CHAPTER XXXVIII

"Neither let her take thee with her eyelids."--_The Bible_.

"And making a tinkling with their feet."--_The Bible_.

The bazaars were moving in one solid mass in the direction of, but not

to, the Cow Temple.

For hours the endless streams had moved inch by inch through the narrow

streets lined with shops and gaily painted houses, towards the heart of

India's Holy City.

Young women and old, young men and old, children, fakirs and holy men

pressed patiently forward, impelled and called by some mystic summons

they could not explain.

There was no pushing nor striving, neither was there laughter nor any

kind of merry-making, although a flower garland hung around every neck,

although the multi-coloured raiment was of the best and cleanest and

brightest, and the different marks of the different religious sects

shone as though fresh painted between the eyes and upon the face and

body.

The holy cows walked slowly with the people, hung with garlands and

painted on the face and sides; holding up the traffic as, unafraid,

they snuffled their velvety muzzles in the unguarded baskets of grain,

and pushed their way unconcernedly and by holy right across the human

stream into the Cow Temple as they passed the ever-open door.

There was certainly no pushing nor striving to get one before the

other, but underneath the calm pulsated a certain restrained

excitement, to be read in the light of the thousands of eyes, and the

extraordinary spasmodic, almost uncontrolled, movements of the delicate

dusky hands.

Mothers would suddenly jerk their children up into their arms and press

their little faces against one of the thousands of tiny shrines, where

the gods sit all day and all night behind the bars through which are

thrust offerings of flowers, of food, of jewels.

Men would suddenly strip themselves of all except the loin-cloth and,

casting their clothing at the feet of some holy man, proceed calmly

upon their way. One out of a number of beautiful, fragile girls, with

cast-down painted eyes and half-veiled face, for no apparent reason

would sidle up against some man; rest for one moment against him, and

continue with him upon the road, his arm about her, crushing her body

to his; and the drums throbbed, and the horns screamed in and around

the temple of their goddess.

Yet one did strive, and, heedless of rebuke, did push her way

ruthlessly through the throngs, slipping on the greasy pavement covered

with refuse and cow-dung; sliding, ducking, squirming her way in and

out, breathless and dishevelled, with a simple brown _sari_ slipping

from about her sleek head and pock-marked face.

Her monkey eyes flashed this way and that in search of something or

someone she could not find; her withered hands beat her withered

breast; the sweat streamed down her face until at last the crowd gave

way, and looking upon her as one mentally afflicted, helped her

stumbling passage up to and through the temple gateway.

Priests stood at the entrance to the outer court of the temple. They

did not stand there, as do the ushers in the West, in order to keep the

riff-raff, those humble, poverty-stricken children of God, from

occupying the plush-covered seats in His House; but knowing the

intimate connection between religion and the senses, and the limited

space of the court of sacrifice and the temple itself, they stood there

in order to keep a finger upon the pulse of that mass of humanity's

passions.

The full moon flung her silver on to the stained worn flags of the

roofless court; hundreds, thousands even of tiny wicks in tiny

earthenware saucers flickered in the niches and on the outer edge of

the walls; hundreds of torches flung a smoky veil around the restless

figures passing in and out of the narrow entrance, and over dark heaps

which lay at the foot of the walls and in the corners.

Black heaps which, lay upon dark carpets, heaps big and small which

seemed to move, around which hung an overpowering, sickening stench of

blood.

Heaps revealed when touched by the fluttering drapery of some

worshipper to be the decapitated bodies of goats and bullocks lying in

their blood, and from which would rise the millions of ever-moving

flies which had given them a semblance of life in the torch-light.

Millions of flies, bloated offences, which settle for a second heavily

on your face or arm and fly slowly back to their feasting.

It had been a day of stupendous sacrifice, and the place ran blood.

From the inner temple came the sweet never-stopping clang of a silver

bell, as in one continuous stream the worshippers climbed slowly up the

flight of steps, passed in, struck one note by swinging the tongue of

the bell to announce their arrival to their goddess, and passed out;

while babies of both sexes, naked save for a silver bead upon their

rotund little bellies in the male, or a profusion of tiny bracelets and

a nose-ring in the female, heaped the flower offerings in masses at

Kali's feet.

Kali! Ah! formidable, terrible image graven in stone!

Pictures, highly coloured and blatant reproductions which will shock

your artistic sense, can be bought for a few annas at the native shops

which swarm outside the temple walls; but it is probable, nay, it is

certain that not a single one of the Europeans who may read this book

will ever see the original goddess in all her terror, and all that

inexplicable power with which she holds the Hindu multitudes in the

palms of her black hands.

Black, and crowned and heaped with jewels, she looks down at, or

through, or over you with her slanting fish-shaped eyes. Her small

ears, her flat nose, her arms, her pendant breasts are smothered in

priceless gems; a huge red tongue protruding through the stretched

mouth hangs far down upon the chest, ready to lick up the flames of

sacrificial fires; a magnificent tiara binds the black hair which

streams in masses behind her small distorted body; rows of pearls,

flower garlands, and a string of skulls hang about her short neck; one

hand holds a knife, the other a bleeding head, two are raised in

blessing, while behind her shines a sun of flaming tongues of fire, and

over all is spread an umbrella.

Yet it is not the horror of the repulsive physique hewn in stone which

holds you breathless before her; you know it is stone you are looking

at, just as you know that the Sphinx is stone; but as with the Sphinx

you feel the life of centuries throbbing through the carved monster;

you feel that its breath, which is about you, is the wind which has

swept across the desert places and teeming cities of the East; you feel

that the eyes which are upon you have seen all things; in fact you are

almost mesmerised by the force of ages into falling upon your knees in

worship, before you suddenly wrench yourself violently round to face

the sun outside the open door; and even as you do it involuntarily put

your hands to your neck, upon the nape of which, by the suggestion of

unconfessed fear, you have felt the stealthy, longing, jewelled fingers.

On this night the slanting fish eyes of the goddess seemed to look

through the doorway, and to linger upon the exquisite figure of a child

dancing upon the extreme edge of the terrace between the two flights of

steps.

Dancing!--hardly that, as she stood, her body swaying slightly in the

whirl of her mixed emotions, and totally unconscious of four young men

who, arms entwined, stood below, watching the beauty of her body and

her movements with half-shut eyes.

Her ankle-length, full muslin skirt swung this way and that, as she

moved slightly from her bare, over-slender waist, which accentuated the

wonder of the young bosom out of all proportion in any but an eastern

maid of ten years.

Jewels flashed in her delicate nose and ears, and on her slender

fingers and parted toes, for was she not on the eve of her marriage,

this little maid? Who, finding herself upon this unwonted night, alone

for the first time in her life, had broken purdah, with her senses

strung by days and nights of never-ceasing preparation for her

marriage; during which she had been massaged by skilful, cunning hands;

bathed and perfumed, forced to dance, forced to over-feed; until roused

to a pitch of terrible excitement by drugs and curiosity, and the

religious ecstasy of all around her, she had crept out alone, and into

the temple with the teeming multitude to dance for the glory of her

goddess.

Her little feet made patterns in the dust as she turned slightly, this

child of ten, until her snake-like arms seemed stretched in invitation

to the four pairs of burning eyes fixed upon the virgin beauty of the

little body.

Who noticed in all that crowd when four pairs of hands shot up and

seized her about the knees, lifting her gently down, or who, in the

tumult, heard the cry smothered in the muffling cloth of a white coat

in a distant shadowed corner.

And one dead body more or less in the morning, what does it signify or

matter in a place which reeks of blood?

And just as this happened, and just as a dishevelled pock-marked woman

stole swiftly up the temple steps, every face turned in one direction,

and wave after wave of indescribable excitement swept the multitude.

And yet there was nothing, no sound, no sight to account for it; only

the high priest, tall and terrible, with the face of a Roman emperor or

a Jesuit, came from behind the altar and stood at the open door,

looking first at the throngs and then at a mass of black cloud which,

as is sometimes the way in India, had suddenly spread itself towards

the east, and was slowly climbing the heavens.

Leonie of the Jungle · 第 14 / 27 章