CHAPTER XI

After the round-up was finished Emerson Mead and his two friends

started, with two _vaqueros_, to drive a band of cattle to Las Plumas

for shipment. When they reached Juan Garcia's ranch Mead remembered

that he wished to see the old Mexican, and the two cow-boys were sent

on with the cattle while he and Tuttle and Ellhorn tied their horses

in the shade of the cottonwoods at the foot of the hill. They found

Amada Garcia leaning on her folded arms across the window-sill and

making a picture in the frame of the gray adobe walls that was very

good to see.

It is not often that the señorita of the southwest can lay claim to

any more of beauty than glows in midnight hair and eyes. But Amada

Garcia was one of the favored few. Her short, plump figure was rounded

into dainty curves and her oval face, with its smooth, brown skin, its

dimples, its regular features, its little, rosebud, pouting mouth, and

its soft, black, heavy-lidded eyes, was alluring with sensuous beauty.

A red handkerchief tied into a saucy cap was perched on her shining,

black hair, and her black dress, carelessly open a little at the neck,

showed a full, soft, brown throat.

She received the three men with that dignified courtesy that is never

forgotten in the humblest Mexican adobe hut, but she tempered its

gravity with many coquettish glances of her great black eyes. They

talked in Spanish, the only language Amada knew, which the men spoke

as readily as they did their own. No, her father was not at home, she

said. He had gone to Muletown and would not be back until night. But

was it the wish of the señores to be seated and rest themselves from

their travel and refresh themselves with a drink of cool water? Mead

presented Tuttle, who had never seen the girl before, and Amada said,

with many flashes of languorous light from under her heavy lids, ah,

she had heard of the señor, a most brave _caballero_, a man whom all

women must admire, so brave and skillful. Her carriage and the poise

of her body as she stood, or sat down, or walked about the room, would

have befitted a queen's approach to her throne, so unconsciously regal

and graceful were they. For ever since she was old enough Amada had

carried every day to the house, up the hill from the spring, in an

_olla_ poised on her head, all the water for their domestic

necessities. And in consequence she walked with a grace and carried

her head with an air that not one American woman in a hundred thousand

could equal.

She brought them water from an _olla_ which stood in the _portal_,

where it would be free to the breeze and shaded from the sun, and as

she handed it to one after another she smiled and dimpled, her white

teeth gleamed, her black eyes shone alluringly in sudden flashes from

under their long-fringed covers, and her sweet, soft voice prattled

airy, beguiling flatteries and dear little complimentary nothings. As

she talked, she tossed her head and swayed her body and made graceful,

eloquent little gestures with her hands and arms. There was

unconscious coquetry in every movement and a mischievous "you dare

not" in every glance of her eyes and in every dimpling smile. She was

like a plump, saucy, sweet-throated bobolink, perched on a swaying

bough and singing a joyous and daring "catch me if you can."

She walked across the room to put the cup on the table and Ellhorn

sprang to her side and threw his arm about her. She drew back a

little, tossed her head, and looked at him with eyes gleaming "if you

dare, if you dare," from under their soft lids. She faced the door as

she did so and as he bent his head to take the kiss she dared, a

sudden, gray horror fell over her laughing face and changed it in a

second to a wide-eyed, open-mouthed, drawn thing, pitiful in its

helpless, ashen fear. The sudden change stopped him with his lips

close to hers, and with his hand on his gun he wheeled toward the door

to see what had frightened her. The other two, looking and laughing,

saw the sudden horror transform her face and they also sprang toward

the open entrance, revolvers in hand. But there was nothing there. The

_portal_ was empty of any living thing. And all across the gray-green

plain the only sign of life was the drove of cattle far down the

winding road. They turned to the girl in surprise and asked her what

was the matter. She had recovered her smiling, coquettish self, and

declared that Señor Ellhorn had frightened her. She scolded him

prettily, in the soft, sweet, Mexican tones that are a caress in

themselves, and, with a demure expression, to which only the black

eyes would not lend themselves, she told him it was not right for a

man to take advantage of a girl when she was all alone. If he wished

to kiss her when her mother was present, ah, that was different. Yes,

she would forgive him this one time if he truly were very sorry, but

he must never, never frighten her so again. And her eyes flashed a

smile at him that flouted every word she said.

As the three men rode away Tuttle asked:

"Emerson, did she really mean what she said about Nick's frightening

her?"

Mead looked at him with an indulgent smile: "Tom Tuttle, you're the

biggest maverick I ever saw. I reckon havin' a man want to kiss her

ain't such an unusual thing that it's goin' to frighten Amada Garcia

into a conniption fit."

"What in thunder was the matter with her then?" said Ellhorn, a bit

nettled over the outcome of his gallantry. "It couldn't have been

because she didn't want me to kiss her."

Mead broke into a loud, hearty roar, Tuttle grinned broadly, and

Ellhorn regarded the two of them with an angry look. Mead leaned over

and slapped his shoulder.

"Nick, you're a devil of a fellow with the women, and I know it as

well as you do. I guess Amada's not very different from the rest of

'em, if she did stop your performance. She looked as if she saw a

ghost, and maybe she thought she did. These Mexicans are a

superstitious lot. Maybe she's kissed one too many some time and

happened to think of it just when it spoiled your fun."

"She's a stunner, anyway!" said Ellhorn enthusiastically, his good

humor restored. "I say, Emerson, is she straight?"

"I guess so. Yes, I sure reckon she must be, or Juan Garcia would have

made trouble. Old Juan and his wife are fine old people, and any man

who wronged Amada would have to answer for it to her father. He'd have

to either kill the old man or be killed himself in mighty short order.

Oh, yes, Amada's a good girl, but she's an awful little flirt."

As soon as the cattle were secured in the pens at the railroad

station, ready to be transferred to the cars, Emerson Mead put spurs

to his horse and rode off alone to the northward without a word to his

friends. Nick and Tom, perched on the high fence of a cattle-pen,

watched him gallop away with amazement. His action was unusual and

surprising, for when the three were together where one went the others

went also, or, at least, knew all about it. The two left behind

discussed what it might mean. Nick watched him until, half a dozen

blocks away, he turned off toward the mountains from which they had

just come. Then a light broke upon Ellhorn and he slapped his knee

with his palm and broke into a laugh.

"Tom Tuttle, I reckon I'm onto his curves! He's goin' to strike the

mountain road back of town a ways and come in alone, past Frenchy

Delarue's place, as if he'd just come to town!"

"Frenchy Delarue! Does he mean to have it out with Frenchy for the way

he talked at that mass-meetin'? Say, Nick, we ought to be handy, for

he'll sure need us. Come on, let's ride out that way." And Tuttle

began to climb down from his high perch. Ellhorn stopped him with

another roar of laughter.

"Tommy, sometimes I think you sure ain't got any more sense than a

two-year-old! Emerson don't care anything about Frenchy Delarue, or

what he said at a dozen mass-meetings. He don't hold things against a

man that way." Ellhorn ended with another laugh and sat there

chuckling while Tom looked at him resentfully.

"I don't see what you want to make a fool of a fellow for," he said

sulkily. "If you-all don't want to tell me what it's all about, say

so, and I won't ask any more questions."

Ellhorn slapped him on the shoulder. "That's all right, Tommy. It was

such a good joke I couldn't help it. Don't you remember that stunning

pretty girl we saw on the street with the kid the day Emerson came

into town, that I told you was Frenchy Delarue's daughter?"

"What? Emerson! You don't mean--say, Nick! I don't--Emerson?" And

Tuttle stopped, from sheer inability to express his mingled feelings,

and stared at his companion, his face the picture of mystified

amazement.

Ellhorn nodded. "I don't know anything about it, but two or three

times I've seen things about Emerson that made me think he must be

gettin' into that sort of trouble somewhere, and if he is I sure think

it can't be anybody but Miss Delarue."

Tuttle was silent a few moments, thinking the matter over. Then he

shook his head doubtfully.

"If it was you or me, Nick, I could understand it. But Emerson! Nick,

I can't believe it until I know it's so!"

"I wouldn't have thought so either, but you never can tell," Nick

replied oracularly. "Now, I'd kiss Amada Garcia, or any other pretty

girl, every time I got a chance. You wouldn't do it unless you could

sneak around behind the house where nobody could see, and you wouldn't

say a word about it afterward. But Emerson, well, maybe Emerson would

too, but I don't reckon he would even think about kissin' her unless

she asked him to, and I'm dead sure he'd never think about it

afterward. But that's just the sort of a man who gets knocked plumb

out when a woman does hit him. It wouldn't make any difference to you

or me, or not very long anyway, because we'd go right along and love

some other girl just as much the next time. Likely you've been in love

as many times as I have, and I don't know how many that is, but I

don't believe Emerson ever thought more'n twice about any woman before

this. But I sure reckon he's knocked out now, and bad enough to last

him a long time. He's just the sort that don't want any woman if he

can't get the one he does want. But you and me, Tommy,--Lord-a-mighty!

We'll have a sweetheart every time we can get one!"

Tuttle blushed a still deeper crimson under his red tan at this frank

account of his possible love affairs, and after a few moments of

silence he nodded thoughtfully:

"I guess you-all have hit it off about right, Nick, But I never

thought Emerson would be the first one of us three to go and get

married! I thought likely none of us ever would!"

"He ain't married yet, and I don't know as she'd have him."

"Why not? Of course she would!" said Tom, resentful at the idea that

any girl could refuse his idolized friend. He whittled the board fence

despondently a few moments, and then added with a brighter look: "But

he's on the wrong side of politics to suit her father, and I reckon

Frenchy wouldn't have it."

The whistle of the northbound train came up the track and they

climbed down from the fence and went to the depot. The telegraph

operator called Tom and handed him a dispatch.

"It's from Marshal Black," said Tuttle to Ellhorn, "and he wants me to

go up to Santa Fe as quick as I can get there. I reckon I'd better

jump right onto this train. Emerson don't need me any more now. Tell

him about it, and if he wants me for anything, or you-all think I'd

better come, wire, and I'll flirt gravel in a minute. Good-bye, old

man."

Emerson Mead made a detour through the northern end of the town and

came into the mountain road at the lower edge of the uplands. He

galloped down the street, checking his horse to a slow trot as he

neared Pierre Delarue's house. With sidelong glances he keenly

examined the veranda and the open doors and windows, but he could see

no flutter of drapery, nor the flaxen curls of the child. With a

protesting disappointment in his heart he held the horse back to a

walk while he stooped over and examined the cinch. He had almost

passed the place when little Paul came around the house, trailing a

subdued looking puppy at the end of a string, saw him, and ran to the

gate shrieking his name. Mead turned back, a warm flood of delight

surging into his breast.

"Hello, little Bye-Bye! Do you want to ride with me? Run back to the

house and ask your sister if you can go."

The child ran back to the porch and from within the house Mead heard

Marguerite give permission. "Won't she come out?" he thought,

anxiously.

"You must come and lift me up," said Paul, and Mead determined to buy

him the finest toy in the town.

"Climb on the fence and let Mr. Mead put you on."

"She won't come. She does not want to see me," thought Mead.

"No, I want you to come," persisted Paul, who was in a naughty mood.

"No, dearie, Mr. Mead can stoop over and help you on just as well as I

can."

"She is determined not to see me," thought Mead. "She never did so

before."

Paul began to cry. "I can't, Daisy. Truly, I can't get on if you don't

come. And then I can't have any ride."

Marguerite came out with a little, white, high-crowned sunbonnet

pulled over her head. She had been arranging her hair and had put on

the bonnet to conceal its disarray, when she found that the child

could not be persuaded to let her remain indoors. Mead thought her

face more adorable than ever as it looked out from its dainty frame.

Paul kicked his heels into the horse's shoulders, but a firm hand held

the bridle and the animal did not move. Marguerite turned a smiling

face upon Mead and met in his eyes the same look she always saw there.

She glanced down again, blushing, and felt the silence embarrassing,

but all the things she would ordinarily have said suddenly seemed

trivial and out of place, so she turned to the child with a gentle,

"Be a good boy, Paul." Mead looked at her in silence, smiling gravely.

Many things were whirling about in his mind to say, but he hesitated

before each one, doubting if that were the best. Paul kicked

vigorously and shouted, "Come on! Come on! Aren't you ready to go, Mr.

Mead?" Emerson's grave smile relaxed into a foolish grin, he lifted

his hat to Marguerite, and he and the boy cantered off.

Marguerite hurried back to her room and as she stood before her

mirror, trembling, she resumed her hair dressing to the accompaniment

of thoughts that ran contrariwise:

"I would think the man was dumb if I didn't know better. Why doesn't

he ever say anything? He is certainly the rudest creature I ever saw!

He stares at me until I am so confused that I can not even be

courteous. He isn't nearly so nice as Mr. Wellesly--I don't care, he

isn't! I like Mr. Wellesly, and he seems to like me, but--he does not

look at me out of his eyes as Mr. Mead does. I wonder--if he--looks at

any one else that way?"

After Mead had returned the child he rode at once to his room, and

while he bathed and shaved and dressed himself in the garments of

civilization he gave himself up to gloomy thoughts about Marguerite.

"Of course, she thinks I am a criminal of the worst sort,--a thief and

a murderer,--and maybe she does not like to have me stop at her gate.

She was nervous about it to-day, and she wouldn't come out until the

kid made her. It is plain enough that she doesn't want to see me any

more, and I suppose I ought not to stop there again. Still, the boy is

always so pleased to ride with me that it would be a shame to take

that pleasure away from him. But she doesn't like it--how sweet she

looked in that sunbonnet!--and she's too kind-hearted to ask me not

to. Well, she would rather I would not--yes, it is plain that she does

not want me to do it--so--well--all right--I'll not stop there again."

His revolver lay on the table, hidden by some of the clothing he had

just taken off. Under the stress of his thoughts it escaped both eye

and mind. As he put on vest and coat he struggled to his final

resolution. Then he quickly jammed his hat on his head, thinking, "I

suppose I can't see her any more at all," and hurried into the street.

Presently he heard a loud whoop from the direction of the jail.

"That's Nick's yell, sure," he thought, "and it sounds as if he was

drunk. Now what's to pay, I wonder!"

He hurried in the direction from which the sound had come, and was

just in time to see Ellhorn, yelling and waving his hat, led by Jim

Halliday into the jail, while a half-dozen excited Chinese, who had

been following close behind, stood chattering at the door.

When the train which carried Thomson Tuttle northward left the

station, Nick Ellhorn watched it disappear in the hot, white,

quivering distance, and then wandered forlornly up town. He went first

to Emerson Mead's room, but Mead had not yet returned. He went to

Judge Harlin's office, and found that he was out of town. He next

tried the Palmleaf saloon, where he solaced and cooled himself with

some glasses of beer. Several men were already there, and others came

in, whom he knew, and all wanted to hear about Emerson Mead's round-up

and to congratulate him on its success. He drank mint juleps with two,

straight whisky with two others, a cocktail with another, and ended

with more beer. He walked up the street to the hotel, and as he talked

with the landlord he could feel the liquors he had so recklessly mixed

beginning to bite into his blood and raise little commotions in remote

corners of his brain. A pleasant-faced young Mexican came into the

office, and the landlord asked him how his patient was. The young man

replied in broken English that the man was a little better but very

sad, and that he wished to find some one to stay with him a few

minutes while he went out on an errand.

Nick Ellhorn's heart was warmed and expansive and he promptly

volunteered to sit with the invalid and entertain him for an hour,

and with effusive thanks the Mexican nurse conducted the tall Texan to

the sick-room. White, gaunt and weak, the invalid lay in his bed and

looked with eyes of envy and admiration at the tall, firm, well-knit

frame, the big muscles and the tanned face of his companion. By that

time Nick began to be conscious of a high, swift tide in his veins,

and through his dancing brain came the conviction that he must hold a

steady hand on himself and be very serious. He sat up stiff and

straight in his chair by the bedside, and his demeanor was grave and

solemn. When the sick man spoke of his health and strength, Nick

replied with admonishing seriousness:

"I'd be just such a lookin' thing as you are if I stayed indoors like

you do. You can't expect to be worth a whoop in hell if you stay in

the house and in bed all the time. I'll steal you away from here so

that coyote of a Mexican can't get hold of you again, and I'll take

you out to Emerson Mead's ranch and put you on a horse and make you

ride after the cattle, and sure and you'll be a well man before you

know it."

The invalid appeared apprehensive, and, feeling himself weakened by

the fear lest something untoward might happen, he asked Ellhorn to

give him a drink of brandy from a flask which stood on the mantel.

Nick poured the measured dose into a glass, smelt of it, and looked

frowningly at the sick man.

"Do you-all mean to say that you drink this stuff, as sick as you are?

You can have it if you insist, but I tell you you'll be dead by

sundown if you drink it! Sure and you ought to be ashamed of yourself,

lyin' in bed and soakin' with brandy, right on the ragged edge of the

tomb! That Mexican coyote ought to be shot as full of holes as a

pepper box for keepin' this stuff in the room, and I'll do it when he

comes back! I've taken a notion to you-all, and I'm goin' to carry you

off on my horse to Emerson's ranch and make a well man of you. But you

must sure let brandy and whisky alone, I'll tell you that right now!

And I'll put this out of your sight, so it won't be a temptation to

you. I'll drink it myself, just to save your life!"

He poured the glass full and drank it off without a breath. Then he

began to lecture the thoroughly frightened invalid on the evil results

of too much indulgence in strong drink. "Look at me!" he solemnly

exclaimed. "I used to drink just as bad as you do, and where did it

bring me! Yes, sir! I've had feathers enough in my time to make me a

good bed, but I scattered and wasted 'em all with whisky and brandy,

just as you're doin' now, and here I am a-layin' on the hard ground!

But I've quit! No, sirree! I don't drink another drop, unless it's to

save a friend, same as I'm drinkin' this."

When the Mexican nurse returned he found his patient fainting from

fright, and a very drunken man solemnly marching up and down the room,

flourishing an empty flask and uttering incoherent remarks about the

evils of strong drink and the certainty of death.

"I've saved him!" Nick proudly exclaimed to the Mexican. "I've saved

his life! He'd 'a' been drunk as I am, and dead, too, if I hadn't drunk

all the brandy myself! I didn't let him touch a drop!"

The nurse pitched him out of the room and locked the door behind him,

and he, after a dazed stare, stalked off indignantly to the front

entrance. A Chinaman was passing by, with placid face, folded arms and

long queue flopping in the wind. Ellhorn grabbed the queue with a

drunken shout. The man yelled from sudden fright, and started off on

the run with Ellhorn hanging on to the braid, shouting, his spurs

clicking and his revolver flapping at his side. Nick's yells and the

Chinaman's frightened screams filled the street with noise and brought

people running to see what was happening. Ellhorn whipped out his

knife and cut off the queue at the Chinaman's neck, and the man,

feeling the sudden release from the grip of the "white devil" behind

him, ran with flying leaps down the street and at the end of the block

banged against Jim Halliday, himself running to learn the cause of the

uproar. The Chinaman knew Halliday's office, and with wild gestures

and screaming chatter demanded that he should go back and arrest the

man who had despoiled him of his dearest possession. Halliday,

guessing that his enemy was too drunk to offer much resistance,

hastened at once to the task, and in five minutes Nick Ellhorn was

locked in the jail.

Emerson Mead at once went to work to get his friend out on bail. He

saw the sheriff, John Daniels, go into the White Horse saloon and

hurried after him. As they stood facing each other, leaning against

the bar and talking earnestly, Mead saw Daniels flash a look of

intelligence and nod his head slightly to some one who had entered

from a back room toward which Emerson's back was turned. Instinctively

he reached for his gun, and Jim Halliday grabbed his right wrist with

both hands while John Daniels seized his left. With the first touch of

their fingers, the remembrance flashed through his brain that he had

left his revolver on the table in his room. He would have thought it

as impossible to forget that as to forget his trousers, but the thing

was done, and here was the result. He shrugged his shoulders and said

quietly:

"You've caught me unarmed, boys. I'm at your service--this time."

They looked at him in doubting surprise. To catch Emerson Mead unarmed

seemed a most unlikely fairy tale. The two men held his arms and

Daniels called a third to search him. Mead flushed and bit his lip.

"I'm not used to having my word doubted," he said, "but I can't blame

you for doubting it this time. I can hardly believe it myself. Jim,

you've struck just the one chance in a thousand years."

Halliday laughed. "Well, I've been lucky twice to-day, and I reckon I

haven't worn out the run yet."

Mead smiled indulgently down from his superior height, and said: "Work

it while it runs, Jim; work it while it runs. You can have your

innings now, but mine won't be long coming."

"Well, you won't have any chance to get yourself hauled over the back

wall this time, I'll tell you that right now."

They hurried their prisoner off to jail, and in a few minutes he also

was locked behind thick adobe walls.

With Hoops of Steel · 第 11 / 26 章