Bartholomew thinks it is not as has sometimes been said, because a
horse has a memory stronger than a man, "but because he has fewer
things to learn. A man sees a million things. A horse's mind cannot
accommodate what a man's can, so those things he knows have a better
chance. Those few things he fixes. His memory fastens on them. I once
had a pony I had trained, which was afterwards gone from me three
years. At the end of that time I was in California exhibiting, and saw
a boy on the pony. I tried to buy him, but the boy who had owned him
all that time, refused to part with him; however, I offered such a
price that I got him, and that same evening I took him into the tent
and thought I would see what he remembered. He went through all his
old tricks (besides a few I had myself forgotten) except one. He could
not manage walking on his hind feet the distance he used to. Another
time I had a trained horse stolen from me by the Indians, and he was
off in the wilds with them a year and a half. One day, in a little
village--that was in California too--I saw him and knew him, and the
horse knew me. I went up to the Indian who had him and said, 'That is
my horse, and I can prove it.' Out there a stolen horse, no matter how
many times he has changed hands, is given up, if the owner can prove
it. The Indian said, 'If you can, you shall have him, but you won't
do it.' I said, 'I will try him in four things; I will ask him to trot
three times around a circle, to lie down, to sit up, and to bring me
my handkerchief. If he is my horse, he will do it.' The Indian said,
'You shall have him if he does, but he won't!' By this time a crowd
had got together. We put the horse in an enclosure, he did as he was
told, and I had him back."
Mr. Bartholomew said, "My motto in educating them is, 'Make haste
slowly;' I never require too much, and I never ask a horse to do what
he _can't_ do. That is of no use. A horse _can't_ learn what horses
are not capable of learning; and he can't do a thing until he
understands what you mean, and how you want it done. What good would
it do for me to ask a man a question in French if he did not know a
word of the language? I get him used to the word, and show him what
I want. If it is to climb up somewhere, I gently put his foot up and
have him keep it there until I am ready to have it come down, and
then I take it down myself. I never let the horse do it. The same with
other things, showing him how, and by words. They know a great number
of words. My horses are not influenced by signs or motions when they
are on the stage. They use their intelligence and memory, and they
associate ideas and are required to obey. They learn a great deal by
observing one another. One watches and learns by seeing the others.
I taught one horse to kneel, by first bending his knee myself, and
putting him into position. After he had learned, I took another in
who kept watch all the time, and learned partly by imitation. They are
social creatures; they love each other's company."
Most of these horses have been together now for several years, and
are fond of one another. They appear to keep the run of the whole
performance, and listen and notice like children in a school when
one or more of their number goes out to recite. It was extremely
interesting to observe them when the leap-frog game was going on.
Owing to the smallness of the stage, it was difficult for the horse
who was to make the jump to get under headway, and several times
poor Sprite, or whichever it was, would turn abruptly to make another
start, upon which every horse on her side would dart out for a chance
at giving her a nip as she went by. They all seemed throughout the
entire exhibition to feel a sort of responsibility, or at least a
pride in it, as if "this is _our_ school. See how well Bucephalus
minds, or how badly Brutus behaves! This is _our_ regiment. Don't
we march well? How fine and grand, how gallant and gay we are!" And
the wonder of it all is, not so much what any one horse can do, or
the sense of humor they show, or the great number of words they
understand, but the mental processes and nice calculation they show
in the feats where they are associated in complex ways, which require
that each must act his part independently and mind nothing about it if
another happens to make a mistake.
[Illustration: VICTORY.]
To obtain any adequate representation of these horses while
performing, it was necessary that it be done by process called
instantaneous photographing. You are aware that birds and insects are
taken by means of an instrument named the "photographic revolver,"
which is aimed at them. Recently an American, Mr. Muybridge, has been
able to photograph horses while galloping or trotting, by his "battery
of cameras," and a book on "the Horse in Motion" has for its subject
this instantaneous catching a likeness as applied to animals. But how
could any process, however swift, or ingenious, or admirable, do full
justice to the grace and spirit, the all-alive attitudes and varieties
of posture, the dalliance and charm, the freedom in action?
[Illustration: THE STORMING OF THE FORT.]
Professor Bartholomew gave his performances the name of "The Equine
Paradox." He now has his beautiful animals in delightful summer
quarters at Newport, where they are counted among the "notable
guests." He has the Opera House there for his training school for
three months, preparing new ones for next winter's exhibition, and
keeping the old ones in practice. It is pleasant to know that he cares
so faithfully for their health as to give them a home through the warm
weather in that cool retreat by the sea.
[Illustration: AFTER THE PLAY.]
QUESTIONS.
Can you put the spider's web back in its place, that once has been
swept away?
Can you put the apple again on the bough, which fell at our feet
to-day?
Can you put the lily-cup back on the stem, and cause it to live
and grow?
Can you mend the butterfly's broken wing, that you crushed with a
hasty blow?
Can you put the bloom again on the grape, or the grape again on
the vine?
Can you put the dewdrops back on the flowers, and make them
sparkle and shine?
Can you put the petals back on the rose? If you could, would it
smell as sweet?
Can you put the flour again in the husk, and show me the ripened
wheat?
Can you put the kernel back in the nut, or the broken egg in its
shell?
Can you put the honey back in the comb, and cover with wax each
cell?
Can you put the perfume back in the vase, when once it has sped
away?
Can you put the corn-silk back on the corn, or the down on the
catkins--say?
You think that my questions are trifling, dear? Let me ask you
another one:
Can a hasty word ever be unsaid, or a deed unkind, undone?
KATE LAWRENCE.
THE BRAVEST BOY IN TOWN.
He lived in the Cumberland Valley,
And his name was Jamie Brown;
But it changed one day, so the neighbors say,
To the "Bravest Boy in Town."
'Twas the time when the Southern soldiers,
Under Early's mad command,
O'er the border made their dashing raid
From the north of Maryland.
And Chambersburg unransomed
In smouldering ruins slept,
While up the vale, like a fiery gale,
The Rebel raiders swept.
And a squad of gray-clad horsemen
Came thundering o'er the bridge,
Where peaceful cows in the meadows browse,
At the feet of the great Blue Ridge;
And on till they reached the village,
That fair in the valley lay,
Defenseless then, for its loyal men,
At the front, were far away.
"Pillage and spoil and plunder!"
This was the fearful word
That the Widow Brown, in gazing down
From her latticed window, heard.
'Neath the boughs of the sheltering oak-tree,
The leader bared his head,
As left and right, until out of sight,
His dusty gray-coats sped.
Then he called: "Halloo! within there!"
A gentle, fair-haired dame
Across the floor to the open door
In gracious answer came.
"Here! stable my horse, you woman!"--
The soldier's tones were rude--
"Then bestir yourself and from yonder shelf
Set out your store of food!"
For her guest she spread the table;
She motioned him to his place
With a gesture proud; then the widow bowed,
And gently--asked a grace.
"If thine enemy hunger, feed him!
I obey, dear Christ!" she said;
A creeping blush, with its scarlet flush,
O'er the face of the soldier spread.
He rose: "You have said it, madam!
Standing within your doors
Is the Rebel foe; but as forth they go
They shall trouble not you nor yours!"
Alas, for the word of the leader!
Alas, for the soldier's vow!
When the captain's men rode down the glen,
They carried the widow's cow.
It was then the fearless Jamie
Sprang up with flashing eyes,
And in spite of tears and his mother's fears,
On the gray mare, off he flies.
Like a wild young Tam O'Shanter
He plunged with piercing whoop,
O'er field and brook till he overtook
The straggling Rebel troop.
Laden with spoil and plunder,
And laughing and shouting still,
As with cattle and sheep they lazily creep
Through the dust o'er the winding hill.
"Oh! the coward crowd!" cried Jamie;
"There's Brindle! I'll teach them now!"
And with headlong stride, at the captain's side,
He called for his mother's cow.
"Who are _you_, and who is your mother?--
I promised she should not miss?--
Well! upon my word, have I never heard
Of assurance like to this!"
"Is your word the word of a soldier?"--
And the young lad faced his foes,
As a jeering laugh, in anger half
And half in sport, arose.
But the captain drew his sabre,
And spoke, with lowering brow:
"Fall back into line! The joke is mine!
Surrender the widow's cow!"
And a capital joke they thought it,
That a barefoot lad of ten
Should demand his due--and get it too--
In the face of forty men.
And the rollicking Rebel raiders
Forgot themselves somehow,
And three cheers brave for the hero gave,
And three for the brindle cow.
He lived in the Cumberland Valley,
And his name _was_ Jamie Brown;
But it changed that day, so the neighbors say,
To the "Bravest Boy in Town."
MRS. EMILY HUNTINGTON NASON.
THE WOLF AND THE GOSLINGS.
An old gray goose walked forth with pride,
With goslings seven at her side;
A lovely yellowish-green they were,
And very dear to her.
She led them to the river's brink
To paddle their feet awhile and drink,
And there she heard a tale that made
Her very soul afraid.
A neighbor gabbled the story out,
How a wolf was known to be thereabout--
A great wolf whom nothing could please
As well as little geese.
So, when, as usual, to the wood
She went next day in search of food,
She warned them over and over, before
She turned to shut the door:
[Illustration]
"My little ones, if you hear a knock
At the door, be sure and not unlock,
For the wolf will eat you, if he gets in,
Feathers and bones and skin.
"You will know him by his voice so hoarse,
By his paws so hairy and black and coarse."
And the goslings piped up, clear and shrill,
"We'll take great care, we will."
The mother thought them wise and went
To the far-off forest quite content;
But she was scarcely away, before
There came a rap at the door.
"Open, open, my children dear,"
A gruff voice cried: "your mother is here."
But the young ones answered, "No, no, no,
Her voice is sweet and low;
"And you are the wolf--so go away,
You can't get in, if you try all day."
He laughed to himself to hear them talk,
And wished he had some chalk,
To smooth his voice to a tone like geese;
So he went to the merchant's and bought a piece,
And hurried back, and rapped once more.
"Open, open the door,
"I am your mother, dears," he said.
But up on the window ledge he laid,
In a careless way, his great black paw,
And this the goslings saw.
"No, no," they called, "that will not do,
Our mother has not black hands like you;
For you are the wolf, so go away,
You can't get in to-day."
The baffled wolf to the old mill ran,
And whined to the busy miller man:
"I love to hear the sound of the wheel
And to smell the corn and meal."
The miller was pleased, and said "All right;
Would you like your cap and jacket white?"
At that he opened a flour bin
And playfully dipped him in.
He floundered and sneezed a while, then, lo,
He crept out white as a wolf of snow.
"If chalk and flour can make me sweet,"
He said, "then I'm complete."
[Illustration]
For the third time back to the house he went,
And looked and spoke so different,
That when he rapped, and "Open!" cried,
The little ones replied,
"If you show us nice clean feet, we will."
And straightway, there on the window-sill
His paws were laid, with dusty meal
Powdered from toe to heel.
[Illustration]
Yes, they were white! So they let him in,
And he gobbled them all up, feathers and skin!
Gobbled the whole, as if 'twere fun,
Except the littlest one.
An old clock stood there, tick, tick, tick,
And into that he had hopped so quick
The wolf saw nothing, and fancied even
He'd eaten all the seven.
But six were enough to satisfy;
So out he strolled on the grass to lie.
And when the gray goose presently
Came home--what did she see?
Alas, the house door open wide,
But no little yellow flock inside;
The beds and pillows thrown about;
The fire all gone out;
The chairs and tables overset;
The wash-tub spilled, and the floor all wet;
And here and there in cinders black,
The great wolf's ugly track.
She called out tenderly every name,
But never a voice in answer came,
Till a little frightened, broad-billed face
Peered out of the clock-case.
This gosling told his tale with grief,
And the gray goose sobbed in her handkerchief,
And sighed--"Ah, well, we will have to go
And let the neighbors know."
[Illustration]
So down they went to the river's brim,
Where their feathered friends were wont to swim,
And there on the turf so green and deep
The old wolf lay asleep.
He had a grizzly, savage look,
And he snored till the boughs above him shook.
They tiptoed round him--drew quite near,
Yet still he did not hear.
Then, as the mother gazed, to her
It seemed she could see his gaunt side stir--
Stir and squirm, as if under the skin
Were something alive within!
"Go back to the house, quick, dear," she said,
"And fetch me scissors and needle and thread.
I'll open his ugly hairy hide,
And see what is inside."
[Illustration]
She snipped with the scissors a criss-cross slit,
And well rewarded she was for it,
For there were her goslings--six together--
With scarcely a rumpled feather.
The wolf had eaten so greedily,
He had swallowed them all alive you see,
So, one by one, they scrambled out,
And danced and skipped about.
Then the gray goose got six heavy stones,
And placed them in between the bones;
She sewed him deftly, with needle and thread,
And then with her goslings fled.
The wolf slept long and hard and late,
And woke so thirsty he scarce could wait.
So he crept along to the river's brink
To get a good cool drink.
But the stones inside began to shake,
And make his old ribs crack and ache;
And the gladsome flock, as they sped away,
Could hear him groan, and say:--
"What's this rumbling and tumbling?
What's this rattling like bones?
I thought I'd eaten six small geese,
But they've turned out only stones."
He bent his neck to lap--instead,
He tumbled in, heels over head;
And so heavy he was, as he went down
He could not help but drown!
And after that, in thankful pride,
With goslings seven at her side,
The gray goose came to the river's brink
Each day to swim and drink.
AMANDA B. HARRIS.
[Illustration]
THE BISHOP'S VISIT.
Tell you about it? Of course I will!
I thought 'twould be dreadful to have him come,
For mamma said I must be quiet and still,
And she put away my whistle and drum.--
[Illustration]
And made me unharness the parlor chairs,
And packed my cannon and all the rest
Of my noisiest playthings off up-stairs,
On account of this very distinguished guest.
Then every room was turned upside down,
And all the carpets hung out to blow;
For when the Bishop is coming to town
The house must be in order, you know.
So out in the kitchen I made my lair,
And started a game of hide-and-seek;
But Bridget refused to have me there,
For the Bishop was coming--to stay a week--
And she must have cookies and cakes and pies,
And fill every closet and platter and pan,
Till I thought this Bishop, so great and wise,
Must be an awfully hungry man.
Well! at last he came; and I do declare,
Dear grandpapa, he looked just like you,
With his gentle voice and his silvery hair,
And eyes with a smile a-shining through.
And whenever he read or talked or prayed,
I understood every single word;
And I wasn't the leastest bit afraid,
Though I never once spoke or stirred;
Till, all of a sudden, he laughed right out
To see me sit quietly listening so;
And began to tell us stories about
Some queer little fellows in Mexico.
And all about Egypt and Spain--and then
He _wasn't_ disturbed by a little noise,
And said that the greatest and best of men
Once were rollicking, healthy boys.
And he thinks it is no matter at all
If a little boy runs and jumps and climbs;
And mamma should be willing to let me crawl
Through the bannister-rails in the hall sometimes.
And Bridget, sir, made a great mistake,
In stirring up such a bother, you see,
For the Bishop--he didn't care for cake,
And really liked to play games with me.
But though he's so honored in word and act--
(Stoop down, this is a secret now)--
_He couldn't spell Boston!_ That's a fact!
But whispered to me to tell him how.
MRS. EMMA HUNTINGTON NASON.
THE FIRST STEP.
To-night as the tender gloaming
Was sinking in evening's gloom,
And only the glow of the firelight
Brightened the dark'ning room,
I laughed with the gay heart-gladness
That only to mothers is known,
For the beautiful brown-eyed baby
Took his first step alone!
[Illustration: Baby's First Step.]
Hurriedly running to meet him
Came trooping the household band,
Joyous, loving and eager
To reach him a helping hand,
To watch him with silent rapture,
To cheer him with happy noise,
My one little fair-faced daughter
And four brown romping boys.
Leaving the sheltering arms
That fain would bid him rest
Close to the love and the longing,
Near to the mother's breast;
Wild with laughter and daring,
Looking askance at me,
He stumbled across through the shadows
To rest at his father's knee.
Baby, my dainty darling,
Stepping so brave and bright
With flutter of lace and ribbon
Out of my arms to-night,
Helped in thy pretty ambition
With tenderness blessed to see,
Sheltered, upheld, and protected--
How will the last step be?
See, we are all beside you
Urging and beckoning on,
Watching lest aught betide you
Till the safe near goal is won,
Guiding the faltering footsteps
That tremble and fear to fall--
How will it be, my darling,
With the last sad step of all?
Nay! Shall I dare to question,
Knowing that One more fond
Than all our tenderest loving
Will guide the weak feet beyond!
And knowing beside, my dearest,
That whenever the summons, 'twill be
But a stumbling step through the shadows,
Then rest--at the Father's knee!
M.E.B.
BINGEN ON THE RHINE.
A Soldier of the Legion lay dying in Algiers,
There was lack of woman's nursing, there was dearth of woman's
tears;
But a comrade stood beside him while his life-blood ebbed away,
And bent with pitying glances to hear what he might say.
The dying soldier faltered, as he took that comrade's hand,
And he said, "I never more shall see my own, my native land;
Take a message, and a token to some distant friends of mine,
For I was born at Bingen, at Bingen on the Rhine.
"Tell my brothers and companions when they meet and crowd around
To hear my mournful story, in the pleasant vineyard ground,
That we fought the battle bravely, and when the day was done,
Full many a corse lay ghastly pale beneath the setting sun;
And, 'mid the dead and dying, were some grown old in wars,
The death-wound on their gallant breasts, the last of many scars;
And some were young, and suddenly beheld life's morn decline,
And one had come from Bingen, fair Bingen on the Rhine.
"Tell my mother that her other son shall comfort her old age;
For I was still a truant bird, that thought his home a cage.
For my father was a soldier, and even as a child
My heart leaped forth to hear him tell of struggles fierce and wild;
And when he died and left us to divide his scanty hoard
I let them take whate'er they would, but I kept my father's sword;
And with boyish love I hung it where the bright light used to shine
On the cottage wall at Bingen, calm Bingen on the Rhine.
"Tell my sister not to weep for me, and sob with drooping head,
When the troops come marching home again with glad and gallant
tread,
But to look upon them proudly, with a calm and steadfast eye,
For her brother was a soldier, too, and not afraid to die;
And if a comrade seek her love, I ask her in my name,
To listen to him kindly, without regret or shame,
And to hang the old sword in its place, my father's sword and mine;
For the honor of old Bingen, dear Bingen on the Rhine.
"There's another, not a sister, in the happy days gone by,
You'd have known her by the merriment that sparkled in her eye;
Too innocent for coquetry, too fond for idle scorning,
O, friend! I fear the lightest heart makes sometimes heaviest
mourning.
Tell her the last night of my life (for ere the moon be risen
My body will be out of pain, my soul be out of prison),
I dreamed I stood with her, and saw the yellow sunlight shine,
On the vine-clad hills of Bingen, fair Bingen on the Rhine.
[Illustration]
"I saw the blue Rhine sweep along; I heard, or seemed to hear,
The German songs we used to sing in chorus sweet and clear;
And down the pleasant river and up the slanting hill,
The echoing chorus sounded, through the evening calm and still;
And her glad blue eyes were on me, as we passed, with friendly talk
Down many a path beloved of yore, and well remembered walk,
And her little hand lay lightly, confidingly, in mine,
But we'll meet no more at Bingen, loved Bingen on the Rhine."
His trembling voice grew faint and hoarse, his grasp was childish
weak,
His eyes put on a dying look, he sighed, and ceased to speak;
His comrade bent to lift him, but the spark of life had fled--
The soldier of the Legion in a foreign land is dead;
And the soft moon rose up slowly, and calmly she looked down
On the red sand of the battle-field with bloody corses strewn;
Yet calmly on that dreadful scene her pale light seemed to shine,
As it shone on distant Bingen, fair Bingen on the Rhine.
CAROLINE E.S. NORTON.
OSITO.
On the lofty mountain that faced the captain's cabin the frost had
already made an insidious approach, and the slender thickets of
quaking ash that marked the course of each tiny torrent, now stood
out in resplendent hues and shone afar off like gay ribbons running
through the dark-green pines. Gorgeously, too, with scarlet, crimson
and gold, gleamed the lower spurs, where the oak-brush grew in dense
masses and bore beneath a blaze of color, a goodly harvest of acorns,
now ripe and loosened in their cups.
It was where one of these spurs joined the parent mountain, where the
oak-brush grew thickest, and, as a consequence, the acorns were most
abundant, that the captain, well versed in wood-craft mysteries,
had built his bear trap. For two days he had been engaged upon
it, and now, as the evening drew on, he sat contemplating it with
satisfaction, as a work finished and perfected.
From his station there, on the breast of the lofty mountain, the
captain could scan many an acre of sombre pine forest with pleasant
little parks interspersed, and here and there long slopes brown with
bunch grass. He was the lord of this wild domain. And yet his sway
there was not undisputed. Behind an intervening spur to the westward
ran an old Indian trail long traveled by the Southern Utes in their
migrations north for trading and hunting purposes. And even now, a
light smoke wafted upward on the evening air, told of a band encamped
on the trail on their homeward journey to the Southwest.
The captain needed not this visual token of their proximity. He
had been aware of it for several days. Their calls at his cabin in
the lonely little park below had been frequent, and they had been
specially solicitous of his coffee, his sugar, his biscuit and other
delicacies, insomuch that once or twice during his absence these
ingenuous children of Nature had with primitive simplicity, entered
his cabin and helped themselves without leave or stint.
However, as he knew their stay would be short, the captain bore
these neighborly attentions with mild forbearance. It was guests more
graceless than these who had roused his wrath.
From their secret haunts far back towards the Snowy Range the bears
had come down to feast upon the ripened acorns, and so doing, had
scented the captain's bacon and sugar afar off and had prowled by
night about the cabin. Nay, more, three days before, the captain,
having gone hurriedly away and left the door loosely fastened, upon
his return had found all in confusion. Many of his eatables had
vanished, his flour sack was ripped open, and, unkindest cut of all,
his beloved books lay scattered about. At the first indignant glance
the captain had cried out, "Utes again!" But on looking around he saw
a tell-tale trail left by floury bear paws.
Hence this bear trap.
It was but a strong log pen floored with rough-hewn slabs and fitted
with a ponderous movable lid made of other slabs pinned on stout cross
pieces. But, satisfied with his handiwork, the captain now arose, and,
prying up one end of the lid with a lever, set the trigger and baited
it with a huge piece of bacon. He then piled a great quantity of rock
upon the already heavy lid to further guard against the escape of any
bear so unfortunate as to enter, and shouldering his axe and rifle
walked homewards.
Whatever vengeful visions of captive bears he was indulging in were,
however, wholly dispelled as he drew near the cabin. Before the
door stood the Ute chief accompanied by two squaws. "How!" said the
chieftain, with a conciliatory smile, laying one hand on his breast of
bronze and extending the other as the captain approached.
"How!" returned the captain bluffly, disdaining the hand with a
recollection of sundry petty thefts.