THE HAUNT OF THE HARE

It is never so much winter in the country as it is in the town. The

trees are still there, and in and about them birds remain. "Quip!

whip!" sounds from the elms; "Whip! quip!" Redwing thrushes threaten

with the "whip" those who advance towards them; they spend much of the

day in the elm-tops. Thick tussocks of old grass are conspicuous at the

skirt of a hedge; half green, half grey, they contrast with the bare

thorn. From behind one of these tussocks a hare starts, his

black-tipped ears erect, his long hinder limbs throwing him almost like

a grasshopper over the sward--no creature looks so handsome or

startling, and it is always a pleasant surprise to see him. Pheasant or

partridge do not surprise in the least--they are no more than any other

bird; but a hare causes quite a different feeling. He is perfectly

wild, unfed, untended, and then he is the largest animal to be shot in

the fields. A rabbit slips along the mound, under bushes and behind

stoles, but a hare bolts for the open, and hopes in his speed. He

leaves the straining spaniel behind, and the distance between them

increases as they go. The spaniel's broad hind paws are thrown wide

apart as he runs, striking outwards as well as backwards, and his large

ears are lifted by the wind of his progress. Overtaken by the

cartridge, still the hare, as he lies in the dewy grass, is handsome;

lift him up and his fur is full of colour, there are layers of tint,

shadings of brown within it, one under the other, and the surface is

exquisitely clean. The colours are not really bright, at least not

separately; but they are so clean and so clear that they give an

impression of warmth and brightness. Even in the excitement of sport

regret cannot but be felt at the sight of those few drops of blood

about the mouth which indicate that all this beautiful workmanship must

now cease to be. Had he escaped the sportsman would not have been

displeased.

The black bud-sheaths of the ash may furnish a comparison for his

ear-tips; the brown brake in October might give one hue for his fur;

the yellow or buff bryony leaf perhaps another; the clematis is not

whiter than the white part. His colours, as those of so many of our

native wild creatures, appear selected from the woods, as if they had

been gathered and skilfully mingled together. They can be traced or

paralleled in the trees, the bushes, grasses, or flowers, as if

extracted from them by a secret alchemy. In the plumage of the

partridge there are tints that may be compared with the brown corn, the

brown ripe grains rubbed from the ear; it is in the corn-fields that

the partridge delights. There the young brood are sheltered, there they

feed and grow plump. The red tips of other feathers are reflections of

the red sorrel of the meadows. The grey fur of the rabbit resembles the

grey ash hue of the underwood in which he hides.

A common plant in moist places, the figwort, bears small velvety

flowers, much the colour of the red velvet topknot of the goldfinch,

the yellow on whose wings is like the yellow bloom of the furze which

he frequents in the winter, perching cleverly on its prickly

extremities. In the woods, in the bark of the trees, the varied shades

of the branches as their size diminishes, the adhering lichens, the

stems of the underwood, now grey, now green; the dry stalks of plants,

brown, white, or dark, all the innumerable minor hues that cross and

interlace, there is suggested the woven texture of tints found on the

wings of birds. For brighter tones the autumn leaves can be resorted

to, and in summer the finches rising from the grass spring upwards from

among flowers that could supply them with all their colours. But it is

not so much the brighter as the undertones that seem to have been drawn

from the woodlands or fields. Although no such influence has really

been exerted by the trees and plants upon the living creatures, yet it

is pleasant to trace the analogy. Those who would convert it into a

scientific fact are met with a dilemma to which they are usually

oblivious, _i.e._ that most birds migrate, and the very tints which in

this country might perhaps, by a stretch of argument, be supposed to

conceal them, in a distant climate with a different foliage, or none,

would render them conspicuous. Yet it is these analogies and

imaginative comparisons which make the country so delightful.

One day in autumn, after toiling with their guns, which are heavy in

the September heats, across the fields and over the hills, the

hospitable owner of the place suddenly asked his weary and thirsty

friend which he would have, champagne, ale, or spirits. They were just

then in the midst of a cover, the trees kept off the wind, the

afternoon sun was warm, and thirst very natural. They had not been

shooting in the cover, but had to pass through to other cornfields. It

seemed a sorry jest to ask which would be preferred in that lonely and

deserted spot, miles from home or any house whence refreshment could be

obtained--wine, spirits, or ale?--an absurd question, and irritating

under the circumstances. As it was repeated persistently, however, the

reply was at length given, in no very good humour, and wine chosen.

Forthwith putting down his gun, the interrogator pushed in among the

underwood, and from a cavity concealed beneath some bushes drew forth a

bottle of champagne. He had several of these stores hidden in various

parts of the domain, ready whichever way the chance of sport should

direct their footsteps.

Now the dry wild parsnip, or "gicks," five feet high, stands dead and

dry, its jointed tube of dark stem surmounted with circular frills or

umbels; the teazle heads are brown, the great burdocks leafless, and

their burs, still adhering, are withered; the ground, almost free of

obstruction, is comparatively easy to search over, but the old

sportsman is too cunning to bury his wine twice in the same place, and

it is no use to look about. No birds in last year's nests--the winds

have torn and upset the mossy structures in the bushes; no champagne in

last year's cover. The driest place is under the firs, where the

needles have fallen and strew the surface thickly. Outside the wood, in

the waggon-track, the beech leaves lie on the side of the mound, dry

and shrivelled at the top, but stir them, and under the top layer they

still retain the clear brown of autumn.

The ivy trailing on the bank is moist and freshly green. There are two

tints of moss; one light, the other deeper--both very pleasant and

restful to the eye. These beds of moss are the greenest and brightest

of the winter's colours. Besides these there are ale-hoof, or

ground-ivy leaves (not the ivy that climbs trees), violet leaves,

celandine mars, primrose mars, foxglove mars, teazle mars, and barren

strawberry leaves, all green in the midst of winter. One tiny white

flower of barren strawberry has ventured to bloom. Round about the

lower end of each maple stick, just at the ground, is a green wrap of

moss. Though leafless above, it is green at the foot. At the verge of

the ploughed field below, exposed as it is, chickweed, groundsel, and

shepherd's-purse are flowering. About a little thorn there hang

withered red berries of bryony, as if the bare thorn bore fruit; the

bine of the climbing plant clings to it still; there are traces of "old

man's beard," the white fluffy relics of clematis bloom, stained brown

by the weather; green catkins droop thickly on the hazel. Every step

presents some item of interest, and thus it is that it is never so much

winter in the country. Where fodder has been thrown down in a pasture

field for horses, a black congregation of rooks has crowded together in

a ring. A solitary pole for trapping hawks stands on the sloping ground

outside the cover. These poles are visited every morning when the trap

is there, and the captured creature put out of pain. Of the cruelty of

the trap itself there can be no doubt; but it is very unjust to assume

that therefore those connected with sport are personally cruel. In a

farmhouse much frequented by rats, and from which they cannot be driven

out, these animals are said to have discovered a means of defying the

gin set for them. One such gin was placed in the cheese-room, near a

hole from which they issued, but they dragged together pieces of straw,

little fragments of wood, and various odds and ends, and so covered the

pan that the trap could not spring. They formed, in fact, a bridge over

it.

Red and yellow fungi mark decaying places on the trunks and branches of

the trees; their colour is brightest when the boughs are bare. By a

streamlet wandering into the osier beds the winter gnats dance in the

sunshine, round about an old post covered with ivy, on which green

berries are thick. The warm sunshine gladdens the hearts of the

moorhens floating on the water yonder by the bushes, and their singular

note, "coorg-coorg," is uttered at intervals. In the plantation close

to the house a fox resides as safe as King Louis in "Quentin Durward,"

surrounded with his guards and archers and fortified towers, though

tokens of his midnight rambles, in the shape of bones, strew the front

of his castle. He crosses the lawn in sight of the windows

occasionally, as if he really knew and understood that his life is

absolutely safe at ordinary times, and that he need beware of nothing

but the hounds.

The Open Air · 第 38 / 56 题