Philip Nolan was as fine a young officer as there was in the "Legion of

the West," as the Western division of our army was then called. When

Aaron Burr made his first dashing expedition down to New Orleans in

1805, at Fort Massac, or somewhere above on the river, he met, as the

devil would have it, this gay, dashing, bright young fellow; at some

dinner party, I think. Burr marked him, talked to him, walked with him,

took him a day or two's voyage in his flatboat, and, in short,

fascinated him. For the next year, barrack life was very tame to poor

Nolan. He occasionally availed himself of the permission the great man

had given him to write to him. Long, high-worded, stilted letters the

poor boy wrote and rewrote and copied. But never a line did he have in

reply from the gay deceiver. The other boys in the garrison sneered at

him, because he sacrificed in this unrequited affection for a

politician the time which they devoted to Monongahela, hazard, and

high-low-jack. But one day Nolan had his revenge. This time Burr came

down the river, not as an attorney seeking a place for his office, but

as a disguised conquerer. He had defeated I know not how many district

attorneys; he had dined at I know not how many public dinners; he had

been heralded in I don't know how many "Weekly Arguses," and it was

rumored that he had an army behind him and an empire before him. It was

a great day--his arrival--to poor Nolan. Burr had not been at the fort

an hour before he sent for him. That evening he asked Nolan to take him

out in his skiff, to show him a canebrake or a cottonwood tree, as he

said--really to seduce him; and by the time the sail was over, Nolan

was enlisted body and soul. From that time, though he did not yet know

it, he lived as A MAN WITHOUT A COUNTRY.

What Burr meant to do I know no more than you. It is none of our

business just now. Only, when the grand catastrophe came, and Jefferson

and the House of Virginia of that day undertook to break on the wheel

all the possible Clarences of the then House of York, by the great

treason trial at Richmond, some of the lesser fry in that distant

Mississippi Valley, which was farther from us than Puget's Sound is to-

day, introduced the like novelty on their provincial stage; and, to

while away the monotony of the summer at Fort Adams, got up, for

"spectacles," a string of court-martials on the officers there. One and

another of the colonels and majors were tried, and, to fill out the

list, little Nolan, against whom, Heaven knows, there was evidence

enough--that he was sick of the service, had been willing to be false

to it, and would have obeyed any order to march any-whither with any

one who would follow him had the order been signed, "By command of His

Exc. A. Burr." The courts dragged on. The big flies escaped--rightly

for all I know. Nolan was proved guilty enough, as I say; yet you and I

would never have heard of him, but that, when the president of the

court asked him at the close whether he wished to say anything to show

that he had always been faithful to the United States, he cried out, in

a fit of frenzy:--"Damn the United States! I wish I may never hear of

the United States again!"

I suppose he did not know how the words shocked old Colonel Morgan, who

was holding the court. He, on his part, had grown up in the West of

those days, in the midst of "Spanish plot," "Orleans plot," and all the

rest. He had spent half his youth with an older brother, hunting horses

in Texas; and, in a word, to him "United States" was scarcely a

reality. Yet he had been fed by "United States" for all the years since

he had been in the army. He had sworn on his faith as a Christian to be

true to "United States." It was "United States" which gave him the

uniform he wore, and the sword by his side. I do not excuse Nolan; I

only explain to the reader why he damned his country, and wished he

might never hear her name again.

He never did hear her name but once again. From that moment, September

23, 1807, till the day he died, May 11, 1863, he never heard her name

again. For that half century and more he was a man without a country.

Old Morgan, as I said, was terribly shocked. He called the court into

his private room, and returned in fifteen minutes, with a face like a

sheet, to say:--

"Prisoner, hear the sentence of the court! The court decides, subject

to the approval of the president, that you never hear the name of the

United States again."

Nolan laughed. But nobody else laughed. Old Morgan was too solemn, and

the whole room was hushed dead as night for a minute. Even Nolan lost

his swagger in a moment. Then Morgan added:--

"Mr. Marshal, take the prisoner to Orleans in an armed boat, and

deliver him to the naval commander there."

The marshal gave his orders and the prisoner was taken out of court.

"Mr. Marshal," continued old Morgan, "see that no one mentions the

United States to the prisoner. Mr. Marshal, make my respects to

Lieutenant Mitchell at Orleans, and request him to order that no one

shall mention the United States to the prisoner while he is on board

ship. You will receive your written orders from the officer on duty

here this evening. The court is adjourned without day."

The plan then adopted was substantially the same which was necessarily

followed ever after. The Secretary of the Navy was requested to put

Nolan on board a government vessel bound on a long cruise, and to

direct that he should be only so far confined there as to make it

certain that he never saw or heard of the country. One afternoon a lot

of the men sat on the deck smoking and reading aloud. Well, so it

happened that in his turn Nolan took the book and read to the others;

and he read very well. Nobody in the circle knew a line of the poem,

only it was all magic and Border chivalry, and was ten thousand years

ago. Poor Nolan read steadily through the fifth canto without a thought

of what was coming:--

"Breathes there the man with soul so dead,

Who never to himself hath said,"--

It seems impossible to us that anybody ever heard this for the first

time; but all these fellows did then, and poor Nolan himself went on,

still unconsciously or mechanically:--

"This is my own, my native land!"

Then they all saw something was to pay; but he expected to get through,

I suppose, turned a little pale, but plunged on:--

"Whose heart hath ne'er within him burned

As home his footsteps he hath turned

From wandering on a foreign strand?--

If such there breathe, go, mark him well,"--

By this time the men were all beside themselves, wishing there was any

way to make him turn over two pages; but he had not quite presence of

mind for that; he gagged a little, colored crimson, and staggered on:--

"For him no minstrel raptures swell;

High though his titles, proud his name,

Boundless his wealth as wish can claim,

Despite these titles, power, and pelf,

The wretch, concentred all in self,"--

and here the poor fellow choked, could not go on, but started up, swung

the book into the sea, vanished into his stateroom, and we did not see

him for two months again. He never entered in with the young men

exactly as a companion again; but generally he had the nervous, tired

look of a heart-wounded man.

And when Nolan died, there was found in his Bible a slip of paper at

the place where he had marked the text:--

"They desire a country, even a heavenly; wherefore God is not ashamed

to be called their God; for He hath prepared for them a city."

On this slip of paper he had written:--

"Bury me in the sea; it has been my home, and I love it. But will not

some one set up a stone for my memory at Fort Adams or at Orleans, that

my disgrace may not be more than I ought to bear? Say on it:--

"In Memory of

"PHILIP NOLAN,

"_Lieutenant in the Army of the United States_.

"He loved his country as no other man has loved her; but

no man deserved less at her hands."

THE EXECUTION OF RODRIGUEZ

From "Cuba in War Time," with the author's permission

BY RICHARD HARDING DAVIS

Adolfo Rodriguez was the only son of a Cuban farmer. When the

revolution broke out, young Rodriguez joined the insurgents, leaving

his father and mother and two sisters at the farm. He was taken by the

Spanish, was tried by a military court for bearing arms against the

government, and sentenced to be shot by a fusillade some morning before

sunrise. His execution took place a half mile distant from the city, on

the great plain that stretches from the forts out to the hills, beyond

which Rodriguez had lived for nineteen years.

There had been a full moon the night preceding the execution, and when

the squad of soldiers marched out from town, it was still shining

brightly through the mists. It lighted a plain two miles in extent

broken by ridges and gullies and covered with thick, high grass and

with bunches of cactus and palmetto.

The execution was quickly finished with rough, and, but for one

frightful blunder, with merciful swiftness. The crowd fell back when it

came to the square of soldiery, and the condemned man, the priests, and

the firing squad of six young volunteers passed in and the lines closed

behind them.

Rodriguez bent and kissed the cross which the priest held up before

him. He then walked to where the officer directed him to stand, and

turned his back to the square and faced the hills and the road across

them which led to his father's farm. As the officer gave the first

command he straightened himself as far as the cords would allow, and

held up his head and fixed his eyes immovably on the morning light

which had just begun to show above the hills.

The officer had given the order, the men had raised their pieces, and

the condemned man had heard the clicks of the triggers as they were

pulled back, and he had not moved. And then happened one of the most

cruelly refined, though unintentional, acts of torture that one can

very well imagine. As the officer slowly raised his sword, preparatory

to giving the signal, one of the mounted officers rode up to him and

pointed out silently--the firing squad were so placed that when they

fired they would shoot several of the soldiers stationed on the extreme

end of the square.

Their captain motioned his men to lower their pieces, and then walked

across the grass and laid his hand on the shoulder of the waiting

prisoner. It is not pleasant to think what that shock must have been.

The man had steeled himself to receive a volley of bullets in the back.

He believed that in the next instant he would be in another world; he

had heard the command given, had heard the click of the Mausers as the

locks caught--and then, at that supreme moment, a human hand had been

laid upon his shoulder and a voice spoke in his ear.

You would expect that any man who had been snatched back to life in

such a fashion would start and tremble at the reprieve, or would break

down altogether, but this boy turned his head steadily, and followed

with his eyes the direction of the officer's sword, then nodded his

head gravely, and with his shoulders squared, took up a new position,

straightened his back again, and once more held himself erect. As an

exhibition of self-control this should surely rank above feats of

heroism performed in battle, where there are thousands of comrades to

give inspiration. This man was alone, in sight of the hills he knew,

with only enemies about him, with no source to draw on for strength but

that which lay within himself.

The officer of the firing squad, mortified by his blunder, hastily

whipped up his sword, the men once more leveled their rifles, the sword

rose, dropped, and the men fired. At the report the Cuban's head

snapped back almost between his shoulders, but his body fell slowly, as

though some one had pushed him gently forward from behind and he had

stumbled. He sank on his side in the wet grass without a struggle or

sound, and did not move again.

At that moment the sun, which had shown some promise of its coming in

the glow above the hills, shot up suddenly from behind them in all the

splendor of the tropics, a fierce, red disk of heat, and filled the air

with warmth and light.

THE INFORMAL DISCUSSION

THE FLOOD OF BOOKS

From "Essays in Application," with the permission of Charles Scribner's

Sons, New York, publishers.

BY HENRY VAN DYKE

There is the highest authority for believing that a man's life, even

though he be an author, consists not in the abundance of things that he

possesses. Rather is its real value to be sought in the quality of the

ideas and feelings that possess him, and in the effort to embody them

in his work.

The work is the great thing. The delight of clear and steady thought,

of free and vivid imagination, of pure and strong emotion; the

fascination of searching for the right words, which sometimes come in

shoals like herring, so that the net can hardly contain them, and at

other times are more shy and fugacious than the wary trout which refuse

to be lured from their hiding places; the pleasure of putting the fit

phrase in the proper place, of making a conception stand out plain and

firm with no more and no less than is needed for its expression, of

doing justice to an imaginary character so that it shall have its own

life and significance in the world of fiction, of working a plot or an

argument clean through to its inevitable close: these inward and

unpurchasable joys are the best wages of the men and women who write.

What more will they get? Well, unless history forgets to repeat itself,

their additional wages, their personal dividends under the profit-

sharing system, so to speak, will be various. Some will probably get

more than they deserve, others less.

The next best thing to the joy of work is the winning of gentle readers

and friends who find some good in your book, and are grateful for it,

and think kindly of you for writing it.

The next best thing to that is the recognition, on the part of people

who know, that your work is well done, and of fine quality. That is

called fame, or glory, and the writer who professes to care nothing for

it is probably deceiving himself, or else his liver is out of order.

Real reputation, even of a modest kind and of a brief duration, is a

good thing; an author ought to be able to be happy without it, but

happier with it.

EFFECTIVENESS IN SPEAKING

From the Introduction to "The World's Famous Orations," with the

permission of Funk and Wagnalls Company, New York and London,

publishers.

BY WILLIAM JENNINGS BRYAN

While it is absolutely necessary for the orator to master his subject

and to speak with earnestness, his speech can be made more effective by

the addition of clearness, brevity and apt illustrations.

Clearness of statement is of very great importance. It is not

sufficient to say that there are certain self-evident truths; it is

more accurate to say that all truth is self-evident. Because truth is

self-evident, the best service that one can render a truth is to state

it so clearly that it can be comprehended, needs no argument in its

support. In debate, therefore, one's first effort should be to state

his own side so clearly and concisely as to make the principles

involved easily understood. His second object should be so to divest

his opponent's argument of useless verbiage as to make it stand forth

clearly; for as truth is self-evident, so error bears upon its face its

own condemnation. Error needs only to be exposed to be overthrown.

Brevity of statement also contributes to the force of a speaker. It is

possible so to enfold a truth in long-drawn-out sentences as

practically to conceal it. The epigram is powerful because it is full

of meat and short enough to be remembered. To know when to stop is

almost as important as to know where to begin and how to proceed. The

ability to condense great thoughts into small words and brief sentences

is an attribute of genius. Often one lays down a book with the feeling

that the author has "said nothing with elaboration," while in perusing

another book one finds a whole sermon in a single sentence, or an

unanswerable argument couched in a well-turned phrase.

The interrogatory is frequently employed by the orator, and when wisely

used is irresistible. What dynamic power for instance, there is in that

question propounded by Christ, "What shall it profit a man if he gain

the whole world and lose his own soul?" Volumes could not have

presented so effectively the truth that he sought to impress upon his

hearers.

The illustration has no unimportant place in the equipment of the

orator. We understand a thing more easily when we know that it is like

something which we have already seen. Illustrations may be drawn from

two sources--nature and literature--and of the two, those from nature

have the greater weight. All learning is valuable; all history is

useful. By knowing what has been we can better judge the future; by

knowing how men have acted heretofore we can understand how they will

act again in similar circumstances. But people know nature better than

they know books, and the illustrations drawn from everyday life are the

most effective.

If the orator can seize upon something within the sight or hearing of

his audience,--something that comes to his notice at the moment and as

if not thought of before,--it will add to the effectiveness of the

illustration. For instance, Paul's speech to the Athenians derived a

large part of its strength from the fact that he called attention to an

altar near by, erected "to the Unknown God," and then proceeded to

declare unto them the God whom they ignorantly worshiped.

Abraham Lincoln used scripture quotations very frequently and very

powerfully. Probably no Bible quotation, or, for that matter, no

quotation from any book ever has had more influence upon a people than

the famous quotation made by Lincoln in his Springfield speech of

1858,--"A house divided against itself cannot stand." It is said that

he had searched for some time for a phrase which would present in the

strongest possible way the proposition he intended to advance--namely,

that the nation could not endure half slave and half free.

It is a compliment to a public speaker that the audience should discuss

what he says rather than his manner of saying it; more complimentary

that they should remember his arguments, than that they should praise

his rhetoric. The orator should seek to conceal himself behind his

subject. If he presents himself in every speech he is sure to become

monotonous, if not offensive. If, however, he focuses attention upon

his subject, he can find an infinite number of themes and, therefore,

give variety to his speech.

BOOKS, LITERATURE, AND THE PEOPLE

From "Essays in Application," with the permission of Charles Scribner's

Sons, New York, publishers.

BY HENRY VAN DYKE

Every one knows what books are. But what is literature? It is the ark

on the flood. It is the light on the candlestick. It is the flower

among the leaves; the consummation of the plant's vitality, the crown

of its beauty, and the treasure house of its seeds. It is hard to

define, easy to describe.

Literature is made up of those writings which translate the inner

meanings of nature and life, in language of distinction and charm,

touched with the personality of the author, into artistic forms of

permanent interest. The best literature, then, is that which has the

deepest significance, the most lucid style, the most vivid

individuality, and the most enduring form.

On the last point contemporary judgment is but guess-work, but on the

three other points it should not be impossible to form, nor improper to

express, a definite opinion.

Literature has its permanent marks. It is a connected growth, and its

life history is unbroken. Masterpieces have never been produced by men

who have had no masters. Reverence for good work is the foundation of

literary character. The refusal to praise bad work, or to imitate it,

is an author's personal chastity.

Good work is the most honorable and lasting thing in the world. Four

elements enter into good work in literature:--An original impulse--not

necessarily a new idea, but a new sense of the value of an idea. A

first-hand study of the subject and the material. A patient, joyful,

unsparing labor for the perfection of form. A human aim--to cheer,

console, purify, or ennoble the life of the people. Without this aim

literature has never sent an arrow close to the mark. It is only by

good work that men of letters can justify their right to a place in the

world. The father of Thomas Carlyle was a stonemason, whose walls stood

true and needed no rebuilding. Carlyle's prayer was, "Let me write my

books as he built his houses."

EDUCATION FOR BUSINESS

From an address before the New York Chamber of Commerce, 1890

BY CHARLES WILLIAM ELIOT

Before we can talk together to advantage about the value of education

in business, we ought to come to a common understanding about the sort

of education we mean and the sort of business.

We must not think of the liberal education of to-day as dealing with a

dead past--with dead languages, buried peoples, exploded philosophies;

on the contrary, everything which universities now teach is quick with

life and capable of application to modern uses. They teach indeed the

languages and literature of Judea, Greece, and Rome; but it is because

those literatures are instinct with eternal life. They teach

mathematics, but it is mathematics mostly created within the lifetime

of the older men here present. In teaching English, French, and German,

they are teaching the modern vehicles of all learning--just what Latin

was in medieval times. As to history, political science, and natural

science, the subjects, and all the methods by which they are taught,

may properly be said to be new within a century. Liberal education is

not to be justly regarded as something dry, withered, and effete; it is

as full of sap as the cedars of Lebanon.

And what sort of business do we mean? Surely the larger sorts of

legitimate and honorable business; that business which is of advantage

both to buyer and seller, and to producer, distributor, and consumer

alike, whether individuals or nations, which makes common some useful

thing which has been rare, or makes accessible to the masses good

things which have been within reach only of the few--I wish I could say

simply which make dear things cheap; but recent political connotations

of the word cheap forbid. We mean that great art of production and

exchange which through the centuries has increased human comfort,

cherished peace, fostered the fine arts, developed the pregnant

principle of associated action, and promoted both public security and

public liberty.

With this understanding of what we mean by education on the one hand

and business on the other, let us see if there can be any doubt as to

the nature of the relations between them. The business man in large

affairs requires keen observation, a quick mental grasp of new

subjects, and a wide range of knowledge. Whence come these powers and

attainments--either to the educated or to the uneducated--save through

practice and study? But education is only early systematic practice and

study under guidance. The object of all good education is to develop

just these powers--accuracy in observation, quickness and certainty in

seizing upon the main points of new subjects, and discrimination in

separating the trivial from the important in great masses of facts.

This is what liberal education does for the physician, the lawyer, the

minister, and the scientist. This is what it can do also for the man of

business; to give a mental power is one of the main ends of the higher

education. Is not active business a field in which mental power finds

full play? Again, education imparts knowledge, and who has greater need

to know economics, history, and natural science than the man of large

business?

Further, liberal education develops a sense of right, duty, and honor;

and more and more, in the modern world, large business rests on

rectitude and honor, as well as on good judgment. Education does this

through the contemplation and study of the moral ideals of our race;

not in drowsiness or dreaminess or in mere vague enjoyment of poetic

and religious abstractions, but in the resolute purpose to apply

spiritual ideals to actual life. The true university fosters ideals,

but always to urge that they be put into practice in the real world.

When the universities hold up before their youth the great Semitic

ideals which were embodied in the Decalogue, they mean that those

ideals should be applied in politics. When they teach their young men

that Asiatic ideal of unknown antiquity, the Golden Rule, they mean

that their disciples shall apply it to business; when they inculcate

that comprehensive maxim of Christian ethics, "Ye are all members of

one another," they mean that this moral principle is applicable to all

human relations, whether between individuals, families, states, or

nations.

THE BEGINNINGS OF AMERICAN ORATORY

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