SPENSER.

"But, for my part, it was Greek to me."

_Julius Cæsar_, i. 2.

Many people are accustomed to consider the cross as a wholly Christian

symbol. This is erroneous: it is of very great antiquity. The ancient

Egyptians employed it as a sacred symbol, and on Greek sculptures we

find representations of a cake (the supposed real origin of our hot

cross buns) bearing a cross. Two such cakes were discovered at

Herculaneum. Cecrops offered to Jupiter Olympus a sacred cake or _boun_

of this kind. The cross and ball, so frequently found on Egyptian

figures, is a circle and the _tau_ cross. The circle signified the

eternal preserver of the world, and the T, named from the Greek letter

_tau_, is the monogram of Thoth, the Egyptian Mercury, meaning wisdom.

This _tau_ cross is also called by Christians the cross of St. Anthony,

and is borne on a badge in the bishop's palace at Exeter. As for the

Greek or mundane cross, the cross with four equal arms, we are told by

competent antiquaries that it was regarded by ancient occultists for

thousands of years as a sign of the dual forces of Nature--the male and

female spirit of everything that was everlasting.

[Illustration: Fig. 5.]

The Greek cross, as shown in Fig. 5, is formed by the assembling

together of five equal squares. We will start with what is known as the

Hindu problem, supposed to be upwards of three thousand years old. It

appears in the seal of Harvard College, and is often given in old works

as symbolical of mathematical science and exactitude. Cut the cross into

five pieces to form a square. Figs. 6 and 7 show how this is done. It

was not until the middle of the nineteenth century that we found that

the cross might be transformed into a square in only four pieces. Figs.

8 and 9 will show how to do it, if we further require the four pieces to

be all of the same size and shape. This Fig. 9 is remarkable because,

according to Dr. Le Plongeon and others, as expounded in a work by

Professor Wilson of the Smithsonian Institute, here we have the great

Swastika, or sign, of "good luck to you "--the most ancient symbol of

the human race of which there is any record. Professor Wilson's work

gives some four hundred illustrations of this curious sign as found in

the Aztec mounds of Mexico, the pyramids of Egypt, the ruins of Troy,

and the ancient lore of India and China. One might almost say there is a

curious affinity between the Greek cross and Swastika! If, however, we

require that the four pieces shall be produced by only two clips of the

scissors (assuming the puzzle is in paper form), then we must cut as in

Fig. 10 to form Fig. 11, the first clip of the scissors being from a

to b. Of course folding the paper, or holding the pieces together

after the first cut, would not in this case be allowed. But there is an

infinite number of different ways of making the cuts to solve the puzzle

in four pieces. To this point I propose to return.

[Illustration: Fig. 6]

[Illustration: Fig. 7]

[Illustration: Fig. 8]

[Illustration: Fig. 9]

[Illustration: Fig. 10]

[Illustration: Fig. 11]

It will be seen that every one of these puzzles has its reverse

puzzle--to cut a square into pieces to form a Greek cross. But as a

square has not so many angles as the cross, it is not always equally

easy to discover the true directions of the cuts. Yet in the case of the

examples given, I will leave the reader to determine their direction for

himself, as they are rather obvious from the diagrams.

Cut a square into five pieces that will form two separate Greek crosses

of _different sizes_. This is quite an easy puzzle. As will be seen in

Fig. 12, we have only to divide our square into 25 little squares and

then cut as shown. The cross A is cut out entire, and the pieces B, C,

D, and E form the larger cross in Fig. 13. The reader may here like to

cut the single piece, B, into four pieces all similar in shape to

itself, and form a cross with them in the manner shown in Fig. 13. I

hardly need give the solution.

[Illustration: FIG. 12.]

[Illustration: FIG. 13.]

Cut a square into five pieces that will form two separate Greek crosses

of exactly the _same size_. This is more difficult. We make the cuts as

in Fig. 14, where the cross A comes out entire and the other four pieces

form the cross in Fig. 15. The direction of the cuts is pretty obvious.

It will be seen that the sides of the square in Fig. 14 are marked off

into six equal parts. The sides of the cross are found by ruling lines

from certain of these points to others.

[Illustration: FIG. 14.]

[Illustration: FIG. 15.]

I will now explain, as I promised, why a Greek cross may be cut into

four pieces in an infinite number of different ways to make a square.

Draw a cross, as in Fig. 16. Then draw on transparent paper the square

shown in Fig. 17, taking care that the distance c to d is exactly

the same as the distance a to b in the cross. Now place the

transparent paper over the cross and slide it about into different

positions, only be very careful always to keep the square at the same

angle to the cross as shown, where a b is parallel to c d. If

you place the point c exactly over a the lines will indicate the

solution (Figs. 10 and 11). If you place c in the very centre of the

dotted square, it will give the solution in Figs. 8 and 9. You will now

see that by sliding the square about so that the point c is always

within the dotted square you may get as many different solutions as you

like; because, since an infinite number of different points may

theoretically be placed within this square, there must be an infinite

number of different solutions. But the point c need not necessarily be

placed within the dotted square. It may be placed, for example, at point

e to give a solution in four pieces. Here the joins at a and f may

be as slender as you like. Yet if you once get over the edge at a or

f you no longer have a solution in four pieces. This proof will be

found both entertaining and instructive. If you do not happen to have

any transparent paper at hand, any thin paper will of course do if you

hold the two sheets against a pane of glass in the window.

[Illustration: FIG. 16.]

[Illustration: FIG. 17.]

It may have been noticed from the solutions of the puzzles that I have

given that the side of the square formed from the cross is always equal

to the distance a to b in Fig. 16. This must necessarily be so, and

I will presently try to make the point quite clear.

We will now go one step further. I have already said that the ideal

solution to a cutting-out puzzle is always that which requires the

fewest possible pieces. We have just seen that two crosses of the same

size may be cut out of a square in five pieces. The reader who

succeeded in solving this perhaps asked himself: "Can it be done in

fewer pieces?" This is just the sort of question that the true puzzle

lover is always asking, and it is the right attitude for him to adopt.

The answer to the question is that the puzzle may be solved in four

pieces--the fewest possible. This, then, is a new puzzle. Cut a square

into four pieces that will form two Greek crosses of the same size.

[Illustration: FIG. 18.]

[Illustration: FIG. 19.]

[Illustration: FIG. 20.]

The solution is very beautiful. If you divide by points the sides of the

square into three equal parts, the directions of the lines in Fig. 18

will be quite obvious. If you cut along these lines, the pieces A and B

will form the cross in Fig. 19 and the pieces C and D the similar cross

in Fig. 20. In this square we have another form of Swastika.

The reader will here appreciate the truth of my remark to the effect

that it is easier to find the directions of the cuts when transforming a

cross to a square than when converting a square into a cross. Thus, in

Figs. 6, 8, and 10 the directions of the cuts are more obvious than in

Fig. 14, where we had first to divide the sides of the square into six

equal parts, and in Fig. 18, where we divide them into three equal

parts. Then, supposing you were required to cut two equal Greek crosses,

each into two pieces, to form a square, a glance at Figs. 19 and 20 will

show how absurdly more easy this is than the reverse puzzle of cutting

the square to make two crosses.

Referring to my remarks on "fallacies," I will now give a little example

of these "solutions" that are not solutions. Some years ago a young

correspondent sent me what he evidently thought was a brilliant new

discovery--the transforming of a square into a Greek cross in four

pieces by cuts all parallel to the sides of the square. I give his

attempt in Figs. 21 and 22, where it will be seen that the four pieces

do not form a symmetrical Greek cross, because the four arms are not

really squares but oblongs. To make it a true Greek cross we should

require the additions that I have indicated with dotted lines. Of course

his solution produces a cross, but it is not the symmetrical Greek

variety required by the conditions of the puzzle. My young friend

thought his attempt was "near enough" to be correct; but if he bought a

penny apple with a sixpence he probably would not have thought it "near

enough" if he had been given only fourpence change. As the reader

advances he will realize the importance of this question of exactitude.

[Illustration: FIG. 21.]

[Illustration: FIG. 22.]

In these cutting-out puzzles it is necessary not only to get the

directions of the cutting lines as correct as possible, but to remember

that these lines have no width. If after cutting up one of the crosses

in a manner indicated in these articles you find that the pieces do not

exactly fit to form a square, you may be certain that the fault is

entirely your own. Either your cross was not exactly drawn, or your cuts

were not made quite in the right directions, or (if you used wood and a

fret-saw) your saw was not sufficiently fine. If you cut out the puzzles

in paper with scissors, or in cardboard with a penknife, no material is

lost; but with a saw, however fine, there is a certain loss. In the case

of most puzzles this slight loss is not sufficient to be appreciable,

if the puzzle is cut out on a large scale, but there have been

instances where I have found it desirable to draw and cut out each part

separately--not from one diagram--in order to produce a perfect result.

[Illustration: FIG. 23.]

[Illustration: FIG. 24.]

Now for another puzzle. If you have cut out the five pieces indicated in

Fig. 14, you will find that these can be put together so as to form the

curious cross shown in Fig. 23. So if I asked you to cut Fig. 24 into

five pieces to form either a square or two equal Greek crosses you would

know how to do it. You would make the cuts as in Fig. 23, and place them

together as in Figs. 14 and 15. But I want something better than that,

and it is this. Cut Fig. 24 into only four pieces that will fit together

and form a square.

[Illustration: FIG. 25.]

[Illustration: FIG. 26.]

The solution to the puzzle is shown in Figs. 25 and 26. The direction of

the cut dividing A and C in the first diagram is very obvious, and the

second cut is made at right angles to it. That the four pieces should

fit together and form a square will surprise the novice, who will do

well to study the puzzle with some care, as it is most instructive.

I will now explain the beautiful rule by which we determine the size of

a square that shall have the same area as a Greek cross, for it is

applicable, and necessary, to the solution of almost every dissection

puzzle that we meet with. It was first discovered by the philosopher

Pythagoras, who died 500 B.C., and is the 47th proposition of Euclid.

The young reader who knows nothing of the elements of geometry will get

some idea of the fascinating character of that science. The triangle ABC

in Fig. 27 is what we call a right-angled triangle, because the side BC

is at right angles to the side AB. Now if we build up a square on each

side of the triangle, the squares on AB and BC will together be exactly

equal to the square on the long side AC, which we call the hypotenuse.

This is proved in the case I have given by subdividing the three squares

into cells of equal dimensions.

[Illustration: FIG. 27.]

[Illustration: FIG. 28.]

It will be seen that 9 added to 16 equals 25, the number of cells in the

large square. If you make triangles with the sides 5, 12 and 13, or with

8, 15 and 17, you will get similar arithmetical proofs, for these are

all "rational" right-angled triangles, but the law is equally true for

all cases. Supposing we cut off the lower arm of a Greek cross and place

it to the left of the upper arm, as in Fig. 28, then the square on EF

added to the square on DE exactly equals a square on DF. Therefore we

know that the square of DF will contain the same area as the cross. This

fact we have proved practically by the solutions of the earlier puzzles

of this series. But whatever length we give to DE and EF, we can never

give the exact length of DF in numbers, because the triangle is not a

"rational" one. But the law is none the less geometrically true.

[Illustration: FIG. 29.]

[Illustration: FIG. 30.]

Now look at Fig. 29, and you will see an elegant method for cutting a

piece of wood of the shape of two squares (of any relative dimensions)

into three pieces that will fit together and form a single square. If

you mark off the distance _ab_ equal to the side _cd_ the directions of

the cuts are very evident. From what we have just been considering, you

will at once see why _bc_ must be the length of the side of the new

square. Make the experiment as often as you like, taking different

relative proportions for the two squares, and you will find the rule

always come true. If you make the two squares of exactly the same size,

you will see that the diagonal of any square is always the side of a

square that is twice the size. All this, which is so simple that anybody

can understand it, is very essential to the solving of cutting-out

puzzles. It is in fact the key to most of them. And it is all so

beautiful that it seems a pity that it should not be familiar to

everybody.

We will now go one step further and deal with the half-square. Take a

square and cut it in half diagonally. Now try to discover how to cut

this triangle into four pieces that will form a Greek cross. The

solution is shown in Figs. 31 and 32. In this case it will be seen that

we divide two of the sides of the triangle into three equal parts and

the long side into four equal parts. Then the direction of the cuts will

be easily found. It is a pretty puzzle, and a little more difficult than

some of the others that I have given. It should be noted again that it

would have been much easier to locate the cuts in the reverse puzzle of

cutting the cross to form a half-square triangle.

[Illustration: FIG. 31.]

[Illustration: FIG. 32.]

[Illustration: FIG. 33.]

[Illustration: FIG. 34.]

Another ideal that the puzzle maker always keeps in mind is to contrive

that there shall, if possible, be only one correct solution. Thus, in

the case of the first puzzle, if we only require that a Greek cross

shall be cut into four pieces to form a square, there is, as I have

shown, an infinite number of different solutions. It makes a better

puzzle to add the condition that all the four pieces shall be of the

same size and shape, because it can then be solved in only one way, as

in Figs. 8 and 9. In this way, too, a puzzle that is too easy to be

interesting may be improved by such an addition. Let us take an example.

We have seen in Fig. 28 that Fig. 33 can be cut into two pieces to form

a Greek cross. I suppose an intelligent child would do it in five

minutes. But suppose we say that the puzzle has to be solved with a

piece of wood that has a bad knot in the position shown in Fig. 33--a

knot that we must not attempt to cut through--then a solution in two

pieces is barred out, and it becomes a more interesting puzzle to solve

it in three pieces. I have shown in Figs. 33 and 34 one way of doing

this, and it will be found entertaining to discover other ways of doing

it. Of course I could bar out all these other ways by introducing more

knots, and so reduce the puzzle to a single solution, but it would then

be overloaded with conditions.

And this brings us to another point in seeking the ideal. Do not

overload your conditions, or you will make your puzzle too complex to be

interesting. The simpler the conditions of a puzzle are, the better. The

solution may be as complex and difficult as you like, or as happens, but

the conditions ought to be easily understood, or people will not attempt

a solution.

If the reader were now asked "to cut a half-square into as few pieces as

possible to form a Greek cross," he would probably produce our solution,

Figs. 31-32, and confidently claim that he had solved the puzzle

correctly. In this way he would be wrong, because it is not now stated

that the square is to be divided diagonally. Although we should always

observe the exact conditions of a puzzle we must not read into it

conditions that are not there. Many puzzles are based entirely on the

tendency that people have to do this.

The very first essential in solving a puzzle is to be sure that you

understand the exact conditions. Now, if you divided your square in half

so as to produce Fig. 35 it is possible to cut it into as few as three

pieces to form a Greek cross. We thus save a piece.

I give another puzzle in Fig. 36. The dotted lines are added merely to

show the correct proportions of the figure--a square of 25 cells with

the four corner cells cut out. The puzzle is to cut this figure into

five pieces that will form a Greek cross (entire) and a square.

[Illustration: FIG. 35.]

[Illustration: FIG. 36.]

The solution to the first of the two puzzles last given--to cut a

rectangle of the shape of a half-square into three pieces that will form

a Greek cross--is shown in Figs. 37 and 38. It will be seen that we

divide the long sides of the oblong into six equal parts and the short

sides into three equal parts, in order to get the points that will

indicate the direction of the cuts. The reader should compare this

solution with some of the previous illustrations. He will see, for

example, that if we continue the cut that divides B and C in the cross,

we get Fig. 15.

[Illustration: FIG. 37.]

[Illustration: FIG. 38.]

The other puzzle, like the one illustrated in Figs. 12 and 13, will show

how useful a little arithmetic may sometimes prove to be in the solution

of dissection puzzles. There are twenty-one of those little square cells

into which our figure is subdivided, from which we have to form both a

square and a Greek cross. Now, as the cross is built up of five squares,

and 5 from 21 leaves 16--a square number--we ought easily to be led to

the solution shown in Fig. 39. It will be seen that the cross is cut out

entire, while the four remaining pieces form the square in Fig. 40.

[Illustration: FIG. 39]

[Illustration: FIG. 40]

Of course a half-square rectangle is the same as a double square, or two

equal squares joined together. Therefore, if you want to solve the

puzzle of cutting a Greek cross into four pieces to form two separate

squares of the same size, all you have to do is to continue the short

cut in Fig. 38 right across the cross, and you will have four pieces of

the same size and shape. Now divide Fig. 37 into two equal squares by a

horizontal cut midway and you will see the four pieces forming the two

squares.

[Illustration: FIG. 41]

Cut a Greek cross into five pieces that will form two separate squares,

one of which shall contain half the area of one of the arms of the

cross. In further illustration of what I have already written, if the

two squares of the same size A B C D and B C F E, in Fig. 41, are cut in

the manner indicated by the dotted lines, the four pieces will form the

large square A G E C. We thus see that the diagonal A C is the side of a

square twice the size of A B C D. It is also clear that half the

diagonal of any square is equal to the side of a square of half the

area. Therefore, if the large square in the diagram is one of the arms

of your cross, the small square is the size of one of the squares

required in the puzzle.

The solution is shown in Figs. 42 and 43. It will be seen that the small

square is cut out whole and the large square composed of the four pieces

B, C, D, and E. After what I have written, the reader will have no

difficulty in seeing that the square A is half the size of one of the

arms of the cross, because the length of the diagonal of the former is

clearly the same as the side of the latter. The thing is now

self-evident. I have thus tried to show that some of these puzzles that

many people are apt to regard as quite wonderful and bewildering, are

really not difficult if only we use a little thought and judgment. In

conclusion of this particular subject I will give four Greek cross

puzzles, with detached solutions.

Amusements in Mathematics · 第 168 / 970 题