Le grand Trio p. Pf. V. et Vllo. Sonata pour Pf. et Violin--qui form le

reste de ce qu'il vous a plus à me comettre. Je vous prie de vouloir payer

la some de 130 Ducats d'Holland come le poste lettre a Mr. Th. Cutts et Co.

de votre ville e de me croire avec toute l'estime et consideration

Votre tres humble Serviteur,

LOUIS VAN BEETHOVEN.

167.

TO CZERNY.[1]

MY DEAR CZERNY,--

Pray give the enclosed to your parents for the dinners the boy had recently

at your house; I positively will not accept these _gratis_. Moreover, I am

very far from wishing that your lessons should remain without

remuneration,--even those already given must be reckoned up and paid for;

only I beg you to have a little patience for a time, as nothing can be

_demanded_ from the widow, and I had and still have heavy expenses to

defray;--but I _borrow_ from you for the moment only. The boy is to be with

you to-day, and I shall come later.

Your friend,

BEETHOVEN.

[Footnote 1: Carl Czerny, the celebrated pianist and composer, for whom

Beethoven wrote a testimonial in 1805 (see No. 42). He gave lessons to

Beethoven's nephew in 1815, and naturally protested against any payment,

which gave rise to the expressions on the subject in many of his notes to

Czerny, of which there appear to be a great number.]

168.

TO CZERNY.[1]

Vienna, Feb. 12, 1816.

DEAR CZERNY,--

I cannot see you to-day, but I will call to-morrow being desirous to talk

to you. I spoke out so bluntly yesterday that I much regretted it

afterwards. But you must forgive this on the part of an author, who would

have preferred hearing his work as he wrote it, however charmingly you

played it. I will, however, _amply_ atone for this by the violoncello

Sonata.[2]

Rest assured that I cherish the greatest regard for you as an artist, and I

shall always endeavor to prove this.

Your true friend,

BEETHOVEN.

[Footnote 1: Czerny, in the _A.M. Zeitung_, 1845, relates:--"On one

occasion (in 1812), at Schuppanzigh's concert, when playing Beethoven's

quintet with wind-instruments, I took the liberty, in my youthful levity,

to make many alterations,--such as introducing difficulties into the

passages, making use of the upper octaves, &c., &c. Beethoven sternly and

deservedly reproached me for this, in the presence of Schuppanzigh, Linke,

and the other performers."]

[Footnote 2: Opera 69, which Czerny (see _A.M. Zeitung_) was to perform

with Linke the following week.]

169.

TO RIES,--LONDON.

Vienna, Feb. 28, 1816.

... For some time past I have been far from well; the loss of my brother

affected both my spirits and my works. Salomon's death grieves me much, as

he was an excellent man whom I have known from my childhood. You are his

executor by will, while I am the guardian of my late poor brother's child.

You can scarcely have had as much vexation from Salomon's death as I have

had from that of my brother!--but I have the sweet consolation of having

rescued a poor innocent child from the hands of an unworthy mother.

Farewell, dear Ries; if I can in any way serve you, look on me as

Your true friend,

BEETHOVEN.

170.

TO GIANNATASIO DEL RIO,--VIENNA.

Feb. 1816.

SIR,--

I have great pleasure in saying that at last I intend to-morrow to place

under your care the dear pledge intrusted to me. But I must impress on you

not to permit any influence on the mother's part to decide when and where

she is to see her son. We can, however, discuss all this more minutely

to-morrow.... You must keep a watchful eye on your servant, for mine was

_bribed by her_ on one occasion. More as to this verbally, though it is a

subject on which I would fain be silent; but the future welfare of the

youth you are to train renders this unpleasant communication necessary. I

remain, with esteem,

Your faithful servant and friend,

BEETHOVEN.

171.

TO G. DEL RIO.

1816.

Your estimable lady, Mdme. A.G. [Giannatasio] is politely requested to let

the undersigned know as soon as possible (that I may not be obliged to keep

it all in my head) how many pairs of stockings, trousers, shoes, and

drawers are required, and how many yards of kerseymere to make a pair of

black trousers for my tall nephew; and for the sake of the "Castalian

Spring" I beg, without any further reminders on my part, that I may receive

an answer to this.

As for the Lady Abbess [a nickname for their only daughter], there shall be

a conference held on Carl's affair to-night, viz., if things are to

continue as they are.

Your well (and ill) born

BEETHOVEN.

172.

TO G. DEL RIO.

1816.

I heard yesterday evening, unluckily at too late an hour, that you had

something to give me; had it not been for this, I would have called on you.

I beg, however, that you will send it, as I have no doubt it is a letter

for me from the "Queen of the Night."[1] Although you gave me permission to

fetch Carl twice already, I must ask you to let him come to me when I send

for him at eleven o'clock to-morrow, as I wish to take him with me to hear

some interesting music. It is also my intention to make him play to me

to-morrow, as it is now some time since I heard him. I hope you will urge

him to study more closely than usual to-day, that he may in some degree

make up for his holiday. I embrace you cordially, and remain,

Yours truly,

LUDWIG VAN BEETHOVEN.

[Footnote 1: The "Queen of the Night" was the name given to Carl's mother

by Beethoven. She was a person of great levity of conduct and bad

reputation, and every effort was made by Beethoven to withdraw her son from

her influence, on which account he at once removed him from her care, and

placed him in this institution. She consequently appealed to the law

against him,--the first step in a long course of legal proceedings of the

most painful nature.]

173.

TO G. DEL RIO.[1]

1816.

I send you, dear sir, the cloak, and also a school-book of my Carl's, and

request you will make out a list of his clothes and effects, that I may

have it copied for myself, being obliged, as his guardian, to look

carefully after his property. I intend to call for Carl to-morrow about

half-past twelve o'clock, to take him to a little concert, and wish him to

dine with me afterwards, and shall bring him back myself. With respect to

his mother, I desire that _under the pretext_ of the boy being _so busy_,

you will not let her see him; no man on earth can know or judge of this

matter better than myself, and by any other line of conduct all my

well-matured plans for the welfare of the child might be materially

injured. I will myself discuss with you when the mother is henceforth to

have access to Carl, for I am anxious on every account to prevent the

occurrence of yesterday ever being repeated. I take all the responsibility

on myself; indeed, so far as I am concerned, the Court conferred on me full

powers, and the authority at once to counteract anything adverse to the

welfare of the boy. If they could have looked on her in the light of an

estimable mother, they assuredly would not have excluded her from the

guardianship of her child. Whatever she may think fit to assert, nothing

has been done in a clandestine manner against her. There was but one voice

in the whole council on the subject. I hope to have no further trouble in

this matter, for the burden is already heavy enough.

From a conversation I had yesterday with Adlersburg [his lawyer], it would

appear that a long time must yet elapse before the Court can decide what

really belongs to the child. In addition to all these anxieties am I also

to endure a persecution such as I have recently experienced, and from which

I thought I _was entirely rescued by your Institution_? Farewell!

I am, with esteem, your obedient

L. V. BEETHOVEN.

[Footnote 1: Beethoven's arbitrary authority had been previously sanctioned

by a decree of the Court, and the mother deprived of all power over her

son.]

174.

TO FERDINAND RIES,--LONDON.

Vienna, March 8, 1816.

My answer has been too long delayed; but I was ill, and had a great press

of business. Not a single farthing is yet come of the ten gold ducats, and

I now almost begin to think that the English are only liberal when in

foreign countries. It is the same with the Prince Regent, who has not even

sent me the cost of copying my "Battle Symphony," nor one verbal or written

expression of thanks. My whole income consists of 3400 florins in

paper-money. I pay 1100 for house-rent, and 900 to my servant and his wife;

so you may reckon for yourself what remains. Besides this, the entire

maintenance of my young nephew devolves on me. At present he is at school,

which costs 1100 florins, and is by no means a good one; so that I must

arrange a proper household and have him with me. How much money must be

made to live at all here! and yet there seems no end to

it--because!--because!--because!--but you know well what I mean.

Some commissions from the Philharmonic would be very acceptable to me,

besides, the concert. Now let me say that my dear scholar Ries must set to

work and dedicate something valuable to me, to which his master may

respond, and repay him in his own coin. How can I send you my portrait? My

kind regards to your wife. I, alas! have none. One alone I wished to

possess, but never shall I call her mine![1] This, however, has not made me

a woman-hater.

Your true friend,

BEETHOVEN.

[Footnote 1: See the statement of Fräulein del Rio in the _Grenzboten_. We

read:--"My father's idea was that marriage alone could remedy the sad

condition of Beethoven's household matters; so he asked him whether he knew

any one, &c., &c. Our long-existing presentiment was then realized." His

love was unfortunate. Five years ago he had become acquainted with a person

with whom he would have esteemed it the highest felicity of his life to

have entered into closer ties; but it was vain to think of it, being almost

an impossibility! a chimera! and yet his feelings remained the same as the

very first day he had seen her! He added, "that never before had he found

such harmony! but no declaration had ever been made, not being able to

prevail on himself to do so." This conversation took place in Sept. 1816,

at Helenenthal, in Baden, and the person to whom he alluded was undoubtedly

Marie L. Pachler-Koschak in Gratz. (See No. 80.)]

175.

TO F. RIES.

Vienna, April 3, 1816.

Neate[1] is no doubt in London by this time. He took several of my works

with him, and promised to do the best he could for me.

The Archduke Rudolph [Beethoven's pupil, see No. 70] also plays your works

with me, my dear Ries; of these "Il Sogno" especially pleased us. Farewell!

Remember me to your charming wife, and to any fair English ladies who care

to receive my greetings.

Your true friend,

BEETHOVEN.

[Footnote 1: Charles Neate, a London artist, as Schindler styles him in his

_Biography_ (II. 254), was on several different occasions for some time

resident in Vienna, and very intimate with Beethoven, whom he tried to

persuade to come to London. He also was of great service in promoting the

sale of his works. A number of Neate's letters, preserved in the Berlin

State Library, testify his faithful and active devotion and attachment to

the master.]

176.

POWER OF ATTORNEY.

Vienna, May 2, 1816.

I authorize Herr v. Kauka, Doctor of Laws in the kingdom of Bohemia,

relying on his friendship, to obtain for me the receipt of 600 florins

W.W., payable at the treasury of Prince Kinsky, from the house of Ballabene

in Prague, and after having drawn the money to transmit the same to me as

soon as possible.

Witness my hand and seal.

LUDWIG VAN BEETHOVEN.

177.

TO F. RIES.

Vienna, June 11, 1816.

MY DEAR RIES,--

I regret much to put you to the expense of postage on my account; gladly as

I assist and serve every one, I am always unwilling myself to have recourse

to others. I have as yet seen nothing of the ten ducats, whence I draw the

inference that in England, just as with us, there are idle talkers who

prove false to their word. I do not at all blame you in this matter. I have

not heard a syllable from Neate; so I do wish you would ask him whether he

has disposed of the F minor Concerto. I am almost ashamed to allude to the

other works I intrusted to him, and equally so of myself, for having given

them to him so confidingly, devoid of all conditions save those suggested

by his own friendship and zeal for my interests.

A translation has been sent to me of an article in the "Morning Chronicle"

on the performance of the Symphony. Probably it will be the same as to this

and all the other works Neate took with him as with the "Battle Symphony;"

the only profit I shall derive will be reading a notice of their

performance in the newspapers.

178.

TO G. DEL RIO.

1816.

MY WORTHY G.,--

I beg you will send Carl to me with the bearer of this letter; otherwise I

shall not be able to see him all day, which would be contrary to his own

interest, as my influence seems to be required; in the same view, I beg you

will give him a few lines with a report of his conduct, so that I may enter

at once on any point where improvement is necessary.

I am going to the country to-day, and shall not return till rather late at

night; being always unwilling to infringe your rules, I beg you will send

some night-things with Carl, so that if we return too late to bring him to

you to-day, I can keep him all night, and take him back to you myself early

next morning.

In haste, always yours,

L. V. BEETHOVEN.

179.

TO G. DEL RIO.

1816.

I must apologize to you, my good friend, for Carl having come home at so

late an hour. We were obliged to wait for a person who arrived so late that

it detained us, but I will not soon repeat this breach of your rules. As to

Carl's mother, I have now decided that your wish not to see her again in

your house shall be acceded to. This course is far more safe and judicious

for our dear Carl, experience having taught me that every visit from his

mother leaves a root of bitterness in the boy's heart, which may injure,

but never can benefit him. I shall strive to arrange occasional meetings at

my house, which is likely to result in everything being entirely broken off

with her. As we thoroughly agree on the subject of Carl's mother, we can

mutually decide on the mode of his education.

Your true friend,

BEETHOVEN.

180.

TO THE ARCHDUKE RUDOLPH.

Vienna, July 11, 1816.

Your kindness towards me induces me to hope that you will not attribute to

any _selfish_ design on my part the somewhat audacious (though only as to

the surprise) dedication annexed. The work[1] was written for Y.R.H., or

rather, it owes its existence to you, and this the world (the musical

world) ought to know. I shall soon have the honor of waiting on Y.R.H. in

Baden. Notwithstanding all the efforts of my physician, who will not allow

me to leave this, the weakness in my chest is no better, though my general

health is improved. I hope to hear all that is cheering of your own health,

about which I am always so much interested.

[K.]

[Footnote 1: Does Beethoven here allude to the dedication of the Sonata for

pianoforte and violin in G major, Op. 96, which, though sold to a publisher

in April, 1815, was designated as quite new in the _Allgemeine Zeitung_ on

July, 29, 1816?]

181.

WRITTEN IN ENGLISH TO MR. BIRCHALL.

1816.

Received, March, 1816, of Mr. Robert Birchall, music-seller, 133 New Bond

Street, London, the sum of one hundred and thirty gold Dutch ducats, value

in English currency sixty-five pounds, for all my copyright and interest,

present and future, vested or contingent, or otherwise within the United

kingdom of Great Britain and Ireland in the four following compositions or

pieces of music composed or arranged by me, viz.:--

1st. A Grand Battle Sinfonia, descriptive of the battle and victory at

Vittoria, adapted for the pianoforte and dedicated to his Royal Highness

the Prince Regent--40 ducats.

2d. A Grand Symphony in the key of A, adapted to the pianoforte and

dedicated to--

3d. A Grand Trio for the pianoforte, violin, and violoncello in the key of

B.

4th. A Sonata for the pianoforte, with an accompaniment for the violin in

the key of G, dedicated to--

And, in consideration of such payment I hereby, for myself, my executors,

and administrators, promise and engage to execute a proper anignment

thereof to him, his executors and administrators or anignees, at his or

their request and costs, as he or they shall direct. And I likewise promise

and engage as above, that none of the above shall be published in any

foreign country, before the time and day fixed and agreed on for such

publication between R. Birchall and myself shall arrive.

L. VAN BEETHOVEN.

182.

WRITTEN IN FRENCH TO MR. BIRCHALL,--LONDON.

Vienne 22. Juilliet, 1816.

MONSIEUR,--

J'ai reçu la déclaration de proprieté de mes Oeuvres entierement cedé a

Vous pour y adjoindre ma Signature. Je suis tout a fait disposer a seconder

vos voeux si tôt, que cette affaire sera entierement en ordre, en egard de

la petite somme de 10 # d'or la quelle me vient encore pour le fieux de la

Copieture de poste de lettre etc. comme j'avois l'honneur de vous

expliquier dans une note detaillé sur ses objectes. Je vous invite donc

Monsieur de bien vouloir me remettre ces petits objects, pour me mettre

dans l'état de pouvoir vous envoyer le Document susdit. Agrées Monsieur

l'assurance de l'estime la plus parfait avec la quelle j'ai l'honneur de me

dire

LOUIS VAN BEETHOVEN.

Copying . . . . 1. 10. 0.

Postage to Amsterdam 1. 0. 0.

---- Trio . . . 2. 10. --

-----------

£5. 0. 0.

183.

TO G. DEL RIO.

July 28, 1816.

MY GOOD FRIEND,--

Various circumstances compel me to take charge of Carl myself; with this

view permit me to enclose you the amount due at the approaching quarter, at

the expiry of which Carl is to leave you. Do not, I beg, ascribe this to

anything derogatory either to yourself or to your respected institution,

but to other pressing motives connected with Carl's welfare. It is only an

experiment, and when it is actually carried out I shall beg you to fortify

me by your advice, and also to permit Carl sometimes to visit your

institution. I shall always feel the most sincere gratitude to you, and

never can forget your solicitude, and the kind care of your excellent wife,

which has fully equalled that of the best of mothers. I would send you at

least four times the sum I now do, if my position admitted of it; but at

all events I shall avail myself at a future and, I hope, a brighter day, of

every opportunity to acknowledge and to do justice to the foundation _you_

have laid for the moral and physical good of my Carl. With regard to the

"Queen of the Night," our system must continue the same; and as Carl is

about to undergo an operation in your house which will cause him to feel

indisposed, and consequently make him irritable and susceptible, you must

be more careful than ever to prevent her having access to him; otherwise

she might easily contrive to revive all those impressions in his mind which

we are so anxious to avoid. What confidence can be placed in any promise to

reform on her part, the impertinent scrawl I enclose will best prove [in

reference, no doubt, to an enclosed note]. I send it merely to show you how

fully I am justified in the precautions I have already adopted with regard

to her. On this occasion, however, I did not answer like a Sarastro, but

like a Sultan. I would gladly spare you the anxiety of the operation on

Carl, but as it must take place in your house, I beg you will inform me of

the outlay caused by the affair, and the expenses consequent on it, which I

will thankfully repay. Now farewell! Say all that is kind from me to your

dear children and your excellent wife, to whose continued care I commend my

Carl. I leave Vienna to-morrow at five o'clock A.M., but shall frequently

come in from Baden.

Ever, with sincere esteem, your

L. V. BEETHOVEN.

184.

TO G. DEL RIO.

Mdme. A.G. is requested to order several pairs of good linen drawers for

Carl. I intrust Carl to her kindness, and entirely rely on her motherly

care.

185.

TO ZMESKALL.

Baden, September 5, 1816.

DEAR Z.,--

I don't know whether you received a note that I recently left on the

threshold of your door, for the time was too short to enable me to see you.

I must therefore repeat my request about another servant, as the conduct of

my present one is such that I cannot possibly keep him.[1] He was engaged

on the 25th of April, so on the 25th of September he will have been five

months with me, and he received 50 florins on account. The money for his

boots will be reckoned from the third month (in my service), and from that

time at the rate of 40 florins per annum; his livery also from the third

month. From the very first I resolved not to keep him, but delayed

discharging him, as I wished to get back the value of my florins. In the

mean time if I can procure another, I will let this one leave my service on

the 15th of the month, and also give him 20 florins for boot money, and 5

florins a month for livery (both reckoned from the third month), making

altogether 35 florins. I ought therefore still to receive 15 florins, but

these I am willing to give up; in this way I shall at all events receive

some equivalent for my 50 florins. If you can find a suitable person, I

will give him 2 florins a day while I am in Baden, and if he knows how to

cook he can use my firewood in the kitchen. (I have a kitchen, though I do

not cook in it.) If not, I will add a few kreutzers to his wages. As soon

as I am settled in Vienna, he shall have 40 florins a month, and board and

livery as usual, reckoned from the third month in my service, like other

servants. It would be a good thing if he understood a little tailoring. So

now you have my proposals, and I beg for an answer by the 10th of this

month at the latest, that I may discharge my present servant on the 2d,

with the usual fortnight's warning; otherwise I shall be obliged to keep

him for another month, and every moment I wish to get rid of him. As for

the new one, you know pretty well what I require,--_good, steady conduct_,

a _good character_, and _not to be of a bloodthirsty nature_, that I may

feel my life to be safe, as, for the sake of various scamps in this world,

I should like to live a little longer. By the 10th, therefore, I shall

expect to hear from you on this affair. If you don't run restive, I will

soon send you my treatise on the four violoncello strings, very profoundly

handled; the first chapter devoted exclusively to entrails in general, the

second to catgut in particular. I need scarcely give you any further

warnings, as you seem to be quite on your guard against wounds inflicted

before certain fortresses. The most _profound peace_ everywhere prevails!!!

Farewell, my good _Zmeskällchen_! I am, as ever, _un povero musico_ and

your friend,

BEETHOVEN.

N.B. I shall probably only require my new servant for some months, as, for

the sake of my Carl, I must shortly engage a housekeeper.

[Footnote 1: During a quarrel, the servant scratched Beethoven's face.]

186.

TO HERR KAUKA.

Baden, Sept. 6, 1816.

MY WORTHY K.,--

I send you herewith the receipt, according to your request, and beg that

you will kindly arrange that I should have the money by the 1st October,

and without any deduction, which has hitherto been the case; I also

particularly beg _you will not assign the money to Baron P._ (I will tell

you why when we meet; for the present let this remain between ourselves.)

Send it either direct to myself, or, if it must come through another

person, do not let it be Baron P. It would be best for the future, as the

house-rent is paid here for the great house belonging to Kinsky, that my

money should be paid at the same time. This is only my own idea. The Terzet

you heard of will soon be engraved, which is infinitely preferable to all

written music; you shall therefore receive an engraved copy, and likewise

some more of my unruly offspring. In the mean time I beg that you will see

only what is truly good in them, and look with an indulgent eye on the

human frailties of these poor innocents. Besides, I am full of cares, being

in reality father to my late brother's child; indeed I might have ushered

into the world a second part of the "Flauto Magico," having also been

brought into contact with a "Queen of the Night." I embrace you from my

heart, and hope soon in so far to succeed that you may owe some thanks to

my Muse. My dear, worthy Kauka, I ever am your truly attached friend,

BEETHOVEN.

187.

QUERY?

What would be the result were I to leave this, and indeed the kingdom of

Austria altogether? Would the life-certificate, if signed by the

authorities of a non-Austrian place, still be valid?

_A tergo._

I beg you will let me know the postage all my letters have cost you.

188.

TO G. DEL RIO.

Sunday, September 22, 1816.

Beethoven's Letters 1790-1826, Volume 1 · 第 11 / 13 段