CHAP. IX.

It has been already observed, that from the tenor of Poggio’s answer

to the complimentary letter of the duke of Milan, he appears not to

have given implicit credit to that prince’s professions of friendship

for the Florentine republic, and that he evidently expected that

the restless ambition of Filippo would again kindle the flames of

war. Events justified his prognostications. In the year 1439, the

administrators of the Tuscan government were so much alarmed by the

success of Piccinino, who had invaded the Venetian territories at the

head of the Milanese army, that they renewed their alliance with their

ancient friends, to whose assistance they sent a considerable body

of troops, under the command of Francesco Sforza. The duke of Milan,

with the view of compelling the Tuscans to withdraw their forces from

Lombardy, directed Piccinino to make an incursion into the territories

of Florence. Piccinino accordingly marched through Romagna, and made

himself master of several places in the district of Casentino. The duke

of Milan expected to have derived considerable assistance in the invasion

of the Tuscan territories from Vitelleschi, with whom he had for some

time carried on a secret correspondence, and who had, through hatred of

the Florentines, engaged to support Piccinino with a powerful body of

troops. But the secrecy with which this intrigue had been conducted did

not elude the vigilance of the administrators of the Tuscan government.

They fortunately intercepted certain letters addressed by the duke to

Vitelleschi, which revealed the particulars of the conspiracy. These

letters they communicated to the pontiff, who gave immediate orders for

the arrest of the perfidious patriarch. As Vitelleschi was then at Rome,

the execution of this commission was entrusted to Antonio Rido, the

commandant of the castle of St. Angelo. According to the instructions of

Eugenius, Vitelleschi was suddenly surrounded by a troop of horse, as he

was passing the bridge of St. Angelo, on his way to join the forces which

he had destined for the assistance of Piccinino. He was no sooner aware

of his danger, than he boldly drew his sword, and endeavoured to cut his

way through the soldiers who were sent to secure him. In the conflict he

was wounded in the neck, and growing faint with loss of blood, he was

overpowered and carried as a prisoner into the castle. On the twentieth

day of his confinement he died, as some say of his wounds, according to

the report of others, of poison. By whatever means he came to his end, so

atrocious were the cruelties which he had committed during the days of

his power, that his death occasioned universal joy, and was regarded by

thousands as a signal instance of divine retribution.[337]

Piccinino being by this event deprived of all hope of assistance was

obliged to depend upon his own exertions. In these circumstances he

was not dispirited. The successes which he had experienced in the

commencement of the campaign led him to entertain sanguine hopes of

crushing the Tuscan republic. But his confidence prepared the way for

his discomfiture and disgrace. His rash reliance on the valour and

discipline of his troops tempting him to engage the Florentine army under

very disadvantageous circumstances, he experienced a total defeat on the

twenty-ninth of June, 1440.[338] Nor did better success attend the arms

of the duke of Milan in Lombardy. His forces were put to the rout by

Francesco Sforza, on the banks of the river Oglio. Disheartened by these

losses, Filippo was disposed to an accommodation; and by the mediation

of Sforza, peace was again concluded between that prince and his allied

enemies in the autumn of the year 1441.[339]

In the preceding year, Niccolo d’Este, marquis of Ferrara, had

assiduously endeavoured to bring about this desirable event; and though

his mediation was unsuccessful, his friendly interposition served to

confirm the honourable character which he had so long sustained—that

of the promoter of peace. In such estimation did the duke of Milan

hold this virtuous prince, that he invited him to his capital, and

entrusted him with the government of his extensive dominions. This mark

of confidence was universally regarded as a prelude to the nomination of

Niccolo to the ducal throne of Milan; but the hopes which the friends of

virtue entertained of witnessing the happy effects resulting from his

advancement were destroyed by his death, which took place on the 26th of

December, 1441.

The sorrow experienced by the subjects of Niccolo, in consequence

of this event, was considerably alleviated by their observation of

the extraordinary good qualities of Lionello, his successor. In the

contemplation of the purity of morals, the solidity of judgment, and

the benevolence of heart, which adorned the character of this exemplary

youth, they forgot the illegitimacy of his birth; and when, prompted

by an enthusiastic respect for his virtues, they joyfully hailed him

as their sovereign, their choice was approved by the suffrages of all

the scholars of Italy. Lionello was indeed the favourite theme of

the applause of the learned. He not only encouraged the ardour, but

participated in the studies of the cultivators of the liberal arts.

Under the auspices of Guarino Veronese, he had acquired a profound

knowledge of classical literature, which enabled him accurately to

appreciate the merits of the candidates for literary fame. The promotion

of Lionello to the sovereignty of Ferrara was highly gratifying to the

feelings of Poggio. Several years previously to this event, he had

been induced by the fame of the elegance of taste which distinguished

Lionello’s juvenile compositions, to address to him a letter, in which

he highly commended his love of literature, and strenuously exhorted him

diligently to pursue those studies which he had so happily begun.[340]

The request which he made to this illustrious student to prosecute an

inquiry after the lost decads of Livy has been already noticed. The

homage which Poggio paid to the talents of Lionello gave rise to an

epistolary intercourse, the refraining fragments of which afford a

striking specimen of the unreserved friendship and liberal familiarity

which a community of studies sometimes produces between persons who

occupy very distant stations in the ranks of society. The freedom with

which Lionello permitted his learned correspondent to communicate to him

his opinions, is conspicuous in a letter addressed by Poggio to Guarino

Veronese, requesting him to inform their patron of the surprize and

concern which he had experienced on receiving the intelligence of his

having bestowed some distinguished honours on an unworthy candidate.[341]

Of the character of this candidate Poggio gave his sentiments in the

following letter to Lionello himself, which is interesting on account of

the information which it contains with respect to the value of books at

this period.

“A few days ago there occurred in the chamber of his holiness a discourse

on the subject of Jerome’s epistles. Happening to be present on this

occasion, I observed, that I had in my possession two very handsome

volumes of those epistles; on which one of the company remarked, that

he had offered me eighty florins for them, but could not obtain them

at that price. To this I replied, that the cardinal of St. Xystus had

often importuned me to let him have the volumes in question, for which

he would willingly pay me one hundred florins, and think himself obliged

by the bargain; and that I should in all probability have sold the books

at that price, had I not been prevented by Niccolo Niccoli, who with his

accustomed moroseness declared, that by so doing, I should give an a

indication of a sordid and abject mind. On this our friend Aurispa said,

that you very earnestly wished to add these epistles to your collection,

and desired me to sell them to you, assuring me that you would cheerfully

pay any price which I should fix upon them. With some reluctance I

complied with his request, and I write to inform you, that I am willing

to part with the books for the price which has been already offered

for them, namely, one hundred ducats. It remains for you therefore to

determine whether you will purchase them at that price. It is a matter of

indifference to me what your determination may be; for I do not part with

the volumes with a view of raising money, but merely through a desire of

obliging you. This however I will say, that no person in Italy possesses

in the same compass a larger or a more correct collection of epistles

than those which are contained in these two volumes.

“Your friend, the knight of Rieti, when he came to this town some time

ago to gratify his love of ostentation (for he wished his folly to be

known to every body) told a certain citizen of Ferrara, that you had

shewn him the letter which I wrote concerning him to Guarino. I do not

think that this is the fact; but I wish you would inform me whether in

this matter he adheres to his usual practice of lying. On his departure

hence he told some persons that he was going to visit his uncle; to

others he asserted, that you had nominated him your ambassador at

Florence. He would think himself undone were he to utter any thing but

falsehood. He must needs be full of truth; for no truth ever passes

through his lips.”[342]

Lionello transmitted to Poggio the hundred ducats, at which he

appreciated his copy of the epistles of Jerome. He intimated to him,

however, that some of the learned men of Ferrara thought the price an

extravagant one; and he desired that it might be understood, that in

acceding to the terms proposed by his correspondent, he intended to make

him a present of the excess above the real value of the book. In reply to

these observations, Poggio maintained the correctness of his estimation,

in opposition to the judgment of the Ferrarese connoisseurs, which he

treated with great contempt; and humorously observed, that he thankfully

accepted the gift mentioned by Lionello, not on account of its intrinsic

value, but as an earnest of future munificence; “for,” said he, “it is

the custom of worthy princes, such as you are, to persevere in what they

have well begun.”[343]

If the ducat be estimated at ten shillings English money, the epistles

of Jerome were purchased by Lionello at the expense of fifty pounds

sterling.[344] From the history of Filelfo it appeals, that at this

time the salary of a public professor of literature rarely exceeded

four hundred ducats; so that the price of a couple of volumes absorbed

one-fourth of the sum which was deemed an adequate annual recompence for

the services of a man of consummate learning. The exhibition of these

facts will demonstrate the difficulties which obstructed the paths of

learning in the fourteenth and fifteenth centuries. It will also tend to

make the modern scholar sensible of the tribute of gratitude which he

owes to the inventor of the typographic art.

It was not without considerable reluctance that Eugenius had yielded to

Francesco Sforza the dominion of the Marca d’Ancona; and he had long

waited with impatience for the occurrence of some favourable opportunity

to wrest from that chieftain the territory which he had so unwillingly

conceded to him. In the year 1442, he flattered himself that he should

be enabled to accomplish this object of his earnest desire. Regnier of

Anjou being then closely besieged in the city of Naples by Alfonso

of Arragon, had solicited the assistance of Sforza, who dispatched

a body of troops to make a diversion in his favour. Eugenius taking

advantage of this conjuncture, formally deprived Sforza of the office of

Gonfaloniere of the holy see, which he bestowed on his rival Piccinino.

In obedience to the orders of his new sovereign, Piccinino immediately

invaded the Marca, and made himself master of the city of Todi. This

incursion compelled Sforza to withdraw from Naples the forces which

he had destined to the relief of Regnier, who after the loss of his

capital was compelled to quit Italy, and to retire into Provence.[345]

Eugenius seeing Alfonso thus firmly established on the Neapolitan throne,

not only agreed to terms of pacification with him, but endeavoured to

procure his assistance in depriving their common enemy of the dominion

of the Marca. The Florentines, who had constantly entertained very

friendly dispositions towards Sforza, openly interposed to counteract

the measures which Eugenius had adopted to expel their favourite general

from the territories of the church. This political difference gave rise

to a coolness between Eugenius and the administrators of the Tuscan

government, in consequence of which the pontiff determined to quit the

city of Florence, and to repair to Rome. He accordingly set out on

his journey on the seventh of March, 1443, and on the ensuing day he

arrived at Siena, in which city he continued to reside till the month of

September.[346]

Soon after the pontiff’s arrival in Siena, his court was deprived of

an illustrious member, by the death of Nicolao Albergato, cardinal of

Santa Croce.[347] In this event Poggio was deeply interested, as that

eminent ecclesiastic, who was distinguished by his liberal patronage

of learned men, had long honoured him with his affectionate esteem. In

grateful respect for the memory of his deceased friend, Poggio undertook

to record his virtues in a funeral eulogium. From this document it

appears, that Nicolao Albergato was a native of Bologna, the descendant

of an honourable family. At an early age he dedicated himself to the

study of the civil law, in which he made a considerable proficiency. But

when he had attained to years of maturity, his religious zeal induced

him to bid farewell to the cares of the world, and to enter into the

monastic fraternity of the Carthusians. So exemplary was his observance

of the severe rules of this strict order, that, soon after his admission

into it, he was appointed to the office of superior. The fame of his

austerity, his prudence and discretion, having reached his native place,

on the occurrence of a vacancy in the episcopal throne of Bologna, his

fellow citizens unanimously invited him to preside over their spiritual

affairs. It was not without considerable reluctance that he undertook

this arduous office, by the discharge of the duties of which he, however,

confirmed and increased his reputation. Exerting his utmost endeavours

to restrain the licentiousness of the clergy, he studiously set his

brethren an example of the most decorous correctness of manners, and

of the utmost purity of moral conduct. His charity was diffusive, but

discriminating. He assiduously sought for the children of distress, who

were induced by the ingenuous emotions of shame to hide their poverty

in uncomplaining retirement, and he secretly relieved their wants. His

patriarchal virtues attracted the notice of Martin V., who without any

solicitation on his part raised him to the dignity of cardinal. After

his advancement to this high honour, he was employed by that pontiff and

by his successor Eugenius IV. in various negotiations of the greatest

importance, in the conduct of which he evinced a degree of skill in the

transaction of business, which would have done honour to one who had been

from his early youth versed in the active concerns of life. His latter

years were years of pain, occasioned by the pangs of an excruciating

disease, which he bore with the most exemplary patience, and from which

he was relieved by the welcome hand of death, in the sixty-eighth year of

his age.[348]

Had the cardinal of Santa Croce been rendered illustrious by no other

circumstance, his patronage of Tommaso da Sarzana, who under the

appellation of Nicolas V. became one of the brightest ornaments of

the pontificate, would have been in itself sufficient to secure to

him the praises of posterity. Tommaso was the son of Bartolomeo dei

Parentucelli, a professor of arts and of medicine in the city of Pisa.

His mother Andreola was a native of Sarzana. He had scarcely attained to

the age of seven years, when he experienced an irreparable misfortune in

the death of his father. In consequence of this event Andreola removed

from Pisa to Sarzana, where she soon consoled herself for the loss of

Bartolomeo, in the arms of a second husband. This new connexion was

rendered unhappy by the illiberality of her spouse, who looked upon his

step-son with a jealous eye, and embittered the days of the unoffending

youth, by the harshness of his behaviour towards him. This unfortunate

circumstance rendered Andreola very anxious concerning the future

destination of her son, which, however, she flattered herself was at

length fixed by supernatural interposition.—When Tommaso was about ten

years of age he was seized by the plague, by which dreadful malady he was

soon reduced to the last extremity. Exhausted with fatigue, occasioned

by her unremitting attendance upon her favourite child, Andreola sunk

into a disturbed slumber, during the continuance of which an angel

seemed to appear before her, and to promise that the object of her care

should recover from his disease, if she would promise to dedicate to the

priesthood the life which, for this high purpose alone, the mercy of God

would vouchsafe to spare. Waking from her dream, Andreola made a solemn

vow that she would fulfil the direction of the heavenly messenger—and

her child recovered. In pursuance of her sacred engagement, when

Tommaso had attained the age of twelve years, she sent him to commence

his studies at Bologna. The rigid moroseness of her husband, however,

would not permit her to furnish the youthful student with any means of

supporting himself. At this feeble age, therefore, the future pontiff

was banished from an uncomfortable home, and sent forth into the wide

world, with no resources but his genius, his virtues, and the generosity

of the benevolent. These apparently inauspicious circumstances called

into exertion an energy of mind which cannot be too highly applauded.

For the space of six years Tommaso applied himself to his studies with

astonishing diligence, and soon made considerable progress in various

departments of knowledge. When he had attained his eighteenth year, his

literary reputation induced two eminent citizens of Florence to invite

him to undertake the education of their children. This invitation Tommaso

readily accepted; and from his eighteenth to his twenty-second year, he

was engaged in the laborious employment of initiating his pupils in the

rudiments of learning. Having at the end of four years from the time of

his arrival in Florence, by strict economy, accumulated a sum of money,

which he deemed sufficient to enable him to prosecute his studies with

advantage, he returned to Bologna. His literary accomplishments had now

gained him the countenance of several respectable friends, at whose

recommendation he was admitted into the family of Nicolao Albergato, who

was then the bishop of that city. By his prudence and good conduct he

gained the esteem of his patron, who soon promoted him to the stewardship

of his household. In the midst of the multifarious employments which

devolved upon him in consequence of his acceptance of this office,

Tommaso found leisure to fathom the depths of scholastic theology. When

he had attained the age of five-and-twenty, in discharge of his mother’s

vow, he enrolled himself in the priesthood. He continued to live in the

family of Nicolao Albergato for the space of twenty years, at the end

of which period the death of that prelate obliged him to seek a new

patron. His well-known virtues soon obtained for him the countenance and

support of Gerardo d’Andriani, cardinal of Santa Maria Transtevere. In

the suite of this dignitary he accompanied Eugenius to Rome, to which

city the papal court was transferred on the twenty-eight of September,

1443. He had not long resided in the pontifical capital before he was

distinguished by the favour of Eugenius, who on the death of his second

protector took him into his service, and appointed him sub-deacon of the

apostolic see, and soon afterwards promoted him to the honourable office

of vice-chamberlain.[349]

During his attendance upon the pontiff at Bologna Poggio enjoyed frequent

opportunities of becoming thoroughly acquainted with the singular merits

of Tommaso, whose proficiency in literature and ingenuous manners had

some years before engaged his esteem, and conciliated his affection. Nor

was Tommaso insensible of the good qualities of Poggio. A memorial of

the mutual regard which subsisted between these able scholars, exists

in the dedication of a Dialogue _On the Unhappiness of Princes_, which

Poggio published in the year 1440, and which he inscribed to his friend

before his virtues had been brought forward to public observation by

his acquisition of distinguished honour and great emolument. In this

dedication Poggio notices the common error of men, who are so much

struck with the pomp and grandeur of the great, that they take it for

granted, that power and magnificence confer on their possessors the gift

of true felicity. He observes, however, that those who rise above the

level of vulgar intellect ought to be convinced that happiness does not

depend upon the external blessings of fortune, but that it is the meed

of virtuous dispositions. He professes that it is his object to persuade

men of this truth; and remarks that a work which is intended to promote

this happy end, may with the strictest propriety be addressed to an

ecclesiastic, who in the whole course of his conduct has demonstrated,

that he has studied to be virtuous, rather than to be rich or great.[350]

After this preface, Poggio proceeds to state, that in the summer of the

year in which he followed Eugenius IV. to Florence, to which city the

pontiff was banished by the fury of the Roman populace, he happened to

pay a visit to Niccolo Niccoli, whose house was the common resort of the

learned. Here he found Carlo Aretino and Cosmo de’ Medici, with whom

he entered into conversation on the politics of Italy. After having

recounted to his friends the hardships which he had lately suffered when

he was taken captive by the soldiers of Piccinino, he complained of the

unsettled life which he led in consequence of his attendance upon the

Roman court, which in the course of thirty-four years that had elapsed

since his admission into the pontifical chancery, had never continued for

two years together in the same place. On this Carlo Aretino remarked,

that Poggio was discontented with a situation which the generality of

men regard as an object of envy, since the pontiffs and their superior

servants are usually deemed masters of every circumstance necessary

to the insurance of a happy life. In consequence of this observation,

Niccolo Niccoli gave it as his opinion, that whatever advantages the

attendants and courtiers of great potentates may derive from the control

which they acquire over public affairs, princes themselves lead a life

of anxiety and care, and endure all the inconveniences, whilst others

reap all the benefits of empire. Such is the introduction to the Dialogue

_On the Unhappiness of Princes_, in the body of which Niccolo Niccoli is

represented as detailing the miseries of exalted rank. On this copious

subject he dilates at considerable length, proving from history that

the best princes are liable to the bitterest woes incident to human

nature. Gaining courage as he proceeds, he attempts to demonstrate that

eminence of station is unfriendly to virtue. Examining the conduct of

the most renowned chieftains, both monarchs and demagogues, who have

rendered themselves conspicuous in the annals of the world, he impeaches

them of avarice, cruelty, intemperance, pride, and unbridled ambition;

and appeals to his auditors, whether men who are thus enslaved by their

passions, can possibly be deemed happy. Arguing upon the position,

that man is the creature of the circumstances in which he is placed,

he maintains, that the possession of uncontrolled authority betrays

the powerful into vice, inasmuch as it frees them from those salutary

restraints which are necessary to the confirmation of good principles.

Hence, he observes, it frequently happens, that men who have adorned a

private station by their virtues have become the disgrace of human nature

when they have been raised to the summit of power.

From this train of argument Niccolo draws the conclusion, that as

happiness seems to be banished from the palaces of the great, if she

resides any where on earth, she must be found in the abodes of private

individuals, who have the wisdom to set bounds to their desires, and to

dedicate themselves to the cultivation of their intellectual powers.

The conduct of these men he proposes as an object of imitation, and

exhorts his friends to the study of those principles of philosophy which

will render them happy in themselves, and fearless of the power, and

independent of the favours of the great.[351]

Such is the tenor of the Dialogue _On the Unhappiness of Princes_, in

which Poggio dwells with so much energy on the vices of exalted rank,

that it may reasonably be suspected that resentment and indignation

had at least as much influence in its composition as the suggestions

of philosophy. In perusing this work, the reader is perpetually led to

recollect, that its author was a citizen of a proud republic, and a

zealot in the cause of learning. His democratic asperity bursts forth

in copious enumerations of the follies and vices of sovereign princes.

His literary spleen is discernible in the sarcastic observations which

he introduces by the medium of Niccolo Niccoli, on the indifference with

which the rulers of Italy regarded his researches after the lost works

of the writers of antiquity; in the detail which he gives of the neglect

and scorn which Dante, Petrarca, and Bocaccio experienced from the great

men of their times; and in the general observations which he makes upon

the contempt with which mighty potentates too frequently regard the

labours of the learned. The effusions of moroseness which occur in this

dialogue are, however, interspersed with precepts of sound morality, and

the historic details with which it abounds are at once entertaining and

instructive. To which it may be added, that Poggio has exhibited in this

composition a striking, and in all probability a correct delineation of

the temper and manners of the splenetic, but sagacious disputant Niccolo

Niccoli.[352]

This dialogue was not well calculated to conciliate the favour of

sovereign princes. But the patronage of the great was not the object of

its author’s wishes. It was sufficient for Poggio that it was received

with approbation by the learned, and that it secured to him the esteem

of Tommaso da Sarzana, and other private individuals, whose kind regard

might compensate the depredations made amongst his comforts by the

ravages of death. For he was now arrived at that period of life in which

man is generally called to experience the severest of trials, in being

doomed to survive his friends. He had already lamented the death of

Niccolo Niccoli. He had attended, a mournful assistant at the funeral

of Lorenzo de’ Medici. Leonardo Aretino was the only associate of his

early studies, who was left to sympathize with him in the recollection

of their juvenile pleasures. In the strength of Leonardo’s constitution,

Poggio fondly hoped that he had an assurance, that the happiness which

he derived from his friendly attachment would be prolonged to the close

of his own mortal career. But in the commencement of the year 1444, a

violent disease suddenly bereft him of the sole surviving companion

of his youthful years. In Leonardo he lost not only a kind, but also

a powerful friend. Soon after that accomplished scholar had fixed his

residence in Florence, he was called by the favour of the people to

fill some of the most important offices of the state. By his faithful

discharge of the duties of these offices he acquired such a high degree

of popularity, that he was at length promoted to the chief magistracy of

the Florentine republic.

So great was the estimation in which he was held by his fellow-citizens,

that when his death was announced, the administrators of the government

charged three members of the council of ten to conduct his funeral

rites with the most solemn magnificence at the public expense.[353]

In order to express in the most signal manner their respect for the

memory of the deceased, they also determined publicly to decorate his

remains with a laurel crown. The rare occurrence of this testimony of

honour (of the conferring of which only three instances had hitherto

occurred in the long series of the Florentine annals)[354] rendered it

the more illustrious. In pursuance of the orders of the magistrates,

the body of Leonardo arrayed in silken robes was carried in an open

coffin to the public square of the city. On his breast was laid, as a

memorial of his patriotism, his history of the Florentine Republic. The

funeral procession was attended by all the officers of state, except the

Gonfaloniere, by the embassadors of foreign princes who happened at this

time to reside in Florence, by a considerable number of learned men, and

by an immense concourse of the citizens, who were not more attracted

by the novelty of the ceremony, than by their respectful remembrance

of the virtues of Leonardo. In the presence of this august assembly

Gianozzo Manetti advanced to the head of the bier, and there pronounced

a funeral oration in praise of the deceased, towards the conclusion of

which he fulfilled the decree of the magistracy, by crowning him with the

laurel wreath. The friends of Leonardo whose judgment was enlightened

by the principles of true taste, must have lamented that the task of

celebrating his virtues was delegated to Gianozzo Manetti. The speech

which he pronounced on this occasion is a most miserable composition,

abounding in puerilities, vulgar in its style, irrelevant in its topics,

and most tediously diffuse.[355] It is highly probable, that the vexation

experienced by Poggio, on seeing the memory of his beloved friend thus

disgraced by the folly of his panegyrist, induced him to endeavour

to supersede the wretched effusion of Gianozzo by a composition more

worthy of the lamented subject of the public grief. However this may

be, certain it is, that the funeral oration which he published on this

melancholy occasion affords a striking contrast to that which wearied

the ears of the learned men who attended the obsequies of Leonardo. It

is at once dignified and pathetic. Lucid in its arrangement, and well

proportioned in the distribution of its parts, it is a monument of the

sound judgment of its author. The account which it contains of the life

and writings of Leonardo is succinct and clear. In his delineation

of the moral portraiture of that extraordinary man, Poggio evinces a

distinctness of perception, and an accuracy of discrimination, which are

highly honourable to his understanding; whilst the delicacy with which

he softens down the faulty features of Leonardo’s character, attests the

warmth of his affection for the beloved depository of his most secret

thoughts.[356]

Leonardo Aretino was perhaps the ablest scholar of his age. He took the

lead amongst the industrious students who unlocked the secret treasures

of literature by the translation of the works of the Grecian authors.

His Latin style is less encumbered with faults than that of any of

his contemporaries. Æneas Sylvius indeed declared it as his opinion,

that next to Lactantius he approached the nearest of any of the later

writers to the elegance of Cicero. The compositions of that celebrated

orator do not, however, seem to have been adopted by Leonardo as his

model. At least he did not in his writings attain the copious fluency,

or the graceful ease of diction which distinguish the works of Cicero.

But the luminous distinctness of his periods entitles him to no small

commendation. His sentences are never embarrassed or confused. He

conveys his meaning in few words, and does not fatigue his readers by

unreasonably dwelling upon his topics, or by repeating the same idea in

varied forms of expression. Hence, if his language is not polished to an

exquisite smoothness, it is sufficiently precise, and its deficiency in

melody is compensated by its strength.

At his outset in life, Leonardo had to struggle with the embarrassments

incident to a very contracted fortune, and was compelled by necessity

to practise the strictest economy. By the liberality of John XXII.

however, he acquired an increase of property which eventually became

the foundation of a very ample fortune. As man is the slave of habit,

he retained, in the midst of abundance, the attention to the minutiæ

of expence which was a duty imperiously incumbent upon him in the days

of his poverty; and his prudent exactitude sometimes approached the

confines of avarice.[357] He was also impatient in his temper, and too

apt to take offence.[358] The following anecdote however shews, that

if he was easily excited to anger, he had the good sense to be soon

convinced of his error, and the ingenuousness of spirit to confess it.

Having engaged in a literary discussion with Gianozzo Manetti, he was so

exasperated by observing that the bye-standers thought him worsted in

argument, that he vented his spleen in outrageous expressions against

his antagonist. On the following morning, however, by break of day, he

went to the house of Gianozzo, who expressed his surprise, that a person

of Leonardo’s dignity should condescend to honour him so far as to pay

him an unsolicited visit. On this Leonardo requested that Gianozzo would

favour him with a private conference. Gianozzo accordingly attended him

to the banks of the Arno, when Leonardo thus apologized for the warmth

of his temper.—“Yesterday I did you great injustice; but I soon began to

suffer punishment for my offence; for I have not closed my eyes during

the whole night; and I could not rest till I had made you a confession

of my fault.”[359] The man who by the voluntary acknowledgment of an

error could thus frankly throw himself upon the generosity of one whom

he had offended, must have possessed in his own mind a fund of honour

and probity. The failings of Leonardo were indeed amply counterbalanced

by his strict integrity, his guarded temperance, his faithful discharge

of his public duties, and his zeal in the cause of literature. This

being the case, it was with justice that Poggio prided himself upon the

intimate friendship which subsisted between himself and this truly

respectable character—a friendship which was not once interrupted during

the varied transactions of a period of forty-four years.

The remains of Leonardo were interred in the church of Santa Croce. On a

marble monument erected to his memory the following inscription is still

legible.

POSTQVAM LEONARDVS E VITA MIGRAVIT

HISTORIA LVGET ELOQUENTIA MVTA EST

FERTVRQVE MVSAS TVM GRAECAS TVM LATINAS

LACRIMAS TENERE NON POTVISSE.

Leonardo was succeeded in the chancellorship of the Florentine republic

by Carlo Marsuppini, more commonly known by the surname of Aretino,

a scholar no less distinguished by his literary acquirements than by

the dignity of his family. Carlo was the son of Gregorio Marsuppini,

a nobleman of Arezzo, doctor of laws, and secretary to Charles VI.,

king of France, by whom he was appointed to the government of Genoa.

Educated under the auspices of John of Ravenna, he attained to such a

proficiency in learning, that in delivering lectures on rhetoric he

became the successful rival of Filelfo in the university of Florence. His

literary reputation recommended him to the notice of Eugenius IV., who,

in the year 1441, conferred upon him the office of apostolic secretary.

This office he continued to hold till the voice of his fellow-citizens

summoned him to the discharge of more important duties.[360] The

friendly intercourse which had taken place between him and Poggio,

in consequence of their being natives of the same place, had been

strengthened by their common hostility against Francesco Filelfo. Nor

was it interrupted by their separation. Whenever Poggio found leisure

to visit the Tuscan capital, he experienced a welcome reception from

his ancient associate, in whose instructive converse he found the

most pleasing relaxation from the toils of his office, and from the

wearisomeness occasionally attendant upon the diligent prosecution of

literary studies.[361]

Whilst Poggio was lamenting the irreparable loss which he had sustained

by the death of Leonardo Aretino, he received intelligence of the sad

catastrophe of his old friend and correspondent, Julian, cardinal

of St. Angelo. This zealous churchman, who had been dispatched into

Hungary, vested with the office of pontifical legate, had heard with

indignation that Ladislaus VI., king of that country, had concluded a

truce for ten years with Amurath, emperor of the Turks; and strenuously

insisting upon the detestable doctrine, that no faith is to be kept

with infidels, he had persuaded the Hungarian monarch treacherously to

attack the Mussulmans, who, in reliance on the treaty which had been so

lately concluded, had withdrawn their forces into Asia. Justly irritated

by this act of perfidy, the Turks rushed to arms, and gave battle to

the Hungarians at Varna, a town in Bulgaria. The issue of the day was

most disastrous to the Christians. Ladislaus fell in the battle, his

forces were routed, and a body of the fugitives, in the course of their

flight, overtaking the unfortunate Julian, whose pernicious counsels they

considered as the original cause of their present calamities, fell upon

him, and despatched him with a multitude of wounds.[362]

The prejudices which Poggio entertained against the professors of

Mohamedism, or the partiality of his friendship for the cardinal,

rendered him insensible of the atrocity of the crime by which that

turbulent ecclesiastic had provoked his fate. From the fragments of an

oration which he composed on the occasion of the funeral of Julian, and

which are preserved by Mehus in his life of Ambrogio Traversari,[363]

he seems to have considered his character as a subject of unqualified

praise. The birth of Julian was obscure. He prosecuted his studies,

first at Perugia, afterwards at Bologna, and lastly at Padua. When his

education was finished, he entered into the household of the cardinal of

Piacenza, in whose suite he travelled into Bohemia, where he signalized

himself by his acuteness in theological disputation, and by the assiduity

of his labours for the conversion of heretics. On his return to Italy,

Martin V. rewarded his zeal in the defence of the orthodox faith, by

appointing him to the office of auditor of the chamber. He was afterwards

sent in quality of nuncio into France and England. Making mention of

his residence in the latter country, Poggio asserts that he did there

what no one had ever ventured to do before him: in a numerous assembly of

prelates, he uttered a vehement invective against the statutes which had

been enacted in the parliament, with a view of restraining the authority

of the court of Rome, and admonished his auditors to yield obedience to

the pope, rather than to the laws of their country: “a proceeding,” says

Poggio, “attended with great peril in a land the inhabitants of which

were not accustomed to such boldness.” This temerity procured Julian

the gift of a cardinal’s hat, which was bestowed upon him by Martin V.,

immediately on his return from England.[364] His second mission into

Bohemia, his pertinacity in summoning and presiding over the council of

Basil, and his conversion to the interests of Eugenius, have already

passed in review in the course of the present work.

The steady forbearance of Julian in refusing to enrich himself by the

acceptance of presents, which Poggio records with enthusiastic applause,

is a legitimate subject of commendation—but his zeal in the course

of proselytism is an indication of a narrow mind; and the treachery

which signalized the last official act of his life fixes on his memory

an indelible stain. So base indeed was his conduct on this occasion,

that his miserable end may be pointed out as an instance of the signal

vengeance which awaits the perfidious violators of solemn treaties.

The life of Poggio Bracciolini · 第 21 / 38 题