CONCLUSION.
I write all this you suppose with composure. But far from it; I cannot
think of it without agitation. Nothing but your earnest desire so
repeatedly expressed, could have induced me to sit down to a task that
has unstrung my nerves for months to come, and reinduced a shadow of the
unspeakable horror which years after my deliverance continued to make my
days and nights dreadful, and solitude insupportably terrific.
Let me add a word or two about that quaint Baron Vordenburg, to whose
curious lore we were indebted for the discovery of the Countess
Mircalla's grave.
He had taken up his abode in Gratz, where, living upon a mere pittance,
which was all that remained to him of the once princely estates of his
family, in Upper Styria, he devoted himself to the minute and laborious
investigation of the marvellously authenticated tradition of Vampirism.
He had at his fingers' ends all the great and little works upon the
subject. "Magia Posthuma," "Phlegon de Mirabilibus," "Augustinus de curâ
pro Mortuis," "Philosophicæ et Christiæ Cogitationes de Vampiris," by
John Christofer Herenberg; and a thousand others, among which I
remember only a few of those which he lent to my father. He had a
voluminous digest of all the judicial cases, from which he had extracted
a system of principles that appear to govern--some always, and others
occasionally only--the condition of the vampire. I may mention, in
passing, that the deadly pallor attributed to that sort of _revenants_,
is a mere melodramatic fiction. They present, in the grave, and when
they show themselves in human society, the appearance of healthy life.
When disclosed to light in their coffins, the exhibit all the symptoms
that are enumerated as those which proved the vampire-life of the
long-dead Countess Karnstein.
How they escape from their graves and return to them for certain hours
every day, without displacing the clay or leaving any trace of
disturbance in the state of the coffin or the cerements, has always been
admitted to be utterly inexplicable. The amphibious existence of the
vampire is sustained by daily renewed slumber in the grave. Its horrible
lust for living blood supplies the vigour of its waking existence. The
vampire is prone to be fascinated with an engrossing vehemence,
resembling the passion of love, by particular persons. In pursuit of
these it will exercise inexhaustible patience and stratagem, for access
to a particular object may be obstructed in a hundred ways. It will
never desist until it has satiated its passion, and drained the very
life of its coveted victim. But it will, in these cases, husband and
protract its murderous enjoyment with the refinement of an epicure, and
heighten it by the gradual approaches of an artful courtship. In these
cases it seems to yearn for something like sympathy and consent. In
ordinary ones it goes direct to its object, overpowers with violence,
and strangles and exhausts often at a single feast.
The vampire is, apparently, subject, in certain situations, to special
conditions. In the particular instance of which I have given you a
relation, Mircalla seemed to be limited to a name which, if not her real
one, should at least reproduce, without the omission or addition of a
single letter, those, as we say, anagrammatically, which compose it.
_Carmilla_ did this; so did _Millarca_.
My father related to the Baron Vordenburg, who remained with us for two
or three weeks after the expulsion of Carmilla, the story about the
Moravian nobleman and the vampire at Karnstein churchyard, and then he
asked the Baron how he had discovered the exact position of the
long-concealed tomb of the Countess Millarca? The Baron's grotesque
features puckered up into a mysterious smile; he looked down, still
smiling on his worn spectacle-case and fumbled with it. Then looking up,
he said:
"I have many journals, and other papers, written by that remarkable man;
the most curious among them is one treating of the visit of which you
speak, to Karnstein. The tradition, of course, discolours and distorts a
little. He might have been termed a Moravian nobleman, for he had
changed his abode to that territory, and was, beside, a noble. But he
was, in truth, a native of Upper Styria. It is enough to say that in
very early youth he had been a passionate and favoured lover of the
beautiful Mircalla, Countess Karnstein. Her early death plunged him into
inconsolable grief. It is the nature of vampires to increase and
multiply, but according to an ascertained and ghostly law.
"Assume, at starting, a territory perfectly free from that pest. How
does it begin, and how does it multiply itself? I will tell you. A
person, more or less wicked, puts an end to himself. A suicide, under
certain circumstances, becomes a vampire. That spectre visits living
people in their slumbers; _they_ die, and almost invariably, in the
grave, develope into vampires. This happened in the case of the
beautiful Mircalla, who was haunted by one of those demons. My ancestor,
Vordenburg, whose title I still bear, soon discovered this, and in the
course of the studies to which he devoted himself, learned a great deal
more.
"Among other things, he concluded that suspicion of vampirism would
probably fall, sooner or later, upon the dead Countess, who in life had
been his idol. He conceived a horror, be she what she might, of her
remains being profaned by the outrage of a posthumous execution. He has
left a curious paper to prove that the vampire, on its expulsion from
its amphibious existence, is projected into a far more horrible life;
and he resolved to save his once beloved Mircalla from this.
"He adopted the stratagem of a journey here, a pretended removal of her
remains, and a real obliteration of her monument. When age had stolen
upon him, and from the vale of years he looked back on the scenes he
was leaving, he considered, in a different spirit, what he had done, and
a horror took possession of him. He made the tracings and notes which
have guided me to the very spot, and drew up a confession of the
deception that he had practised. If he had intended any further action
in this matter, death prevented him; and the hand of a remote descendant
has, too late for many, directed the pursuit to the lair of the beast."
We talked a little more, and among other things he said was this:
"One sign of the vampire is the power of the hand. The slender hand of
Mircalla closed like a vice of steel on the General's wrist when he
raised the hatchet to strike. But its power is not confined to its
grasp; it leaves a numbness in the limb it seizes, which is slowly, if
ever, recovered from."
The following Spring my father took me on a tour through Italy. We
remained away for more than a year. It was long before the terror of
recent events subsided; and to this hour the image of Carmilla returns
to memory with ambiguous alternations--sometimes the playful, languid,
beautiful girl; sometimes the writhing fiend I saw in the ruined church;
and often from a reverie I have started, fancying I heard the light step
of Carmilla at the drawing-room door.
THE END.