We look over the mystic ramparts and are dimly conscious that

"the souls mounting up to God

Went by her like thin flames."

This is not astronomy nor theology, nor any of the things we know all

about--it is only poetry.

Let no one trouble me by attempting to elucidate "Childe Roland to the

Dark Tower came." I do not care for a Baedeker. I prefer to lose my way.

I love the darkness rather than light. I do not care for a topographical

chart of the hills that

"like giants at a hunting lay,

Chin upon hand."

The mood in which we enjoy such poetry is that described in Emerson's

"Forerunners."

"Long I followed happy guides,

I could never reach their sides.

* * * * *

But no speed of mine avails

To hunt upon their shining trails.

* * * * *

On eastern hills I see their smokes,

Mixed with mist by distant lochs.

I met many travelers

Who the road had surely kept:

They saw not my fine revelers."

If our thoughts make haste to join these "fine revelers," rejoicing in

the sense of freedom and mystery, delighting in the mist and the wind,

careless of attaining so that we may follow the shining trails, all is

well.

As there are poems which are not meant to be understood, so there are

poems that are not meant to be read; that is, to be read through. There

is Keats's "Endymion," for instance. I have never been able to get on

with it. Yet it is delightful,--that is the very reason why I do not

care to get on with it. Wherever I begin, I feel that I might as well

stay where I am. It is a sweet wilderness into which the reader is

introduced.

"Paths there were many,

Winding through palmy fern and rushes fenny

And ivy banks; all leading pleasantly

To a wide lawn...

Who could tell

The freshness of the space of heaven above,

Edged round with dark tree-tops?--through which a dove

Would often beat its wings, and often, too,

A little cloud would move across the blue."

We are brought into the very midst of this pleasantness. Deep in the

wood we see fair faces and garments white. We see the shepherds coming

to the woodland altar.

"A crowd of shepherds with as sunburnt looks

As may be read of in Arcadian books;

Such as sat list'ning round Apollo's pipe

When the great deity, for earth too ripe,

Let his divinity o'erflowing die

In music, through the vales of Thessaly."

We see the venerable priest pouring out the sweet-scented wine, and then

we see the young Endymion himself:--

"He seemed

To common lookers-on like one who dreamed

Of idleness in groves Elysian."

What happened next? What did Endymion do? Really, I do not know. It is

so much pleasanter, at this point, to close the book, and dream "of

idleness in groves Elysian." The chances are that when one turns to the

poem again he will not begin where he left off, but at the beginning,

and read as if he had never read it before; or rather, with more

enjoyment because he has read it so many times:--

"A thing of beauty is a joy forever:

Its loveliness increases; it will never

Pass into nothingness; but still will keep

A bower quiet for us, and a sleep

Full of sweet dreams, and health, and quiet breathing."

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