The reader is requested to recall what I have said before, that in

Germany manners, customs, and creeds, matters of prejudice as well as

matters of art, and even of science, may have a beginning, {264}but

never have an end. In that ancient home of mysticism and of philosophy,

everything is permanently rooted, everything is made for eternity, like

those old oak trees of the Hercynia of antiquity: when the parent tree

is cut down, and has no longer a trunk to bear boughs and branches,

it sends forth new shoots from the roots. Druidism also has become

permanent there. We have seen it fight against the gods of the Romans;

it fought in like manner against Christianity under Witikind; it was

kept alive, though in concealment, by the first iconoclasts or image

breakers, and when that whole vast country was at last conquered and

became wholly devoted to Catholicism, it broke forth once more quite

unexpectedly in the first days of the Reformation. Luther was a Druid

still.

Thanks to this tenacity of life which characterizes creeds, and thanks

to the prolific nature of that soil, whatever seems to have disappeared,

rises again, under new forms, and whatever has perished is recalled to

life in some way or other. Let us prove this.

Among all those gods which we have mentioned before, none surely would

seem to have been more readily forgotten, swept away by the wind, which

they claimed to render useless, or buried in the dust with which they

seemed to compete, than those tiny, microscopic deities, called Monads.

{265}And yet this was by no means the case. Did they not, in fact,

represent the elementary spirits? And the worship of the elements

continued in spite of all other creeds which tried to suppress it

forever.

Only these atomic deities, still quite small, exceedingly small, had

increased in the most astonishing manner, when compared with their

original diminutiveness. They had even assumed a form and a body, a

visible body and a shape by no means void of grace.

They had become Alps or Alfs, better known afterwards under their

Eastern designation of Sylphs.

It happened occasionally that a belated traveller, a peasant or a

charcoal burner, returning homeward from a wedding towards the beginning

of night, would be fortunate enough to meet at a clearing in the woods

or on the banks of a brook with a band of little goblins, who were

making merry in the dim twilight.

These were Sylphs, a little people flying in swarms through the air,

making their nest in a flower or building one with a few bits of grass

at the foot of a broom-sedge, and going out only in the evening to pay

visits and as good neighbors to perform their social duties.

If the traveller, the peasant, or the charcoal burner {266}had walked

softly on the fine sand of the brook or on a grass-grown path on which

his steps could not be heard, and if he had then stopped in time so as

to be able to see without being seen, he might witness their gambols and

ascertain the secrets of their private life, without running any risk.

[Illustration: 286]

Have you, dear reader, have you heard Mercutio, in Shakespeare’s “Romeo

and Juliet,” relate how Queen Mab came, and say:--{267}

“Oh, then, I see, Queen Mab hath been with you.....

Her wagon spokes made of long spinners’ legs,

The cover of the wings of grasshoppers,

The traces of the smallest spider’s web,

The collars of the moonshine’s watery beams,

Her whip of cricket’s bone, the lash of film,

Her wagoner, a small, gray-coated gnat!”

Well, the peasant, the traveller, or the charcoal burner, enjoyed a

sight which was by no means less curious.

Some of his Sylphs, suspending a thread of gossamer from one blade of

grass to another, made a delightful swing for their amusement, or took a

spiders web to supply them with a hammock. Others danced wildly about

in the air, beating their tiny wings with harmonious accuracy and

furnishing thus an orchestra for the aerial ball.

Not far from them some little sylph ladies, no doubt excellent

housekeepers, were washing their linen in the beams of the moon, or

preparing a feast.

The provisions consisted of a mixture of honey with the nectar of

flowers, a few drops of milk which the hanging udders of young heifers

had left on the high grass, and a few pearls of that precious dew which

aromatic plants secrete; this mixture was used as a seasoning for some

butterfly-eggs beaten up white as snow.

If during the repast darkness fell upon them and {268}suddenly

covered the guests with its sombre cloak, other hobgoblins, the

Will-o’-the-Wisps, with wings of fire, came and took seats at the

hospitable table, paying for their entertainment by diffusing a pleasant

light all over the place.

The principal occupation of these elves consisted in walking before

the wanderer who had lost his way so as to lead him back again into the

right path.

Such were some of the harmless spirits of Air and Fire. Everything

has, however, been changed in these two elements. The Will-o’-the-Wisps

especially, angry at the reports of wicked people, that they are nothing

more than the products of burning hydrogen, or at best phosphorus in

a volatile form floating above damp places, have conceived a veritable

hatred against men and now only appear when they wish to tempt

travellers into marshes and deep ravines.

As to the Sylphs, they also seem to have heard similar stories which

have been told about them, or they may have been irritated by the

chemist Liebig, who in his “Treatise on the Composition of the Air,”

absolutely denies their existence, having found in his apparatus neither

Sylphs nor Sylphides.

They have changed into faithless Elves, hostile to men, like the other

Gnomes.{269}

[Illustration: 289]

{271}The Fairies of our day are divided into two formidable classes.

The White Fairies are damsels who wander about on meadows and in woods,

like the Willis of the Slaves, and lie in wait for inexperienced young

men, whom they persuade to join in their dances and keep dancing, till

they lose their breath and generally fall to the ground never to rise

again. German stories are full of such wicked tricks. The place where

they perform their diabolic dances, becomes quite silvery under their

feet. The shepherds can thus at once recognize the place where they have

been, and are sure to hasten away at once with their flocks.

[Illustration: 291]

The Black Fairies personify Nightmare and Somnambulism, but only Natural

Somnambulism, it must be borne in mind. {272}When men fall into this

state, the Black Elf directs all the motions of the sleeper; he lives in

him, thinks and acts for him, makes him get upon the furniture and climb

upon roofs, and keeps him from falling, unless... Poor sleeper, he allowed

them breath enough to swell the sails of a vessel or to chase the clouds

from one end of the heavens to another.

Among the Celts all magicians had been able to command the winds and

the tempests at will; even now certain men in Norway and in Lapland will

sell you, for a small price, the wind you desire to carry you home.

Careful! The Black Fairies are treacherous and cruel; the Fairy who

controls you for the moment may at any moment take a fancy to throw you

from your height.

[Illustration: 292]

The Alfs, who have thus become Elves or Fairies, are of course not the

only Spirits of the Air; their fragile and delicate structure would

never have al{272}In Germany, on the contrary, the wind was looked upon

as an elementary power. It was not deified, as in Rome, where there was

a whole windy family of gods, like Eurus, Æolus, Boreas, and Favonius,

but it was an important personage, with a will of his own and

independent action. The poets did their part to give importance to

_Master Wind._

I have in my hand a ballad, which will enable the reader to judge for

himself:--

“Gretchen, the pretty miller’s daughter, was courted by the son of the

king. Her father, the miller, knowing that kings’ sons are not apt to

marry, had chosen her a husband, a young flour merchant from Rotterdam.

“The Dutchman was on his way up the Rhine; that very evening he was

expected to arrive, to make his proposals.

“Gretchen called upon Master Wind to help her; he came in by the window,

but not without breaking a number of panes.

“‘What do you wish me to do?’

“‘A man wants to marry me, against my will; he is coming in a sail boat;

contrive it so that he cannot land at Bingen.’

“The wind blew, and blew so well that the boat, instead of coming up to

Bingen, was driven back again as far as Rotterdam. {274} “At Rotterdam

also it could not make land; it was driven into the North Sea, and there

the Dutchman is perhaps still sailing about at this day.

“But Master Wind had made his conditions before he went to work blowing

so well; and the pretty miller’s daughter had agreed to them without

hearing them, for all around her the furniture, the doors, and the

blinds were shaking and rattling furiously, thanks to her visitor. Thus

it came about that poor Gretchen found herself betrothed to Master Wind,

which made her very sad, for now she had less hope than ever of marrying

the king’s son.

“However, Master Wind was as gallant towards his fair betrothed as he

could be. Every morning, when she opened her window, he would throw

her in beautiful bouquets of flowers which he had torn off in the

neighboring gardens.

“If any young man of the village, whom she had rejected, passed without

saluting her, Master Wind was promptly at hand to carry off his hat

and send it up in the air so high, that soon it looked no bigger than a

lark. It was well for him that Master Wind did not, with the hat, take

his head off at the same time.

“One day (when Master Wind must have been asleep), the king’s son came

to the mill, made his {275}way without difficulty to Gretchen’s chamber,

and forthwith desired to kiss her. Gretchen did not object. But at once,

and although out of doors all was quiet, the tables and chairs performed

a wild dance, and the doors and windows began to slam as if they had

been mad.

“Gretchen herself began to twirl around and around in the most

unaccountable manner; her hair was loosened by an invisible hand and

whisked about her head with strange rustling and dismal whistling.

“Terrified by the sight of a tempest in a close room, the prince

cried:--

“‘Ah! accursed one, you are the betrothed of Master Wind!’

“And at the same moment a terrible gust of wind carried off the king’s

son, the miller’s daughter, and the mill, and no one ever saw or heard

anything more of them.

“Perhaps they went to join the Dutchman, who was all the time sailing

about in the North Sea, or the hat, which was still on its way in the

clouds.”

The legend does not tell us whether it was before or after this

occurrence that Master Wind married Mistress Rain.

So much for the Spirits of the Air.

As for the Spirits of the Fire, it must be remembered {276}that the

Will-o’-the-Wisps were by no means their only representatives. There

were also Salamanders, too well known to be described here; and St.

Elmo Fires, near relations of the Will-o’-the-Wisps. But we must pause

a moment to speak of the formidable Fire-damp, the miner’s terror. The

remarkable feature about it is that it plays so insignificant a part in

the popular German myths, although it has destroyed so many victims in

all mountainous countries, and above all in the Hartz mountains.

This subterranean lightning, far more fatal than that of the upper

regions, is known to the people of the Rhine simply as a tall monk, whom

they call Master Haemmerling.

Master Haemmerling visits the mines from time to time in the guise of a

harmless amateur, or of an inspector, who is not fond of being hurried.

However, on Fridays especially, he is subject to violent attacks of

anger. If a laborer handles his pickaxe awkwardly, or if he is insolent

to his master, or the master harsh to him and requiring too much, he is,

quick as a flash of lightning, between them when they are as yet half

way under ground. Then he suddenly draws his long legs together, and

between his two knees crushes their heads with as little hesitation and

ceremony as a mother would show in destroying between her two thumbs the

{277}little hateful insect that has troubled her darling child.

Nothing more need be said of the elementary spirits of Air and Fire;

but as we have followed Master Haemmerling into the lower depths of

the mountains, we might just as well remain there a while and make the

acquaintance of the Gnomes, the Spirits of the Earth.

Can you see, through the dense air which fills these immense caverns,

the long, gigantic stalactites, reaching from the ceiling to the

floor and strongly impregnated with iron? They are the columns of this

subterranean palace, and around these stalactites, peaceful, slumbering

waters form a kind of little lakes, the shores of which look as if they

were covered with rust.

Here and there, in the damp low grounds, half choked with ore and slag

of various kinds, dark reeds are growing in the shape of lizards; like

lizards they bend backwards, moving their heads from side to side and

showing thus the diamond eye which shines brilliantly at the extreme

end.

These dark depths seem to teem with fantastic creatures; close by a

heap of grains of gold, stands immovable a watchful, silent guardian,

a griffin; a pack of black dogs, also guardians of the treasures hid in

this world of precious metals and {278}stones, are roaming incessantly

along the ceiling. On the sloping sides, dwarfs not larger than

grasshoppers, and jumping about like peas in the sieve of the winnower,

are gathering right and left the tiny gold and silver spangles which

are left at their disposal, while enormous toads are posted about as

watchmen.

Finally, far back in the remotest part of these abysses the kings of

this empire are moving about; these thick-set men, with stout limbs and

monstrous heads, are the Gnomes.

But people hardly believe in Gnomes any longer; the hard-working miners

who ought to come every day in contact with them, deny their existence,

and they have gradually passed into the class of fabulous beings.

Still, I am told that as recently as last year, a pretty peasant girl

from the neighborhood of Hamburg appeared on a certain evening at a

ball, with a large ruby on her finger. She professed to have received

this gem from an Earth Spirit, who had appeared to her at the entrance

to the Faunus mines.

The gossips of the village were not satisfied, however, with the

account, and suspected the Gnome to have been an English Gnome, who

was travelling abroad for his health and courting pretty girls for his

amusement. This conviction {279}was so strong that the poor girl had to

leave the country in disgrace.

This is the last Gnome that has been mentioned in that part of Germany.

[Illustration: 299]

[Illustration: 303]

XII.

{283}Elementary Spirits of the Water.--_Petrarch at Cologne.--Divine

Judgment by Water.--Nixen and Undines.--A Furlough till Ten

o’clock.--The White-footed Undine.--Mysteries on the Rhine.--The Court

of the Great Nichus.--Nix-COBT, the Messenger of the Dead.--His Funny

Tricks.--I go in Search of an Undine._

“After leaving Aix-la-Chapelle, I had stopped at Cologne, on the left

bank of the Rhine, which I then found completely covered with several

rows of women, a countless and charming multitude....

“Adorned with flowers or aromatic herbs, the sleeves {284}pushed up above

the elbow, they dipped their soft white hands and arms into the river,

murmuring certain mysterious words which I could not understand.

“I questioned some people. They told me it was an ancient custom of the

country. Thanks to these ablutions and certain prayers which accompanied

them, the river carried down with it all the diseases, which would

otherwise have attacked them during the coming year. I answered,

smilingly: ‘How happy the people of the Rhine must be if the kind river

thus takes all their sufferings to distant countries! The Po or the

Tiber have never been able to do as much for us.’”

These are the words which Petrarch wrote in one of his familiar letters,

written on St. John’s Eve.

This letter, as precious by its date as by its contents, proves beyond

all question, that in the fourteenth century the Rhine was popularly

worshipped and adored on the very days on which the summer solstice is

celebrated by bonfires after the manner of the old fire worshippers.

Unfortunately the Christians ended by appealing to the elements, to Fire

or Water, as to a judicial authority.

The popular notion that the elements were perfectly pure and would hence

instinctively reject every impure substance, led naturally to ordeals

{285}by water. The accused was undressed; his hands and feet were tied

crosswise, the right hand to the left foot and the right foot to the

left hand, and thus bound he was thrown into a river or any watercourse

that was deep enough. If he floated, he was guilty and instantly burnt;

if he sank and remained for some time at the bottom of the water, he was

considered innocent--but he was drowned.

Heinrich Heine, at least, tells us that this was the infallible result

of justice in the Middle Ages, and the Middle Ages ended in Germany but

yesterday.

There was also a trial by bread and cheese (_exorcismus panis hordeacei,

vel casei, ad probationem veri_), but bread and cheese are not elements.

Let us return to the elementary spirits of Water.

During the great religious reaction which took place after the days

of Charlemagne, all the mythological gods of rivers and streams

had gradually returned, more or less successfully, to their former

occupations. The great Nix or Nichus, upon whom devolved the rule over

all the rivers of Germany, was no other than the ancient Niord, a

very important deity and a kind of Northern Neptune. This very weighty

discovery is due to the learned Mallet.

No doubt this god Niord was one of those who, on their disastrous flight

from Argentoratum, had {286}fallen into the Rhine. They thought that he

was drowned, but he had only taken refuge in one of the lowest, almost

unfathomable depths of the river. From this safe retreat the great

Nichus had defied the decrees of Councils and the anathemas of the

Christians hurled against all elementary spirits alike; there he had

summoned the subaltern deities of sources, ponds, lakes, and smaller

streams, the nymphs of the banks, and the hideous, scaly monsters which

swarmed at the bottom of the river. Organizing all these into a people,

an escort, and an army, he had come forth and invaded at the head of his

host the banks of the Neckar and the Main, the Moselle and the Meuse,

the great tributaries of the Rhine, and governed the inhabitants of the

banks by terror. More than once he had extended his ravages far beyond

the plains, overthrowing churches that had but just been completed, and

drowning in his waters all the deserters from the altars of Odin.

Niord was a wicked god, who had a fearful temper. He held his subjects,

to whatever class they might belong, completely under his yoke, treating

them capriciously and cruelly, and making of the Rhine a hell of waters.

It is to this dark and damp kingdom of the great Nichus that we have to

go in order to make the acquaintance, not of his great dignitaries, but

{287}of the very humblest and lowest of his subjects, the Nixen and the

male and female Undines, a race of anathematized demons, who make up, by

themselves, almost the whole population of this realm beneath the waters

of the Rhine.

What! Must we really count our beautiful Lore, the charming fairy

Lorelei, you who preferred death to the punishment of making all men

fall in love with you, much as you loved men in general, must we count

you among the demons, evildoing and accursed sprites? No! How public

opinion has stoutly held its own in defiance of all the decrees of the

Church. Nixen, like the Fairies, are by common consent divided into two

classes: Nixen proper, who are former pagan deities and not too much to

be dreaded, and female Nixen, almost always harmless and at times even

useful.

It is these latter only of whom we shall hereafter speak as Undines.

The Nixen of the first class are ever ready to assume any disguise that

may aid them in attaining their purpose. Some of them roam about in

deserted places near the banks of rivers; others have at times

appeared in the neighboring towns, pretending to be foreign ladies of

distinction, or artists, generally great performers on the harp. Here

they have begun intrigues with credulous lovers or unlucky admirers.

Others appear at village {288}celebrations, mingling in the dance with

such energy, that their partners are intoxicated, carried away, and,

losing their heads, think they continue to hear the sound of harps and

violins, while they are already far away, led on by imaginary music, and

only return to consciousness on the banks of the river, at the moment

when they are about to sink helpless into the waters of the Rhine.

[Illustration: 308]

One important point, however, must not be overlooked. To protect

one’s self against the allurements of these accursed fairies, a bit of

horehound or marjoram is sufficient. We hope all who propose visiting

the Rhine will be careful always to keep such an herb on their person.

Before they take out their passports they ought always to pay a visit to

an herbalist.

The second class of Nixen, the only one in which we are interested, the

Undines, are, as far as I have been able to learn, the restless souls of

{289}poor girls who, driven to despair by love, have thrown themselves

into the Rhine. Unfortunately German lovers, not very courageous at

best, are but too apt to seek relief in suicide.

[Illustration: 309]

According to the somewhat uncertain information for which I am indebted

to my authorities or to my intercourse with the Rosahl family, the

Undines {290}are born as human beings and very inferior in power to

the genuine Nixen. They live under the water exactly the same time they

would have lived on earth, if they had not voluntarily put an end

to their existence. They are thus granted a kind of exceptional

resurrection and have here a preliminary purgatory, in which they but

too frequently expiate, if not the sin of their love, at least that of

their death.

In the lowest depths of the river, at the bottom of vast, submerged

grottoes, a secret tribunal, presided over by the great Nichus, holds

its solemn meetings. Here they are disciplined with the utmost severity,

as is abundantly proven by a great number of terrible stories, such as

the account of the three Undines of Sinzheim, which the two brothers

Grimm report in their great work.

Three young girls of marvelous beauty, three sisters, appeared every

evening at the social meetings of Epfenbach, near Sinzheim and took

their seats among the linen-spinners. They brought new songs and merry

stories which no one had heard before. Where did they come from? No one

knew, and no one dared to ask for fear of appearing suspicious. They

were the delight of these meetings, but as soon as the clock struck ten

they rose, and neither prayers nor supplications could induce them to

stay a moment longer. {291}One evening the schoolmaster’s son, who had

fallen in love with one of them, undertook to prevent their departure

at the usual hour; he put back the wooden clock, which usually gave them

warning.

[Illustration: 311]

The next day some people from Sinzheim, who were walking by the side

of the lake, heard groans rising from the depths of the lake, while the

surface was stained by three large spots of blood. From that time the

three sisters were never seen again at the evening assemblies, and

the school{292}master’s son faded away gradually. He died very soon

afterwards.

These three sisters, so gentle, so lovely and laborious, had in nothing

betrayed a connection with the spirits of the lower world. The only

thing was, that people remembered how the hems of their garments had

frequently been wet, a sure sign by which Undines can be recognized.

Otherwise they seem to have been very much like other girls, and the

severity of the great Nichus appears hardly reasonable.

As to this hour of ten o’clock, however, military rules cannot be more

rigorous than his.

Myths of the Rhine · 第 10 / 15 段