In Percy's Relics, this ballad is called "The Lady Isabella's Tragedy,"
and is thus introduced:--
"This ballad is given from an old black-letter copy in the Pepys
Collection, collated with another in the British Museum, H. 263,
folio. It is there entitled, 'The Lady Isabella's Tragedy, or the
Step-Mother's Cruelty; being a relation of a lamentable and cruel
murther, committed on the body of the Lady Isabella, the only
daughter to a noble Duke, etc. To the tune of "The Lady's Fall."'
To some copies are annexed eight more modern stanzas, entitled,
'The Duchess' and Cook's Lamentation.'"
Dr Whitaker says, "The remains of Radcliffe Tower prove it to have been
a manor-house of the first rank. It has been quadrangular; but two sides
only remain." A licence to kernel and embattle shows the date of its
erection, or rather rebuilding, to be in the fourth year of Henry IV.,
by James Radcliffe, who, we find by the pedigree, was the eldest son of
William Radcliffe. He married Joan, daughter to Sir John Tempest of
Bracewell, in the county of York.
"The noble old hall is forty-three feet two inches in length, and in one
part twenty-six feet, in another twenty-eight feet in width. The two
massy principals which support the roof are the most curious specimens
of ancient wood-work I have ever seen. The broadest piece of timber is
two feet seven inches by ten inches. A wall-plate on the outside of one
beam, from end to end, measures two feet by ten inches. The walls are
finished at the square with a moulded cornice of oak.
"At the bottom of the room is a door opening into one of the towers, the
lower part of which only remains, of massy grout-work, and with three
arches, each furnished with a funnel or aperture like a chimney. On the
left side of the hall are the remains of a very curious window-frame of
oak, wrought in Gothic tracery, but square at top. Near the top of the
hall, on the right, are the remains of a doorway, opening into what was
once a staircase, and leading to a large chamber above the kitchen, the
approach to which was by a door of massy oak, pointed at the top.
"Over the high tables of ancient halls (as is the case in some college
halls at present) it was common to have a small aperture, through which
the lord or master could inspect, unseen, what was going on below. But
in this situation at Radcliffe is a ramified window of oaken work,
opening from the apartment above mentioned, but now closed up."
[Illustration: RADCLIFFE TOWER.
_Drawn by G. Pickering. Engraved by Edw^d Finden._]
This consists of eight arches, with trefoil-pointed tops, four and
four, with two narrower apertures above.
"To this place and family are attached the tradition and ballad given by
Dr Percy, under the name of Isabella, but here applied to a Lord Thomas
and faire Ellenor, father and daughter, whose figures are supposed to be
graven on a slab in the church, which the common people, concluding, I
suppose, from its whiteness, that it was meant as an emblem of the
innocence it is said to cover, have mutilated by breaking off small
fragments, as amulets for the prevention or cure of disorders.
Traditions, always erroneous in their circumstances, are yet rarely
devoid of foundation; and though the pedigrees of Radcliffe exhibit no
failure of the family by the premature death of an heiress; though the
last Richard de Radcliffe, who had daughters only, certainly did not
make 'a scullion-boy the heir of all his land,' when he settled it on
Radcliffe Baron Fitzwalter; though the blood actually pointed out on the
kitchen floor, where this Thyestsean banquet is said to have been
prepared, deserves no more regard than many other stories and
appearances of the same kind; yet we are not to discard as incredible
the tradition of a barbarous age, merely because it asserts the
sacrifice of a young and beautiful heiress to the jealousy or the
avarice of a stepmother. When this is granted, the story of the pie with
all its horrors may safely be ascribed to the inventive genius of a
minstrel. On the whole, Radcliffe is a place which, not only from its
antiquity and splendour, but from the great families which have branched
out from it, and the romantic tradition attached to it, can scarcely be
surveyed without enthusiasm, or quitted without regret."
There is a story of its being haunted by a black dog; but as this
apparition has never been seen by two persons in company, it may safely
be ascribed to the genius of fear, quite as creative a power as any
other faculty of the imagination.
We have thought it best to give the ballad entire, without any
embellishments of our own. Though not in the best style of these
metrical romances, it is still of sufficient interest, from its
connection, to claim a place in the "Traditions" of the county.
There was a lord of worthy fame,
And a hunting he would ride,
Attended by a noble traine
Of gentrye by his side.
And while he did in chase remaine,
To see both sport and playe,
His ladye went, as she did feigne,
Unto the church to praye.
This lord he had a daughter deare,
Whose beauty shone so bright,
She was beloved both far and neare
Of many a lord and knight.
Fair Ellen was this damsel call'd,
A creature faire was she;
She was her father's only joye,
As you shall after see.
Therefore her cruel stepmother
Did envye her so much,
That daye by daye she sought her life,
Her malice it was such.
She bargain'd with the master-cook,
To take her life awaye;
And, taking of her daughter's book,
She thus to her did saye:--
Go home, sweet daughter, I thee praye,
Go hasten presentlie;
And tell unto the master-cook
These wordes that I tell thee:
And bid him dresse to dinner streight
That fair and milk-white doe,
That in the parke doth shine so bright
There's none so faire to showe.
This ladye, fearing of no harme,
Obey'd her mother's will;
And presentlye she hasted home,
Her pleasure to fulfil.
She streight into the kitchen went,
Her message for to tell;
And there she spied the master-cook,
Who did with malice swell.
Nowe, master-cook, it must be soe,
Do that which I thee tell:
You needes must dresse the milk-white doe
Which you do knowe full well.
Then streight his cruell bloodye hands
He on the ladye layd,
Who quivering and shaking stands,
While thus to her he sayd:--
Thou art the doe that I must dresse,
See here, behold my knife;
For it is pointed, presently
To ridd thee of thy life.
Oh then, cried out the scullion-boye,
As loud as loud might bee,
Oh save her life, good master-cook,
And make your pyes of mee!
For pitye's sake, do not destroye
My ladye with your knife;
You know shee is her father's joye,
For Christe's sake, save her life.
I will not save her life, he sayd,
Nor make my pyes of thee;
Yet, if thou dost this deed bewraye,
Thy butcher I will bee.
Now when this lord he did come home
For to'sit downe and eat,
He called for his daughter deare
To come and carve his meat.
Now sit you downe, his ladye say'd,
Oh sit you down to meat;
Into some nunnery she is gone,
Your daughter deare forget.
Then solemnlye he made a vowe
Before the companie,
That he would neither eat nor drinke
Until he did her see.
Oh then bespake the scullion-boye,
With a loud voice so hye--If
now you will your daughter see,
My lord, cut up that pye:
Wherein her flesh is minced small,
And parched with the fire;
All caused by her stepmother,
Who did her death desire.
And cursed bee the master-cook,
Oh cursed may he bee!
I proffer'd him my own heart's blood,
From death to set her free.
Then all in blacke this lord did mourne,
And, for his daughter's sake,
He judged her cruell stepmother
To be burnt at a stake.
Likewise he judged the master-cook
In boiling lead to stand;
And made the simple scullion-boye
The heire of all his land.
[Illustration: WHALLEY ABBEY.
_Drawn by G. Pickering. Engraved by Edw^d Finden._]