THE PAINTER’S ADVENTURE

I am an historical painter by profession, and resided for some

time in the family of a foreign prince, at his villa, about

fifteen miles from Rome, among some of the most interesting

scenery of Italy. It is situated on the heights of ancient

Tusculum. In its neighborhood are the ruins of the villas of

Cicero, Sulla, Lucullus, Rufinus, and other illustrious Romans,

who sought refuge here occasionally, from their toils, in the

bosom of a soft and luxurious repose. From the midst of

delightful bowers, refreshed by the pure mountain breeze, the eye

looks over a romantic landscape full of poetical and historical

associations. The Albanian mountains, Tivoli, once the favorite

residence of Horace and Maecenas; the vast deserted Campagna with

the Tiber running through it, and St. Peter’s dome swelling in

the midst, the monument—as it were, over the grave of ancient

Rome.

I assisted the prince in the researches he was making among the

classic ruins of his vicinity. His exertions were highly

successful. Many wrecks of admirable statues and fragments of

exquisite sculpture were dug up; monuments of the taste and

magnificence that reigned in the ancient Tusculan abodes. He had

studded his villa and its grounds with statues, relievos, vases,

and sarcophagi; thus retrieved from the bosom of the earth.

The mode of life pursued at the villa was delightfully serene,

diversified by interesting occupations and elegant leisure. Every

one passed the day according to his pleasure or occupation; and

we all assembled in a cheerful dinner party at sunset. It was on

the fourth of November, a beautiful serene day, that we had

assembled in the saloon at the sound of the first dinner-bell.

The family were surprised at the absence of the prince’s

confessor. They waited for him in vain, and at length placed

themselves at table. They first attributed his absence to his

having prolonged his customary walk; and the first part of the

dinner passed without any uneasiness. When the dessert was

served, however, without his making his appearance, they began to

feel anxious. They feared he might have been taken ill in some

alley of the woods; or, that he might have fallen into the hands

of robbers. At the interval of a small valley rose the mountains

of the Abruzzi, the strong-hold of banditti. Indeed, the

neighborhood had, for some time, been infested by them; and

Barbone, a notorious bandit chief, had often been met prowling

about the solitudes of Tusculum. The daring enterprises of these

ruffians were well known; the objects of their cupidity or

vengeance were insecure even in palaces. As yet they had

respected the possessions of the prince; but the idea of such

dangerous spirits hovering about the neighbourhood was sufficient

to occasion alarm.

The fears of the company increased as evening closed in. The

prince ordered out forest guards, and domestics with flambeaux to

search for the confessor. They had not departed long, when a

slight noise was heard in the corridor of the ground floor. The

family were dining on the first floor, and the remaining

domestics were occupied in attendance. There was no one on the

ground floor at this moment but the house keeper, the laundress,

and three field laborers, who were resting themselves, and

conversing with the women.

I heard the noise from below, and presuming it to be occasioned

by the return of the absentee, I left the table, and hastened

down stairs, eager to gain intelligence that might relieve the

anxiety of the prince and princess. I had scarcely reached the

last step, when I beheld before me a man dressed as a bandit; a

carbine in his hand, and a stiletto and pistols in his belt. His

countenance had a mingled expression of ferocity and trepidation.

He sprang upon me, and exclaimed exultingly, “Ecco il principe!”

I saw at once into what hands I had fallen, but endeavored to

summon up coolness and presence of mind. A glance towards the

lower end of the corridor showed me several ruffians, clothed and

armed in the same manner with the one who had seized me. They

were guarding the two females and the field laborers. The robber,

who held me firmly by the collar, demanded repeatedly whether or

not I were the prince. His object evidently was to carry off the

prince, and extort an immense ransom. He was enraged at receiving

none but vague replies; for I felt the importance of misleading

him.

A sudden thought struck me how I might extricate myself from his

clutches. I was unarmed, it is true, but I was vigorous. His

companions were at a distance. By a sudden exertion I might wrest

myself from him and spring up the staircase, whither he would not

dare to follow me singly. The idea was put in execution as soon

as conceived. The ruffian’s throat was bare: with my right hand I

seized him by it, just between the mastoides; with my left hand I

grasped the arm which held the carbine. The suddenness of my

attack took him completely unawares; and the strangling nature of

my grasp paralyzed him. He choked and faltered. I felt his hand

relaxing its hold, and was on the point of jerking myself away

and darting up the staircase before he could recover himself,

when I was suddenly seized by some one from behind.

I had to let go my grasp. The bandit, once more released, fell

upon me with fury, and gave me several blows with the butt end of

his carbine, one of which wounded me severely in the forehead,

and covered me with blood. He took advantage of my being stunned

to rifle me of my watch and whatever valuables I had about my

person.

When I recovered from the effects of the blow, I heard the voice

of the chief of the banditti, who exclaimed “Quello e il

principe, siamo contente, audiamo!” (It is the prince, enough,

let us be off.) The band immediately closed round me and dragged

me out of the palace, bearing off the three laborers likewise.

I had no hat on, and the blood was flowing from my wound; I

managed to staunch it, however, with my pocket-handkerchief,

which I bound round my forehead. The captain of the band

conducted me in triumph, supposing me to be the prince. We had

gone some distance before he learnt his mistake from one of the

laborers. His rage was terrible. It was too late to return to the

villa and endeavor to retrieve his error, for by this time the

alarm must have been given, and every one in arms. He darted at

me a furious look; swore I had deceived him, and caused him to

miss his fortune; and told me to prepare for death. The rest of

the robbers were equally furious. I saw their hands upon their

poinards; and I knew that death was seldom an empty menace with

these ruffians.

The laborers saw the peril into which their information had

betrayed me, and eagerly assured the captain that I was a man for

whom the prince would pay a great ransom. This produced a pause.

For my part, I cannot say that I had been much dismayed by their

menaces. I mean not to make any boast of courage; but I have been

so schooled to hardship during the late revolutions, and have

beheld death around me in so many perilous and disastrous scenes

that I have become, in some measure callous to its terrors. The

frequent hazard of life makes a man at length as reckless of it

as a gambler of his money. To their threat of death, I replied:

“That the sooner it was executed, the better.” This reply seemed

to astonish the captain, and the prospect of ransom held out by

the laborers, had, no doubt, a still greater effect on him. He

considered for a moment; assumed a calmer manner, and made a sign

to his companions, who had remained waiting for my death warrant.

“Forward,” said he, “we will see about this matter by and bye.”

We descended rapidly towards the road of la Molara, which leads

to Rocca Priori. In the midst of this road is a solitary inn. The

captain ordered the troop to halt at the distance of a pistol

shot from it; and enjoined profound silence. He then approached

the threshold alone with noiseless steps. He examined the outside

of the door very narrowly, and then returning precipitately, made

a sign for the troop to continue its march in silence. It has

since been ascertained that this was one of those infamous inns

which are the secret resorts of banditti. The innkeeper had an

understanding with the captain, as he most probably had with the

chiefs of the different bands. When any of the patroles and gens

d’armes were quartered at his house, the brigands were warned of

it by a preconcerted signal on the door; when there was no such

signal, they might enter with safety and be sure of welcome. Many

an isolated inn among the lonely parts of the Roman territories,

and especially on the skirts of the mountains, have the same

dangerous and suspicious character. They are places where the

banditti gather information; where they concert their plans, and

where the unwary traveller, remote from hearing or assistance, is

sometimes betrayed to the stiletto of the midnight murderer.

After pursuing our road a little farther, we struck off towards

the Woody mountains which envelope Rocca Priori. Our march was

long and painful, with many circuits and windings; at length we

clambered a steep ascent, covered with a thick forest, and when

we had reached the centre, I was told to seat myself on the

earth. No sooner had I done so, than at a sign from their chief,

the robbers surrounded me, and spreading their great cloaks from

one to the other, formed a kind of pavilion of mantles, to which

their bodies might be said to seem as columns. The captain then

struck a light, and a flambeau was lit immediately. The mantles

were extended to prevent the light of the flambeau from being

seen through the forest. Anxious as was my situation, I could not

look round upon this screen of dusky drapery, relieved by the

bright colors of the robbers’ under-dresses, the gleaming of

their weapons, and the variety of strong-marked countenances, lit

up by the flambeau, without admiring the picturesque effect of

the scene. It was quite theatrical.

The captain now held an ink-horn, and giving me pen and paper,

ordered me to write what he should dictate. I obeyed. It was a

demand, couched in the style of robber eloquence, “that the

prince should send three thousand dollars for my ransom, or that

my death should be the consequence of a refusal.”

I knew enough of the desperate character of these beings to feel

assured this was not an idle menace. Their only mode of insuring

attention to their demands, is to make the infliction of the

penalty inevitable. I saw at once, however, that the demand was

preposterous, and made in improper language.

I told the captain so, and assured him, that so extravagant a sum

would never be granted; that I was neither friend or relative of

the prince, but a mere artist, employed to execute certain

paintings. That I had nothing to offer as a ransom but the price

of my labors; if this were not sufficient, my life was at their

disposal: it was a thing on which I sat but little value.

I was the more hardy in my reply, because I saw that coolness and

hardihood had an effect upon the robbers. It is true, as I

finished speaking the captain laid his hand upon his stiletto,

but he restrained himself, and snatching the letter, folded it,

and ordered me, in a peremptory tone, to address it to the

prince. He then despatched one of the laborers with it to

Tusculum, who promised to return with all possible speed.

The robbers now prepared themselves for sleep, and I was told

that I might do the same. They spread their great cloaks on the

ground, and lay down around me. One was stationed at a little

distance to keep watch, and was relieved every two hours. The

strangeness and wildness of this mountain bivouac, among lawless

beings whose hands seemed ever ready to grasp the stiletto, and

with whom life was so trivial and insecure, was enough to banish

repose. The coldness of the earth and of the dew, however, had a

still greater effect than mental causes in disturbing my rest.

The airs wafted to these mountains from the distant Mediterranean

diffused a great chilliness as the night advanced. An expedient

suggested itself. I called one of my fellow prisoners, the

laborers, and made him lie down beside me. Whenever one of my

limbs became chilled I approached it to the robust limb of my

neighbor, and borrowed some of his warmth. In this way I was able

to obtain a little sleep.

Day at length dawned, and I was roused from my slumber by the

voice of the chieftain. He desired me to rise and follow him. I

obeyed. On considering his physiognomy attentively, it appeared a

little softened. He even assisted me in scrambling up the steep

forest among rocks and brambles. Habit had made him a vigorous

mountaineer; but I found it excessively toilsome to climb those

rugged heights. We arrived at length at the summit of the

mountain.

Here it was that I felt all the enthusiasm of my art suddenly

awakened; and I forgot, in an instant, all perils and fatigues at

this magnificent view of the sunrise in the midst of the

mountains of Abruzzi. It was on these heights that Hannibal first

pitched his camp, and pointed out Rome to his followers. The eye

embraces a vast extent of country. The minor height of Tusculum,

with its villas, and its sacred ruins, lie below; the Sabine

hills and the Albanian mountains stretch on either hand, and

beyond Tusculum and Frescati spreads out the immense Campagna,

with its line of tombs, and here and there a broken aqueduct

stretching across it, and the towers and domes of the eternal

city in the midst.

Fancy this scene lit up by the glories of a rising sun, and

bursting upon my sight, as I looked forth from among the majestic

forests of the Abruzzi. Fancy, too, the savage foreground, made

still more savage by groups of the banditti, armed and dressed in

their wild, picturesque manner, and you will not wonder that the

enthusiasm of a painter for a moment overpowered all his other

feelings.

The banditti were astonished at my admiration of a scene which

familiarity had made so common in their eyes. I took advantage of

their halting at this spot, drew forth a quire of drawing-paper,

and began to sketch the features of the landscape. The height, on

which I was seated, was wild and solitary, separated from the

ridge of Tusculum by a valley nearly three miles wide; though the

distance appeared less from the purity of the atmosphere. This

height was one of the favorite retreats of the banditti,

commanding a look-out over the country; while, at the same time,

it was covered with forests, and distant from the populous haunts

of men.

While I was sketching, my attention was called off for a moment

by the cries of birds and the bleatings of sheep. I looked

around, but could see nothing of the animals that uttered them.

They were repeated, and appeared to come from the summits of the

trees. On looking more narrowly, I perceived six of the robbers

perched on the tops of oaks, which grew on the breezy crest of

the mountain, and commanded an uninterrupted prospect. From hence

they were keeping a look-out, like so many vultures; casting

their eyes into the depths of the valley below us; communicating;

with each other by signs, or holding discourse in sounds, which

might be mistaken by the wayfarer for the cries of hawks and

crows, or the bleating of the mountain flocks. After they had

reconnoitred the neighborhood, and finished their singular

discourse, they descended from their airy perch, and returned to

their prisoners. The captain posted three of them at three naked

sides of the mountain, while he remained to guard us with what

appeared his most trusty companion.

I had my book of sketches in my hand; he requested to see it, and

after having run his eye over it, expressed himself convinced of

the truth of my assertion, that I was a painter. I thought I saw

a gleam of good feeling dawning in him, and determined to avail

myself of it. I knew that the worst of men have their good points

and their accessible sides, if one would but study them

carefully. Indeed, there is a singular mixture in the character

of the Italian robber. With reckless ferocity, he often mingles

traits of kindness and good humor. He is often not radically bad,

but driven to his course of life by some unpremeditated crime,

the effect of those sudden bursts of passion to which the Italian

temperament is prone. This has compelled him to take to the

mountains, or, as it is technically termed among them, “andare in

Campagna.” He has become a robber by profession; but like a

soldier, when not in action, he can lay aside his weapon and his

fierceness, and become like other men.

I took occasion from the observations of the captain on my

sketchings, to fall into conversation with him. I found him

sociable and communicative. By degrees I became completely at my

ease with him. I had fancied I perceived about him a degree of

self-love, which I determined to make use of. I assumed an air of

careless frankness, and told him that, as artist, I pretended to

the power of judging of the physiognomy; that I thought I

perceived something in his features and demeanor which announced

him worthy of higher fortunes. That he was not formed to exercise

the profession to which he had abandoned himself; that he had

talents and qualities fitted for a nobler sphere of action; that

he had but to change his course of life, and in a legitimate

career, the same courage and endowments which now made him an

object of terror, would ensure him the applause and admiration of

society.

I had not mistaken my man. My discourse both touched and excited

him. He seized my hand, pressed it, and replied with strong

emotion, “You have guessed the truth; you have judged me

rightly.” He remained for a moment silent; then with a kind of

effort he resumed. “I will tell you some particulars of my life,

and you will perceive that it was the oppression of others,

rather than my own crimes, that drove me to the mountains. I

sought to serve my fellow-men, and they have persecuted me from

among them.” We seated ourselves on the grass, and the robber

gave me the following anecdotes of his history.

Tales of a Traveller · 第 28 / 35 题