VII.

By eight o'clock next morning Mrs. Edgar was in the church. Von Gelhorn

preceded her by five minutes; he was walking up the aisle when she

entered, impatient for her appearing, eager to be gone,--wondering,

boy-like, that she came not.

He has performed a prodigious amount of labor since they last met. His

pictures were all removed to the Odeon, he said. His studio, haunt of

dreams, beloved of fame so long, stripped and barren, looked like any

other four-walled room,--and he, a freeman, stood equipped for service.

Yes, an hour would see him speeding to the capital. In less time than it

had taken him to perfect his arrangements he should be at the

head-quarters of the commander-in-chief,--to be made a drummer-boy of,

as he said before, or serve wherever there should be room for him.

He stood there so bright, so ready, eager, daring, was capable of so

much! What had _she_ done to usurp the functions of conscience, and

assume the voice of duty? She had done what she could not revoke, and

yet could not contemplate without a sort of terror,--as if to atone, to

make amends for disloyalty, which, coming even as from herself, a crime

in which she had chief concernment, was not to be atoned for by

repentance merely, nor by any sacrifices less than the costliest. She

had sought her husband's peer,--deemed that she had found

him,--therefore would despatch him to the battle-field, by valor to meet

the valiant. But now the light by which she had hurried forward to that

deed was gone, and she stood as a prophetess may, who, deserted of the

divinity, doubts the testimony of her hour of exaltation.

While they talked,--both apparently standing at an elevation of serene

courage above the level of even warring men and heroic women, but one

causing such misgiving in her heart as to fix her in that mood, and

forbid an extrication,--Fate led a lady down the street, who, passing by

the church and seeing the door ajar, went in. She should find in the

choir some written music, used in yesterday's services, which she had

forgotten to bring away. Out of the pure, bright sunshine she stepped

into the dark, cold shadows, and had come to the choir before she heard

the voices speaking there. Shrined saints that hold your throne-like

niches in the old stone walls! gilded cherubim that hover round the

organ's burnished pipes! what sight do you look down upon? She walked up

quietly,--it was her way, a noiseless, gliding way,--there stood the

organist and Adam von Gelhorn! As if hell had made a revelation, she

stood looking at those two. And both saw her, and neither of the three

uttered one word, or essayed a motion, till she, quietly, it seemed,

though it was with utmost violence, turned to go again.

Then--soft the voice sounded, but to her who spoke there was thunder in

it--the organist called after her, "Sybella!"

She, however, did not turn to answer, neither did she falter in going.

Departure was the one thing of which she was capable,--and what could

have hindered her going? What checks Vesuvius, when the flood says, "Lo,

I come!"? Or shall the little bird that perches and sings on a post in

the Dismal Swamp prevent the message that sweeps along the wire for a

thousand miles?

Von Gelhorn, disturbed by her coming and departure, in that so slight

vibration of air caused by her advance and her retreat, swayed as a reed

in the wind, stood for a moment seeking equipoise. Vain endeavor!

Not with inquiry, neither for direction, his eyes fell on Julia Edgar.

"Go," she said.

She said it aloud; no utterance could have been more distinct. He strode

after Sybella.

She heard him come, but did not pause, or turn, or falter. He came

faster, gained upon, and overtook her. It was just there by the

church-door. And then he spoke. But not like a warrior. It was a hoarse

whisper she heard, and her name in it. At _that_ call she turned. When

she saw his face, she stood.

Why avert her face, indeed, or why go on?

"I am going away,--in search of death, perhaps. I don't know. But to

battle. Will you not come back and listen one moment?"

She stood as if she could stand. Why did he plead but for one moment?

Battle! before that word she laid down her weapons. Under that glare of

awful fire the walls of ice melted, as never iceberg under tropic sun.

Battle! One out of the world who had been so long out of _her_ world!

Out of her world? So is beauty dead and past all resurrection of a

surety, when the dismal winds of March howl over land and sea!

"Yesterday," he said, "I came to church. Not to hear you, but I heard

you. You conquered me. I was giving a word for you to your friend and

mine, when God led you in here. Do not try to thwart Him. We have tried

it long enough. If you should go into my studio,--no, there's no such

place now, but if you went into the Odeon, you would see some faces

there that would tell you who has haunted my dreams and my heart these

years. Forgive me now that I'm going away. Let me hear you speak the

very word, Sybella."

How long must sinner call on God before he sees the smile of Love making

bright the heavens, glad the earth, possible all holiness, probable all

blessing? For He has built no walls, fastened no bars and bolts, blasted

no present, cursed no future. If Love be large, rich, free, strong

enough, it brings itself with one swift bound into the Heavenly Kingdom

where the Powers of Darkness have almost prevailed.

When Mrs. Edgar saw these two coming up the aisle together, she

understood, and, turning full towards them, sang a song such as was

never heard before within those old gray walls.

The Atlantic Monthly, Volume 13, No. 77, March, 1864 A Magazine of Literature, Art, and Politics · 第 18 / 50 题