SCENERY OF THE OHIO.

The heart must indeed be cold that would not glow among scenes like

these. Rightly did the French call this stream _La Belle Rivière_, (the

beautiful river.) The sprightly Canadian, plying his oar in cadence with

the wild notes of the boat-song, could not fail to find his heart

enlivened by the beautiful symmetry of the Ohio. Its current is always

graceful, and its shores every where romantic. Every thing here is on a

large scale. The eye of the traveller is continually regaled with

magnificent scenes. Here are no pigmy mounds dignified with the name of

mountains, no rivulets swelled into rivers. Nature has worked with a

rapid but masterly hand; every touch is bold, and the whole is grand as

well as beautiful; while room is left for art to embellish and fertilize

that which nature has created with a thousand capabilities. There is

much sameness in the character of the scenery; but that sameness is in

itself delightful, as it consists in the recurrence of noble traits,

which are too pleasing ever to be viewed with indifference; like the

regular features which we sometimes find in the face of a lovely woman,

their charm consists in their own intrinsic gracefulness, rather than in

the variety of their expressions. The Ohio has not the sprightly,

fanciful wildness of the Niagara, the St. Lawrence, or the Susquehanna,

whose impetuous torrents, rushing over beds of rocks, or dashing against

the jutting cliffs, arrest the ear by their murmurs, and delight the eye

with their eccentric wanderings. Neither is it like the Hudson, margined

at one spot by the meadow and the village, and overhung at another by

threatening precipices and stupendous mountains. It has a wild, solemn,

silent sweetness, peculiar to itself. The noble stream, clear, smooth,

and unruffled, swept onward with regular majestic force. Continually

changing its course, as it rolls from vale to vale, it always winds with

dignity, and avoiding those acute angles, which are observable in less

powerful streams, sweeps round in graceful bends, as if disdaining the

opposition to which nature forces it to submit. On each side rise the

romantic hills, piled on each other to a tremendous height; and between

them are deep, abrupt, silent glens, which at a distance seem

inaccessible to the human foot; while the whole is covered with timber

of a gigantic size, and a luxuriant foliage of the deepest hues.

Throughout this scene there is a pleasing solitariness, that speaks

peace to the mind, and invites the fancy to soar abroad, among the

tranquil haunts of meditation. Sometimes the splashing of the oar is

heard, and the boatman's song awakens the surrounding echoes; but the

most usual music is that of the native songsters, whose melody steals

pleasingly on the ear, with every modulation, at all hours, and in every

change of situation.--_Hon. Judge Hall's Letters from the West_.

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The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 350, January 3, 1829 · 第 35 / 58 题