II

In August the unclouded sun, when there is no wind, shines as fervently

in the harvest-field as in Spain. It is doubtful if the Spanish people

feel the heat so much as our reapers; they have their siesta; their

habits have become attuned to the sun, and it is no special strain upon

them. In India our troops are carefully looked after in the hot

weather, and everything made as easy for them as possible; without care

and special clothing and coverings for the head they could not long

endure. The English simoon of heat drops suddenly on the heads of the

harvesters and finds them entirely unprepared; they have not so much as

a cooling drink ready; they face it, as it were, unarmed. The sun

spares not; It is fire from morn till night. Afar in the town the

sun-blinds are up, there is a tent on the lawn in the shade, people

drink claret-cup and use ice; ice has never been seen in the

harvest-field. Indoors they say they are melting lying on a sofa in a

darkened room, made dusky to keep out the heat. The fire falls straight

from the sky on the heads of the harvesters--men, women, and

children--and the white-hot light beats up again from the dry straw and

the hard ground.

The tender flowers endure; the wide petal of the poppy, which withers

between the fingers, lies afloat on the air as the lilies on water,

afloat and open to the weight of the heat. The red pimpernel looks

straight up at the sky from the early morning till its hour of closing

in the afternoon. Pale blue speedwell does not fade; the pale blue

stands the warmth equally with the scarlet. Far in the thick wheat the

streaked convolvulus winds up the stalks, and is not smothered for want

of air though wrapped and circled with corn. Beautiful though they are,

they are bloodless, not sensitive; we have given to them our feelings,

they do not share our pain or pleasure. Heat has gone into the hollow

stalks of the wheat and down the yellow tubes to the roots, drying them

in the earth. Heat has dried the leaves upon the hedge, and they touch

rough--dusty rough, as books touch that have been lying unused; the

plants on the bank are drying up and turning white. Heat has gone down

into the cracks of the ground; the bar of the stile is so dry and

powdery in the crevices that if a reaper chanced to drop a match on it

there would seem risk of fire. The still atmosphere is laden with heat,

and does not move in the corner of the field between the bushes.

Roger the reaper smoked out his tobacco; the children played round and

watched for scraps of food; the women complained of the heat; the men

said nothing. It is seldom that a labourer grumbles much at the

weather, except as interfering with his work. Let the heat increase, so

it would only keep fine. The fire in the sky meant money. Work went on

again; Roger had now to go to another field to pitch--that is, help to

load the waggon; as a young man, that was one of the jobs allotted to

him. This was the reverse. Instead of stooping he had now to strain

himself upright and lift sheaves over his head. His stomach empty of

everything but small ale did not like this any more than his back had

liked the other; but those who work for bare food must not question

their employment. Heavily the day drove on; there was more beer, and

again more beer, because it was desired to clear some fields that

evening. Monotonously pitching the sheaves, Roger laboured by the

waggon till the last had been loaded--till the moon was shining. His

brazen forehead was unbound now; in spite of the beer the work and the

perspiration had driven off the aching. He was weary but well. Nor had

he been dull during the day; he had talked and joked--cumbrously in

labourers' fashion--with his fellows. His aches, his empty stomach, his

labour, and the heat had not overcome the vitality of his spirits.

There was life enough left for a little rough play as the group

gathered together and passed out through the gateway. Life enough left

in him to go with the rest to the alehouse; and what else, oh moralist,

would you have done in his place? This, remember, is not a fancy sketch

of rural poetry; this is the reaper's real existence.

He had been in the harvest-field fourteen hours, exposed to the intense

heat, not even shielded by a pith helmet; he had worked the day through

with thew and sinew; he had had for food a little dry bread and a few

onions, for drink a little weak tea and a great deal of small beer. The

moon was now shining in the sky, still bright with sunset colours.

Fourteen hours of sun and labour and hard fare! Now tell him what to

do. To go straight to his plank-bed in the cowhouse; to eat a little

more dry bread, borrow some cheese or greasy bacon, munch it alone, and

sit musing till sleep came--he who had nothing to muse about. I think

it would need a very clever man indeed to invent something for him to

do, some way for him to spend his evening. Read! To recommend a man to

read after fourteen hours' burning sun is indeed a mockery; darn his

stockings would be better. There really is nothing whatsoever that the

cleverest and most benevolent person could suggest. Before any

benevolent or well-meaning suggestions could be effective the preceding

circumstances must be changed--the hours and conditions of labour,

everything; and can that be done? The world has been working these

thousands of years, and still it is the same; with our engines, our

electric light, our printing press, still the coarse labour of the

mine, the quarry, the field has to be carried out by human hands. While

that is so, it is useless to recommend the weary reaper to read. For a

man is not a horse: the horse's day's work is over; taken to his stable

he is content, his mind goes no deeper than the bottom of his manger,

and so long as his nose does not feel the wood, so long as it is met by

corn and hay, he will endure happily. But Roger the reaper is not a

horse.

Just as his body needed food and drink, so did his mind require

recreation, and that chiefly consists of conversation. The drinking and

the smoking are in truth but the attributes of the labourer's

public-house evening. It is conversation that draws him thither, just

as it draws men with money in their pockets to the club and the houses

of their friends. Any one can drink or smoke alone; it needs several

for conversation, for company. You pass a public-house--the reaper's

house--in the summer evening. You see a number of men grouped about

trestle-tables out of doors, and others sitting at the open window;

there is an odour of tobacco, a chink of glasses and mugs. You can

smell the tobacco and see the ale; you cannot see the indefinite power

which holds men there--the magnetism of company and conversation.

_Their_ conversation, not _your_ conversation; not the last book, the

last play; not saloon conversation; but theirs--talk in which neither

you nor any one of your condition could really join. To us there would

seem nothing at all in that conversation, vapid and subjectless; to

them it means much. We have not been through the same circumstances:

our day has been differently spent, and the same words have therefore a

varying value. Certain it is, that it is conversation that takes men to

the public-house. Had Roger been a horse he would have hastened to

borrow some food, and, having eaten that, would have cast himself at

once upon his rude bed. Not being an animal, though his life and work

were animal, he went with his friends to talk. Let none unjustly

condemn him as a blackguard for that--no, not even though they had seen

him at ten o'clock unsteadily walking to his shed, and guiding himself

occasionally with his hands to save himself from stumbling. He

blundered against the door, and the noise set the swallows on the beams

twittering. He reached his bedstead, and sat down and tried to unlace

his boots, but could not. He threw himself upon the sacks and fell

asleep. Such was one twenty-four hours of harvest-time.

The next and the next, for weeks, were almost exactly similar; now a

little less beer, now a little more; now tying up, now pitching, now

cutting a small field or corner with a fagging-hook. Once now and then

there was a great supper at the farm. Once he fell out with another

fellow, and they had a fight; Roger, however, had had so much ale, and

his opponent so much whisky, that their blows were soft and helpless.

They both fell--that is, they stumbled,--they were picked up, there was

some more beer, and it was settled. One afternoon Roger became suddenly

giddy, and was so ill that he did no more work that day, and very

little on the following. It was something like a sunstroke, but

fortunately a slight attack; on the third day he resumed his place.

Continued labour in the sun, little food and much drink, stomach

derangement, in short, accounted for his illness. Though he resumed his

place and worked on, he was not so well afterwards; the work was more

of an effort to him, and his face lost its fulness, and became drawn

and pointed. Still he laboured, and would not miss an hour, for harvest

was coming to an end, and the extra wages would soon cease. For the

first week or so of haymaking or reaping the men usually get drunk,

delighted with the prospect before them, they then settle down fairly

well. Towards the end they struggle hard to recover lost time and the

money spent in ale.

As the last week approached, Roger went up into the village and ordered

the shoemaker to make him a good pair of boots. He paid partly for them

then, and the rest next pay-day. This was a tremendous effort. The

labourer usually pays a shilling at a time, but Roger mistrusted

himself. Harvest was practically over, and after all the labour and the

long hours, the exposure to the sun and the rude lodging, he found he

should scarcely have thirty shillings. With the utmost ordinary care he

could have saved a good lump of money. He was a single man, and his

actual keep cost but little. Many married labourers, who had been

forced by hard necessity to economy, contrived to put by enough to buy

clothes for their families. The single man, with every advantage,

hardly had thirty shillings, and even then it showed extraordinary

prudence on his part to go and purchase a pair of boots for the winter.

Very few in his place would have been as thoughtful as that; they would

have got boots somehow in the end, but not beforehand. This life of

animal labour does not grow the spirit of economy. Not only in farming,

but in navvy work, in the rougher work of factories and mines, the same

fact is evident. The man who labours with thew and sinew at horse

labour--crane labour--not for himself, but for others, is not the man

who saves. If he worked for his own hand possibly he might, no matter

how rough his labour and fare; not while working for another. Roger

reached his distant home among the meadows at last, with one golden

half-sovereign in his pocket. That and his new pair of boots, not yet

finished, represented the golden harvest to him. He lodged with his

parents when at home; he was so far fortunate that he had a bed to go

to; therefore in the estimation of his class he was not badly off. But

if we consider his position as regards his own life we must recognise

that he was very badly off indeed, so much precious time and the

strength of his youth having been wasted.

Often it is stated that the harvest wages recoup the labourer for the

low weekly receipts of the year, and if the money be put down in

figures with pen and ink it is so. But in actual fact the pen-and-ink

figures do not represent the true case; these extra figures have been

paid for, and gold may be bought too dear. Roger had paid heavily for

his half-sovereign and his boots; his pinched face did not look as if

he had benefited greatly. His cautious old father, rendered frugal by

forty years of labour, had done fairly well; the young man not at all.

The old man, having a cottage, in a measure worked for his own hand.

The young man, with none but himself to think of, scattered his money

to the winds. Is money earned with such expenditure of force worth the

having? Look at the arm of a woman labouring in the

harvest-field--thin, muscular, sinewy, black almost, it tells of

continual strain. After much of this she becomes pulled out of shape,

the neck loses its roundness and shows the sinews, the chest flattens.

In time the women find the strain of it tell severely. I am not trying

to make out a case of special hardship, being aware that both men,

women, and children work as hard and perhaps suffer more in cities; I

am simply describing the realities of rural life behind the scenes. The

golden harvest is the first scene: the golden wheat, glorious under the

summer sun. Bright poppies flower in its depths, and convolvulus climbs

the stalks. Butterflies float slowly over the yellow surface as they

might over a lake of colour. To linger by it, to visit it day by day,

at even to watch the sunset by it, and see it pale under the changing

light, is a delight to the thoughtful mind. There is so much in the

wheat, there are books of meditation in it, it is dear to the heart.

Behind these beautiful aspects comes the reality of human labour--hours

upon hours of heat and strain; there comes the reality of a rude life,

and in the end little enough of gain. The wheat is beautiful, but human

life is labour.

The Open Air · 第 33 / 56 题