding mishap—Prosperity
of the Turf—Riding match between Lord Haddington and Lord
Sheffield—The Turf vigorously denounced as “an evil likely to
imperil the whole country's prosperity”
“King James I.'s love of racing,” writes a trustworthy chronicler of
the movements at the court of James I. and Charles I. “was due to the
importation into England of the first Arab horse ever seen here.”
That simple statement records one of the most important incidents
that has occurred in the development of the horse in this country, an
incident that subsequently proved to be of great moment in connection
with the history of Great Britain. For though the assertion has many
times been controverted, careful research proves beyond doubt that
until the arrival in England of the Markham Arabian—which in after
generations was to become so greatly renowned—no Arab of any sort had
been brought into this country.
[Illustration: STATUE OF COLLEONI BY VERROCCHIO IN VENICE]
The stories that have been told of this, the first of the famous
Eastern sires, are numerous, and, as is usual in such cases, the
majority of them are apparently untrue.
One of the most widely circulated of the misstatements was to the
effect that the price paid by King James to Mr Markham for this
particular Arab sire was not less than £500, and in papers and books
almost innumerable, in which the Markham Arabian is mentioned, this
false statement is repeated.
That it is false beyond dispute is proved by the actual entry of the
purchase that may be seen to this day in the Exchequer or Receipt
Order Books in the Public Record Office. The entry runs as follows:—
“Item the 20th of December, 1616, paid to Master Markham for the
Arabian Horse for His Majesty's own use, £154, 0. 0.”
It is almost inconceivable that anyone can seriously have believed
that £500, or any sum approaching it, could have been paid for this
sire, for at that period no sum approaching £500 ever was paid for any
horse, the purchasing value of money being until after the reign of
James I. so much in excess of its purchasing value some two centuries
later.
That several thoroughbred Eastern sires were bought by James is well
known, among the last to which reference is made by the historians
being the famous Villiers Arabs, which the king does not appear to
have acquired until towards the end of his reign.
Yet in spite of all that has been said and written about John
Markham's stallion, the horse was not, according to that excellent
judge of horses, the Duke of Newcastle, the class of animal that any
man would have chosen to breed from for looks, for, in the duke's own
words, “He [the Markham Arabian] was a bay, but a little horse, and no
rarity for shape; for I have seen many English horses far finer....
Mr Markham sold him to the King for five hundred pounds (_sic_), and
being trained up for a course, when he came to run, every horse beat
him.”
I believe I am right in saying that the identity of John Markham has
never been positively traced, also that the consensus of opinion
inclines to the belief that he was the father of the famous author,
Gervase Markham, who for many years held the post of keeper of
Clipston Shraggs Walk, in Sherwood Forest.
Among the works of Gervase Markham is a volume entitled “Cavalarice,
or the English Horseman,” in which many grotesque and unintentionally
humorous passages are to be found.
Each of the eight books which together go to make up this work is
dedicated to some distinguished personage, of whom James I. is one,
and Henry, Prince of Wales, another.
To James I. we are probably indebted for the existence of the town
of Newmarket, for it is certain that he not only inaugurated the
construction of the village, but in addition brought his influence to
bear upon its development, and that he greatly helped to stimulate the
interest which the people of Newmarket and the neighbourhood already
took in the breeding and training of running horses. It may be partly
for this reason that Newmarket is still so often spoken of as “the
royal village.”
Notwithstanding the disappointment the Markham Arabian must have
afforded James I., we read that the king offered a silver bell of
considerable value to be run for at Newmarket, that the entries
for the race were numerous, and that “the event gave rise to much
speculation, wagering and public interest.”
It was, indeed, in this connection that Ben Jonson wrote so
caustically, or rather satirically, in his famous “Alchemist,” and
alluded incidentally to “the rules to cheat at horse races.”
Elsewhere Jonson describes, and mentions by name, some of the race
horses that probably were well known on the Turf at about that period.
Seeing how keen the interest was that James I. took almost from
boyhood in all that related to the Turf, and to the breeding of race
horses, we can hardly be surprised to hear that during his reign the
general interest in the breeding of “great horses,” which had been so
marked a feature of Henry VIII.'s reign, also of Elizabeth's reign, at
one time threatened to die out.
Robert Reyce speaks of this in his “Breviary of Suffolk,” a book which
he dedicated to Sir Robert Crane, of Chiltern, and elsewhere allusions
are to be found to the decay of interest in the breeding of “great
horses.”
Indeed James appears to have admitted quite openly that the bare
sight of the animals bored him “owing to the clumsy appearance they
presented,” a view that is shared to-day by several of the more
prominent of our owners of race horses.
Under the circumstances it is amusing to find the king himself
inditing a ponderous treatise “for the instruction and edification of
his son,” Henry, Prince of Wales, a treatise suitably enough entitled
“Religio Regis: or the Faith and Duty of a Prince.”
Apparently he wrote the greater part of this work at Newmarket, for in
it he alludes more than once to the races which were being held there
at the time, races at which he had been present on the day he wrote.
That he deemed horsemanship to be a form of exercise of inestimable
value becomes obvious as we read “Religio Regis”; but then in the
reign of almost every monarch from about the beginning of the Stuart
period down to the time of the four Georges great stress is laid by
the various sovereigns upon the advisability that the sons of the
nobles and of the aristocracy should become proficient horsemen.
The author of “The Court of King James” also is emphatic in his advice
to courtiers “to be very forwardly inclined to bring up horses,”
adding that such horses should be bred from the best strains only,
and that no matter how great the sum expended in order to secure good
strains, the money could not be looked upon as wasted.
Of the royal studs in the reign of James I., the most important
probably were those at Newmarket, at Eltham, at Tutbury, Malmesbury
and Cole Park, and among the manuscripts in the British Museum there
may be seen to-day an interesting list of the “necessaries” which
appertained to the royal stables, all classified under separate
headings—geldings, cart horses, coursers, hunters, battle horses, and
so on.
Remarks upon the part played by the horse in history at about this
time are to be found also in Lodge's “Illustrations of British
History,” where, in the third volume, we read that on 6th April 1605
there arrived at Greenwich Palace “a dozen gallant mares, all with
foal, four horses, and eleven stallions, all coursers of Naples.”
These the archduke begged King James to accept as a small mark of the
esteem in which the king was held by himself and his country-men.
In the historical records of almost the whole of James I.'s reign we
find reference made repeatedly to race horses, also to the sport of
hunting. An important fixture, as we should call it to-day, apparently
was the Chester Meeting. It took place on St George's Day, and the
chief race was known as “The St George's Cup.” The riders carried ten
stone, and the entrance stake was half-a-crown.
A quaint rule in connection with this race was that the winning owner
had to contribute to a fund for the benefit of the prisoners confined
in the North Gate jail “the sum of six shillings and eightpence or
three shillings and fourpence, on certain conditions.”
In addition to the cup, silver bells were run for at this meeting,
and it is interesting to learn that before removing their prizes the
cup winner and the bell winners were compelled to deposit “adequate
security”—presumably with the race committee—for these trophies. For
all the principal trophies had to be run for again at the following
meeting, and we are told quite seriously that it was feared that if
the temporary owners were allowed to remove these prizes without
leaving any security they might have been disposed to make away with
them before the date of the next meeting!
At the Chester Meeting, and therefore presumably elsewhere, the
sheriff acted as starter, “and if any rider committed foul play during
the race he was disqualified in case he won.”
About the year 1624, however, certain changes were made in the rules
of racing, and from that time onward some of the races were run five
times round the course instead of only three times, also the winner
of a cup became entitled to retain it as his property “upon the first
occasion of gaining it.”
Professional jockeys in the reign of James I. held, in a sense, quite
a good position. The king associated with them frequently, especially
at Newmarket. Indeed, he openly admitted that he preferred the company
of sportsmen to that of politicians, and that the surroundings of the
racecourse and the pleasures of the chase attracted him far more than
did the business of the state.
His enemies, as we know, took advantage of these carelessly uttered
assertions when later they set to work to encompass his downfall, and
during the closing years of his reign he was made to suffer unjustly
for many of the minor follies of his youth.
It was wholly characteristic of James that he should upon one
occasion—he was staying at Croydon at the time in order to attend
the race meeting that was held there in Easter week—have in a sudden
access of emotional enthusiasm created his friend, Philip Herbert, a
knight, a baron and a viscount in the course of a few minutes.
This he is said to have done in order to mark his appreciation of
Herbert's self-control when, after being struck in the face by a
Scotsman named Ramsey, Herbert refrained from hitting back.
Though the king and all his courtiers and many strangers were present
upon the occasion, Herbert did not betray the least sign of annoyance,
though the blow was a severe one.
It should be borne in mind that during James's reign the Scots had, as
a nation, come to be almost execrated, so that the affront was all the
greater.
The king is said to have expressed it as his opinion that under the
circumstances Philip Herbert's self-restraint came near to being
heroic!
As James's fondness for racing increased, so did the great majority of
his nobles, his barons and his courtiers profess to grow fonder of the
sport, while many soon took to gambling with great recklessness.
This the king apparently encouraged them to do, for we learn that he
was “wont to laugh heartily when told that some of his sycophants
had lost exceptionally large sums of money,” or, as was frequently
the case, that one or other of them had been compelled to part with
a portion of his estates in order to meet debts of honour. The women
of the court also aped the king at this time, as indeed they appear
to have done in almost every age. Yet their losses were small by
comparison with the sums lost on the Turf by their daughters and
granddaughters in the reign of Charles II., half-a-century or so later.
Two years after James I. had ascended the throne there set in one of
the coldest winters this country has ever known, with the result that
a long stretch of the River Ouse became frozen over and so afforded
the king an opportunity, of which he was quick to avail himself, of
organising a race-meeting on the ice.
Drake tells us that the course extended “from the tower at the end
of Marygate, under the great arch of the bridge, to the crane at
Skeldergate Postern.”
But even so early as this in the reign of King James the opponents of
horse racing began to raise indignant protests against “the folly and
wickedness of betting on running horses,” protests to which but scant
attention was paid.
Not until some years later did the extremely zealous clergyman named
Hinde set seriously to work to denounce the practice of gambling in
any and every form, and he appears then to have spoken and written so
forcibly that many persons of intelligence and education—I quote from
a trustworthy source—gathered round and strove to encourage him to the
best of their ability.
Racing in particular he waged war against, declaring it to be “an
exercise of profaneness diligently followed by many of our gentlemen
and by many of inferior rank also.” Great injury, he maintained, was
done by men of rank and others “who of their weekly and almost daily
meetings, and matches on their bowling greens, or their lavish betting
of great wagers in such sorry trifles, and of their stout and strong
abbeting of so sillie vanaties amongst hundreds, sometimes thousands,
of rude and vile persons to whom they should give better, and not
so bad example and encouragement, as to be idle in neglecting their
callings; wasteful in gaming, and spending their means; wicked in
cursing and swearing, and dangerously profane in their brawling and
quarrelling.”
These observations, and many more to the same effect, are to be found
in the “Biography of Bruen”; yet in the long run the diatribes made
but little difference, for the passion for gambling had taken a firm
hold of the people of almost all classes, and while it lasted it
flourished exceedingly.
We do not hear of many famous horses during the reign of James I.,
save the sires which the king himself imported; yet it is certain that
the popularity of the horse increased during the first two decades of
the seventeenth century, quite apart from the popularity that betting
upon horse races continued to acquire.
As a natural result, perhaps, greater attention soon came to be paid
to the management and care of horses, to feeding and exercising them,
so that probably the owners of the thoroughbreds of those days had
begun to realise, as they do not appear to have done before, that
a horse's working years may be considerably prolonged if he be fed
carefully and exercised regularly.
Indeed the crass ignorance that until about this time had prevailed
with regard to the treatment of sick horses comes near to being
ludicrous. Superstition, as we know, was rampant in connection with
the curing of suffering humanity, and various forms of superstition
extended in a great measure to the treatment of animals that were out
of health.
Thus we read of horses supposed to be possessed by evil spirits,
when what they probably were suffering from was an attack of simple
staggers; of witches being consulted when a horse went lame, and paid
liberally for their grotesque advice, and so on to the end.
That horses so often went lame at about this period was due probably
to the ignorance of many of the farriers of the very rudiments of
practical farriery.
In Ireland, possibly also in parts of England, a horse with what is
called to-day a “wall” eye was looked upon as a harbinger of evil,
and deemed likely to bring bad luck, especially upon the family and
relatives of the man who owned it; while any man so “ill-advised” as
to breed a fearsome creature of this kind often was afterwards glanced
at askance by persons who before he had numbered amongst his friends.
Then there existed also a superstitious belief in connection with a
horse with a white hoof, but what this particular superstition was I
have not been able to discover. Apparently the owner of a horse so
marked was glad enough to get rid of it for a sum much below its true
worth, and generally he deemed himself fortunate if able to sell such
a horse at all.
An instance is on record of a weakly foal being left out all night
in a snowstorm as a superstitious test. We are told that it died
of exposure, and that its owner at once thanked God for His mercy
in having taken from him a creature born with an evil spirit, the
inference being that but for the alleged evil spirit the little foal
would have been able to withstand the rigour of the blizzard and the
intense cold.
Stolen horses in particular were believed to possess a supernatural
power that would enable them to find their way home to their rightful
masters if they succeeded in escaping from the thief. But plenty of
horses, as we know, are to-day able to find their way home from a long
way off, horses that have not necessarily been stolen.
In justice let it be said that James laughed to scorn the majority of
these superstitious beliefs. This is strange, for in some respects he
must have been almost as superstitious as many of his courtiers—and
for that matter as the great bulk of his subjects.
Partial to tall horses, he expressed a wish that his nobles should not
ride cobs, deeming such animals to be out of keeping with the majesty
of the court.
It was probably for this reason that he strove to encourage his
subjects to ride tall horses.
Then, though several historians appear to take it for granted that
the Turkish horse was unknown in England until the arrival of the
famous Byerley Turk in 1689, we may rest assured that Turkish horses
were here in James's time, and probable before his time. Blunderville
is only one of the early writers who say so in so many words.
Incidentally he mentions that fully a century before the Byerley Turk
was brought over he himself had seen “horses come from Turkey, as
well into Italie as thither into England, indifferentlie faire to the
eie, tho' not verie great nor stronglie made, yet very light and swift
in their running, and of great courage.”
Also we read that about the year 1617 “half-a-dozen Barbry horses”
were brought to England by Sir Thomas Edmonds and stabled at Newmarket
in the royal paddocks.
A quaint description is to be found in the works of several of the
writers in James I.'s reign of an accident that befell the king in
December of the year 1621 as he was riding after dinner, an accident
that in spite of its undeniable grotesqueness might well have proved
disastrous.
The king, it seems, had “gone abroad early in the day, and to
Theobald's to dinner.” He appears to have enjoyed his dinner at
Theobald's greatly, and to have decided quite suddenly, as soon as the
meal was over, that he would like “to ride on horseback abroad.”
The accident that presently was to occur is attributed by different
writers to different causes, the most charitable of the reports
being to the effect that the king's horse stumbled and threw his
royal master on to the frozen surface of the New River “with so much
violence that the ice brake and he fell in so that nothing but his
boots were seen.”
Sir Richard Young, who chanced to be riding just behind him, instantly
sprang off his horse and succeeded with the help of a friend, though
only with great difficulty, in dragging the dripping monarch “out of
the hole and his undignified predicament.”
According to another chronicler, “there came much water out of his
mouth and body,” yet “His Majesty rid back to Theobald's, went into a
warme bed, and, as we heere, is well, which God continue.”
That the king had a sense of humour is made manifest by the statement
that upon his recovery he laughed heartily at the recollection of the
incident, while we are further told that his gratitude to Sir Richard
Young, his rescuer, “did not stop short at the hearty grasp of the
hand he gave him.”
Mention has already been made of James's strange literary work,
“Religio Regis: or the Faith and Duty of a Prince.” This is said to
have been written during the King's temporary residence at Newmarket
“for the betterment of his health” (_sic_).
It was produced primarily for “the instruction and edification” of
his son, Henry, at that time Prince of Wales, but it came to be read
widely by his nobles and all about the court.
In this remarkable treatise we are told that “the honourablest and
most commendable Games that a king can use are on Horseback, for it
becomes a Prince above all Men to be a good Horseman. And use such
Games on Horseback as may teach you to handle your Arms thereon, such
as Tilt, Ring, and low-riding for handling your sword....
“As for hunting, the most honourable and noblest Sport thereof is with
running Hounds; for it is a thievish sport of hunting to shoot with
Guns and Bows....
“However, in using either of these Sports observe such Moderation
that you slip not therewith Hours appointed for your Affairs, which
you ought ever precisely to keep; remembering that these Pastimes are
but ordain'd for you to enable you for your Office, to which you are
call'd by your Birth.”
Before the close of James's reign the Turf bore every sign of having
been granted a fresh lease of life. Private riding matches among men
of rank and wealth had become popular again, and though some of these
were “'cross-country matches,” plenty were ridden on the flat, upon
which occasions vast sums of money were run for almost always.
Of these races one that seems to have attracted much attention was run
in the year 1622, for a cup valued at twelve pounds, when the crowd
that assembled was one of the biggest at that time on record.
The wagers that were made were mostly in large sums, and we are told
that, to the surprise of the majority of the betting men “and their
subsequent discomfiture,” the race, in which there were six “tryers,”
was won by an outsider, the property of a popular sportsman, Sir
George Bowes.
The judge in this race was a Mr Humphrey Wyvell, and so greatly
annoyed did the crowd become at the defeat of the favourite that they
made a desperate attempt to attack the judge, with the intention of
injuring him seriously, an attempt that fortunately was frustrated.
We are not told if the king was present upon this occasion, but the
principal racing men of the period undoubtedly were there. The king
himself attended a meeting at Lincoln in the spring of 1617, where he
lost very heavily.
Towards the end of this reign strong opposition to the increasing
popularity of racing began to manifest itself among what we should
to-day call the middle class, owing, so it was said, to the sport
being vigorously denounced from pulpit and platform as a growing
national evil, “one likely to imperil the whole country's prosperity.”
For some time the king strove to smother these denunciations, and he
even partially succeeded in the attempt.
Yet in the end the people must have triumphed, for we read that
James was still on the throne when some of the more popular of the
flat-race meetings were tacitly allowed to be abandoned, while in
1620 the meeting which usually had been held at Thetford was directly
suppressed by an order of the Privy Council.
Among the most important of the private riding matches, as they were
then called, that took place in James's reign was the one arranged at
Newmarket between Lord Haddington and Lord Sheffield.
Run at Huntingdon towards the end of the year 1607, the race was
extremely exciting from start to finish. Both men appear to have been
good riders, and the stake run for is said to have amounted to a
considerable sum.
Yet the various accounts of the match give versions which differ
widely as to what happened, and while one writer declares that Lord
Haddington won with difficulty, another contradicts him by maintaining
that the stake was awarded to Lord Sheffield.
With regard to the pictures that are said to have been drawn from life
in those days, if they are true to life it becomes obvious that some
three centuries ago it was not customary for race riders, or “tryers,”
to stand in their stirrups while riding races, as they do to-day and
most certainly did in the last century and the century before it.
This is strange, for some of the earliest of our writers who touch
incidentally upon the subject of race riding are rather emphatic in
declaring that the jockey should get rid of all “dead” weight, and of
course it is chiefly by standing in the stirrups that “dead” weight
can be neutralised.
James I. would seem to have paid more attention to the theory of
training horses he intended to run than any of his predecessors
did, though this is not great praise, so ignorant of the fundamental
principles of scientific training were the horse owners of about that
period.
Upon slight provocation horses were freely bled, just as human beings
were bled or “leeched” less than a hundred years ago. Indeed we read
of one horse that was bled while in the hunting field, owing to its
having proved too restive for its owner to ride with comfort (!);
while another was driven into a leech pond in order that the leeches
might suck off “the goodlie warts” with which its belly and thighs
were studded.
So far as I have been able to ascertain, about a century and a half
ago the leech cure was deemed quite the best for warts. Yet perhaps we
are wrong to think or to speak contemptuously of the ignorance of our
forefathers. Who can say that in years to come our descendants may not
speak as contemptuously of us—their ancestors—because we fired horses,
and because we drenched them with physic for various ailments?
Indeed there are already veterinary surgeons who aver that to fire a
horse under any circumstances is to commit a grave blunder, and that
firing as a general practice ought emphatically to be abandoned.
CHAPTER II
First races of importance run at Newmarket—Races in Hyde Park—The
Helmsley Turk and the Morocco Barb—Racing introduced into
Holland—Importation of Spanish stallions into England—Prince
Charles's riding master, the Duke of Newcastle—Increasing cost
of horses—Marshal de Bassompierre; his loss through gambling,
£500,000 in a year; Sir John Fenwick—Sir Edward Harwood's
pessimism—Cromwell's Ironsides—Armour discarded—The opposition to
stage coaches; Mr Cressett's theory; Charles II. favours their
adoption
The early history of Newmarket is more or less wrapped in mystery, or
rather in confusion; in other words, the writers who have dealt with
“the inauguration of Newmarket racing,” as one of them terms it, in
many instances contradict one another so flatly that the truth can be
arrived at only by conjecture or by inference.
Apparently the destruction of the Spanish Armada in 1588 was the ill
wind that indirectly benefited Newmarket so far as its horses were
concerned, for there is no doubt that many of the horses rescued from
drowning when the great vessels of the Armada were wrecked were sent
direct to Newmarket, “where great surprise was expressed by all who
beheld them at their exceeding swiftness.”
From this one would naturally conclude that interesting races were
run on Newmarket Heath towards the close of the sixteenth century; yet
elsewhere we read that the first races of importance run at Newmarket
took place in 1640, and that the round course was not made until about
the year 1666, while a third historian goes so far as to declare that
a gold cup run for at the Newmarket Spring Meeting of 1634 affords
_per se_ the earliest irrefutable record of such an occurrence, based
on contemporary data.
Yet from statements set down in an earlier chapter we have already
seen that horse racing of a sort must have taken place at Newmarket
quite a long time before this. In point of fact, in almost every
historical record of Newmarket that I have come upon I have found
either direct or indirect allusion to the renown of the neighbourhood
of Newmarket for the horses that were bred or trained there.
The horses brought ashore from the Spanish vessels probably were among
the best that Spain at that time possessed, and several attempts were
made by the Spanish to recover some of them. It is known that towards
the close of the sixteenth century the Spanish were making determined
efforts to breed faster horses than they had previously bred, yet it
is surprising that the horses they had brought with them upon their
famous expedition should have been so swift, for they must have been
animals of far heavier type than the animals they would in a general
way breed for racing.
The Spaniards of three centuries ago, we must of course remember, were
renowned for their horsemanship far more highly than their descendants
of to-day are.
In the reign of Charles I. horse races were run in Hyde Park, a
track having been laid down there with great care. This meeting was
immensely popular, and “the inhabitants of London and those parts near
London assembled in their thousands to watch the running horses,” and
in most instances to squander large sums.
“The Park first became under Charles I. the fashionable society
rendezvous,” Mrs Alec Tweedie tells us in her interesting volume,
“Hyde Park: Its History and Romance.” “Its greatest attraction, maybe,
was the racing in the Ring. The occasions when organised meetings
took place were special scenes of gaiety, and were evidently thought
important events, as even among the State Papers there is preserved
the agreement for a race that took place there.”
In later years an attempt was made to revive the Hyde Park race
meeting, but the attempt was vigorously opposed by the mass of the
residents in the neighbourhood, and by many others as well.
A report of a race in Hyde Park appears in a copy of _The London
Post_, but is undated. As _The London Post_ ceased to exist after the
year 1640, this race was run probably a year or two before that
date. The report is said to be the first detailed account of a horse
race ever published in a newspaper.
“I made a present to the King,” Sully writes, “of six beautiful horses
richly caparisoned, and the Sieur of St Antoine as their keeper.” The
Sieur of St Antoine, who after being equerry to Prince Henry became
equerry to Charles I., is represented in the famous Vandyck picture of
King Charles in armour, in the picture now in the National Gallery.
[Illustration: VAN DYCK'S FAMOUS PICTURE, NOW IN THE NATIONAL GALLERY,
OF CHARLES I ON HORSEBACK]
* * * * *
It was about the year 1641 that the Duke of Buckingham greatly helped
to improve the breed of horses by importing the famous Helmsley Turk
and the almost equally famous Morocco Barb. It is curious to read that
the importation of these horses was at first looked upon with grave
suspicion by a great body of the principal horse breeders in this
country, and by others interested in the horse and its development.
To what the antagonism was owing one can hardly say for certain. One
report has it that some among the duke's personal enemies—he had many
enemies—were determined to do all in their power to injure him by
wrecking any scheme in which he presumably was interested. The sums
he paid for these horses were considerable, but the excellent effect
the good blood had upon the breed fully repaid him for the incidental
outlay, also for the great trouble to which he had been put to secure
such excellent stallions.
Shortly before this some English officers serving in the Dutch army
had introduced horse racing into Holland, and the popularity of
the new sport began to spread there quickly. Soon a number of race
meetings came to be organised, and in a short time Dutch emissaries
were sent over to England for the express purpose of purchasing blood
stock here.
Being comparatively ignorant of horses—ignorant, that is to say, of
the requirements essential in a racing stallion—these emissaries were
at first cheated in the most barefaced manner by some of the very men
who only a short time before had been their guests in Holland!
Later, however, they succeeded in importing some very valuable blood
stock, and in several respects the race meetings they presently
organised were better arranged than many of the English meetings of
that period.
In 1637 we find the Duke of Newcastle appointed Governor to Prince
Charles—later to become King Charles II.—with special injunctions to
teach him to ride well.
The duke's volume on equitation, published at Antwerp in 1658,
contains particulars of the prince's progress in the art of
horsemanship, from which we may gather that Prince Charlie was an
exceptionally apt pupil—“a horseman by nature,” he has been termed.
So emphatically was this the case that in comparatively a few years he
professed himself able to ride any horse that anyone might choose to
bring to him, an assertion in which the duke supported him.
It was not long after this that the duke persuaded his royal pupil to
import from Spain a number of exceptionally fine sires, for, as he
said, Spanish stallions were quite unsurpassed, and in his opinion no
other sort of stallion ought to be admitted into this country.
The duke himself has been described as “an iron horseman,” but the
exact meaning of the phrase is not quite clear. He had, according to
some writers, an “iron” seat on a horse, while according to others he
had “iron” hands—the latter a questionable compliment.
Probably an “iron” nerve is what they really meant, for we know that
the Duke of Newcastle was both a finished and a fearless horseman, two
important qualifications that do not necessarily go together. We are
further told that in teaching the prince to ride he never spared him,
a statement easily believed when the duke's hard and resolute nature,
added to his known determination to succeed at any cost in every task
he undertook to accomplish, are borne in mind. Ordered to train the
prince into a skilful horseman, he had at once set to work to do it to
the best of his ability.
Some say that as a boy Prince Charlie looked, when in the saddle, as
if he had been born there, and through life this natural seat upon a
horse stood him in good stead.
In addition to being a graceful rider, he had a very strong seat, so
that presumably he possessed the precious gift that to-day we call
“hands.”
An eighteenth-century writer, who appears to have had access to
private manuscripts or documents to do with King Charles II.'s private
life, avers that the king never, as we should express it, pulled
a horse about. Even tempered with his horses, he seldom or never
ill-treated them. They appeared to respond instinctively to his every
touch, to understand what he meant by the varying inflection in his
voice, and to divine, as if by magic, what their master wished them to
do. Also he never outrode a horse under any circumstances—never, as we
should say, rode a horse off its legs.
He preferred long stirrup leathers to short, but then in his day most
men did.
Also it is said of him that he never would look twice at a horse that
had bad quarters or indifferent withers.
Altogether it seems clear that, though he had a natural aptitude for
horsemanship, he must have been carefully and very thoroughly coached
in all the points of a horse, as well as in all that appertained to
the management, training and stabling of horses of every kind.
* * * * *
Horses had risen in price during Charles I.'s reign. In the reign of
Charles II. they rose higher still.
Thus about the year 1635—that is to say towards the middle of Charles
I.'s reign—300 and 400 pistoles was considered a moderate sum to pay
for a well-broken young horse.
“And the Marquis of Seralvo told me,” writes the Duke of Newcastle,
“that a Spanish horse called Il Bravo, and sent to the Arch-Duke
Leopold, his master, was held as much as a Mannor of a Thousand Crowns
a year, and that he hath known horses at 700, 800, and 1000 pistoles.”
Elsewhere we find indisputable evidence that between the beginning of
Charles I.'s and the end of Charles II.'s reign sums varying from 400
to 700 pistoles must often have been paid for saddle horses, while for
race horses the prices were considerably in excess of these sums.
It is amusing to read that the duke spoke in terms almost of contempt
of the Barb, for it shows that in one respect at least he must have
been prejudiced in much the same way that some of our modern owners
and trainers of thoroughbreds are prejudiced.
Yet he was firmly convinced that many of the horses imported from such
countries as Germany, Denmark and Holland were well suited for harness
work and for the plough.
In face of this, and in face also of his strong bias in favour of
Spanish stallions, it is surprising to hear that he deemed the English
horse to be “the best horse in the whole world for all uses whatever,
from the cart to the manage,” and that he even considered some of them
to be “as beautiful horses as can be anywhere, for they are bred out
of all the horses of all nations.”
Equally enthusiastic upon the subject of the English horse and its
merits, and upon its superiority over the horses of other nations, was
Marshal de Bassompierre, who has something to say about them in the
interesting memoirs of his embassy in England in 1626.
Thus after telling us that during his residence in this country he
received from some of the high officers of state, also from the king
himself, a present of fine horses, he goes on to mention incidentally
that it was at about this period that English thoroughbreds were
introduced into France for the first time.
This is interesting, inasmuch as certain writers of an earlier epoch
state definitely that English thoroughbreds were to be seen in parts
of France in their day.
Bassompierre, who had been in England in Elizabeth's reign, is likely
to have known the true facts. In addition to being “addicted to
horses,” he was passionately fond of gambling, and the latter hobby is
said to have cost him in a single year some £500,000.
A family notorious early in the Stuart era for its devotion to the
Turf was the Fenwick family, so much so that several of its members
are described as having run “quite out of their fortunes” in their
futile attempts to transform two or three small fortunes into one
large one. The sensational story of Sir John Fenwick's trial, followed
by his execution on Tower Hill in 1697, establishes a sort of landmark
in the history of the public executions of the seventeenth century.
During the first half of the same century horse fairs were organised
throughout England, and year by year they became events of greater
importance, many hundreds of men and women of all ranks travelling
from far-distant parts of the country in order to attend them. The
scenes of ribaldry by which many of these fairs were followed would
not be tolerated now. Among the more important of the fairs were those
held at Ripon, Melton, Pankridge and Northampton, but many of the
others were almost equally fashionable.
It was in the reign of Charles I. that Sir Edward Harwood presented
the famous petition, or memorial, in which he explained in forcible
language that “good and stout horses for the defence of the kingdom”
would soon be to all intents at a premium owing to the scant attention
that was then being paid to the breeding of such animals, adding that
he doubted whether, if some 2000 great horses should be wanted at
short notice, it would be possible to find so many in a fit condition
to do battle.
The French horses of the same stamp, he went on to say, were in
almost every way superior to ours, and so emphatic was he upon this
last point that he openly declared that if some 2000 of the best of
our great horses were to be set face to face in battle with an equal
number of the Frenchmen's horses, our troops would to a certainty be
routed with heavy loss.
Seeing how earnestly Harwood spoke, the king, as we are told,
expressed sorrow and great amazement at what he heard, and at once
inquired the reason of the English horses' alleged inferiority.
Then it was that Sir Edward made his point. With considerable
bluntness he told the king that the decline of the great horse was
due chiefly to the spread of racing and hunting, and to the growth,
consequent thereon, in the number of race meetings that were being
organised, and in the assemblage of persons who attended them.
For, as he justly pointed out, so long as the attention of the
principal body of the nobility and of the wealthy landed proprietors
was centred upon the breeding almost wholly of light and swift horses,
it was not possible to suppose that time would be found to attend also
to the breeding and rearing of the powerful animals that alone were
fit to carry men-at-arms.
Upon hearing this, Charles declared, no doubt in all good faith, that
he would take steps to revive the flagging interest in the production
of good war horses, but in the end nothing practical was done.
That the king himself took interest in the great horse we are led to
infer from the fact that upon the big seal he is shown riding astride
one. In Vandyck's portrait of Oliver Cromwell we see Cromwell riding
rather a light-coloured great horse, a point worthy of note inasmuch
as we know that from about that time onward the term “great” horse was
almost always taken to mean a _black_ horse of this particular stamp.
[Illustration: OLIVER CROMWELL ON HORSEBACK
_After Van Dyck_]
Oliver Cromwell's world-renowned Ironsides were not, of course,
mounted on great horses. On the contrary, though the Ironsides proved
themselves to be by far the most powerful cavalry seen in England down
to that time, their strength was due not to their weight, but to their
remarkable mobility.
The dismay the Ironsides spread amongst the foe is said to have
astonished the cavaliers themselves as much as it surprised the enemy.
For it must be borne in mind that the Ironsides did not wear armour.
Instead they were protected merely by light buff coats, so that
naturally they were able to ride far lighter and consequently more
active, horses.
Probably it was the good work done by Cromwell's cavalry that marked
the turning-point in the life of the old _régime_ by driving out of
the field not only the great horses that until then had been deemed
wholly indispensable, but also by sounding the death-knell of armour
that for two centuries had been growing steadily heavier and more
ponderous.
For many years, however, a body of the English military authorities
metaphorically clung doggedly to the clumsy horses to which they
had so long been accustomed, and to the clumsy armour as well,
declaring—as some of their successors do to-day—that the innovation
of a mobile force must soon prove unsatisfactory and ultimately be
disbanded.
Instead, exactly the reverse happened.
By slow degrees the armour was discarded, while the great horses, as
we are told, were relegated to the coach, the waggon and the plough.
Among those who adhered longest to the theory that England must
inevitably lose her prestige if the great horse were ousted from
her army for good and all was the Duke of Newcastle of that period.
Laughed at for his pains, and spoken of by the younger generation as
a man not able to see ahead of the times, he yet stood firmly by his
opinion almost to the last. As the years went on, and the younger
generation in their turn grew retrospective and pessimistic, no doubt
they too were laughed at by their sons, and thus history continues to
repeat itself even to the present day.
* * * * *
At about this period many of the “good” roads in England were in
reality little better than broad cart tracks, so that heavy horses
were largely in demand. In consequence of this the prices paid for a
good team of horses were in many instances out of all proportion to
the animals' true worth. By this time, too, public stages were already
being started on the highroads, and the competition this gave rise to
soon sent up by leaps and bounds the value of great horses well broken
to harness.
Of these stages the first was started probably about the year 1670,
and its weight when empty must have been enormous, every part being
made of solid timber bound with strips of iron. The “speed” at which
it travelled—so far as one can gather from the early descriptive
records of the progress of the pioneer stage—must have been
approximately three or four miles an hour, upon an average, or even
less.
An excellent reproduction of the early type of the English great
horse is to be seen in Dublin in the famous statue of William III. on
horseback. The type of horse shown is probably the exact type that was
popular not merely in William III.'s reign, but during the greater
part of the century before he ascended the throne.
True, in that statue the king is garbed like an ancient Roman, the
reason being—I take the following statement from several Irish
jarveys, and disclaim all responsibility for its alleged accuracy—that
King William adored a foreigner and tried always to look like one!
It was, indeed, a jarvey who remarked as we drove past: “Sure, and
it is in hunting kit he should be, and on one of Pat Mecreedy's
hundred-guinea leppers.” He appeared to be convulsed with mirth at
the bare thought that the hero of the Boyne should have been depicted
mounted upon a cart horse.
Some even among our historians, however, have averred that this horse
is wrongly proportioned. Personally I incline to the belief that the
animal is in every detail true to life, and not many years ago the
late Viscount Powerscourt declared that he himself had seen used in
parts of Holland horses that in every respect resembled this animal of
King William's statue.
Is it not likely, therefore, that William III. may have been in the
habit of riding a Dutch horse, and that the sculptor copied this horse
quite faithfully?
Certainly if the pictures of the period are to be trusted for
accuracy, soon after the overthrow of James II. by William of Orange
there were horses in plenty of almost exactly this type to be seen
in England. Also the harness that was worn by many of the Dutch
horses shown in the pictures resembled the harness that was in use
among followers of William III., more especially the parts we mean to
indicate when we speak of a horse's trappings.
Even the bridles greatly resembled one another in some instances.
* * * * *
Bearing directly upon the story of the horse in history are the
descriptions that have been handed down to us of the almost frantic
opposition that met the introduction of the stage coach soon after
the middle of the seventeenth century.
In some respects these descriptions recall vividly to mind the rabid
antagonism some two centuries later to the introduction of the steam
engine, not to speak of the objections that are still raised by a
proportion of the community to the general adoption of automobilism.
Prior to the introduction of the stage coach into England a
four-wheeled carriage with a long, low body had been employed to
convey the general public from one part of the country to another, and
when the stage coach first arrived many of our wiseacres were quick
to prophesy that the death-knell of the nation's greatness had in
consequence been sounded!
Perhaps one of the stoutest of the opponents of reform in this
respect was a certain Mr Cressett, of Charterhouse, who in the year
1662 openly and in very straightforward language affirmed that the
adoption of the stage coach must “entirely ruin the country,” and who
in that year wrote a vigorous tract, in which he explained entirely
to his satisfaction—also, apparently, to the satisfaction of his
partisans—that the amount of harm the introduction of road coaching
must inevitably cause to the community at large would be enormous.
His remarks, too voluminous to reprint _in extenso_, contain in one
place the observation that “by this rapid mode of travelling”—at the
period in which he wrote it took approximately three days to get from
London to Dover, even in fine weather—“gentlemen will come to London
upon the slightest pretext, which but for these abominable coaches
they would not do but upon urgent necessity.”
Nor would the impending evil, in his opinion, end there, for, lashing
himself gradually into a fury, he went on to maintain that “the
gentlemen's wives” would come too, and that no sooner would they find
themselves in London than they would “get fine clothes, go to plays
and treats, and by these means get such a habit of idleness and love
for pleasure that they would be uneasy ever after.”
Poor Mr Cressett!
Surely he must have been an ancestor, or at the least some early
relative, of the notorious Mr Wightman who, just before the first
London and Brighton railway was laid down, wrote a book in which he
“proved” beyond refutation that no locomotive steam engine could by
any possibility be propelled at a speed greater than about half the
speed of the fastest of the coaches then on the road!
We smile indulgently at all this now, yet, when all is said, have we
changed so very greatly since those dark and peculiar ages—since the
epoch that we now refer to so complacently as “the good old times”?
(_sic_).
The narratives of the remarkable experiences of many of the travellers
in those early coaches would make up almost enough letterpress to
fill a volume. For from the very outset the public stages became the
unlawful prey of half the rascals with which a vast tract of the whole
of England at that time teemed. Coaches were plundered almost daily,
and while sometimes blood was spilt intentionally, often this happened
rather by accident.
Charles II., who used his influence to help on the development of
the stage coach, appears at times to have become frankly impatient
with the ultra-conservatism of the bulk of his nobility and of the
aristocracy who strove hard to check the progress of the new form of
locomotion.
Whatever Charles's shortcomings may have been—and we know that he
had many—he had enough of _nous_ to be able to foresee the enormous
advantages that would be derived from the general adoption of the
public stage.
Consequently he encouraged the importation of stallions and the
breeding of animals of the stamp best adapted for coach work.
Himself a finished whip, most likely, he desired that all his nobles
should emulate his example by learning to drive well, though driving
in those days was a form of amusement comparatively seldom indulged
in by the well-to-do, who, as we are told, preferred being driven by
postillions.
Before Prince Charles's proclamation, however, the ten years of the
Commonwealth's sway had to intervene, during which time the horse's
progress in this country suffered a set-back from the effects of which
it did not immediately recover.
The beginning of the horse's decline in public favour may be said to
have dated from 4th January 1651, on which day a report was drawn
up—to be soon afterwards presented to Parliament—demanding that
horse races, hunting, hawking matches and football playing be at
once suppressed, the plea in favour of this radical reform being
that frequently political meetings were convened by enemies of the
Commonwealth under the veil of race meetings and similar social
gatherings.
CHAPTER III
The Commonwealth's “ordinance to prohibit horse racing”—Revival
of racing under Charles II.—The King a finished horseman—The
figure of Britannia—The Royal Mares—Formation of the
thoroughbred stud—Thomas Shadwell's cynical description of
life at Newmarket—Spread of horse racing in Ireland—Jockeys at
Newmarket entertained by Charles II.—Sir Robert Carr; the Duke of
Monmouth's connection with the Turf—Annual charge for horses of
the royal household, £16,640—Newmarket under the _régime_ of the
Merry Monarch; the Duke of Buckingham
Though it soon became evident that the Commonwealth was determined
to oppose, tooth and nail, any step that might in the least tend to
keep alive the interest in horse racing and horse breeding that for
many years had grown up so steadily throughout almost the length and
breadth of England, not until the 3rd July 1654 did the Government
finally decide to introduce “an ordinance to prohibit horse racing.”
This ordinance was duly passed, and the result may well be imagined.
For without further parley almost every racecourse in England was
closed, thousands of men of many different grades being thereby at
once thrown out of employment. Owners of valuable thoroughbreds
lost immense sums, for, practically without warning, they found the
order thrust upon them and so were obliged to sell their racing
stock for whatever sum it would fetch in the open market.
[Illustration: HORSES OF THE CAVALIERS. SEVENTEENTH CENTURY]
In this connection Cromwell, who himself had for many years owned
race horses and been very fond of racing, suffered with the rest,
though both he and his adherents are said to have declared that they
willingly gave up their horses “for the good of the cause they had at
heart.”
There can be no doubt that many valuable sires were imported into
England about the time that Cromwell was practically in power, and
one of them, “a south-eastern horse named White Turk,” apparently was
brought over by Cromwell's own stud groom.
Several of the early records contain interesting descriptions of the
sires that were imported at about this time. Mr William Cavendish,
afterwards Duke of Newcastle, writing about the year 1658, tells
us that the Turkish horse of the period was a tall animal, “but of
unequal shape,” and that though “remarkably beautiful, very active,
with plenty of bone and excellent wind,” it rarely had a good mouth.
“The Barb,” he writes elsewhere, “possesses a superb and high action,
is an excellent trotter and galloper, and very active when in motion.
Although generally not so strong as other breeds, when well chosen I
do not know a more noble horse, and I have read strange tales of their
courage.”
The Barbs came of course from Barbary, the best of them from Morocco,
Fez, and the adjacent districts, and some from the interior of
Tripoli. Even the first to be imported were said to be better shaped
than any horses that had been seen before in this country, and to
have, in addition, excellent action by nature.
From what can be ascertained at this date, the pure Arabian steed
seldom, if ever, stood higher than fourteen and a half hands, and
rarely or never became a roarer. In all probability many even of the
finest Arabian horses stood but fourteen hands high, while plenty must
have been smaller still—say thirteen two or even thirteen one.
This is worth remembering when we know that nearly every horse that
has established a reputation on the English Turf has been of Eastern
descent.
Probably the best of the Turkish horses were descended from the horses
of Arabia and of Persia, though the former were for the most part
taller, and generally “bigger built,” besides being world renowned for
their remarkable docility.
* * * * *
At last the Commonwealth came to an end, and with the accession of
Charles II. to the throne “the whole of England,” to quote the
sentence of a contemporary chronicler, “seemed to open its lungs and
breathe again.”
For during the ten years of the great Commonwealth the Turf had to all
intents become extinct in England. The racecourses were “overgrown and
choked,” some had been built upon, others had been converted into what
purported to be pleasure grounds—“spaces for the recreation of the
multitude.”
But apparently the multitude preferred the spaces as they had been
in the time of Charles I., for no sooner did it become known that
the more important of the race meetings that had been abandoned were
about to be revived than “the people rejoiced greatly and gave vent to
demonstration.”
In a surprisingly short time race horses seemed to spring up out of
nowhere, some in such good fettle, comparatively—when it is borne
in mind that the race horse was supposed to have become practically
extinct during the Commonwealth's _régime_—that, as one historian has
it, the severity of the laws that had been passed for the suppression
of horse racing, and indirectly of race horses, must clearly have been
evaded in several parts of this country.
Thus it comes that soon after the Restoration we read of races being
run for silver bells and other prizes at Croydon, at Theobald's, at
Chester and many other places that had been important racing centres
before the Commonwealth.
“Though race horses were few at the time of Charles II.'s accession,”
observes one writer, “and none had eaten bread for years” (about the
middle of the seventeenth century race horses were trained largely on
bread), “and these had languished in neglect, at the Restoration they
emerged from their obscurity when the penal disabilities collapsed to
which the Turf was subjected by the Puritans.
“The revival of horse racing was almost magical in its effects. Thus
we find the Turf rising like a Phœnix from its ashes on the accession
of Charles II., to be thoroughly reinstated as our great national
pastime during the Merry Monarch's reign.
“To this resuscitation the king extended his powerful patronage and
support. His love of the equine race is typified in the soubriquet by
which he was popularly known, namely 'Old Rowley,' the name of his
favourite hack. It is possible that among all our sovereigns, with the
exception, perhaps, of Richard II., King Charles II. alone rode his
horses first past the winning post. He was, indeed, a thorough English
sportsman who could hold his own against all comers in the chases, on
the racecourse and so on.”
The above description approximately sums up the Merry Monarch so
far as his fondness for horses and horse racing has to do with this
history. Every inch a horseman, he appears to have been gifted with a
singular aptitude for controlling almost any animal he mounted, and to
have developed in a high degree the instinct, or whatever it may be,
that to-day we speak of as the power of judging pace in race riding.
Endowed with nerve, also with physical courage in abundance, it is
not surprising that the king should have been looked upon by many of
his courtiers almost as a demigod when first he ascended the throne,
and that the Duke of Newcastle, who had trained him to horsemanship,
should openly have expressed himself as immensely proud of his pupil
and his pupil's skill.
In the principal race at Chester the horses used to run five times
round the Roody. It was upon a horse running in this race that Charles
once staked and lost a small fortune. The meetings he most preferred,
however, probably were those held periodically at Newmarket,
where to this day the famous Rowley Mile recalls to memory the
seventeenth-century's cheeriest monarch, a king to whom horse racing
in this country still owes so much.
It was, indeed, King Charles II. who almost entirely rebuilt the stand
at Newmarket after the original one had been damaged beyond repair
during the progress of the Civil War. It is said that the old race
stand was besieged on at least three separate occasions during that
long and bloody conflict.
While a certain historic race meeting at Newmarket was in progress,
Philip Rotier, the famous sculptor, availed himself of an unexpected
opportunity—an opportunity for which he had long waited—to make a
sketch of the beautiful Miss Stuart, who was destined to become in the
year 1667 the third wife of the third Duke of Richmond.
Miss Stuart's name was at that time in everybody's mouth, the
exquisite loveliness of her face being equalled, so it was said, only
by the moulding of her figure and the irresistible fascination of her
voice and manner. It was this unfinished portrait by Philip Rotier
that was subsequently to develop into the figure that to-day we see
upon every copper coin—the figure of Britannia with her trident.
“So exact was the likeness,” says Felton, in his notes on Waller,
“that no one who had ever seen her Grace could mistake who had sat for
Britannia.”
How rapidly the Turf must have sprung into life once more upon Charles
II.'s accession to the throne of England may be gathered from the
statement that within six years after the date of his coronation,
“the glory of Newmarket had again eclipsed itself.” Yet apparently
the country's prosperity did not directly benefit. The nobles and
the wealthy classes seemed determined at any and every cost to warm
both hands at the fire of life in the best and worst meaning of that
hackneyed phrase. In Pope's “Imitation of Horace,” the statement is
made quite bluntly:—
“In days of ease, when now the weary sword
Was sheathed, and luxury with Charles restored,
In every taste of foreign courts improved,
All, by the King's example, lived and loved.
Then peers grew proud in horsemanship t'excell—
Newmarket's glory rose, as Britain's fell.”
Wherever in the early histories and records mention is made of
Charles's horsemanship, we find also some allusion to William
Cavendish, afterwards to become Duke of Newcastle, and credit for
Charles's skill is attributed in a great measure to him.
Further we learn that at the age of ten “His Majesty's capacity was
such that he would ride leaping horses, and such as would overthrow
others, and manage them with the greatest skill and dexterity, to the
admiration of all who beheld him.”
Indeed in this one respect he must at about that period of his
life have resembled the great Alexander, for his determination and
self-confidence when he was mounted on horseback were alike amazing.
Upon more than one occasion he expressed himself ready to ride for a
wager any horse that might be brought to him, and, if need be, to ride
it bareback.
In his after life, as we know, this strength of will of his grew
gradually into senseless obstinacy, yet he never lost his nerve for
riding over a country, a fact the more remarkable when we reflect upon
the sort of life he came to lead as he grew older.
The descriptions we have of the race horses he bred are somewhat
contradictory and must therefore be received with caution. That he
imported many fine mares from Barbary is certain, also it is certain
that at regular intervals he sent abroad competent judges with
instructions that they should secure for him, regardless of cost, the
best animals obtainable.
From among the best of these were selected the stud that came
afterwards to be known as the Royal Mares, a designation they bear in
the stud-book to this day. The dam of the famous Dodsworth—one of the
earliest of all our thoroughbreds—was included in the royal stud, and
its pedigree has been authenticated beyond dispute.
Emphatically Charles II. did more to encourage horse racing than any
other monarch after Henry VIII. had done, and by comparison he did
much more than Henry VIII. by any possibility could have done, the
very best racing in Henry's reign being quite inferior to the sport
shown in the reign of the Merry Monarch.
And by every means that lay in his power the Duke of Newcastle
abetted Charles. The duke himself, soon after the Restoration, sank a
considerable sum in the purchase of fresh racing stock to add to his
stud, already a large one. And thus the foundation of the thoroughbred
stud of modern times may be said to date practically from about the
latter part of the seventeenth century.
Thomas Shadwell, the famous playwright, who, born in 1642, lived for
half-a-century, alludes in several of his dramatic works to “the great
wave of passionate devotion to vices of various kinds” that seemed to
roll gradually over the whole of England during the reign of Charles
II., while special reference is made to the all-absorbing interest
taken in the Turf while the Merry Monarch was on the throne.
Speaking of Newmarket in particular, “there a man is never idle,” he
makes one of his characters cynically observe, “for we make visits to
horses, and talk with grooms, riders and cock-keepers, and saunter in
the Heath all the fore-noon.
“Then we dine, and never talk a word but of dogs, cocks and horses.
“Then we saunter into the Heath again, then to a cock-match, then to a
play in a barn, then to supper, and never speak a word but of dogs,
cocks and horses again.
“Then to the Groom Porters, where you may play all night. Oh, 'tis a
heavenly life! We are never, never tired!”
Seeing what keen and thorough sportsmen the Irish are, as a body,
one is rather surprised to learn that until towards the close of the
seventeenth century horse racing was almost unknown in Ireland. No
sooner had it been introduced, however, than it began to develop with
great rapidity, so that within a few years it spread into many parts
of the island and we hear of race meeting after race meeting being
organised.
For horse racing seemed to suit the temperament of the Irish people as
no other form of sport had done. From the first the Irish must have
devoted much time and attention to race horse breeding, and though
their facilities for obtaining the services of the best stallions were
fewer than the facilities afforded to the English breeders, they yet
succeeded in rearing a number of useful animals, while plenty of their
race meetings soon compared favourably with some of the best meetings
that were held in England at about the same period.
But few particulars are extant of the races in which King Charles
himself rode, though several of the earlier writers inform us that he
“carried all before him.” In a despatch from Sir Robert Carr, dated
the 24th day of March 1675, we read that “Yesterday his majestie rode
himself three heats and a course and won the Plate, all fower were
hard and nere run, and I doe assure you the King wonn by good Horseman
Ship.”
Descriptions are to be found elsewhere of a fox hunt in which the king
took part. It took place some twenty miles from Newmarket. That was in
1680, and apparently no fox hunt in King Charles's reign had before
been described in writing.
Yet the king, though partial to hunting, was undoubtedly much fonder
of racing. It was in this year—the year 1680—that he entertained
at Newmarket the vice-chancellor and the dons of the University of
Cambridge, and, as well, all the jockeys who had ridden at the meeting.
Whether vice-chancellor, dons and jockeys were all entertained by
the king at the same time is not stated, though we are led to infer
that they must have been. Charles, as students of history know, was
cosmopolitan to the backbone, and not ashamed of the fact. Ever a
practical joker, he is known to have taken delight that was almost
boyish in bringing together an assemblage of persons whose sentiments,
views and tastes he knew to be in every way dissimilar.
The companionship of jockeys appealed to him at all times, and the
year after he had entertained those at Newmarket we find him at
supper with the Duke of Albemarle, “and all the jockeys with them.”
During the progress of this meal Sir Robert Carr and the king arranged
several matches in which their respective horses were to be ridden by
the jockey each should nominate. That Sir Robert came badly out of
the affair may be gathered from the statement that in a single day he
lost between £5000 and £6000 “and became greatly enraged”—a breach of
etiquette that the king did not forget, and that he never forgave.
A despatch from Lord Conway, dated the 5th April 1682, contains a
descriptive account of a false start that took place in one of the
races at Newmarket owing apparently to a curious blunder on the part
of the starter.
“Here hapned yesterday,” Lord Conway writes, “a dispute upon
the greatest point of Criticall learning that was ever known at
New-Market, A Match between a Horse of Sir Rob: Car's, and a Gelding
of Sir Rob: Geeres, for a mile and a halfe only, had engaged all the
Court in many thousand pounds, much depending in so short a course to
haue them start fairly.
“Mr Griffin was appointed to start them. When he saw them equall he
sayd Goe, and presently he cryed out Stay. One went off, and run
through the Course and claims his money, the other never stird at all.
“Now possibly you may say that this was not a fayre starting, but the
critics say after the word Goe was out of his mouth his commission was
determined, and it was illegall for him to say Stay. I suppose there
will be Volumes written upon this Subject; 'tis all refered to his
Majesty's Judgment, who hath not yet determined it.”
Another staunch supporter of horse racing in Charles II.'s reign was
the ill-starred Duke of Monmouth, whose career on the English Turf
ended abruptly when in 1682 he was practically sent abroad as an exile.
Early in the following year, however, the idea occurred to Louis XIV.
that as horse racing had become so popular in England he would like to
make it the national pastime of France also. In order to foster public
interest in the turf, therefore, he began by offering a plate valued
at 1000 pistoles to be run for at Echere, near St Germain.
The event attracted, as he had expected it would, much attention,
not only throughout France, but in several other European countries
as well, so that in the end some of the finest horses to be found
anywhere in Europe were entered for the race.
All went well until a short time before the date of the race, when a
rumour spread mysteriously that a gelding owned by the Hon. Thomas
Wharton had been privately backed very heavily by a number of wealthy
Englishmen.
At first the report was generally disbelieved. Then suddenly it became
known that the famous Duke of Monmouth was to ride the “dark” horse in
the big race, and at once the owners of the foreign favourites became
seriously alarmed.
That they had good ground for their alarm was soon proved by the
duke's steering the English horse to victory, apparently with great
ease.
Immediately, so we are told, Louis XIV. cried out in an access of
enthusiasm that he must obtain possession of Wharton's horse at any
cost. Upon Wharton's informing him that the horse was not for sale,
Louis immediately offered to pay “the animal's weight in gold.”
Thereupon Wharton relented—though not in the way that Louis had
expected him to:
“I will not sell the horse,” he said, “no, not even for its weight in
gold. If, however, your Majesty will do me the honour to accept it as
a gift....”
But so generous a proposal Louis flatly declined to entertain, and
eventually the horse did not change hands at all. For some weeks
afterwards the principal topic of conversation throughout France and
part of England was the great race. Indeed it is probable that this
single race and the talk that followed it served to stimulate in
France a zest for the sport that became far keener than even Louis
XIV. had deemed would ever be possible.
[Illustration: THE DUKE OF SCHONBERG ON A TYPICAL CHARGER OF THE
SEVENTEENTH CENTURY
_After a painting by Sir Godfrey Kneller_]
Among the more prominent of the race horse's progenitors in the
seventeenth century were the Small Bay Arabian, imported by James I.;
Burton's Barb Mare; the Helmsley or Buckingham Turk, owned by the Duke
of Buckingham; and of course Charles II.'s Dodsworth, a well-shaped,
natural Barb, though foaled in England about the year 1670.
Mention has already been made of the Royal Mares, the majority of
which were brought over from Tangiers about the year 1669. Towards the
beginning of Charles II.'s reign the annual charge for the horses of
the king and queen and those of the officers of the royal household
was fixed at £16,640—a sum subsequently denounced by the king's
enemies as “extravagant beyond belief.”
That it was a considerable charge to make all must admit, yet it was
not necessarily extravagant beyond measure. For in an age when outward
ostentation imparted to the court a sort of cachet, an enormous stud
of horses, and those the best obtainable, and in addition innumerable
costly trappings, were in a sense necessities—the guarantee and
stock-in-trade, so to speak, of a court anxious to gain the world's
applause and approval, and indirectly the support of other powerful
European nations should war break out, as in King Charles's reign it
might well have done at almost any time.
Indeed had Charles's court been indifferently horsed, and the king
shown signs of reducing his personal expenditure—in other words, had
the trumpets metaphorically been blown less blatantly—other European
powers would probably have looked up to England with less respect.
Full well Charles must have known this, for in his way he
was thoroughly versed in the art of what is sometimes called
“international finessing.” His Government knew it better still, with
the result that the Government “played up to the king” on the lines
adopted by the king in playing up to the Government—both knew that
extravagance and display formed the note of the age, and both struck
the note firmly with a foot on the loud pedal.
And thus in the reign of the Merry Monarch did the practice that we
now sometimes speak of as “bluffing” develop into a sort of art and
come to be cultivated carefully.
In the autumn of the seventeenth century Newmarket must truly have
been one of the gayest places in England, at anyrate when race
meetings were being held there, for it was not unusual for the entire
court and cabinet to travel down from London on such occasions, when
“jewellers and milliners, players and fiddlers, venal wits and venal
beauties would follow in crowds.”
Upon such occasions the streets, we are told, were made impassable by
coaches and six. “In the places of public resort peers flirted with
maids of honour, while officers of the Life Guards, all plumes and
gold lace, jostled professors in teachers' caps and black gowns, for
from the neighbouring University of Cambridge there always came high
functionaries with loyal addresses, and the University would select
her ablest theologians to preach before the sovereign and his splendid
retinue.”
Whether those able theologians were valued at their true worth may be
gathered from a further description in which we learn that during the
wildest days of the Restoration “the most learned and eloquent divine
might fail to draw a fashionable audience, particularly if Buckingham
had announced his intention of holding forth, for sometimes his Grace
would enliven the dullness of the Sunday morning by addressing to the
bevy of fine gentlemen and fine ladies a ribald exhortation which he
called a sermon.”
The court of King William, however, proved more decent, and then
the Academic dignitaries were treated with marked respect. “Thus
with lords and ladies from St James's and Soho, and with doctors
from Trinity College and King's College, were mingled the provincial
aristocracy, fox-hunting squires and their rosy-cheeked daughters,
who had come in queer-looking family coaches drawn by cart horses
from the remotest parishes of three or four counties to see their
Sovereign.
“The Heath was fringed by a wild, gipsy-like camp of vast extent.
For the hope of being able to feed on the leavings of many sumptuous
tables, and to pick up some of the guineas and crowns which the
spendthrifts of London were throwing about, attracted thousands of
peasants from a circle of many miles.”
CHAPTER IV