MUSICAL CLOCKS are constructed so as to play several tunes at certain

intervals with the greatest finish and perfection. The mechanism for

time-keeping being easily disconnected from the musical mechanism, the

latter may be stopped without any interference with the clock as a

time-keeper.

CARRIAGE CLOCKS are made so as to be unaffected by the motion of the

vehicle. They are usually of a small and squarish shape, enclosed in

leather, so as to protect the case from scratches; but they vary in

size,--measuring usually from four to seven inches high by

two-and-a-half to four inches in breadth and the same in depth. Some

are made without striking movement, some to strike hours, half-hours,

and quarters, some with repeating work, and some with an alarm added

to them.

+----------------------------------------------------------------------+

| [Illustration: Carriage Clock.] |

+----------------------------------------------------------------------+

LIBRARY and DINING-ROOM CLOCKS are frequently seen decorated with

highly elegant ornaments, in bronze, marble, ormolu, and with

miniature figures, as well as objects of still life, but these clocks

are usually not so conspicuously ornamental as those which are

designed for the drawing-room.

SKELETON CLOCKS are so named from their movements being all bare and

uncovered. When watches were comparative novelties it was not at all an

uncommon desire on the part of their possessors to watch the operations

of a mechanism which was regarded as wonderfully resembling life itself.

Watch cases were consequently made of crystal, and were found strong and

serviceable. In skeleton clocks the escapement is sometimes made a

peculiarly interesting feature to the non-professional eye delighting in

noting the amazing accuracy with which each piece of the mechanism works

and combines to produce the result required.

REGULATOR CLOCKS are, as we have said, the most perfect time-pieces

which can be manufactured.

TELL-TALE CLOCKS are of great service in securing the attention and

watchfulness of persons left in care of premises or property. They are

made with a number of pins projecting round the edge of the dial, and

coming into contact once every quarter of an hour with a pin fixed at

the top part of the dial, over the part which in an ordinary clock is

occupied by XII. The dial revolves completely once every twelve hours,

and presents one of the projecting pins to the index every quarter of an

hour; the watchman should then be ready at hand to pull a cord, by means

of which the projecting pin is pushed in; otherwise the dial shows the

exact time of his absence and neglect of duty.

+----------------------------------------------------------------------+

| [Illustration: English Ormolu Clocks.] |

| |

| [Illustration: English Ormolu Clock, &c.] |

| |

| [Illustration: English Ormolu Clock, &c.] |

| |

| [Illustration: Tell-Tale Clock.] |

+----------------------------------------------------------------------+

ELECTRICAL CLOCKS have been several times planned and made by

different ingenious inventors, and obtained considerable notice, but

they have not been hitherto as successful as was expected. Electricity

has been applied to the direct movement of the pendulum itself, and

subsequently to the raising a small weight to act upon the pendulum in

the style of a gravity escapement. In perhaps the latest of these

instruments, called a Magnetic Clock, an electromagnet was used to

relieve the pendulum from the influence of the spring by which

impulsion had been given, and to make the return or reflex vibration.

Electric clocks are now seldom made; electric dials without any

clock-movement in connection with them are made to show the standard

time by means of a galvanic current sent from the Greenwich

Observatory clock at intervals of a minute or half-minute it may

be,--even as Electric Timeballs show to distant towns and out-ports,

by means of such a current, the exact Greenwich time once a day.

The ELECTRO-CHRONOGRAPH is a new and useful invention for timing with

great precision the quickest of events. It is applied to a central

seconds clock with a dial three feet in circumference showing the

hours, minutes, seconds and fifths of seconds. This clock erected in a

prominent position, say on a raceground, and worked by electricity,

enables the starter of a race to set the works in motion; by means of

a tape held up at the winning post and connected with the batteries,

the winner upon breasting the tape stops the hand of the clock.

* * * * *

The following simple directions will be found of great use in the

management of a Clock:--

When the Clock is unpacked it should be carefully handled with a silk

handkerchief or piece of tissue paper, to prevent the moisture of the

hands soiling the case. Unscrew the bell and take it off, then put on

the pendulum by passing it through the fork, and hang it upon the two

small brass pins, _with the hook from you_. Screw on the bell with the

convex part outwards, taking care that it does not touch the pendulum.

The stand or bracket should be both steady and level before the Clock

is placed upon it; for, unless the Clock is quite in proper beat--that

is, unless the beats or ticks occur at equal intervals, it cannot go

regularly.

In order to set the Clock to the hour of the day, the minute-hand

should be turned on carefully forward with the finger and thumb, the

setter pausing as he reaches the XII. and the VI., to allow the Clock

to strike each hour and half-hour.

If the striking should at any time be wrong, and it should strike the

hour at the half-hour, or the half-hour at the hour, the error can be

rectified by moving the minute-hand on to 5 minutes before the hour,

or half-hour, and then back until it strikes.

Or, if it should strike a wrong hour--_e.g._, supposing the Clock

should strike 3, and the hour-hand point at 7, then the hour-hand may

be moved back to 3, and the Clock afterwards set to the hour of the

day in the usual manner.

If, at any future time, the Clock should require regulating, the small

steel square above the XII. is the regulator, and turning it a

_little_ to the right (half-turn of key) will make the Clock go

faster, and to the left, slower. This should be repeated until the

desired effect is obtained.

The bell-stud, or arm to which the bell is screwed, is purposely made

of soft metal, so that it can be bent up or down so as to obtain a

heavy or light blow of the hammer as may be desired.

Both squares in the dial should be wound once a week.

TURRET CLOCKS.

A Church tower without a clock and bells seems an unfurnished edifice,

which must be fitted and filled before it can serve the purpose for

which it was built;--like a form without life, a body without a soul.

A good Church clock is useful to everybody; it is the friendly monitor

alike of rich and poor,--the regulator of every private

time-piece,--the standard of time for a whole parish or township. By

it the artisan or mechanic trudges off to his daily labour; by it the

tradesman opens and closes his shop; by it the schoolboy is admonished

as 'with shining morning face he creeps like snail unwillingly to

school;' by it the law itself regulates its penalties,--(enacting, as

it does, house-breaking between nine at night and six in the morning

to be the heavier crime of burglary;)--by it, in a word, are all the

multifarious transactions of everyday life more or less regulated and

measured, and when the church clock stops, it produces a social

discomfort and anarchy throughout a whole neighbourhood, to an extent

scarcely credible. A good public clock is a benefit to all,--a faulty

one is a general nuisance and a continual source of irritation. A

public clock is in its way as necessary as the public highway, the

public market, the public law itself. It is the product and the symbol

of advanced civilization, the one everwakeful watchman and trusty

friend of all, by whose chimes the sleepless merchant has often

planned his ventures or sighed o'er apprehended losses and dangers;

the student busied with researches has consumed the midnight oil; the

sick have counted their hours of pain, longing in the night for the

dawn, in the daytime for the night. On the other hand, when one like

Mr Justice Shallow is reminded of the mad days of his London youth, he

very aptly associates them with the Bacchanalian memories which

Falstaff appeals to,--'We have heard the chimes at midnight.'

To have lived 'where bells have knoll'd to church' was according to

Shakspeare to have been blessed by humanizing influences comparable with

those produced by having--

'Sat at good men's feasts, and wiped our eyes

Of drops that sacred pity has engendered.'

Cowper can find no better words to describe the utter desolation of

the island where the shipwrecked Selkirk bemoaned his absolute

solitude 'out of humanity's reach,' than by putting into his mouth the

language--

'But the sound of a church-going bell

These valleys and rocks never heard,

Never sigh'd at the sound of a knell,

Nor smiled when a Sabbath appear'd.'

In our everyday experience we can each testify to the truthfulness of

the poet who points to the close association which exists in most

minds between the church clock and the varying times and seasons, with

their different joys and sorrows, and we can most of us say, with

Southey,--

'I love the bell that calls the poor to pray,

Chiming from village church its cheerful sound,

When the sun smiles on labour's holy-day

And all the rustic train are gather'd round,

Each deftly dizen'd in his Sunday's best,

And pleased to hail the day of piety and rest.

And when, dim shadowing o'er the face of day,

The mantling mists of eventide rise slow,

As through the forest gloom I wend my way,

The minster curfew's sullen voice I know,

And pause, and love its solemn toll to hear,

As made by distance soft it dies upon the ear.'

It is but a short step from the sentimental consideration of such

reminiscences to the practical inquiry how is the public time kept,

and yet it is one which probably is seldom taken with a view to more

or less thorough investigation. Without traversing the distance which

divides us from that antique time when Archimedes measured the shadows

of the Pyramids by his walking-stick, or when the 'dial of Ahaz' was

constructed as one of the first of historical time-measurers, we can

discover the principles upon which an instrument such as a thoroughly

serviceable public clock of the present time, with all the newest

improvements both in time-keeping and in wearing qualities, should be

produced.

It is of some consequence, in the first place, to know that the

introduction of steam-machinery has added to the accuracy of clockwork

and at the same time considerably diminished its cost; fifty or sixty

years ago there would have been charged as much as £800 for a turret

clock inferior to that which may now be procured for £150; and the

result is to be seen in the largely increased numbers of public

time-pieces. It is obvious, however, that there is none the less need

of care in the choice of a Clockmaker, for upon his skill and

trustworthiness will depend whether the money be well spent or not,

and whether the instrument furnished by him prove to be valuable and

serviceable. It is not a purchase wherein the buyer can usually of

himself judge of the merits of his bargain, he must rely upon the

reputation established by previous works of the same kind. If the

Clockmaker be not merely a clock-seller (as is too often the case, for

Turret Clockmakers are but few), he will be able to point to similar

instruments made and set up by himself in different towns and cities,

in proof of his ability, but there will still be a necessity for

explaining to the purchaser the chief points upon which the accuracy

of such a time-keeper must depend.

In the first place, it is necessary to say that Turret Clocks are not

merely house clocks upon an enlarged scale, differing from the latter

merely in size and weight, but that the extra strength of the

machinery requires greater weight of materials 'in a ratio as much

higher as the cube is higher than the square of any of its

dimensions,' and that increased weight means increase of friction.

Besides this point which is peculiarly the province of the Turret

Clockmaker, there are important questions to be considered by

architects and their employers as to the proper method of constructing

a Turret Clock chamber, so as to prevent too much atmospheric

variation,--heat and cold, wind and damp, being each likely in some

degree, as the seasons change, to affect the public time-keeper,--as

witness the clock of St Paul's Cathedral, popularly believed to be an

exemplary piece of mechanism, and yet often forced by the wind to vary

its time so as to damage its own reputation among those who narrowly

watch its behaviour under what may be called trying circumstances. It

is not wise to build a tower without careful consideration for the

tenant which is to occupy it, or having regard merely to architectural

notions of external proportion, for usually it happens that when clock

and bells occur as an afterthought, there is often some difficulty

and extra expense in planning the room for them. Plenty of length and

breadth to allow of the proper fall of the clock-weights and the swing

of the pendulum save much in the cost of fixing, and are necessary to

secure good time-keeping with the least trouble, for it is obvious

that where numerous bevelled wheels with rod-work are employed for the

purpose of moving the hands over the dial, if the probabilities of

unvarying accuracy are not lessened, the cost must be much increased.

Works which have to be placed at some distance from the dials must be

more powerful than if they could be put in their proper place, and a

little forethought in the architect will save much money both in the

original price of the machinery of a clock and in its subsequent

repair. Then again, there is always the question for and against the

illumination of dials to be considered, and of course with this is

unavoidably mixed up not only the arrangements as regards space for

the proper working of the time-keeping, striking, and lighting

machinery, but the vexed question of ventilation above referred

to,--some horologers asserting that chambers as nearly air tight as

may be should be devised, and others that there ought to be a draught

through the clock-room. There are in fact so many opinions more or

less excellent, according to the circumstances of each case, that

there is no laying down any arbitrary and unvarying rule, much must be

left to the discretion of the Turret Clock manufacturer,--upon whom as

has been already stated it is necessary also to rely for the

essentials of a good clock, viz., the soundness of the materials, the

quality of the workmanship, and the scientific accuracy with which the

instrument has been planned and put together. Now before considering

the present advanced state of the art of Turret Clockmaking and the

various improvements which have to be carefully studied and applied by

the makers who would bear the highest reputations as manufacturers, it

will be necessary to bear in mind what has been said of the

step-by-step progress in horological science of which we have already

endeavoured to give the chief particulars. From 1288 A.D., the date of

the oldest historical clock--that mentioned as having been set up near

Westminster Hall by means of funds derived from a fine levied by the

Lord Chief Justice of the period--till now when Big Ben reigns in its

stead, is a long interval, with many wonderful incidents, and some

great historical names. Henry de Wyck's Paris invention, Galileo's

discovery of the pendulum, Huygens's practical application of that

discovery, Dr Hooke's 'anchor' escapement, and Graham's dead-beat

escapement, Harrison's 'gridiron' pendulum, and the latest

applications of electricity and eccentricity, have each and all their

peculiar attraction for horological students, but we need not recur

to these branches of this highly interesting subject elsewhere treated

of. We will proceed to mention a few memoranda about several old

public clocks whose ingenious mechanism gained for them a

well-deserved fame,--not, perhaps, so much for accuracy in

time-keeping as for the grotesque devices with which old clockmakers

amused their contemporaries? To them time, as such, was perhaps of not

so much consequence as it is to us in these days of telegraph and

steam communication. We moderns seem to think it a task sufficiently

difficult to set up a sound public time-piece without connecting

therewith the wonder-working machinery of a wax-work exhibition.

The CLOCK AT WELLS CATHEDRAL, made originally A.D. 1340, by a monk

named Peter Lightfoot, is one of the best known of its class still in

some sort of working order. The dial of this horologe is divided into

24 hours; it shows the motion of the sun and moon, and bears upon its

summit eight armed knights on horseback, tilting with lance in rest at

one another, by a double rotatory motion. This clock was removed from

Glastonbury to Wells after the dissolution of the Glastonbury

Monastery. In 1835 the works were so worn away that they were replaced

by a new train, the curious old dial and equestrian knights being

still retained.

+----------------------------------------------------------------------+

| [Illustration: Wells Cathedral Clock.] |

+----------------------------------------------------------------------+

ST DUNSTAN'S CLOCK [see p. 137]. This Clock, when old St Dunstan's

Church in Fleet Street was pulled down, was sold by public auction,

and bought by the late Marquis of Hertford, for whom Decimus Burton the

architect erected St Dunstan's Villa in the Regent's Park. In the

grounds of that villa this old clock with its automaton giants striking

the hours and quarters was put up, and it is there still, to be seen in

full working order, performing the same duties as of yore in Fleet

Street.

ST JAMES'S PALACE CLOCK [see p. 138] is one of the most ancient public

time-pieces now in use, but is intended soon to be removed it is said

to South Kensington Museum. It has a locking-plate with ting-tang

quarter, the quarter hammers being raised from the pin wheel while the

striking hammer is lifted from the pins in the main wheel. It has a

crown-wheel escapement with teeth on its edge, and the pallets working

upright instead of over the top like a verge escapement. The hands are

connected by the bevel wheels below the clock. The whole of the going

train with the intermediate and bevel wheels are attached to the one

bar so that the whole of the works have to be removed if one piece

requires alteration or renewal. The pendulum rod is of iron.

+----------------------------------------------------------------------+

| [Illustration: St Dunstan's Clock.] |

+----------------------------------------------------------------------+

ST PAUL'S CATHEDRAL CLOCK [see p. 140] is one of the best examples of

old-fashioned clocks in London; it occupies the clock-room in the

south-western tower. It may be described as a ting-tang quarter on the

rack principle, having hammers raised from pins in the main wheel as in

St James's Palace Clock. The train is run in a bar, so that to get away

one piece the rest must be disturbed. The escapement is a recoil,

beating two seconds with a wood rod pendulum. The length of the minute

hand is eight feet, and its weight 75lb; the length of the hour hand is

five feet five inches, and its weight 44lb. The diameter of the bell,

made from old 'Great Tom of Westminster,' is about 10 feet, its weight

11,474lb; the hammer weighs 145lb, and the clapper 180lb.

+----------------------------------------------------------------------+

| [Illustration: St James's Palace Clock.] |

+----------------------------------------------------------------------+

The OLD CLOCK AT THE ROYAL FREE HOSPITAL, GRAY'S INN LANE, is a fair

specimen of the work of 120 years ago. It has a recoil escapement,

most of the wheels are of wrought-iron, cut by hand, as is also the

pinion. The pendulum rod is of iron with leaden bob.

THE WHEELS.

+----------------------------------------------------------------------+

| [Illustration: St Paul's Cathedral Clock.] |

+----------------------------------------------------------------------+

And now, in order to form a judgment of what is necessary to be done to

make a really sound and valuable Turret Clock of the present day, let me

describe the materials of which it should be formed. One of the most

important parts of a clock is the wheel-work. Iron wheels are of course

very much cheaper than those which are made of gun metal or hard brass,

but iron wheels, however well they may sometimes wear, are more liable

to oxidize and to decay, and although it is certain that a large number

of clocks are constructed with iron wheels by London houses of some

reputation, a few years are generally sufficient to prove such

time-pieces to be very faulty, and to necessitate the substitution of

wheels of the superior metal.

+----------------------------------------------------------------------+

| [Illustration: Old Clock at the Royal Free Hospital.] |

+----------------------------------------------------------------------+

The best clocks are usually made with wheels of the best gun metal.

The teeth are cut by steam power, with an improved cutting engine; and

at the same moment that the teeth are cut, they are finished by the

engine without the aid of the file, sand-paper, or other polishing

materials, so that the most minute difference cannot possibly occur,

their accuracy being secured even to the thousandth part of an inch.

In the old times this work was done by a man turning a fly-wheel, but

that method necessarily occasioned an unevenness of cut which had

afterwards to be removed by filing and hand polishing. Wheels thus

made could not of course have that precision of movement which is

essential in a public clock, and which can only be obtained by a

perfect mechanical fit of the teeth of the wheels, such true

mechanical fitting being only secured by truly accurate cutting

machines. Hand cutting varies with each artisan, and therefore cannot

be equally trustworthy. In cheap clocks, constructed to suit public

companies who give their contract to the lowest tender, iron is

frequently used instead of steel, both in the pinions and arbors, and

cast-iron takes the place of gun metal or hard brass in the wheels and

bosses,--the result usually being that the Public Clock gets into

disrepute through its requiring to be repaired so frequently, and more

money is expended upon such repairs than would have sufficed for the

purchase of a thoroughly perfect time-keeper. It is urged by the

advocates of iron wheels that a clock can be manufactured at a

considerably less cost by their employment, but in estimating expense

there seems to have been overlooked the important question, as to what

will be the probable durability of the machine.

I should be sorry to condemn wholesale all clocks, the main wheels of

which are made of iron, but very certain it is that a large proportion

of clocks constructed of this material and by London houses of great

reputation (despite of their possessing an escapement invented by

amateurs who consider themselves the depositories of all horological

knowledge), have been found most faulty time-keepers, and after a few

years have become entirely worn out and useless.

Time and Time-Tellers · 第 6 / 9 段